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https://www.facebook.com/photo.php%3Ffbid%3D767330785424020%26id%3D100064413172781%26set%3Da.556184449871989
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en
|
Facebook
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https://static.xx.fbcdn.net/rsrc.php/yb/r/hLRJ1GG_y0J.ico
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https://static.xx.fbcdn.net/rsrc.php/yb/r/hLRJ1GG_y0J.ico
|
[
"https://facebook.com/security/hsts-pixel.gif"
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[] |
[] |
[
""
] | null |
[] | null |
Sieh dir auf Facebook Beiträge, Fotos und vieles mehr an.
|
de
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https://static.xx.fbcdn.net/rsrc.php/yb/r/hLRJ1GG_y0J.ico
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https://www.facebook.com/login/
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4333
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https://www.horseracingnation.com/news/Breakthrough_year_Woman_trainers_now_are_major_players_123
|
en
|
Breakthrough year: Women trainers become major players
|
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[
"Tom Pedulla / Special to HRN",
"Tom Pedulla",
"Special to HRN"
] |
2024-01-11T13:34:00+00:00
|
The latest horse racing news from Horse Racing Nation!
|
en
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/static/images/favicon-894e86d21817a611651f5b1622a049ee.ico?vsn=d
|
Horse Racing Nation
|
https://www.horseracingnation.com/news/Breakthrough_year_Woman_trainers_now_are_major_players_123
|
Jena Antonucci earned a triumph that will resonate for generations when Arcangelo captured the 155th Belmont Stakes, making her the first woman to train the winner of a Triple Crown race.
Linda Rice, after topping the standings in a succession of New York meets, set the record for victories in a single season on that rugged circuit when she recorded her 165th victory at Aqueduct on New Year’s Eve.
Brittany Russell, in only her fourth full season, emerged as the first woman to lead Maryland’s year-end trainer standings with 118 wins between Laurel Park and Pimlico. Claudio Gonzalez had maintained a grip on that title since 2017.
Cherie DeVaux stamped herself as yet another rising female star when she set career highs with 56 victories and $5,558,777 in earnings in 2023. She more than doubled her earnings total of the season before.
After years of toiling with relatively small stables in virtual anonymity, can it be that women are finally ready to make a considerable mark on an industry notoriously slow to accept change? Or will they be unable to back up last year’s breakthroughs?
Antonucci is confident that her ground-breaking success and that of others signals things to come. “I don’t find it to be an anomaly,” she said. “I find it to be a fair representation of work that has always been done.”
Rice, 59, had been steadily building toward her record success. She traces her ability to surpass David Jacobson’s mark of 164 wins, which had stood since 2013, to a critical decision she made that same year. She opted to race in her home state of New York year-round to capitalize on its hefty purses.
“That’s been a big part of it,” she said. “I felt we should concentrate on New York racing and the things you do well.”
Another pivotal move was her decision about five years ago to play the claiming game in earnest. “That was due to financial restraints at auctions,” Rice said. She consistently found herself without the spending power to bring home prospects she wanted most.
Working with horses obtained from the claiming ranks requires extreme patience. “You’re going to find horses that need time. A horse that’s lame. A horse that needs a chip removed from an ankle. A horse that needs time off for mild pneumonia,” she noted.
Rice provides them with the time they need to run effectively again.
She also has demonstrated a keen eye for spotting claiming horses with ability and then identifying sources for improvement. “Certainly, in the claiming game, if you are going to run them where they can win, you are going to lose a lot of horses,” she said. “But you just have to have the confidence that you will replace them.”
Rice does such a good job of replenishing her stock that she has become a woman for all seasons. She was NYRA’s leading trainer last winter, she captured Belmont Park’s spring-summer stand, she pulled out a tie with Chad Brown at Saratoga and showed the way at Aqueduct last fall.
“The year-end total was nice, but winning the Belmont meet and managing to pull up in the last two days to tie the Saratoga meet, that would be what has meant the most to me,” she said.
In discussing her accomplishments, Rice recalled that her father, Clyde, was somewhat skeptical years ago when she told him of her ambition to emulate his career.
“Well, it would be a lot easier if you were one of my sons,” he told her.
She would not be dissuaded.
“He was just looking out for my best interests at that time,” she said. “He certainly believed those words to be true and, frankly, he was probably correct. He was right about a lot of things.”
Russell, 34, and DeVaux, 41, show every sign of joining Antonucci and Rice as major players for years to come. Russell ranked 11th nationally with 177 victories overall and 16th with $7,996,867 in earnings. DeVaux took out her trainer’s license in 2018 after almost eight years as an assistant to Brown. She comes off a career-high 56 wins. She ranked 25th nationally in earnings, which included a third-place effort by She Feels Pretty in the Breeders’ Cup Juvenile Fillies Turf.
Jockey Sheldon Russell said of his wife’s soaring fortunes, “She’s not only training horses and going there when they run, but we’re growing two kids as well. No one works harder. She deserves all of the success she’s having.” Their children are Edy, 4, and Rye, 2.
Antonucci has spent considerable time since the Belmont speaking to young girls about what the future can hold for them if they have a passion for horses, understand the nature of running a business and are willing to work hard. She is confident the past season will have a lasting impact.
“I think there will be a constant exposure to successful women,” she said.
|
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4333
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dbpedia
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1
| 12 |
https://boo.world/database/profile/1101374/mickey-walls-personality-type
|
en
|
Mickey Walls's Personality Unveiled: MBTI, Enneagram and More
|
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What 16 personality type is Mickey Walls from Horse Racing? Find out Mickey Walls's 16 type, Enneagram, and Zodiac sign in the Soulverse, the comprehensive personality database.
|
en
|
/icon.png
|
Boo
|
https://boo.world/database/profile/1101374/mickey-walls-personality-type
|
Mickey Walls Personality Type
Mickey Walls is an ESFP and Enneagram Type 8w7.
What is Mickey Walls's personality type?
|
||||
4333
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dbpedia
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0
| 48 |
https://epicmickey.fandom.com/wiki/Horace_Horsecollar
|
en
|
Horace Horsecollar
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[
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[
"Contributors to Epic Mickey Wiki"
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2024-07-29T22:27:06+00:00
|
Horace Horsecollar is a classic, black and white Horse character who resides on Mean Street. He used to appear alongside Mickey in cartoons before being forgotten and cast into Wasteland. Since his arrival, he has become good friends with Oswald the Lucky Rabbit. In addition, he and Clarabelle...
|
en
|
https://static.wikia.nocookie.net/epicmickey/images/4/4a/Site-favicon.ico/revision/latest?cb=20210608213133
|
Epic Mickey Wiki
|
https://epicmickey.fandom.com/wiki/Horace_Horsecollar
|
“ Don't remember, huh? That's alright - nobody else did either. ”
–Horace, Epic Mickey
Horace Horsecollar is a classic, black and white Horse character who resides on Mean Street. He used to appear alongside Mickey in cartoons before being forgotten and cast into Wasteland. Since his arrival, he has become good friends with Oswald the Lucky Rabbit. In addition, he and Clarabelle Cow have kept alive the romance they had before being sent to Wasteland. He admits to Mickey that he "gets clumsy around her."
Mickey can take multiple quests for Horace throughout the games. Horace was known in the old Disney shorts to be a very versatile aid to Mickey, referencing his appearances in The Fire Fighters, The Barnyard Broadcast, and The Band Concert during his introduction to Mickey. In Epic Mickey, he appears as a detective.
He is voiced by Bill Farmer.
In Epic Mickey[]
Horace gives Mickey some cases that typically involve finding missing items or catching thieves. Below is the list of cases:
Recover Horace's Book: Speak to Casey in the Emporium, who will tell you go to the Ice Cream Parlor, where the player must speak to Paulie who will give you Horace’s book.
Detective Mickey: Paint all the footprints on the street; this will lead the player to the cinema where Mickey will need to scale the building, thinning out the walls and using them to get on top of the roof. If Mickey painted all the footsteps, Shifty, the thief, will give him the book. If Mickey didn't, he will have to buy it for 50 E-Tickets.
Find Dog Tags: Horace is in search of a Robot Dog. In Space Voyage, walk around the tram track and find the dog tag behind a wall of glass. Go to its right and enter the ball-like elevator pod. Use thinner to open it and jump into the machine. It will transport Mickey to a higher platform, where he can go up and place a TV sketch to activate a crane-like machine (this will transport him to a platform near the rocket, with a caged Gremlin. If the player releases that Gremlin, he can shut down one Beetleworx generator or he can give you 3 TV sketches; they cannot both be chosen). Then, go down and pick up the dog tag.
Detective Mickey II: Paint and follow all the footprints from Clarabelle Cow's house to find Ezra, who stole her flower. As with the first Detective Mickey quest, if Mickey paints in all the footprints, Ezra will give the flower back for free; but if Mickey doesn't, he will have to buy it for 50 E-Tickets.
Find the Missing Pirate: Moody's cousin is in Pirate Voyage. After filling the Paint and Thinner Pumps in the burning town, the player should notice Rigger Greene before the whirlpool, trapped in a jail cell. Thin the jail next to his, and free the Gremlin caged inside. He will open Rigger Greene's cell. Talk to him to save progress of finding him.
Detective Mickey III: Paint and follow all the footprints starting from the back of the Tiki Hut to find the thief of a tiki mask.
Find the Hatchet: Constance Hatchaway's hatchet is in the rafters of the library in the Lonesome Manor (thin out the walls).
Detective Mickey IV: Paint and follow all the footprints from Louis's Shack to find the stolen candle.
Note: When Mickey has finishes a quest and talks to Horace, he will give Mickey another quest before giving him a reward. Mickey may have to speak to him twice or thrice to get what he came for.
In Horace's Bad Ending, he is seen in his office sighing that he wasn't successful at being a detective. In his Good Ending, he is seen outside the train station celebrating his success with the citizens. He is finally seen outside in Mean Street, cheering with all the other citizens with the now-restored Cartoon Wasteland.
In Epic Mickey 2: The Power of Two[]
"HORACE - One of Mickey’s earliest and best pals. He is a versatile guy, smart and a little full of himself, he is also a bit dense and stubborn to a fault. But beware the trouble doer when he becomes focused on a case..." -Disney Epic Mickey Video Game Facebook page description
Horace Horsecollar reappears in the sequel, Epic Mickey 2: The Power of Two. In the game, Mickey doesn't help solve any cases, but Horace does give him one quest to help him replace his assistant. After finishing Episode 1 - A Family Reunion, if the player talks to Horace, he will tell Mickey and Oswald that Tedworth is a not such a good assistant (he is always borrowing Horace's tools and asking silly questions about Blot Alley). Due to this, Horace will ask Mickey to tell him to leave. To make Tedworth leave, Mickey and Oswald will have to find the teddy bear pieces scattered around Blot Alley. When giving them to Tedworth, now Mickey can help him get a new assistant: Clarabelle Cow (as nominated by Ortensia) or Barnacle Jones. Barnacle Jones would tell you that Scurvy Pat has his compass and wants it back. Once Scurvy Pat tells the truth, he will give Mickey and Oswald Barnacle Jones' compass. If the player(s) give Barnacle Jones' compass to Horace, he will decide to let Clarabelle be his assistant.
Depending on whether Mickey helped Horace, in his Good Ending, Horace gives Clarabelle a case book if Mickey lets him make Clarabelle his assistant. However, in his Bad Ending, Horace sighs sadly as he sees Clarabelle celebrating by herself if either Mickey and Oswald didn't get the teddy bear pieces, if Mickey gave the compass to Barnacle Jones thus making him Horace's assistant, or if Mickey thins out Scurvy Pat, for Horace will insult Mickey for hurting him and will not let him finish his quest if he didn't give the compass to Barnacle Jones.
Epic Mickey: Tales of Wasteland[]
"You can't beat a dead horse, but you have even less of a chance defeating an equine who's as alive and kicking as private detective Horace Horsecollar.
"He made his film debut in the Plow Boy back in 1929 as one of Mickey's best pals. And even though Mickey went on to fame and glory while the forgotten Horace was consigned to Wasteland, he's way too cheerful to hold a grudge.
"Being a private eye is the perfect job for someone who's as much of a know-it-all as Horace, but when it comes to getting down to the facts of the case, we promise he's not just horsing around!" -Horace's Tales of Wasteland profile
Horace appears in the Epic Mickey: Tales of Wasteland digicomics, prequels to Epic Mickey that take place before the Thinner Disaster. He makes a cameo in Clock Tower Cleaners, but has a main role in The Game's Afoot and The Rubbish Cup. He is somewhat of a friendly rival to Oswald.
Gallery[]
Renders[]
Screenshots[]
Textures And Icons[]
Digicomics[]
Other[]
Trivia[]
Like Clarabelle, Horace has appeared in relatively recent media such as the House of Mouse and various modern-day European comics. This, however, is a colored version of him (who may still be in the Toon World) - the Horace in Epic Mickey is the black and white version who was a much bigger star before color and wouldn't appear in any Disney media after the black and white cartoons (until Get a Horse).
While it is possible a color version of Horace lives in the Toon World, in the Graphic Novel, Mickey does not even remember Horace's name and mispronounces it several times, so even this may be unlikely.
In the novelization of Epic Mickey, another version of Horace Horsecollar is mentioned, only this one is a dancer instead of a detective.
Horace is part mule, according to Clarabelle.
Horace has buck teeth in some of the game's animations, although he regularly appears without them in most cartoons and comics.
[]
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| 7 |
https://www.bloodhorse.com/horse-racing/articles/tag/mickey-walls
|
en
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dbpedia
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3
| 32 |
https://www.nhra.com/news/2024/memoriam
|
en
|
In Memoriam
|
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2024-08-02T09:57:00
|
Recent passings of notable figures from within the NHRA world. The NHRA extends its sincere condolences to the family and friends of those we have lost. Notices of passing can be sent to [email protected]. Dan Olson, a longtime NHRA nitro-racing crew chief and former NHRA Director, Top Fuel and Funny Car Racing, passed away recently.
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NHRA
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https://www.nhra.com/news/2024/memoriam
|
Recent passings of notable figures from within the NHRA world. The NHRA extends its sincere condolences to the family and friends of those we have lost. Notices of passing can be sent to [email protected].
Dan Olson, a longtime NHRA nitro-racing crew chief and former NHRA Director, Top Fuel and Funny Car Racing, passed away recently.
Before joining NHRA in December 2006, Olson had been a manufacturer and racer for more than 40 years, his most recent before then was helping to guide operations of all teams at Don Schumacher Racing, which he had done since 1998.
Dan Olson Racing Products has been designing and manufacturing components for all types of racing since 1969. In Olson’s early years as an engine builder, he realized that the oil pan did far more than just hold oil. He discovered the importance of controlling the oil with proper baffling while it was in the oil pan. He learned that by adding a kick-out, more power could be gained by keeping oil away from the crank assembly. Dan began tuning race cars and boats for legendary owner “Mr. Ed” Wills in the early '60s, then
He went on to crew chief the Pay-N-Pak hydroplane boat. In the ‘70s, Dan tuned many Top Fuel drag boats, winning many titles as well as tuning the first drag boat to break 200 mph. It was during this time he expanded his product line to include custom oil pans, zoomie headers, wings, and marine oil coolers.
Olson also has served as crew chief for a number of other nitromethane teams including in the 1980s with Larry Minor's team, serving as crew chief for driver Cruz Pedregon, and before that, an assistant crew chief for driver Ed "Ace" McCulloch.
In ’93 he teamed up with Rance McDaniel in a two-year effort, which produced a NHRA national event win and made McDaniel the seventh member of the exclusive 300 mph Club. After two years as crew chief for Top Fuel pioneer Eddie Hill, Olson helped Tony Schumacher to the 1999 Top Fuel championship. In 2000, Olson tuned Schumacher to the first 330-mph run in Top Fuel and in 2004 tuned Gary Scelzi to the first 330-mph Funny Car run.
***
Martee Xakellis, wife of former Division 1 Director Greg Xakellis, passed away peacefully at home on July 19. She was 84.
For years, Martee has worked alongside her husband at the Division 1 office and at NHRA events. The duo were a hard-working team managing one of NHRA’s largest divisions and supporting racers, sponsors, and track owners for more than 30 years.
***
Gary Fratus, a longtime field representative for Mark Williams Enterprises, died in a highway accident near his home in Lake Havasu, Ariz. Fratus was a familiar sight at NHRA events for many years, helping racers with their drivelines.
***
Neil Britt, who led a renaissance of success and content in NHRA’s National Dragster magazine and NHRA's Publications department for more than a dozen years spanning the 1980s and 1990s, died July 14. He was 77. [Full story]
***
Gary Fratus, a longtime field representative for Mark Williams Enterprises, died in a highway accident near his home in Lake Havasu, Ariz. Fratus was a familiar sight at NHRA events for many years, helping racers with their drivelines.
***
Second-generation fast-doorslammer racer Lizzy Musi passed away June 27 from breast cancer. She was 33.
Musi, the daughter of Pro Stock and Pro Mod legend and engine builder Pat Musi, was best known for her competition in the Street Outlaws: No Prep Kings shows.
***
Drag racing photographer Roger Richards, who was the Director of Photography at CompetitionPlus.com for 25 years, passed away June 24.
On behalf of everyone at NHRA, we want to offer our condolences to Roger’s family and friends. Roger was a great ambassador for NHRA drag racing and he always enjoyed a great relationship with NHRA drivers and officials. He will be undoubtedly missed within the racing community and our thoughts are with his family and friends at this time.
***
Veteran Fuel Altered racer Ron Hope, known for his long string of Rat Trap entries, and a longtime competitor on the Bonneville Salt Flats, passed away June 21. He was 80. Hope and his son Brian toured the world for almost 25 years campaigning Fuel Altereds, bringing the joy and thrills to fans around the globe.
***
Other notable recent passings: Former Top Alcohol Dragster driver Kirk Lawrence, winner of the 1986 Gatornationals; Jack Robbins, Division 4 Top Alcohol Funny Car racer; Karen Hahn, wife of Pro Mod pioneer and supercharged gas veteran Frad Hahn; Sam Leland, former driver of the Mason-Dixon Raider Funny Car.
***
Les Jackson, who with his late brother Cal, fielded the long string of High Heaven Fuel Altereds and Funny Cars, died June 18. The family continued its nitro legacy for years with Les' son, Keith, at the controls of the family flopper.
***
Former NHRA Jr, Dragster Eastern Conference Finals champion Cody Hoberg, passed away following a tragic accident at his home June 16. He was 19. Holberg was the 10-year-old ECF champion in 2016. In lieu of flowers, contributions in Cody’s memory may be made to Racers for Christ, 1303 S. Longmore, Suite 7, Mesa, AZ 85202-9607. [More information]
***
Rick Lorenzen, founder of the Lions Automobilia Foundation, passed away peacefully Sunday, June 16, surrounded by family.
In a statement, the foundation wrote, "Rick's vision was the guiding light in the creation of the Lions Automobilia Foundation. His leadership and steadfast commitment to preserving what he referred to as a simpler time and to share with others. Rick enjoyed telling stories about watching the races at Lions Drag Strip as a young man with his friends and later meeting so many legends as they visited his treasured museum. As we navigate this challenging period, please know that I am committed to continuing Rick’s vision and values. My dedication will ensure that we remain strong and united, honoring Rick’s legacy in every step we take.”
***
Longtime Funny Car racer Randy Walls passed away June 13. Walls began racing Funny Cars in Southern California in the late 960s before hitting the match race circuit in his “Super Nova” Funny Car. he left drag racing in 1971 but returned to the sport 26 years later after he tracked down his original Nova-bodied fFunny Car in 1997 and decided to restore it. In 2004, Walls and his “Super Nova” became Nostalgia Funny Car’s first series champion.
***
Former NHRA Top Fuel world champion Ronnie Martin, who won the championship in Robert Anderson's dragster by winning the 1970 World Finals in Dallas, has passed away.
***
Popular jet-car racer Mike Evegsens, known to fans across the country for his string of Earthquake jets in which he competed from the 1970s through the 1990s, has died.
***
Other recent passings: Division 1 Super Comp racer Lenny Bucher, son of Top Fuel veteran Larry. He was 54; Division 1 Stock racer Bill Drevo; Jetcar racer Tommy O'Brien
***
Former NHRA Top Fuel driver Larry Dixon Sr., who won the 1970 Wintrnationals and was a member of the Cragar 5-Second Club, died April 6. He was 84. Dixon is the father of three-time NHRA Top Fuel world champ. [Full story]
***
Longtime Pro Stock racer Harold Denton, the only driver to have raced an entry from every major manufacturer (Chevrolet, Ford, Dodge, Plymouth, Mercury, Pontiac, Buick, Oldsmobile, and American Motors) has passed away. Denton's career, which also includes the class' first non-NHRA six-second pass, spanned 70 years.
***
Long-time drag racer Robert Harlukowicz passed away Feb. 24. He started his racing career in the mid-1960s class racing at all the Southern California dragstrips. He considered Lions his home track. He moved to southwestern Oregon in 1981 and continued bracket racing to the end. At 8, he won his last drag race he participated in September.
***
Frank Tiegs, who sponsored John Force Racing entries through his businesses, Flav-R-Pac and Montana Brand Tools, passed away Feb. 8. He was 66.
A successful entrepreneur who started his business empire with just one farm in Pasco, Wash., Tiegs went on to own more than a dozen businesses that included real estate, farming, processing, finance, development, and marketing.
“Frank Tiegs was one of the most incredible, inspiring, and generous people I’ve ever met,” Force said. “He was so easy-going and easy to like and easy to talk to.”
Force first met Tiegs in 1990, shortly after the legendary drag racer earned his first NHRA Funny Car championship. They reunited more than 2 ½ decades later, and their renewed friendship began with a mutual love and appreciation of racing and muscle cars, and particularly their respective families.
The biggest highlight of the Force-Tiegs friendship came on Aug. 4, 2019, in the Northwest NHRA Nationals at Pacific Raceways in Kent, Wash., when Force and Prock performed a drag racing rarity by winning both ends of the two NHRA Nitro classes.
***
Other notable recent passing: Tom Chastang of the "Wheeler Dealer" AA/FD,; veteran Oklahoma TAD and TAFC racer Ron Morrison; Wayne Del Rio, of the NorCal brothers racing team; Funny Car owner Mike McIntire, Sr.; longtime Division 7Modified standout Jim Stevens, ago 88; Division 2 Super Stock and Comp car owner Glenn Young, age 80.
***
Judy Bergstrom, wife of longtime NHRA Division Director Gene Bergstrom, passed away from kidney and lung complications Feb. 24. She was 78.
The Bergstroms fit NHRA founder Wally Parks' mold of a husband-wife duo working together to further the NHRA. Gene Bergstrom served as Division 6 Director from 1979 through 1992, when he was promoted to National Field Director. Judy was a constant in the NHRA world and served in many positions throughout that same time.
***
Doug Hamilton, a longtime chassis inspector and member of the Division 1 Certification Team, passed away Jan. 30. He was 74.
Hamilton was a 1966 graduate of Olney High School and served for the United States Navy in the Naval Air Reserves. He worked as a purchasing manager for AMTRAK until he retired in 2000.
He is survived by his wife, Patricia. daughter Lisa, and sister Carol Forgeng.
***
Longtime NHRA Funny Car racer Mike Van Sant passed away Jan. 6.
Starting almost from the onset of the class in the mid- to late-1960s, "Mighty Mike" had a long list of successful rides in high-profile cars, including driving for Mickey Thompson, Stone, Woods & Cooke, and Roland Leong. He started out partnering with Glen Solano on a Corvette-bodied car called "Invader," a name that Van Sant would use for decades while driving his own race cars, which he began doing in earnest in the mid-1970s after years of being a hired driver, continuing through the id-1980s before retiring.
***
J.L. Payne, a well-known and respected Top Fuel driver from the 1960s, has passed away. Payne, who raced in both Top Fuel and Fuel Altered, is probably best remembered as the driver of Vance Hunt's record-setting fuel dragster from 1962-64, but also drove for several other team owners in his native.
***
Pro Gas pioneer and longtime Sportsman racer Donald Barton passed away Jan. 2.
|
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https://crawfordauctionservice.hibid.com/lot/200890234
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https://canadianthoroughbred.com/horse-news/sovereign-award-winner-slade-jones-wont-ride-this-year/
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en
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Sovereign Award Winner Slade Jones Won’t Ride This Year
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2023-04-17T12:03:19-04:00
|
The young rider had a sensational first year in Canada riding at Woodbine but his size has led to weight issues.
|
en
|
Canadian Thoroughbred
|
https://canadianthoroughbred.com/horse-news/sovereign-award-winner-slade-jones-wont-ride-this-year/
|
Just days after receiving the Sovereign Award for Canada’s Outstanding Apprentice Jockey, 16-year-old Slade Jones has returned to his home in Barbados and will not ride this year. According to his agent Tom Patton, Jones, who is nearly six feet tall, was having trouble maintaining his preferred riding weight last fall and the issue has persisted.
“He’s tall and he’s growing,” said Patton. “It’s too bad. I’m not saying he’s never coming back [to Woodbine]. He might come back here to work and gallop horses but for now, he’s gone home.”
Not since the days of Mickey Walls (early ’90s) has Canadian racing had a teenaged jockey burst onto the scene with great success like Slade Jones. The son of successful Barbados and Canadian rider Jono Jones is the grandson of the great Barbadian rider ‘Chally Jones. He began his Canadian riding career in May 2022 and was the leading race-winning apprentice jockey in Canada in 2022 with 61 wins, a 14% win rate. He finished a solid 12th in the overall jockey standings at Woodbine.
“His dad was one of the most intelligent riders Woodbine has ever seen and Slade was heading that way too,’ said Patton. “But Jono also had to do quite a bit of reducing when he was riding and he is not nearly as tall as Slade.”
As for Patton, he will also step away from racing as an agent this year as his other rider from 2022, Antonio Gallardo, will not be returning. But Patton will still be around the track as he recently signed on as a consultant for the exciting new, state-of-the-art animal and horse hospital near King, ON, Dog Tales.
Owned by Rob and Danielle Scheinberg, the hospital is some 56,000 square feet and on three levels. It will serve mainly horses, dogs, cats and some exotic animals such as birds and lizards. The facility will have top-of-the-line equipment not found anywhere else in the province. It will be a 24-hour emergency referral hospital serving all of southern Ontario and will have a standing CT scanner, MRI machines, water therapy pools and hyperbaric oxygen treatment for dogs.
|
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4333
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dbpedia
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3
| 6 |
https://canadianthoroughbred.com/horse-news/2019-canadian-horse-racing-hall-of-fame-inductees/
|
en
|
Stellar Class of 2019 Canadian Horse Racing Hall of Fame Inductees
|
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"Canadian Horse Racing Hall of Fame"
] |
2019-04-15T16:04:47-04:00
|
The Canadian Horse Racing Hall of Fame has announced the people and horses being inducted in 2019, in the Thoroughred and Standardbred categories.
|
en
|
Canadian Thoroughbred
|
https://canadianthoroughbred.com/horse-news/2019-canadian-horse-racing-hall-of-fame-inductees/
|
The Canadian Horse Racing Hall of Fame is pleased to announce the people and horses being recognized as inductees in 2019. Six people and four horses have been elected from an extremely deep ballot of candidates.
The Induction Ceremonies will take place at the Mississauga Convention Centre on Wednesday, August 7, 2019.
Thoroughbred Inductees
Representing Thoroughbreds in the Class of 2019 are Builder Bory Margolus (deceased), Jockey Mickey Walls, Trainer Josie Carroll, as well as Female Horse Lexie Lou, and Veteran Horse All Along (FR)
Based in Alberta, the late Bory Margolus was a successful business executive who would also become a leading force in Western Canada’s thoroughbred racing industry. From the time he purchased his first horse in 1952 until his retirement from the industry in 1986, Mr. Margolus and his Elmbrook Farm near Edmonton were dominant in Alberta as leading money-winning owner for nine consecutive years. Elmbrook’s racing success channelled into its breeding operation, leading all Alberta breeders from 1980-1983 inclusive. His contribution was recognized nationally in the form of two Sovereign Awards – in 1975 as Canada’s Oustanding Owner and in 1977 as Outstanding Breeder. Margolus won every major stakes race in Alberta including the Alberta Derby, and also frequently raced his horses in British Columbia. He later partnered with CHRHF member Jim Wright in the ownership of Winnipeg’s Assiniboia Downs. Bory Margolus’ was known as a consummate gentleman who treated his horses and those he employed the same way, he spoiled them.
A career in racing was inevitable for Mickey Walls, born in Vancouver, BC to horse racing parents, trainer Joe Walls (recently deceased) and mother Carol who is still actively involved the industry. Walls began riding professionally at Vancouver’s Exhibition Park In 1990 at age 16, before concluding his year at Toronto’s Greenwood and being awarded his first Sovereign Award as Canada’s outstanding Apprentice Jockey. In 1991 Walls won 231 races surpassing a record previously set by Sandy Hawley, making him both the winningest jockey and garnering more purse money at Woodbine Racetrack than any jockey to that point in time. His efforts that year resulted in Walls receiving Sovereign Awards for both Outstanding Apprentice Jockey and Outstanding Jockey Award, and the Eclipse Award for Outstanding Apprentice in the U.S. Following time off to recuperate from injuries in 1992 he returned in 1993 to once again be Woodbine’s leading rider. After competing in the U.S. at various tracks, he returned to his homeland in 1996, capturing the Prince of Wales Stakes aboard Stephanotis and the Breeders’ Stakes on Canada’s top turf runner and future CHRHF inductee, Chief Bearhart. In 1999 he won the Queen’s Plate aboard Woodcarver. In 2008, Walls was inducted into the B.C. Thoroughbred Hall of Fame and in June, 2013 he was recipient of the Avelino Gomez Memorial Award for significant contributions to the sport. Walls accumulated 1,453 wins in 8,868 races and earnings of $37.3 million over a 12-year career that concluded in 2013.
Since establishing her own stable in 1994 Josie Carroll has accumulated 796 wins, including 44 graded stakes in both Canada and the USA and earnings exceeding $44.8 million in 4,786 starts for owners the likes of CHRHF Honoured Members John G. Sikura and Eugene Melnyk, as well as Ivan Dalos, Padua Stable and Donver Stables. Carroll is the first female trainer to win the Queen’s Plate, doing so in 2006 with Edenwold (2-year-old Champion in 2005) and again in 2011 with Champion filly Inglorious. She also had a second place finish in the 2014 Plate with Ami’s Holiday who went on to win the prestigious Breeders’ Stakes. In 2009 her trainee Careless Jewel brought her a trio of Graded Stakes wins in the U.S. with the Alabama (G1) at Saratoga, the Delaware Oaks (G2) and Cotillion Stakes (G2). Other significant horses in Carroll’s career include Ami’s Mesa, 2nd by a nose in the 2017 Breeders Cup Sprint(G1) and a G2 winner in Pennsylvania, Ami’s Gizmo, winner of the Prince of Wales Stakes, Ami’s Flatter, winner of the 2016 Commonwealth Stk (G2) at Keeneland. Most recently Carroll trainee Avie’s Flatter won the G3 Transylvania Stakes at Keeneland. Three Carroll trained horses are finalists at the upcoming Sovereign Awards – 2-year-old Avie’s Flatter, older female Gamble’s Ghost and female sprinter Moonlit Promise.
Bred by late Hall of Fame Builder Dr. Michael Colterjohn’s Paradox Farms, in Caledon, ON, Sligo Bay-sired Lexie Lou was purchased in the 2012 CTHS Yearling Sale by Owner/Trainer John Ross who directed her 2-yr-old campaign of 8 starts at Woodbine, including stakes wins in the Muskoka Stakes and South Ocean Stakes. Following her first start as a 3-year-old, U.S.-based Owner Gary Barber purchased the filly and moved her to trainer Mark Casse’s stable. Lexie Lou established herself as the best filly in Canada by winning the 2014 Woodbine Oaks, and Queen’s Plate becoming only the 6th filly to complete the Oaks/Plate double. Her first turf race and victory came later in the Wonder Where Stakes. She was named 2014 Sovereign Award Horse of the Year, Champion Grass Horse and Champion 3-yr-old Filly. Additional races of note include a graded stakes win in the G2 Autumn Miss Stakes at Santa Anita and a second-place finish to U.S. HOY California Chrome in the G1 Hollywood Derby at Del Mar. Following time off in 2015, she came back as a 5-yr-old in 2016 winning both the G2 Nassau and G2 Dance Smartly Stakes to earn the title of Sovereign Award Champion Turf Female.
French-bred filly All Along (FR), trained by Frenchman Patrick Louis Biancone and ridden for most of her career by Walter Swinburn, was the first winner of the Prix de l’Arc de Triomphe (G1) to race in Canada winning the 1983 Rothmans International (G1) as part of a 41 day international tour that also included wins in the Turf Classic (G1) at Aqueduct, NY and the Washington, D.C. International (G1) at Laurel, Maryland. Her 1984 campaign at age 5 included a fourth-place finish in the Rothmans International (G1) at Woodbine and a second-place finish behind upset winner Lashkari in the inaugural Breeders’ Cup Turf (G1) at Hollywood Park to conclude her race career. Named Horse of the Year on two continents, for owner famed art dealer Daniel Wildenstein and family, All Along (FR) was named Champion Older Horse in France and 1983 Horse of the Year in the U.S., the first female and foreign-based horse to win an Eclipse Award as Horse of the Year. At the time of her retirement following her 1984 campaign, All Along was the all-time leading distaffer in terms of career purse earnings with $3,015,764. Her broodmare career produced 11 starters and 4 winners from 13 foals; the first in 1986 by Mill Reef (GB), called Along All (GB) being the most successful, a G2 winner.
All Along (FR) died at Three Chimneys Farm in Kentucky at age 26 in 2005.
She was inducted to the National Museum of Racing and Hall of Fame in Saratoga in 1990.
Standardbred Inductees
Standardbred inductees include Builder Ian Fleming, Driver Trevor Ritchie and Trainer Jimmy Takter along with horses Tricky Tooshie and Angus Hall.
Ian Fleming’s career in the horse racing industry began as race secretary at his home track in Clinton, ON. That evolved into managing the racetrack and from there he went on to create a centralized Race Office for several Ontario tracks in the 1990s, which now services racetracks across the province. Fleming was also the Racing & Gaming Manager at Western Fair Raceway for a number of years. His business prowess is based on cultivating relationships, and his deep knowledge and understanding of the mechanics of racing and wagering is world-renowned. Ian has helped every Ontario racetrack and many international organizations to shape and strengthen harness racing, and also volunteers his time in administrative capacities, sitting on the Board of Directors for Standardbred Canada and the Ontario Standardbred Adoption Society. In addition to his racing related responsibilities, he continues to find ways to give back to the industry and his community through fundraising initiatives such as the bi-annual Legends Day at Clinton Raceway. The 2017 edition of Legends Day hosted harness racing fans from across North America to witness John Campbell’s final career race. Ian was also an important part of the fundraising efforts following the Classy Lane Fire.
Before retiring from driving in 2014, Acton, ON based Trevor Ritchie won many of North America’s premier races including the North America Cup, Meadowlands Pace, Oliver Wendell Holmes, Prix d’Ete, Provincial Cup, Metro Pace, Canadian Pacing Derby, Trotting Classic Final for mares, and Champlain Stakes. During his career he had 3,710 driving wins and drove horses to over $70 million in purse earnings. The year 2000 was a career year for Ritchie ashe won the Hambletonian with Yankee Paco, the first Canadian-sired horse to win that event. Later that year he won three Breeders Crown Championships, tying him with John Campbell as the only other driver in history at the time to accomplish that feat, and he was voted Canada’s Driver of the Year. Other top horses driven by Ritchie included Quite A Sensation, Frugal Gourmet, Road Machine, Armbro Agile, Peaceful Way, Majestic Son, Banker Hall, and Rotation. Ritchie’s quiet demeanor, immense talent, and great respect for his clients and fellow competitors served him well throughout his near 40-year driving career.
Swedish-born, U.S.-based Standardbred trainer Jimmy Takter has seen tremendous success on Canadian soil. With 1,325 starts in Canada, he has visited the winner’s circle 266 times and collected purse earnings of more than $34.2 million. Takter has won 103 stakes races on the Woodbine Entertainment Group (WEG) circuit. Horses trained by Takter have won a total of 19 O’Brien Awards, including at least one O’Brien Award in 15 of the 19 years between his first award in 1999 with Moni Maker and his most recent with The Ice Dutchess in 2018. Despite being based in New Jersey, Takter was Canada’s leading trainer by earnings in 2015 with over $4.2 million made in Canada and has ranked among the nation’s top 10 conditioners six times since 2011, including second-place finishes in 2014 ($2,643,455) and 2016 ($2,263,361) Takter has also trained for a long list of prominent Canadian owners, including five members of the Canadian Horse Racing Hall of Fame: John Fielding, Marvin Katz, Al Libfeld, Charles Armstrong (CHRHF), Dr. Glen Brown (CHRHF), Herb Liverman, Bob Anderson (CHRHF), David Anderson, David Willmot (CHRHF), Lou Camara, John Florens and Peter Heffering (CHRHF).
Tricky Tooshie was bred and owned during her racing career by Laurent Bergevin of Québec. Trainers included her co-breeder Jean L. Deblois, followed by Rick Zeron and then Linda Bedard. As a two-year-old she raced in Québec where she dominated the Québec Sires Stakes, was the divisional leader and won the $197,000 Coupe des Eleveurs final at Blue Bonnets in a track record 1:55.1. As a sophomore she once again dominated her division in Québec. After a second place finish in her first start, she then reeled off 15 consecutive wins including the $177,000 Coupe des Eleveurs and several Québec Sires Stakes. She won 15 of 17 races at six different tracks, almost $300,000 in purses and was a finalist in her division for an O’Brien Award. In seven years of racing she made 142 starts for a 44-29-24 record, posted a mark of 1:52.1 at Woodbine Racetrack and earned $1,005,566, becoming the first Canadian-sired mare to reach $1 million in earnings. As a broodmare, 11 of her 13 foals made it to the races to earn over $3 million for average earnings per starter of $284,441. Her richest foal was True North Hanover, a winner of $732,912.
As a racehorse Angus Hall earned $830,654 in 26 lifetime starts and took a mark of 1:54.3. In 26 lifetime starts over two racing seasons, the regally-bred son of Garland Lobell – Amour Angus, bred by Québec’s Ferme Angus, won eight races and finished in the top three in all but four outings. He was the first two-year trotting colt to break the 1:55 barrier, winning in 1:54.4 at Colonial Downs.
Angus Hall has sired over 1,700 horses during a stallion career spanning 18 years, with 71.5% of his foals having race careers. His offspring have earned over $102 million, and include six millionaires: 2008 CHRHF inductee Peaceful Way, Majestic Son, Elusive Desire, Winning Mister, Frenchfrysnvinegar and Laddie. His contribution to trotting bloodlines continues through top broodmares whose offspring have earned over $45 million.
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https://www.britannica.com/topic/Seattle-Slew
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Seattle Slew | Triple Crown Winner, Racehorse Legend
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1998-07-20T00:00:00+00:00
|
Seattle Slew, (foaled 1974), American racehorse (Thoroughbred) who in 1977 became the 10th winner of the American Triple Crown—the Kentucky Derby, the Preakness Stakes, and the Belmont Stakes—and the only horse to win the Triple Crown with an undefeated record. Seattle Slew was foaled on February
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/favicon.png
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Encyclopedia Britannica
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https://www.britannica.com/topic/Seattle-Slew
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Breeding and early years
Seattle Slew was foaled on February 15, 1974, at the White Horse Acres breeding farm in Lexington, Kentucky. He had an impressive family tree: his sire, Bold Reasoning, was the grandson of Bold Ruler, the father of the great Secretariat. His dam was My Charmer, the offspring of Myrtle Charm, the champion two-year-old filly of 1948.
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By the time he became a yearling, Seattle Slew had filled out nicely into a 700-pound (317-kg) colt with a good disposition. Nevertheless, the horse aficionados who attended the auction sales had reservations. Some thought he was not graceful, while others harped on his sire and dam, claiming that they were unproven, this being only his third foal and her first. Therefore, the colt was rejected for showing at the prestigious Keeneland sale but was entered in the Fasig-Tipton sale in Lexington, which would not generate the Keeneland prices.
He was purchased by novice owners Karen and Mickey Taylor and their business partners, veterinarian Jim Hill and his wife, Sally. The group named the horse after Seattle (the Taylors’ hometown was White Swan, Washington) and the swamps of Florida (also known as “slews”), where Hill grew up. The owners then sent the horse to Maryland to be trained by Billy Turner.
Seattle Slew made his racing debut on September 20, 1976, during the fifth race at Belmont Park in New York, which he won by five lengths even though he had left the gate last. Turner sent him out again on October 5 at Belmont Park in a seven-furlong allowance, which Seattle Slew won easily by three and one-half lengths. Turner had no reluctance then to enter him in the prestigious Champagne Stakes at Belmont for two-year-olds. It was hardly a race, for Seattle Slew trounced the field by nine and three-quarter lengths while running the fastest mile ever by a two-year-old. Sportswriters buzzed with excitement over the results and voted him Two-Year-Old Colt of the Year.
1977: Triple Crown
Seattle Slew rested well over the winter and began his preparation for the Kentucky Derby at the Hialeah Park racetrack in Florida on March 9, winning by nine lengths in the seven-furlong allowance race and setting a track record, followed by a four-length win in the Flamingo Stakes at 11/8 miles on March 26. Less than a month later he polished off the 11/8-mile Wood Memorial Stakes in New York three and a quarter lengths in front. Because the Wood was one of the top stakes races before the Kentucky Derby and Seattle Slew was undefeated in all six races he had run in his career at that point, it was no surprise that he was the 1–2 favourite in the Derby.
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Seattle Slew began the Kentucky Derby by turning his head sideways and swerving to the right while the gateman tried to push him out of the stall. By the time he did come out, he was two or three lengths behind a wall of straining horses. Jean Cruguet, the seasoned French jockey who had ridden him in all of his races, settled him down and then proceeded to pick holes in the wall of horses to slip through. By the time they reached the first quarter mile, Cruguet and Seattle Slew had left the herd behind and were challenging the leader, For the Moment. The two horses ran head-to-head down the backstretch to the far turn, and Seattle Slew pulled ahead for good with a quarter mile to go. Although the track was fast, the time was not. The 2:021/5 was hardly in the league of Secretariat’s 1:592/5.
A then-record crowd of 77,346 was on hand to watch the Preakness Stakes. Moving out of the eight post position, Seattle Slew ran neck-and-neck with Cormorant for most of the race. Cruguet hit him once in the upper stretch to keep him focused and hand-rode him to the finish for a one-and-a-half-lengths win.
Saturday, June 11, 1977, was Belmont Day, and 71,026 racing fans filled venerable Belmont Park, eagerly anticipating the crowning of a new Triple Crown champion. The eight colts came out on a track that was muddy from two days of rain. The start of the race found Seattle Slew, a 2–5 odds favourite, running up front, where he remained for the rest of the 11/2 miles. The pace was extremely slow. Run Dusty Run made a charge, as did Sanhedrin, but they were quickly dispatched. Seattle Slew won by four lengths in a time of 2:293/5, and he was named the 1977 Horse of the Year for his stellar undefeated racing season.
Final years
The following year began inauspiciously. In early 1978 Seattle Slew contracted a virus that almost killed him. He was nursed back to health and was able to resume racing. The Marlboro Cup, at nine furlongs at Belmont Park on September 16, his fourth start of the year, was remarkable because it featured, for the first time, two Triple Crown winners in the same race, as Affirmed had won the Triple Crown earlier in the year. There was never any doubt about the outcome of the Marlboro Cup from the very outset. Seattle Slew flew through the stretch and scored a decisive three-lengths victory over the younger champion. In his seven starts in 1978, Seattle Slew was the winner of five, came in second in two, and earned $473,006 in purses.
He was retired to stud in 1978, and he died in 2002 on the 25th anniversary of his Kentucky Derby victory. In his racing career of 17 races, he won 14, was second twice, and came in fourth once. He was inducted into the National Museum of Racing’s Hall of Fame in 1981.
Marvin Drager
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https://en.wikipedia.org/wiki/King_Edward_Stakes
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King Edward Stakes
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https://en.wikipedia.org/wiki/King_Edward_Stakes
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For the match-racing competition, see King Edward VII Gold Cup.
Horse race
King Edward StakesGrade II raceLocationWoodbine Racetrack
Toronto, Ontario, CanadaRace typeThoroughbred - Flat racingWebsitewww.woodbineentertainment.comRace informationDistance1 mile (8 furlongs)SurfaceTurfTrackLeft-handedQualificationThree-year-olds & upWeightAssignedPurseCAD$200,000
The King Edward Stakes is a Canadian Thoroughbred horse race run annually at Woodbine Racetrack in Toronto, Ontario. The Grade II turf race is open to horses aged three and older and is raced over a distance of one mile (8 furlongs). Run in late June or early July, it currently offers a purse of CAD$200,000.[1]
Named for Edward VII of the United Kingdom who had been crowned king in 1901, the race was created the following year with its first running taking place in 1903 as the King Edward Gold Cup. It was raced on dirt at the Old Woodbine Park until 1958 when it was moved to Woodbine Racetrack and changed to a turf race. Renamed the King Edward Breeders' Handicap, in 2007 it became a Stakes event.
Since inception, the King Edward Stakes has been raced at a variety of distances:
1+1⁄4 miles : 1903-1917 (Old Woodbine Racetrack)
1+1⁄16 miles : 1920-1957 on dirt at Old Woodbine Park, 1958-1993 on turf at Woodbine Racetrack, and on turf in 1994 at Fort Erie Race Track
1+1⁄8 miles : 1995-2009 on turf at Woodbine Racetrack
1 mile : beginning 2010
Due to the large number of entries, the King Edward was raced in two divisions in 1978, 1984, 1985, 1987, and 1988. There was no race held in 1918, 1919, 1943, 1945, and 1956.
Speed record: (at current distance of 1 mile)
1:32.45 - Tower of Texas (2015)
Speed record: (at distance of 1+1⁄8 miles)
1:44.73 - Rahy's Attorney (2009) (new stakes and course record)
Most wins:
3 - Inferno (1906, 1907, 1908)
Most wins by an owner:
9 - Sam-Son Farm (1974, 1987, 1988, 1991, 1997, 1999, 2001, 2005, 2010)
Most wins by a jockey:
4 - Robin Platts (1968, 1977, 1978, 1979)
4 - Dave Penna (1986, 1987, 1989, 1990)
Most wins by a trainer:
7 - Lou Cavalaris, Jr. (1959, 1965, 1966, 1967, 1968, 1976, 1978)
Year
Winner
Age
Jockey
Trainer
Owner
Time
2022 Filo Di Arianna (BRZ) 6 Kimura Kazushi Mark E. Casse Gary Barber, Peter Deutsch, & Wachtel Stables 1:34.69 2021 Olympic Runner 5 Rafael Manuel Hernandez Mark E. Casse Gary Barber 1:31.73 2020 March To The Arch 5 Rafael Manuel Hernandez Mark E. Casse Live Oak Plantation 1:32.28 2019 Synchrony 6 Javier Castellano Michael Stidham Pin Oak Stable 1:32.95 2018 Delta Prince 5 Javier Castellano James Jerkens Stronach Stables 1:32.35 2017 Go Bro 6 Jesse Campbell Michael Keogh Gustav Schickedanz 1:34.09 2016 Dimension (GB) 8 David Moran Conor Murphy Riverside Bloodstock 1:33.19 2015 Tower of Texas 4 Eurico Rosa Da Silva Roger L. Attfield Van Meter/Dilworth 1:32.45 2014 Grand Arch 5 David Moran Brian A. Lynch Jim & Susan Hill 1:32.49 2013 Riding the River 6 Todd Kabel David Cotey Dominion Bloodstock/HGHR/Linmac Farm 1:33.24 2012 Riding the River 5 Todd Kabel David Cotey Dominion Bloodstock/HGHR/Linmac Farm 1:32.89 2011 Court of the Realm 4 Eurico Rosa Da Silva Peter Berringer Aurora Meadows/Oxbridge Farm 1:35.86 2010 Grand Adventure 4 Patrick Husbands Mark Frostad Sam-Son Farm 1:36.40 2009 Rahy's Attorney 5 Slade Callaghan Ian Black Ellie Boje Farm et al. 1:44.73 2008 Royal Oath 5 Patrick Husbands Mark E. Casse W.S. Farish III/W. S. Farish IV 1:49.67 2007 Eccentric 6 David Clark Roger Attfield Gary A. Tanaka 1:46.83 2006 Sky Conqueror 4 Todd Kabel Darwin Banach W. A. Sorokolit, Sr. 1:46.64 2005 Silver Ticket 4 Todd Kabel Mark Frostad Sam-Son Farm 1:47.54 2004 Slew Valley 7 Jim McAleney Reade Baker Rich Meadow Farm 1:48.42 2003 Perfect Soul 7 Robert C. Landry Roger Attfield Charles E. Fipke 1:49.60 2002 Moon Solitaire 5 Robert C. Landry Henry Cochran Gainsborough Farm 1:50.26 2001 Quiet Resolve 6 Todd Kabel Mark Frostad Sam-Son Farm 1:47.12 2000 Incitatus 7 Slade Callaghan Ronald Burke John Kom-Tong 1:49.32 1999 Desert Waves 9 Neil Poznansky Mark Frostad Sam-Son Farm 1:46.49 1998 Crown Attorney 5 Mickey Walls John P. MacKenzie T. & M. J. Lamb 1:47.20 1997 Chief Bearhart 4 José A. Santos Mark Frostad Sam-Son Farm 1:46.20 1996 Kiridashi 5 Mickey Walls Barbara J. Minshall Minshall Farms 1:46.00 1995 Bold Ruritana 5 Robert C. Landry Barbara J. Minshall Minshall Farms 1:45.20 1994 Road Of War 4 Constant Montpellier Timothy Regan L. D. Regan 1:40.80 1993 Beau Fasa 7 Stanley Bethley Gordon Colbourne Box Arrow Farm 1:48.00 1992 Thunder Regent 5 Sandy Hawley Vincent E. Tesoro D. D. W. Stables 1:46.00 1991 Sky Classic 4 Pat Day James E. Day Sam-Son Farm 1:46.20 1990 Jalaajel 6 Dave Penna Alton H. Quanbeck D. Morgan Firestone 1:48.80 1989 Frosty The Snowman 4 Dave Penna Happy Alter Arthur I. Appleton 1:44.80 1988 Yankee Affair 6 Pat Day Henry L. Carroll Ju Ju Gen Stable 1:45.40 1988 Blue Finn 4 Sandy Hawley James E. Day Sam-Son Farm 1:45.60 1987 Cool Halo 4 Kenneth R. Skinner James E. Day Kingsbrook Farm 1:46.20 1987 Blue Finn 3 Dave Penna James E. Day Sam-Son Farm 1:45.60 1986 Within The Realm 6 Dave Penna Alton H. Quanbeck Mrs. J. A. McDougald 1:47.40 1985 To Tipperary 5 Brian Swatuk Debi Lockhurst Bo-Teek Farm 1:49.00 1985 Jacksboro 6 David Clark Tony Mattine E. H. Curnes 1:49.00 1984 Pax Nobiscum 4 Dan Beckon Grant Pearce Kingfield Farms 1:46.60 1984 Determinant 5 Gunnar Lindberg Arthur H. Warner Richard R. Kennedy 1:47.40 1983 Nijinsky's Secret 5 Jose A. Velez, Jr. Kent Stirling Mrs. J. A. McDougald 1:46.40 1982 Bridle Path 6 Paul Souter Macdonald Benson Windfields Farm 1:50.60 1981 Mr. Macho 4 Brian Swatuk Laurie N. Anderson Dundarg Stable 1:47.60 1980 Morold 5 Gary Stahlbaum Michael J. Doyle Bo-Teek Farm 1:48.60 1979 Dom Alaric 5 Robin Platts Macdonald Benson Windfields Farm 1:46.60 1978 Ground Cover 4 Robin Platts Frank A. Passero Windrush/Saunders 1:48.00 1978 Bold Enterprise 5 Gary Stahlbaum Lou Cavalaris, Jr. Gardiner Farm 1:48.00 1977 Brilliant Sandy 5 Robin Platts Jerry C. Meyer Smith/Willow Downs 1:49.80 1976 Carney's Point 7 Avelino Gomez Lou Cavalaris, Jr. Gardiner Farm 1:49.60 1975 Wing Span 5 William Parsons David Guitard Kinghaven Farms 1:46.80 1974 Selari Spirit 4 Gunnar Lindberg Arthur H. Warner Sam-Son Farm 1:50.80 1973 Lord Vancouver 5 Lloyd Duffy Frank H. Merrill, Jr. W. Preston Gilbride 1:49.00 1972 Lord Vancouver 4 Lloyd Duffy Frank H. Merrill, Jr. W. Preston Gilbride 1:49.00 1971 Stradwin 5 James Kelly Andrew G. Smithers E. Lieberman 1:47.20 1970 Laughing Bill 5 John LeBlanc Andrew G. Smithers Hillcrest Stable 1:46.60 1969 No Parando 4 John LeBlanc Yonnie Starr F. H. Sherman 1:47.00 1968 The Knack 4 Robin Platts Lou Cavalaris, Jr. Gardiner Farm 1:46.80 1967 Orbiter 6 Avelino Gomez Lou Cavalaris, Jr. Hillcrest Stable 1:47.80 1966 Orbiter 5 P. Maxwell Lou Cavalaris, Jr. Hillcrest Stable 1:44.00 1965 Arctic Hills 4 Eric Walsh Lou Cavalaris, Jr. Vernon G. Cardy 1:44.80 1964 Sunny 4 Harlon Dalton Warren Beasley Bill Beasley Stable 1:44.20 1963 Burnt Roman 4 Jim Fitzsimmons Jerry C. Meyer Waggoner / Keane 1:43.80 1962 Prompt Hero 6 Sam McComb W. Haynes P. Del Greco 1:44.60 1961 Greek Sovereign 5 John Ralph Adams Carl Chapman Mrs. N. L. Nathenson 1:44.00 1960 Anita's Son 4 Hugo Dittfach Arthur H. Warner Lanson Farm 1:49.60 1959 War Eagle 5 Clifford Potts Lou Cavalaris, Jr. P. Del Greco 1:44.40 1958 Kitty Girl 4 R. Gonzalez Yonnie Starr Maloney & Smythe 1:45.80 1957 Fleet Path 5 Edward Plesa Arthur H. Warner Lanson Farm 1:44.40 1955 Freedom Parley 5 W. Hawksworth Willie Thurner D. G. Ross 1:45.00 1954 Chain Reaction 4 William Zakoor Richard Townrow Mrs. Elodie S. Tomlinson 1:48.60 1953 Loridale 5 Billie Fisk Arthur H. Warner Maner Stable 1:43.80 1952 Bennington 3 Jose Vina John Passero Bill Beasley Stable 1:48.00 1951 Beau Dandy 6 Johnny Dewhurst R. Anderson Wilma Kennedy 1:44.60 1950 Escador 4 David H. Prater James C. Bentley Addison Stable 1:45.80 1949 Free As Air 5 Paul J. Bailey William G. Trevenen C. Krupp 1:45.80 1948 Double Briar 5 F. Dougherty Morris Fishman H. Lahman 1:45.00 1947 Kingarvie 4 Colin McDonald Arthur Brent Parkwood Stable 1:47.20 1946 Broom Time 5 L. Kerr T. Frost J. E. Frost 1:46.00 1944 Grand Pal nf Johnny Dewhurst Cecil Howard Harry C. Hatch 1:46.40 1942 Yawl 4 Harry Meynell A. Bennie Art J. Halliwell 1:46.00 1941 Bar Fly 6 S. Denny Birley Frank Gilpin Parkwood Stable 1:49.80 1940 Sir Marlboro 4 Charlie McTague W. Coburn Conn Smythe 1:51.00 1939 Bar Fly 4 Albert Schmidl Frank Gilpin Parkwood Stable 1:46.20 1938 Jesting 8 Anthony Pascuma Harry Giddings, Jr. K. T. Davies 1:46.20 1937 Teddy Haslam 4 Pat Remillard H. Chappell C. N. Mooney 1:47.20 1936 Tempestuous 4 Frankie Mann Frank Gilpin Mrs. T. Stevenson 1:48.20 1935 Shady Well 6 Herb Lindberg Johnny J. Thorpe Edward F. Seagram 1:45.80 1934 Khorasan 6 Pat Remillard J. Badame Mrs. J. Badame 1:45.60 1933 Dis Dat 4 Red Pollard W. McGirr T. Donley 1:48.80 1932 Tred Avon 4 James H. Burke William Irvine Sylvester W. Labrot 1:45.80 1931 Frisius 5 Anthony Pascuma George Tappen Belair Stud Stable 1:45.40 1930 Marine 4 Fred Slate Harry Giddings, Jr. Mount Royal Stable 1:47.80 1929 Sir Harry 5 John Maiben William H. Bringloe Seagram Stable 1:46.40 1928 Boom 4 Nick Wall F. Riley Bell Farm Stable 1:46.40 1927 Single Foot 5 Raymond Peternel Harry Rites J. Edwin Griffith 1:46.80 1926 Edisto 4 Henry Erickson William H. Bringloe Seagram Stable 1:44.80 1925 General Thatcher 5 Louis Schaefer Preston M. Burch Nevada Stock Farm 1:45.60 1924 New Hampshire 4 Pete Walls Henry McDaniel J. K. L. Ross 1:46.20 1923 Baby Grand 5 Albert Claver Henry McDaniel J. K. L. Ross 1:45.00 1922 Golden Sphere 4 John McTaggart William H. Bringloe Seagram Stable 1:45.00 1921 Boniface 6 Frank Keogh Henry McDaniel J. K. L. Ross 1:46.60 1920 Foreground 5 James H. Butwell W. Burke Maryland Stable 1:47.00 1917 Hanovia 5 A. Mott E. T. Colton E. T. Colton 2:10.40 1916 Raincoat 4 Frank Robinson Howard Oots C. Straus 2:08.20 1915 Tactics 6 Rufus Shilling J. Arthur F. J. Coleman 2:09.00 1914 Tactics 5 J. Smyth J. Arthur F. J. Coleman 2:06.80 1913 Kleburne 3 Clarence Turner W. M. Martin A. Turney 2:06.60 1912 Edda 4 Sweeney John F. Schorr John W. Schorr 2:10.60 1911 Zeus 3 Carroll H. Shilling Sam Hildreth Sam Hildreth 2:04.20 1910 Chief Kee 3 Guy Burns E. Gleason John Dyment Jr. 2:06.20 1909 Hanbridge 4 Fred Herbert George Ham G. H. Holle 2:06.40 1908 Inferno 6 Carroll H. Shilling Barry Littlefield Joseph E. Seagram 2:09.60 1907 Inferno 5 R. McDaniel Barry Littlefield Joseph E. Seagram 2:06.40 1906 Inferno 4 John K. Treubel Barry Littlefield Joseph E. Seagram 2:05.00 1905 Tongorder 3 E. Walsh John Dyment Nathaniel Dyment 2:09.00 1904 Claude 4 Johnny Daly Michael J. Daly Michael J. Daly 2:12.00 1903 Wire In 4 J. Walsh John Nixon Kirkfield Stable 2:10.20
List of Canadian flat horse races
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Mickey Thompson
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Mickey Thompson Tires & Wheels – UNDISPUTED.
|
en
|
https://www.mickeythompsontires.com/media/site/acfb5693dc-1598278398/favicon.ico
|
Mickey Thompson
|
https://www.mickeythompsontires.com/customer-service/faq
|
The body plies are perpendicular to the bead on radial tires. On bias and bias belted tires, they are at an angle (bias) to the bead, which greatly increases sidewall strength and durability. The belt on a bias belted or radial tires improves tread stability and helps reduce rolling resistance which is the radial tires main feature. M/T’s construction sandwiches the belts between the body plies, which improves ride and virtually eliminates belt and ply separations. Sandwiched belt construction is unique to M/T tires only.
This is a question that has no real specific answer, as there are too many variables. Note: You will have to keep in mind that overall diameter of a tire will affect ABS brake systems, speedometer readings and final gear ratios. You will also have to measure side to side clearance to keep the tire away from inner fenders and other sheet metal.
Our tires are not designed for street racing while they do have a softer compound than regular street tires, the street provides a sand paper like feel to the tire with rocks and dirt on the surface of the road making it hard to help with launching and hook. The drag strip provides VHT and rubber on the surface in most cases giving the softer compound an aide to help them stick to the better surface. Mickey Thompson does not produce product or condone for street racing.
Overall diameter will affect the amount of growth that you will have. There are many variables that contribute to tire growth as well. Unless otherwise noted, Mickey Thompson drag slicks are considered a low growth tire. Mickey Thompson slicks will grow approximately 1 to 1-1/2 @ 150mph (Note: Radial slicks do not grow). Please phone us and we can help you in determining tire growth for your specific application.)
The advantage of a stiff sidewall is less tire wrap or sidewall distortion, thus reacting better at launch. Note: This is good for heavy cars, or cars with a suspension, that can absorb the initial launch. If you are running a fixed suspension car like a dragster or an altered, you would need the tire to absorb the launch, thus a softer sidewall. There are two ways to stiffen the sidewall. 1. Run tubes to help support the sidewall. 2. Matching the tread width with the wheel width, or going 1 wider on the wheel width, will stiffen the sidewall.
All Mickey Thompson racing tubes have an off center valve stem. Some wide wheels have a valve stem hole that is nowhere near the center of the wheel. This can make it difficult to mount your tube, if your tube is new here are some things you can try: First inflate the tube with a small amount of air to make sure the valve stem is pointing up. Secondly: Over inflate the tube (within reason) to stretch it out some. This will enable the tube to stretch and should allow the tube to fill all voids of the tire. If you should still have problems after attempting these two steps, then Mickey Thompson suggests the following: Drill another hole in the racing rim 5/8 in diameter near the center of the rim. Mickey Thompson strongly suggests you consult the rim manufacturer before doing this. Remember to clean the rim and debur the hole, we also suggest that you place duct tape over the original hole inside the rim, should you choose to do this.
Yes. We suggest static or Bubble balancing. Dynamic or Spin balancing, a bias ply slick will work best only if the slick does not deform. In racing the tire goes through many changes in shape. Launching, the tire wrinkles and squats. As the car goes towards the top end, the tire begins to egg shape. A static balance assures the tire is balanced around the circumference as it deforms.
This will vary from car to car. Inconsistent 60′ and 330′ times caused by tread wear or carcass break down will be your signals to change the tires. Your tires have wear indicators in the tread to give you an idea of how much rubber is left on the tire. Cars that launch hard can cause the carcass material to break down. You should inspect your tires every 30 passes. More frequently in high horsepower cars.
|
||||
4333
|
dbpedia
|
1
| 50 |
https://racing.turfclub.com.sg/en/home-page/
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en
|
Singapore Turf Club
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https://assets.turfclub.com.sg/racing/2019/07/favicon.ico
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https://assets.turfclub.com.sg/racing/2019/07/favicon.ico
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[] |
[
""
] | null |
[] |
2019-07-09T14:24:59+08:00
|
The official website for Singapore Turf Club (STC) horse racing information and updates. STC is one of the 4 clubs under the Malayan Racing Association (MRA).
|
en
|
https://assets.turfclub.com.sg/racing/2019/07/favicon.ico
|
Singapore Turf Club 1A - Racing Portal - Singapore Turf Club Horse Racing
|
https://racing.turfclub.com.sg/en/home-page/
|
Race Fixtures
Latest Results
Race
RACE - TIME: PRIZE MONEY: S$
There is no race result on the selected date.
Processing...
|
||
4333
|
dbpedia
|
1
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https://www.instagram.com/kristinwalls/%3Fhl%3Den
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en
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Instagram
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[] |
[] |
[] |
[
""
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[] | null |
en
| null | ||||||||
4333
|
dbpedia
|
3
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https://www.wsaz.com/2024/08/02/britney-spears-memoir-woman-me-is-headed-big-screen/
|
en
|
Britney Spears’ memoir ‘The Woman in Me’ is headed to the big screen
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[
"britney spears",
"it's britney bitch",
"the woman in me",
"britney's book",
"brittany spears",
"brittany's book",
"britney's memoir",
"crazy rich asians",
"jon m chu",
"wicked"
] | null |
[
"CNN Newsource Staff",
"Associated Press"
] |
2024-08-02T00:00:00
|
Universal has landed the rights to “The Woman in Me,” which is being developed as a biopic of the pop star’s life.
|
en
|
//webpubcontent.gray.tv/gray/arc-fusion-assets/images/favicons/wsaz/favicon.ico?d=426
|
https://www.wsaz.com
|
https://www.wsaz.com/2024/08/02/britney-spears-memoir-woman-me-is-headed-big-screen/
|
NEW YORK (AP) — Universal Pictures has landed the rights to Britney Spears’ memoir “The Woman in Me” and will develop a biopic of the pop star to be directed by Jon M. Chu, the studio announced Thursday.
After a competitive auction, Universal won the movie rights to the memoir, which has sold more than 2.5 million copies since it was released last October. Marc Platt, the veteran producer of “Wicked” and “La La Land,” is set to produce, with Chu (“Crazy Rich Asians,” “In the Heights”) to direct.
Spears, herself, celebrated the news on X, where she tweeted that she was “excited to share with my fans that I’ve been working on a secret project with #MarcPlatt. He’s always made my favorite movies ... stay tuned.”
Spears, 42, in her book chronicles her rise to fame from “The Mickey Mouse Club” to global pop stardom, as well as her struggles with the conservatorship that was dissolved in 2021. The memoir, sales of which were boosted by an audiobook read by Michelle Williams, included the revelation that she had an abortion while dating Justin Timberlake more than 20 years ago.
Music biopics have been one of Hollywood’s most popular genres in recent years, with recent films about Elvis, Amy Winehouse and Bob Marley. Upcoming releases include “A Complete Unknown,” with Timothée Chalamet as Bob Dylan, and a Michael Jackson biopic due out next year.
Universal previously released the 2015 N.W.A. biopic “Straight Outta Compton.”
|
||||
4333
|
dbpedia
|
1
| 66 |
https://torontosun.com/sports/horse-racing/rejuvenated-da-silva-da-livers-the-goods
|
en
|
Rejuvenated Da Silva da-livers the goods
|
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[
""
] | null |
[
"Steve Buffery"
] |
2018-12-03T05:02:36+00:00
|
A year ago, Woodbine jockey Eurico Da Silva was actually thinking of retiring from thoroughbred horse racing. As much as he loves the sport, he had hit rock bottom.
|
en
|
https://dcs-static.gprod.postmedia.digital/16.7.2/websites/images/suns/favicon-tsun.ico
|
torontosun
|
https://torontosun.com/sports/horse-racing/rejuvenated-da-silva-da-livers-the-goods
|
Article content
A year ago, Woodbine jockey Eurico Da Silva was actually thinking of retiring from thoroughbred horse racing. As much as he loves the sport, he had hit rock bottom.
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During the 2017 Sir Barton Stakes at the west end Toronto track, Da Silva’s horse Mr Havercamp veered out from the rail resulting in two horses going down and their jockeys — Rafael Hernandez and Luis Contreras — being tossed to the track. One of the horses, Conquest Cavalry, had to be euthanized. Da Silva was slapped with a 15-calendar-day suspension at the start of the 2018 campaign. The Brazilian-born jockey was so distraught, he almost hung up his tack.
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Rejuvenated Da Silva da-livers the goods Back to video
“I was (thinking of retiring) mostly because I was afraid something happened to the jocks (Hernandez and Contreras). But thank God they were OK,” said Da Silva.
The personable rider also thought the 15-calendar day suspension was too severe, a suspension which resulted in his missing the first six days of the 2018 Woodbine meet.
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“I was very, very unhappy. I think it (the suspension) was very dishonest. I think it was too hard a suspension, but I didn’t have the stomach to appeal and to watch that race again (on tape),” he said. “But then I put my mind together and set my goals (for 2018) and said to myself, ‘I’m going to do everything to make this my best year.’ I worked a lot on my meditation. I was even more disciplined about what I eat and my (fitness), breathing exercises, everything.”
The result? Only one of the greatest years ever put together by a jockey at Woodbine. A record-breaking season.
On Saturday at the west end track, Da Silva recorded his 222nd victory to break the previous record of 221 established by Mickey Walls in 1991. The 43-year-old Da Silva earned the record in the 10th race aboard two-year-old filly Souciologist, trained by Kevin Attard and owned by Al and Bill Ulwelling. Da Silva manoeuvred the maiden-breaking daughter of Gemologist through the 10-horse field. He leads all Woodbine jockeys for earnings ($10.3 million) and stakes wins (28) in 2018. Da Silva also surpassed the 2,000 mark for North American career wins this past September. He added another win on Sunday and is seven away from his goal of 230 victories this season. Riding in North America, specifically at Woodbine since 2004, Da Silva has won 229 stakes including 62 graded stakes.
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If he had walked away from racing, it would have been a huge loss to the Woodbine community. A fan favourite, Da Silva is known for his great riding, his electric smile and his “Good luck to everybody!” catch phrase. If he has any faults, it’s that some of the other jockeys complain that he’s over aggressive at times. But Sandy Hawley, the greatest jockey Canada has every produced, is a huge fan.
“He’s a tremendous rider,” said the retired Hall of Fame jock. “Horses really seem to run for him. And I’ll tell you what, he’s as fit as any athlete I’ve ever seen. I love the riding that he does. He’s got a great seat on a horse and his personality is second to none. I asked (legendary jock) Bill Shoemaker one time, ‘If you could give me one tip that would help make me a great rider, what would that be?’ And he said, ‘Just be a good passenger’. Eurico looks like he’s a good passenger.
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“And he’s an amazing guy, a very charitable guy as well, a very giving guy,” Hawley added.
Da Silva holds a 62-win lead ahead of runner-up Rafael Hernandez.
This is the fourth straight year he has topped the 200-win mark and fifth time as the overall meet leader. Da Silva credits all the trainers he rides for, the grooms, and his agent Mike Luider for his success.
“These last couple of months it’s unbelievable how many trainers want to give me horses to help me break this record,” said Da Silva. “You feel it in their heart that they want me to make it.”
Kingsport won Sunday’s $100,000 Sir Barton Stakes for trainer Sid Attard and owners Goldmart Farms and Royal Laster Racing Inc. Jesse Campbell was scheduled to ride but was hurt earlier when he was unseated by his horse Tru Dat in the paddock. Campbell was taken to the hospital with a suspected concussion. He was replaced by Contreras.
“I feel so bad for (Campbell),” said Attard. “He was dying to ride this horse. But Luis did a great job.”
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Twitter @Beezersun
McKnight wins three
Woodbine trainer Norm McKnight scored three wins at the Rexdale track on Sunday, giving him a record 120 on the season. The record for most wins by a conditioner at Woodbine was 119, set in 2011 by Mark Casse. McKnight’s 120th came in the ninth race with Gold Lace, a four-year old dark bay filly owned by Bruno Schickedanz and ridden by apprentice jockey Kazushi Kimura.
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Longacres Racetrack
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Longacres racetrack was founded by Seattle real estate magnates Joseph Gottstein (1891-1971) and William Edris and designed by B. Marcus Priteca. It opened in Renton on August 3, 1933. The track was
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Longacres racetrack was founded by Seattle real estate magnates Joseph Gottstein (1891-1971) and William Edris and designed by B. Marcus Priteca. It opened in Renton on August 3, 1933. The track was later overseen by Gottstein's son-in-law Morris Alhadeff and still later by Alhadeff's sons Michael and Kenneth. Noted for its beauty, for its fast-track surface (Green River sandy loam with a hard clay base), for the annual Longacres Mile race, and for Morris Alhadeff's collection of equine art by Northwest painters, by the time the track closed on September 21, 1992, it had become the oldest continually operating thoroughbred racetrack on the West Coast.
A Boy and His Horse
During Joseph Gottstein's youth, his father, Washington pioneer, liquor wholesaler, and real estate magnate Meyer Gottstein, owned a racing stable and was one of the shareholders at Seattle's first racetrack, The Meadows (located on what is now the south end of Boeing Field). Joe was given his first thoroughbred horse, Prince Liege, at age eight and promptly lost his heart to the Sport of Kings. However, the Washington State Legislature banned gambling in January 1909, and loss of gambling revenue quickly resulted in the demise of The Meadows.
Joseph Gottstein attended Brown University, then returned to Seattle and began buying and selling downtown real estate. One of his business associates was William Edris, who later ran The Olympic Hotel. Both men loved horse racing, all but non-existent in Washington since the 1909 gambling ban. Wealthy, well connected, and determined, Gottstein and Edris set out to revive the sport. From 1922 on they lobbied to bring thoroughbred racing back to Washington. The economic effects of the 1929 stock market crash and subsequent Great Depression, along with the support of then State Representative Warren Magnuson, aided their efforts.
Washington Puts its Money on the Horses
On behalf of Edris and Gottstein, Representative Joseph B. Roberts of King County introduced House Bill 59 legalizing parimutuel wagering on horse races. On February 20, 1933, the Washington House passed House Bill 59. On February 23 the bill passed the Senate and on March 13, 1933, Governor Clarence Martin signed the bill into law.
Section 9 of the bill stipulated that 5 percent of the gross handle (the amount of money wagered) be collected as a tax, and that 80 percent of this tax would support the old-age pension fund in the state treasury. The track also paid the state a $100 per-day licensure fee. Passage of the measure opened the way for the foundation of the horse breeding and racing industries in Washington.
On the Fast Track
On June 20, 1933, the Washington Jockey Club, founded by Gottstein, Edris, architect B. Marcus Priteca (1889-1971), Dr. Richard O'Shea, Howard Lang, and M. Ross Downs, was issued a permit to own and operate a one-mile track. They took a 10-year lease on James Nelson's 107-acre dairy farm at Renton Junction in the Green River Valley. Gottstein hired Priteca, designer of his Coliseum Theater and of the Bikur Cholim Synagogue (now the Langston Hughes Cultural Arts Center) to design the racetrack, giving him one month.
A crew of 3,000 worked around the clock. Gottstein and Edris mortgaged properties and Gottstein took out an $85,000 personal loan to finance construction. Five months after House Bill 59 passed and 28 days after Priteca picked up his pencil, Longacres racetrack -- racing strip, red and silver grandstand, clubhouse, 33 barns, a judges' stand, and parimutuel windows -- was completed. It was the first track on the Pacific Coast to successfully operate under the parimutuel system of betting. The first race meet lasted 40 days.
Although the legalization of parimutuel wagering was controversial both locally and nationally, many Pacific Northwest residents were more than ready to play the ponies. According to the Seattle Post-Intelligencer, the track boasted "the last word in racing equipment, the Bahr starting gate, which keeps each horse in a separate stall" (August 2, 1933, p. 5).
Eight races were scheduled, including an inaugural handicap of six furlongs for 3-year-olds and upwards. The purse for this race was $1,000. The Seattle Post-Intelligencer hired Joe Hernandez, described by the paper as "an internationally-known turf-writer," to write stories and handicap during the Longacres season (August 3, 1933). The paper ran a photograph of a broadly grinning Joe Gottstein over the caption, "He Brought The Ponies Back Here." High-profile race fans from throughout the state gathered to watch Vetsera, under jockey Herbert "Little Nell" Simmons, win the track's first race.
Groomed and Very Green
Longacres patrons enjoyed a full view of Mt. Rainier. Gottstein planted Lombardy poplars around the track. Groomed and green, Longacres was planned to evoke comparison to Longchamps racetrack in the Bois de Boulogne outside Paris. The name Longacres paid tribute to Longchamps, which means long fields. The track's soil composition, fine alluvial glacial till over clay, made it a fast track. The racing surface was flooded almost every spring until 1962 when completion of the Howard A. Hanson Dam stemmed overflow on the Green River. The racetrack was an escape and diversion during the Great Depression, and generated much needed tax revenue for the state.
On August 24, 1935, Gottstein instituted the Longacres Mile with a $10,000 purse, the richest purse in the country for a one-mile race. In 1945 the purse was raised to $20,000. By 1985 it was $150,000, and by 1992 it was $250,000. The race was once around the track. It attracted the country's top jockeys and horses and generated copious publicity. So powerful was the mystique of the Longacres Mile that both attendance and betting records were routinely set on Mile Day, most significantly in 1981 when a record crowd of 25,031 (exceeded only on the track's final day) watched jockey Gary Baze ride Trooper Seven to victory. The record handle for the day was $2,770,179.
Early on, Gottstein sold the Coliseum for money to keep the track running. Many of Gottstein's real estate colleagues bought stock in Longacres to help the track survive the early years. But in 1937, William Edris pulled his money out of the track, encouraging Gottstein to do the same.
During the track's initial years, thoroughbred horse breeding in Washington was confined to only a handful of stables, most notably that of the Drumheller family of Walla Walla. This forced Longacres to rely on thoroughbreds from outside the state. In 1940 Gottstein founded the Washington Horse Breeders' Association. The yearly Washington Futurity (later the Gottstein Futurity), open only to Washington-foaled horses, also boosted the Washington breeding industry. In 1940 the track installed a new invention: electronically operated starting gates.
War Years
At the outset of World War II, ostensibly due to the potential waste of rationed gasoline and car tires race fans would use getting to the track, Governor Arthur Langley asked Gottstein to cancel the 1942 racing season. Gottstein refused, and demonstrated his support for the war effort by donating three days' worth of the parimutuel handle to the Red Cross, the Army Relief Fund, and the Navy Relief Fund. The Washington Horse Racing Commission, appointed by the Governor, denied the Washington Jockey Club's request for a 1943 season. The track did not open, and 1943 was the only year without a season during Longacres' history. The U.S. Army placed anti-aircraft guns at Longacres to protect the camouflaged Boeing factory nearby. Enlisted men's tents covered the infield and barracks were constructed behind the tote board.
When the track was granted a license for the 1944 season and reopened on June 24, 1944, for a 51-day meet, war workers flooded in for rest and relaxation between factory shifts. Many workers were flush with cash for the first time in more than a decade. Sugar, meat, women's stockings, and many other tempting items were rationed, but betting was not. Three weeks worth of the 1944 handle was donated to the Washington Veterans of Foreign Wars.
A New Generation
In 1942 Joe Goldstein's only child, Joan (1920-1996), married radio announcer Morris Alhadeff, known on the air as Jerry Morris. In 1947, at Gottstein's urging, Alhadeff joined the staff at Longacres. When Joe Gottstein officially retired in 1963, Alhadeff assumed management duties. Upon Gottstein's death on January 1, 1971, Alhadeff became president of Longacres.
During the 1950s, Longacres led the racing industry in efforts to self-police to prevent fraud. Horses were subjected to urinalysis. In 1952 Longacres became one of the first tracks in the nation to use film patrol. Film patrol allowed judges to review races in order to ensure that jockeys did not engage in illegal rough riding.
In 1971 Alhadeff installed a state-of-the-art television center at the track's finish line. The Seattle Post-Intelligencer reported, "Equipment, which includes nine cameras (covering the backstretch, the homestretch, a panoramic view of the racing area, the tote board, the paddock, and the studio), plus some 65 closed-circuit monitors and control panels ... is worth an estimated $100,000 and is leased from Criterion Films in Seattle. Stewards are now able to view instant reruns of the race, complete with stop-action, slow-motion, and backup, long before the horses return to the winner's circle ... previously, the stewards had to wait for film to be collected from three points around the track, then processed, at least an eight-minute delay before the winner is certified and valid tickets cashed" (August 15, 1971, p. 48).
Over the years, the building facilities were improved, first under B. Marcus Priteca's continuing direction and after his death in 1971 by his former associate Richard McCann. In 1972, Longacres underwent a large expansion that increased the Club House by 20,000 square feet, adding a number of separate lounges served by closed circuit television. In 1974, the open-air, six-tiered Gazebo featuring 2,500 seats was added. In 1978 the Paddock Club opened, offering reserved seating for 1,200. In 1982 the track added a 1,500-seat North Grandstand Terrace. In 1984 the North Grandstand was built behind the Gazebo, adding 900 seats, more eating areas, and additional betting windows.
Exotic Betting
On May 18, 1973, Longacres introduced so-called exotic wagering with $5 Exacta betting. Further exotic betting options such as trifectas (picking the top three finishers of a race in the exact order), and the Pick Six (choosing the winners of six consecutive races) soon followed. By 1981, nearly 10,000 fans attended Longacres each day during racing season. By 1983 these fans were wagering a daily average of $1.238 million.
In 1981 Longacres installed the Autotrack Cash/Sell System, a computerized wagering system. Computerized betting meant that betters could buy or cash tickets at any window, wager in advance throughout the day, and place bets nonverbally by filling in a betting slip. Morrie Alhadeff called the automated betting system "the most exciting single innovation ever presented to racing fans in all the years I've been here" (Seattle Post-Intelligencer, April 5, 1981).
Art and Technology
In 1976 Morrie Alhadeff, long a collector of horse-related art, invited painter Kenneth Callahan (1905-1986) to watch morning workouts at the track. Callahan sketched the horses, later producing two series of gouache and oil paintings from the sketches. Alhadeff hung the paintings in a private dining room in the Turf Club. Other equine art hung throughout the facility.
On July 8 and 9, 1977, undefeated Triple Crown winner Seattle Slew appeared at Longacres for a noncompetitive showing. The Triple Crown races consist of the Kentucky Derby, the Preakness Stakes, and the Belmont Stakes. For the first time in the track's history, Longacres sold advance tickets for a regular racing day. Admission prices (usually $3.50 for the best seating during the 1977 season) were $5 a head. The event raised funds for human medical research at the University of Washington and for horse medical research at Washington State University. Seattle Slew was bred in Kentucky and never raced at Longacres, but his co-owners Karen and Mickey Taylor were Washingtonians (from White Swan, on the Yakama Reservation).
Washington instituted a state lottery in 1984, diverting some of the public's betting dollars away from Longacres. The state's slumping economy and the growth of the professional sporting industry within the state also siphoned dollars away from the track. On April 2, 1986, in response to the fact that increasingly fewer race fans were free to come to the track during the weekdays, Longacres installed lights on the track and instituted night racing. On June 8, 1988, the first satellite-wagering facility in the state opened at Bellingham, enabling race fans to place bets without being physically present at the track. Another such facility at Yakima Meadows opened soon thereafter.
On November 23, 1988, Morrie Alhadeff was named Chairman of the Board of Longacres. His sons Michael and Kenneth Alhadeff became, respectively, track president and executive vice president.
Summing up the track's all-time luminaries, The Seattle Post-Intelligencer reported that Longacres top jockeys included Gary Baze, Gary Boulanger, Gary Stevens, Vicky Aragon, Lennie Knowles, and Larry Pierce. Glen Williams, Ben Harris, Tom Roberts, Wayne Branch, Kathy Walsh, and Bud Klokstad were top trainers. The track's top Washington-bred horses were Grey Papa, Hank H., Trooper Seven, Chinook Pass, Turbulator, Captain Condo, and Belle of Rainier ("Looking Back," September 17, 1992).
On September 27, 1990 the Alhadeff family announced sale of the Longacres property to Boeing. Boeing permitted the nonprofit Emerald Racing Association to operate the track, renamed Longacres Park, rent-free for two more seasons.
Their Final Thunder
Valley Daily News reporter Eric Lucas described the track in its final days: "Longacres has more nooks and crannies than a medieval castle, a wilderness of seating areas, bars, lounges, cafes, restaurants, cupolas, boxes and bleachers added helter-skelter over the years. In each little nook, clumps of race-lovers huddle beneath omnipresent Orwellian TV screens which display the odds and, near race time, the action on the track" (September 20, 1992).
Seattle Weekly writer David Buerge described the timeless quality of life in the backstretch:
"The backstretch, the world of stables and barns where trainers, grooms, and a host of other supporting characters played out this rustic drama, maintained a strong family feeling. Association with the track often spanned generations, and common hopes and needs bound everyone together. Typically, the backstretch awoke each morning when the grooms fed their horses and exercise boys led them out for a gallop. ... What the place lacked in amenities it made up for in romance" (August 19, 1992, p. 26).
The track closed to live racing on September 21, 1992. The Seattle Post-Intelligencer reported, "Before the last race, announcer Gary Henson told the crowd, 'These horses belong to you. Listen to their final thunder.'" Then, for probably the first time in track history, the race was run in silence, without Henson's customary calls. (September 22, 1992). More than 23,000 fans crowded the stands to see Native Rustler, ridden by Gary Stevens, win the final race.
Boeing redeveloped the northern portion of the property into a Customer Service Training Center. In December 1994, the City of Renton granted Boeing permits to demolish the Longacres grandstand and dozens of horse barns, sheds and other outbuildings. Demolition began immediately. Only the tall poplar trees that once edged the racetrack remain to mark the former location of Longacres.
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https://www.pbs.org/wgbh/roadshow/appraisals/
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en
|
Appraisals
|
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[
""
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[] | null |
Our Appraisals archive contains thousands of Antiques Roadshow appraisal videos and valuable information spanning our 28 seasons.
|
en
|
https://www.pbs.org/wgbh/roadshow/static/shortcut-icon.ico
|
Antiques Roadshow | PBS
|
https://www.pbs.org/wgbh/roadshow/
|
Executive producer Marsha Bemko shares her tips for getting the most out of ANTIQUES ROADSHOW.
Value can change: The value of an item is dependent upon many things, including the condition of the object itself, trends in the market for that kind of object, and the location where the item will be sold. These are just some of the reasons why the answer to the question "What's it worth?" is so often "It depends."
Note the date: Take note of the date the appraisal was recorded. This information appears in the upper left corner of the page, with the label "Appraised On." Values change over time according to market forces, so the current value of the item could be higher, lower, or the same as when our expert first appraised it.
Context is key: Listen carefully. Most of our experts will give appraisal values in context. For example, you'll often hear them say what an item is worth "at auction," or "retail," or "for insurance purposes" (replacement value). Retail prices are different from wholesale prices. Often an auctioneer will talk about what she knows best: the auction market. A shop owner will usually talk about what he knows best: the retail price he'd place on the object in his shop. And though there are no hard and fast rules, an object's auction price can often be half its retail value; yet for other objects, an auction price could be higher than retail. As a rule, however, retail and insurance/replacement values are about the same.
Verbal approximations: The values given by the experts on ANTIQUES ROADSHOW are considered "verbal approximations of value." Technically, an "appraisal" is a legal document, generally for insurance purposes, written by a qualified expert and paid for by the owner of the item. An appraisal usually involves an extensive amount of research to establish authenticity, provenance, composition, method of construction, and other important attributes of a particular object.
Opinion of value: As with all appraisals, the verbal approximations of value given at ROADSHOW events are our experts' opinions formed from their knowledge of antiques and collectibles, market trends, and other factors. Although our valuations are based on research and experience, opinions can, and sometimes do, vary among experts.
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https://harnesslink.com/usa/michael-mickey-burke-sr-obit/
|
en
|
Michael “Mickey” Burke Sr. passes, age 87
|
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[
"Ken Weingartner",
"www.facebook.com"
] |
2024-05-07T08:30:27+12:00
|
Michael “Mickey” Burke Sr., the 2006 Trainer of the Year and first harness racing trainer in history to surpass $10 million in purses in a single season,
|
en
|
Harnesslink
|
https://harnesslink.com/usa/michael-mickey-burke-sr-obit/
|
Michael “Mickey” Burke Sr., the 2006 Trainer of the Year and first harness racing trainer in history to surpass $10 million in purses in a single season, passed away Monday morning at the age of 87.
Mr. Burke, the patriarch of the Burke Racing Stable now led by his son Ron, won 3,167 races and $35.4 million in purses since the inception of official trainer statistics in 1991. The western Pennsylvania native’s involvement in harness racing began as a horse owner in 1955 and he drove in his first race at an Ohio fair in 1956 at the age of 20.
After selling his car dealership in 1981, Mr. Burke turned his attention to training on a fulltime basis. His first star was Maltese Artist, who was a multiple Grand Circuit winner as a 4-year-old in 2005 and went on to earn $2.32 million lifetime.
In the ensuing years, the Burke Stable became associated with many of the sport’s great horses, including Hall of Fame pacers Foiled Again (who retired in 2018 with a record $7.63 million in earnings) and Sweet Lou (2014 Pacer of the Year) as well as Hall of Fame trotters Hannelore Hanover (the 2017 Horse of the Year) and Mission Brief (to be inducted in July), not to mention numerous Dan Patch Award honorees.
Mr. Burke turned the stable’s daily operations over to his son Ron in 2009 but remained active in working with young horses and as an owner. The Burke Stable has led all training stables in wins and purses every year since 2005.
The entire Burke family has been involved in harness racing either through active participation or horse ownership: Mr. Burke’s wife, Sylvia, who is the stable’s bookkeeper; sons Ron and Mickey Jr., and daughters Michelle, Rebecca, and Melissa.
Mr. Burke and Sylvia were named to the Little Brown Jug Wall of Fame in 2021. Two years earlier, Mr. Burke received the Lifetime Achievement Award from the Monticello-Goshen chapter of the U.S. Harness Writers Association.
Additional details will be announced when available.
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3
| 28 |
https://www.mickeythompsontires.com/drag-tires
|
en
|
Mickey Thompson
|
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[
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Mickey Thompson Tires & Wheels – UNDISPUTED.
|
en
|
https://www.mickeythompsontires.com/media/site/acfb5693dc-1598278398/favicon.ico
|
Mickey Thompson
|
https://www.mickeythompsontires.com/drag-tires
|
Luke Bogacki is one of the most accomplished drag racers in the Sportsman Class. Bogacki has amassed over 250 event wins and more then $1,000,000 in prize money. He owns two NHRA national-championships, Super Comp and Super Gas along with five NHRA divisional championships, and four IHRA divisional titles. Bogacki wins on Mickey Thompson drag racing tires. Luke is a big believer in the products they use and sell, he says he depends on these products to win. Mickey Thompson drag tires are dependable and fast, the type of product Bogacki depends on. No one accidentally wins over 250 events without tires that hook up. You’ll see Mickey Thompson tires on Luke's vehicles and you’ll see Luke in the winners circle.
For more information see ThisIsBracketRacing.com
|
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4333
|
dbpedia
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3
| 53 |
https://www.themick.com/10homers.html
|
en
|
The Story behind Mickey Mantle's 10 Longest Home Runs
|
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"Yankee Stadium façade",
"Casey Stengel",
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Mickey Mantle: The American Dream Comes To Life® - The Stories behind Mickey Mantle's 10 Longest Home Runs, with photos, bar graph, diagrams, illustrations and video clips.
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Before Mickey played a single major league game he'd become a legend.
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(3)650 feet (6/11/53, Briggs Stadium, Detroit – Pitcher: Art Houteman, Detroit Tigers – Hit Left-handed)
Mickey had a 15-game hitting streak, and the Yankees a 13-game winning streak, going into this game at Briggs Stadium in Detroit. In the seventh inning, The Mick came to the plate with a man on base. Facing right-handed pitcher Art Houteman, Mickey belted a tremendous drive that ricocheted off the right-field roof. (Some witnesses say it hit the same light tower as Reggie Jackson's prodigious drive in the 1971 All-Star game.)
Only Ted Williams had ever hit one over the roof in Detroit. Mickey's roof clearing blasts would come later in his career. This blast was yet another tape measure shot, continuing what Mickey started in April that year. Using geometric calculations, it would have ended up across Trumbull Avenue, approximately 650 feet from the plate.
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(4) 643 feet (9/10/60, Tiger Stadium, Detroit – Pitcher: Paul Foytack, Detroit Tigers – Hit Left-handed)
Detroit's Tiger Stadium (the name was changed from Briggs Stadium) was a favorite Mantle hunting ground for legendary home run blasts. On September 10, 1960, with two out and two on in the seventh, Mickey worked the count to 2-0. Righty Paul Foytack fired a fastball right into the Mick's killing zone and he jumped on it. He crushed a spectacular drive that easily cleared the right-field roof (something Mickey had done several times by this point in his career), crossed Trumbull Avenue and landed at the base of a shed in the Brooks lumberyard across from the ballpark.
For spectators that day it was another of many tape measure homers Mantle hit during his career. For the Yankees the win - coupled with a Baltimore Orioles loss - put them back in first place in a tight pennant race. This overshadowed the magnitude of Mickey's blast in the stories that appeared in newspapers the next day. That plus the fact that spectacular Mantle home runs were becoming somewhat commonplace. So much so that Yankees' PR director Bob Fishel (Red Patterson's successor), who had many other duties, couldn't keep up with every tape measure blast Mantle hit. For that matter, Fishel wasn't with the Yankees in Detroit on that trip, so there was no one to emphasize to the press what Mickey had accomplished, and the Tigers certainly had no motivation to point it out.
But this one turns into quite a story a quarter of a century later. As told by Mark Gallagher in his excellent book, Explosion!, Dr. Paul Susman, a true Mantle fan, was convinced that this home run was special. As part of Dr. Susman's research for Gallagher's book, he went to Detroit to see if he could get the necessary information to calculate the exact distance the ball traveled.
It turns out that the story of Mickey's historic drive was well known at Brooks Lumber. Paul Borders, a Brooks employee, saw exactly where the ball landed. Susman and fellow researcher Robert Schiewe calculated the distance through Schiewe's use of the Pythagorean Theorem. The result was a prodigious 643 feet. This is the longest home run to have actually been measured from the point it was hit to the point at which it landed. Although it was measured after the fact, the point of impact was well-known and we believe this distance to be completely reliable. This is no computer estimate. This is the distance the ball traveled in the air from home plate to the place where it landed. The Guinness Book of Sports Records notes it as the longest home run in a major league game to be measured "after the fact." It is the longest home run ever hit in a major league game where it was possible to get the exact measurement. Considered along with the Bovard Field homer, it demonstrates that Mickey's unheard of home run distances are no flukes.
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(5) 630 feet (9/12/53, Yankee Stadium – Pitcher: Billy Hoeft, Detroit Tigers – Hit Right-handed)
Going into the bottom of the seventh inning of this game the Yankees had a slim one-run lead over the Tigers, 4-3. Mickey stepped in to face lefty Billy Hoeft. With two men on and a 3-2 count, Mickey blasted a searing line drive that scorched through the air into the upper deck in left-field. There it smashed a seat and bounced back down onto the playing field. It was Mickey's second long homer of the game. The first was a titanic cloud-duster to left-center that measured 420 feet, although it easily traveled half-again that distance if its actual arc were measured. In the accompanying photo the Polo Grounds, home of the NY Giants, can be seen at the top as indicated by the small red arrow.
1953 was the year of the tape measure home run. Beginning April 17th in Washington, Mickey went on a tear of longball hitting the likes of which had never been seen. Long distance homers became a great topic of conversation. Earlier during the game Yankees Hall of Fame catcher Bill Dickey was saying that Babe Ruth and Jimmy Foxx had both hit balls farther than the Mick. After Mantle's seventh inning blast Dickey said, "Forget what I just said. I've never seen a ball hit that hard!"
Mickey's blast traveled 425 feet to the seat it broke 80 feet above the field. Once again, geometric calculations give us the 630 foot figure for the length of Mickey's blast if unimpeded. About this homer Casey Stengel said, "See that last exit in the upper deck in left field? Look. Way up there almost over the bullpen. They say that nobody ever hit one outta the Yankee Stadium. But if the stands didn't get in the way Mantle's would have gone over the wall because it was still climbin' when it smacked the seats."
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(6) 620 feet (5/30/56, Yankee Stadium Façade – Pitcher: Pedro Ramos, Washington Senators – Hit Left-handed)
Mickey loved Washington pitching. He hit many long home runs off the Senators' Pedro Ramos and Camilo Pascual. In the twin bill played on May 30, 1956 Mickey faced both Pascual and Ramos, and he pounded a long shot off each of them.
Mickey was on another longball tear, having bounced a ball off the right-field façade on May 5th off Kansas City's Moe Burtschy. (No estimate has been made of the distance of that Mantle homer, which may well end up in the top ten if ever calculated.) It was the year Mickey won baseball's Triple Crown, challenging Babe Ruth's home run record in the process. He ended up with 52, one of the few players to hit over 50 homers in a season.
"Pedro and I were friends. He used to challenge me to a foot race before games. In one game one of our pitchers, I don't remember who, knocked down one of the Washington players – you could tell it was a knockdown – and Ramos had to knock down one of our players to protect his guys.
"I was leading off the next inning and I didn't even think about the knockdown. Everybody on our bench and everybody on their bench and even some of the fans knew I was gonna get a knockdown, but I didn't even think about it.
"Sure enough, Pedro hit me with his first pitch. It didn't make me mad – he didn't try to hit me in the head or anything, you know, just in the butt – but after the game he came up to me and said, 'Meekie, I'm sorry I have to do that.' I said, 'That's okay. But the next time you do it I'm gonna drag a bunt toward first base and run right up your back.' He said, 'You would really do that?'
"The funny thing about it was that the next time up was the time I almost hit one out of Yankee Stadium. It hit the façade. After the game he came up to me and said, 'I'd rather have you run up my back than to hit one over the roof!'"
The first game Mickey faced Ramos after Mickey was hit by Pedro's pitch was the first game of the doubleheader. With the Yankees behind 1-0 Mickey laid into a Ramos fastball and got it all. The ball took off in a high drive toward right-field that looked like it might have a chance to become the first ball to go completely out of Yankee Stadium. It soared above the stadium roof but a stiff breeze cut at it and brought it down against the right-field façade, about 18 inches from clearing the roof.
It was an amazing feat, the likes of which had not been seen before. It became a Yankee Stadium legend until eclipsed by Mickey's later efforts. Spectators and rival players pointed to the spot the ball hit for weeks afterward. Their reaction is summed up by Harvey Kuenn of the Tigers: "Did he really hit it up there? Really?"
In the second game Pascual was pitching. Mickey came to the plate in the fifth with the score tied at 3-3 and a man on base. Mickey launched another left-handed homer, this one into the right-field bleachers, a 450-foot blast. The Yankees swept the doubleheader, much in thanks to Mickey and his prodigious home runs.
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(7) 565 feet (4/17/53, Griffith Stadium, Washington – Pitcher: Chuck Stobbs, Washington Senators – Hit Right-handed)
This ranks as one of, if not the, most famous home run in history. It's the home run that coined the term "tape measure home run" and is listed in the Guinness Book of Sports Records as the longest home run to be hit in a regular-season major league game.
The Yankees were playing the Senators at Griffith Stadium in Washington, DC. Griffith Stadium was a little bandbox of a ballpark but, as Mickey said, "It wasn't that easy to hit a home run there. There was a 90-foot wall in center-field, and there always seemed to be a breeze blowing in."
Lefty Chuck Stobbs was on the mound. A light wind was blowing out from home plate for a change. It was two years to the day since Mickey's first major league game. Mickey stepped up to the plate. Stobbs fired a fastball just below the letters, right where the Mick liked them, and he connected full-on with it. The ball took off toward the 391-foot sign in left-center-field. It soared past the fence, over the bleachers and was headed out of the park when it ricocheted off a beer sign on the auxiliary football scoreboard. Although slightly impeded, it continued its flight over neighboring Fifth Street and landed in the backyard of 434 Oakdale Street, several houses up the block.
Billy Martin was on third when Mickey connected and, as a joke, he pretended to tag up like it was just a long fly ball. Mickey didn't notice Billy's shenanigans ("I used to keep my head down as I rounded the bases after a home run. I didn't want to show up the pitcher. I figured he felt bad enough already.") and almost ran into Billy! If not for third base coach Frank Crosetti he would have. Had Mickey touched Billy he would have automatically been declared out and would have been credited only with a double.
Meanwhile up in the press box Yankees PR director Red Patterson cried out, "That one's got to be measured!" He raced out of the park and around to the far side of the park where he found 10-year-old Donald Dunaway with the ball. Dunaway showed Red the ball's impact in the yard and Red paced off the distance to the outside wall of Griffith Stadium. Contrary to popular myth, he did not use a tape measure, although he and Mickey were photographed together with a giant tape measure shortly after the historic blast. Using the dimensions of the park, its walls and the distance he paced off, Patterson calculated the ball traveled 565 feet. However, sportswriter Joe Trimble, when adding together the distances, failed to account for the three foot width of the wall and came up with the 562-foot figure often cited. However, 565 feet is the correct number.
This was the first ball to ever go over Griffith Stadium's left-field bleachers. Most believe the ball would have gone even further had it not hit the scoreboard. At any rate, it became one of the most famous home runs ever. It was headline news in a number of newspapers and a major story across the country. From that date forward long home runs were referred to as "tape measure" home runs. That this home run is ranked as #7 on Mickey's top ten says an awful lot about Mickey's incredible power. For most players it would have been a once-in-a-lifetime shot if they were lucky enough to even come close to this distance.
(Note: The photo of Mickey batting left-handed with the ball glancing off the scoreboard is for illustration only. Mickey hit the 565-foot Griffith Stadium home run batting right-handed.)
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(8) 550 feet (6/5/55, Comiskey Park, Chicago – Pitcher: Billy Pierce, Chicago White Sox – Hit Right-handed)
On June 5, 1955, at Comiskey Park in Chicago, the Yankees battled the White Sox. In the fourth inning of the second game of a doubleheader, Mickey stepped in against lefty Billy Pierce. Pierce tried to slip a fastball past Mickey and the Mick tore into it, sending a scorching high drive to left. The ball cleared the 360-foot mark, crossed the 160-foot roof and descended to smash a car windshield on 34th Street outside. A parking lot attendant recovered the ball.
Some papers reported that Mickey's drive landed on the roof or hit a light tower but didn't go out of the park. But the Comiskey Park attendants on the roof went to the Yankees locker room after the game to tell Mickey that his homer had cleared the roof and gone completely out of the park.
Only Jimmy Foxx had ever hit a ball that far. However, Mickey's homer is the only one to have eyewitnesses to verify that it actually cleared the stadium.
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(9) 535 feet (7/6/53, Connie Mack Stadium, Philadelphia – Pitcher: Frank Fanovich, Philadelphia Athletics – Hit Right-handed)
The Yankees were playing a twi-night doubleheader at the re-named Shibe Park in Philadelphia against the Philadelphia Athletics. In the first game when the Yankees came to bat in the top of the sixth the score was 5-4 in their favor. Frank Fanovich, pitching in relief for the A's, walks Billy Martin, Phil Rizzuto and Yanks pitcher Johnny Sain with one out. Irv Noren, playing center-field for an ailing Mickey Mantle, was due up. Casey Stengel, famous for playing the percentages, sent the Mick in to pinch-hit right-handed against the lefty. Fanovich, with the bases loaded behind him, fired a thigh-high fastball right down the middle. Mickey clobbered it, sending it high over the roof of the second deck in left-center-field. The ball cleared the roof by a good 25 feet, went over Somerset Street outside, and was never seen again. It was one of the longest home runs in Philadelphia history.
It was Mickey's third career grand slam, and a fabulous one at that. It helped turn around a Yankees losing streak (they had lost 11 out of 15 going into the doubleheader) and they went on to win the nightcap. Once again the Mick hit a ball where only Jimmy Foxx had hit one before.
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Through The Decades
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What has become of the nation’s most recognized short-tracks was a vision of Anthony Venditti, and that vision quickly became a reality when the first gates opened in May of 1946. World War II was...
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Seekonk Speedway
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https://www.seekonkspeedway.com/through-the-decades.html
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1940's (1946-1950)
What has become of the nation’s most recognized short-tracks was a vision of Anthony Venditti, and that vision quickly became a reality when the first gates opened in May of 1946. World War II was in the rear-view mirror, the economy was turning around and D. Anthony was ready to showcase his dream, taking the family Seekonk Poultry Farm land and designing the asphalt oval track.
Seekonk Speedway was planned, engineered and promoted by D. Anthony. The first race took place on Memorial Day, a Thursday in late May. The track was originally built as a quarter-mile oval, with seven-foot banking in the corners and 60-foot wide turns. There might not have been a ton of grandstands, but it quickly grew into something fans from across New England would come to love. More than 12,000 people were on the property on opening day. The original design of the track was built for Open Wheel Midgets, and in the first race, it was Oscar Ridlon rolling his midget around into Victory Lane.
Along with Anthony, his wife, Irene Venditti, was one of the pioneers of Seekonk Speedway. It was with her help that her husband was able to create the track that has become a fan and family favorite for many. Anthony was the youngest promoter in all of the country in the debut year, and had a family that was behind him from day one. He would pass in the early 1990s, while Irene would operate the facility until her passing years later. Now, the track is still family operated, with Francis Venditti and grandson David Alburn running the operations.
It wasn’t long before the “Fastest Track in the East” became the “Action Track of the East” -- a name that still stands today. The first year of competition lasted through mid-October, with names like Joe Sostilio, Bill Randall and Bob Blair winning. However, it was Eddie Casterline who dominated the opening year, winning what is believed to be a third of the races (10) in year one. The track didn’t record an official champion, but it was clear Casterline was the top contender.
The second year was marked by the loss of three competitive racers, including Casterline, who lost his life just one day after a crash at the age of 32. Casterline won the New England Midget Championship in 1946, and was one of the earliest speed demons in track history. Victories in year two were spread across multiple drivers, including names like Chet Gibbons, Sostilio, Frank Simonetti and Lloyd Christopher.
It was in 1948 that the first Stock Racing was introduced at Seekonk Speedway, with the Bombers, Jalopies, and the Cut Downs, that quickly became an instant success. That first racing club was named “Interstate Racing Association”. The fans hung on to the edge of their seat enjoying this new sport.
It was 1949 when the first cement walls went up and the banking was extended. A drivers strike started that year, and racing didn’t begin until June, when Bill Randall opened the season in Victory Lane. There might not have been as many races in ’48, but by ’49, a full year of racing took place, with names like Nick Fornoro, Ralph “Hop” Harrington and Dave Humphrey victorious for the majority of the season. By then, a Stock division that had been introduced to competition, but the Midgets were still supreme. Seekonk was built especially for that machine. Harrington seemed to be the dominant car heading for the start of a new decade and Humphrey wasn’t going to be far behind.
1950s (1950-1959)
A decade that marked the first champion in the history of Seekonk Speedway, the first three-time consecutive champion, the first Modified competition and the continued growth of the Action Track of the East. In ‘50, Mickey Gill officially earned the first track championship, winning countless races throughout the year in the Stock division. In the same year, Ralph Moody would earn the first checkered in the Modified division.
Looking back from the previous decade, names like Harrington and Humphrey continued their own winning success in this one.
After Gill, Humphrey would earn the next two championships in ’51-’52, becoming the first repeat champion in track history, while Harrington would earn two of his own at the end of the decade, scoring top honors in ’57 and ’58. He would win four straight races at one point, and nearly 40 years later, Harrington would earn honors into the New England Auto Racers Hall of Fame. Humphrey would add another of his own in ’59, marking his third and final at Seekonk. He would move to the NEMA Midgets, where he would continue to win races, and would take his final Seekonk checkered in ’86.
In this decade, D. Anthony would decide to fill the track with water over 12-feet high, opening for hydroplane boat races on select occasions, drawing fans and bringing a new style of competition to the New England region. Sammy Packard won the New England Speedboat Championship that year. It wasn’t long before it was clear that Anthony was going to do whatever it took to bring flocks of fans to the track, and it was working.
The middle of the decade was owned by George Smaldone. With a count of what it believed to be 13 wins in his time at Seekonk, Smaldone would become the track’s first three-time consecutive champion, winning titles in ’53, ’54 and ’55. He was a regular at the front of the field throughout his career.
Another driver to win a championship in this decade was Fred Luchesi. He wasn’t committed to only Seekonk, as a local competitor, and ’56 track champion, he spent much of his time traveling across New England. He was able to earn his first checkered flag in ’54, a championship two years later, and wins in just about every car where he sat behind the wheel. Also in ’56, Seekonk ran the first regularly scheduled Saturday night racing card — a night that morphed into the reality of weekly competition for years to come.
Marty Zingari, a World War II veteran of the U.S. Navy, started his Seekonk tenure in this decade in ’57, where he would earn wins driving for different car owners. George Summers, who is the unofficial all-time wins leader at Seekonk, with what is believed to be 100 wins, started winning at the end of the decade.
This decade also marked the beginning of winning times for Fred Astle Sr., Tex Barry Sr., Joe Rosenfield, Leo Cleary, Bobby Sprague and many other legends. Sprague, like Zingari, was a veteran of the U.S. Navy, serving until his honorable discharge in ’46. He would compete for owners like Dave Marfeo, Bill Ross, and even Zingari, winning 35 times, starting in ’54 and ending in the 1970s.
Billy Clarke, who had a career that spread across more than 65 years, started his career in the B & A division during this decade. Entry prices were down around $1.50 per person, which contributed to large crowds.
1960s (1960-1969)
Start the decade with Joe Rosenfield, end it with Ron Bouchard, and stuff countless other legends in the middle. This also marked the decade with the largest assortment of divisions in history, with competitors competing in the Class A, B, Midgets, Bombers, Modifieds and more. That quickly sums up the 1960s at Seekonk Speedway.
Rosenfield, a 2020 Seekonk Wall of Fame member, started his winning tenure in the previous decade, but picked up most of his 25 career Seekonk wins in this one — becoming the track’s first four-time champion, with all of them coming in the “A” class. He wasn’t a stranger to the front of the field in the 60s, winning championships in the first three years in the top division. After that, he would return to glory in ’64. Veteran Billy Clarke, who would continue racing all the way into his 80th year, would earn a championship in ’63 in the Sportsman division, while the remainder of the decade opened the door for future veterans to rise to the top.
Former NASCAR Modified and Seekonk champion Bugsy Stevens (’65) and Derek Astle (’66) grabbed two, while it ended with the beginning of dominance of one driver who wasn’t only a Seekonk record-holder, but a NASCAR Cup Series winner. Ron Bouchard would score his first championships in ’68 and ’69, before heading into the next decade, where he would seal four straight. Joe Martin would earn his first and only Class A win in ’68, a 30 lap feature in late August.
Fred Astle Sr., who won a chunk of races in this decade, was one tough customer. The oldest of the Astle brothers, the Wesport, Massachusetts, native started winning back in the 50s, but wasn’t done. Over his career, he drove for Bill Ross and Frenchie Gendreau, among others, and spent many years behind the wheel of a car he built himself. He amassed 21 victories, but many of them in his decade.
In the second-tier division (now Late Models), Les Andrews and Dick Machado split two of the first three titles, but it was Manny “Pop” Silvia who took two of his own, kicking off his Wall of Fame career in style with countless wins and two titles. He picked up his first victory in ’62, on the way to the championship in the same year, before adding another in ’64. A decade later, he would dominate the Mini Stock class, winning a title in ’76, and his final race in ’78. Track favorites Ed “Flash” Flanagan, Sonny Mello, Bill Anderson and George Ponte also earned top honors.
Sliding in from the previous decade, Dave Humphrey and Hop Harrington would keep winning, while Bobby Sprague and Fred Luchesi would also keep earning checkered flags. George Summers, who would later be declared the all-time wins leader at Seekonk with 100 wins, dominated much of this decade, extending his number forward, with many of his wins coming in the A class.
Winning car owners in this decade included Marty Zingali, Louis Auclair, Tony Cortes, Deke Astle Sr., George Murray, Billy Clarke, Len Boehler, Rollie Lindblad, Dave Lind and others. NEMA Midgets would continue competing at Seekonk through this decade, keeping the Midget base that D. Anthony built alive and well, while USAC cars also rolled into the third-mile oval. Midget and Class A races extended to 100 laps at times.
1970s (1970-1979)
This decade set Seekonk Speedway up for the future in a big way. The Pro Stocks took their first laps in competition, as a division that would bring the track through multiple decades of the future. It still stands as the top division today because of the strong base that D. Anthony built in this decade.
In the first sanctioned Pro Stock race, in August of ’78, Frank Carpenter would go to Victory Lane in a 50-lap feature. One year later, the Pro Stocks became a weekly division at Seekonk, opening the door for drivers to flood the track with new cars and prepare for battle in 30 lap feature races. In the first few events, names like Greg Bagnell, Len Ellis, Don Dionne and Bugsy Stevens were at the front of the field. All of them would be track success stories, long with names like Wayne Dion, George Murray and Jimmy Wilkins Jr. In ’78, Charlie Perry earned the title, while Dionne followed with one of his own in ’79.
As part of the B Class (now Late Models), multiple drivers started championship success before eventually becoming Pro Stock title holders. At the start of the decade, it was Dionne, Norm Holden, Joe Oliver and Vinny Annarummo earning top honors — while three of them eventually become Pro Stock champs. After that, Russ Webber and Hank Goff would win titles in ’75 and ’76, while the tradition continued at the end of the decade, with Wayne Dion and Joe Cerullo winning the title before moving to the Pro Stocks.
This decade continued a tradition of having some top names visit Victory Lane. Bobby Sprague, Ron Bouchard, George Summers, Billy Clarke, Fred Astle Sr., Pop Silvia, Wayne Darling and Fred DeSarro were just some of the winners — but there were many more who joined them at the top of the filed. This decade marked continued success for many veterans who had already made their presence known.
1980s (1980-1989)
Just two years after the beginning of the Pro Stock division, it had become clear it was going to be a major success, with drivers taking their firm grasp on the class and not letting go, while car counts continued to rise. Seekonk’s second-tier division (now Late Models) would watch 10 different champions win in as many years, while the Street Stock division would take a few years off from crowning a champion, but return in the second half with multiple drivers earning top honors. The decade also crowned champions in the Charger, Modified, Mini Stock and SK Modified divisions at different times. It was just plain filled with winners and top names.
Pro Stock champions included George Murray, Don Dionne, Wayne Dion, Norm Holden, Leo Cleary, Joey Cerullo, Johnny Tripp and Bugsy Stevens. The list of feature winners was just as impressive. Names like Len Ellis, who would become a Seekonk Wall of Fame member, Jimmy Wilkins Jr., Dave Dion and Wall of Famer Vinny Annarummo were also victorious. Add Rick Martin, Joey Kourafas and Dick Houlihan and you’ve just added some of the top names in track history. And that’s not the end of the list. Pro Stock races spread from 30 to 100 laps, giving drivers the chance to showcase their talent over a wide range of lap counts in competitive fields.
Holden, who would win double-digit races in this decade, would become the first three-time champion of the Pro Stock class, with titles from ’83-’85. Cleary, who started winning in ’55, would continue his winning ways right through this decade, where he won his final championship. He won in just about everything he sat behind the wheel in, and drove for many of the top owners throughout his career, at his home track of Seekonk, and elsewhere.
The list of modified winners has some of the top talent in not only Seekonk, but NASCAR history. Bugsy Stevens, who would win countless NASCAR Modified races, was a Seekonk winner, while George Summers, the all-time Seekonk wins leader, George Murray, Ken Bouchard and Ed St. Angelo were right there with him. Champions in the Modifieds included Stevens and Bruce Taylor. In the Mini-Modified division, Bill Singerson, Marcel L’Etoile, Bob Fitzpatrick, Dick Houlihan, Richie Murray and Leo Cleary would be on top.
St. Angelo garnered over 25 wins in his Seekonk career, spreading between the Late Models, Modifieds, SK Modifieds and Pro Stocks. Possibly his best season was ’83, when he picked up eight victories, winning the SK Modified championship in the only year they competed at Seekonk. He would become a Wall of Fame member himself decades later, going in with friend Annarummo in ’19.
In the second-tier class, names like Ron Kingsborough, Deke Astle Jr., Paul Round, Dave Sylvia and Kevin Nabb were just some of the drivers who earned the top honors. Roots extended deep down into the Street Stock division, where track favorite Ray Souliere would earn his first title in ‘80, while Rick Hanatow, Bill Wilcox and Roland Wheeler would join as champions. In the Charger class, Souliere would score another, joined by Dave Silvia, Dennis Dupuis and Johnny Gomes Jr., who added their own name to the list.
Houlihan, who earned his first of three track titles in this decade (’85), wouldn’t win another championship for 17 years. Souliere, who started his title success in ’80, would go forward with more than 16 years of success towards the front of the field, ending with another title in the late 90s. Some of the top car owners in Seekonk history also ran through this decade. Ken Casper and Fred Astle Jr., who were owner/driver's, were joined by Art Barry, Joe Brady, Rollie Lindblad, Bob Garbarino and Len Boehler as owners to win races. It’s quite the impressive list, and it doesn’t even scratch the surface.
Early in the decade, four races for the NASCAR North Tour were won by Steve Poulin, Mike Rowe, Roger Laperle and Bobby Draggon. The NASCAR Whelen Modified Tour visited in ‘87, for their inaugural stop as part of their third official season, with veteran Reggie Ruggerio grasping control into Victory Lane in the Coors 200. He would beat Jimmy Spencer, Bugsy Stevens and Bruce Taylor across the line, scoring one of 44 career tour wins. The field included the late Mike Stefanik and Wade Cole, veteran Jamie Tomaino and former champion and late Tom Baldwin.
The NASCAR K&N Pro Series East would visit twice in the same year, with one outsider and track regular earning glory. Chuck Taylor would be victorious in May, while Rick Martin beat 24 other competitors to defend the home turf in September. This would be just the beginning of local competitors defending turf against outsiders of countless divisions for years to come. Martin would beat New England racing veteran Dale Shaw to the line in a race that included the likes of Cleary, Kelly Moore, Holden and Kourafas, along with others.
Although he didn’t start in his decade, veteran technical inspection Jim “Smiley” Waterman worked to make sure cars were following the rules, and also served as the head tech inspector for the NASCAR Whelen Modified Tour in ’85. He worked with D. Anthony closely to create and implement a package that was strict, but affordable.
If you haven’t figured it out, this decade was filled with top names from across New England. D. Anthony Venditti’s plan was working, the group of competitors was growing, and the stands were packed on a weekly basis. By this time, Saturday night racing was a reality, and the track’s weekly divisions were spearheaded by the Pro Stocks, who were in their first full decade of creating success stories. Many of those success stories ended with drivers earning their way into the Wall of Fame years later.
1990s (1990-1999)
A new division became a reality, Pro Stock drivers solidified their resume with championships, a veteran found success in multiple divisions and weekly series racing was the spearhead of this successful decade. But, it began with one of the largest losses in the history of the Seekonk Speedway.
D. Anthony Venditti, “The Godfather of New England Auto Racing,” who had a vision and watched it become a reality with the creation of the third-mile, lost his life in ‘91. The death shook the racing community, but in the hands of his wife Irene, the track would continue to flourish through the decade and into the future — all in his honor. By the end, D. Anthony would make his way into the New England Auto Racers Hall of Fame class of ’99, going down as one of the best track promoters to ever live. He was the youngest promoter around in the track’s first year.
In ’92, the D.A.V. Fall Classic would begin, honoring his legacy. It would continue for years to come, as the future looks bright for the race that has morphed over the years into a New England favorite. In the inaugural D.A.V. Pro Stock race, Rick Martin would win the 50-lap feature. Rick Hanatow Jr. scored the Sportsman checkered, while Jeff Waterman was victorious in the Street Stocks. Stacey Holewiak and Kevin Casper split Formula 4 races.
Seekonk Wall of Fame member Vinny Annarummo dominated the Pro Stock division, winning three of the first four crowns, but Rick Martin wasn’t far behind in this decade. The two would battle throughout, joined by names like Fred Astle Jr., Len Ellis and Bobby Tripp. Astle would win the first of his six track titles during the span, while Martin would enter the decade with none and leave with his first four. With 15 years under their belt by the middle of the decade, the Pro Stocks were one of the top divisions in all of New England, with some of the largest car counts and best competitors. It was clear that D. Anthony Venditti’s historic vision was working. In 1998, Rick Martin and Chad Chace would be victorious in open-competition Pro Stock mains.
On top of the many other divisions at Seekonk, this decade was one owned by Rick Hanatow. He would earn his final three track titles, with three consecutive to open the decade, all in the Sportsman class (now Late Models). He had won titles previous in the Street Stock class. Outside of him, Late Model title-holders included Bob Pelland Jr., Mike Hassell, Bobby LeClerc, Scott Estrella, Bryan Souza and James Lawrence. Lawrence would win another title in the future, while the others saw their championship glory begin and end in this decade.
A street stock division that already had a strong base continued to grow, with drivers ending the decade by winning two titles in dominant fashion. Early, it was Jim Proulx winning the first two, while current Street Stock all-time wins leader Scott Serydynski would hoist his own in '92. As part of the historic Boehler family, Mike would win in 1993, while Matt Dewey (’94) would earn his own before eventually deciding to take a step up the ladder, where he ended up in the Pro Stocks years later. The end of the decade was dominated by two names: Rusty Bryant and Bob Bettencourt Jr. Between the two, they won countless feature races over the last four years and all four titles. Outside of them, Stacey Moulton would win a variety of races near the end of the decade. In 1997, Ernie LaRose would win two Street Stock races in the same night.
The beginning of the Sport Truck division was in 1995, and in the final five years of the decade, three champions would rise to the top. Turk Gunbay would win the first-ever crown, while veteran Ray Souliere would win two straight, followed by Billy Flint with two of his own. The Sport Truck division was intended to be another cost-effective class that would give drivers the opportunity to make a step up and head in the direction of the Sportsman and Pro Stocks. They may have the same type of look that the NASCAR Gander RV & Outdoor Truck Series machines have, but they are far more underpowered and stock-based. A new truck chassis will be introduced in 2020. Just a year after the division started, it was roaring with excitement, truck count was growing, and it would prove to be a winning move by management to head into the future. It would become a staple of the NASCAR Saturday program at Seekonk for years to come.
This decade also spotlighted the winged warriors of NEMA, who competed with races won by the likes of veteran Nokie Fornoro, Jeff Horn, Greg and Russ Stoehr and Mike Seymour. Outside of NEMA, a select few touring divisions would head to Massachusetts, but it was mostly weekly competition with the Pro Stocks, Late Models, Street Stocks, Formula 4 and Trucks that populated the decade.
2000s (2000-2009)
The cross into a new century marked a decade that saw top Pro Stock talents rise, while veteran drivers fought for Late Model titles in some of the most competitive races the class has ever seen. Seekonk’s Youth Racing Association launched, with upcoming stars beginning their tenure as competitors, some of them who would go on to be Saturday night winners. Two brothers would put their grasp on the Sport Truck division, winning back-to-back titles, and one of the most prestigious races in the history of New England motorsports would begin with a familiar face in Victory Lane.
Fred Astle Jr., Len Ellis, Dick Houlihan, Vinny Annarummo and David Darling — five drivers that will go down as some of the best in Seekonk’s Pro Stock division history. All five earned titles in this decade, with Annarummo earning his final two career titles, tallying five and six, while Darling began his dominance. Houlihan would put two to his credit, while Ellis would earn his final. Astle ended the decade with three straight in dominating fashion. Celebrating their 30th year as a division, one of the more hotly contested championship battles occurred in ’08, when Astle held off Tom Scully Jr. by a mere few points.
At the end of the ’03 season, Seekonk would transition the Division II class from the Sportsman name over to the Late Models. The beginning of the decade was all about James Lawrence, who earned two straight in ’00 and ’01, but after that, it was time for some young talent to clash with rising veterans. Kenny Spencer would spotlight himself in 2002, winning the crown before eventually moving to Pro Stocks in the middle of the decade, while Gerry DeGaspere Jr.’s dominant tenure began in ’03 with his first track title. Over the next seven years, DeGaspere would win three more — but the battles in ’04 and ’05 — two that he ended up trailing in the end — were some of the best. In 2004, a spited fight between DeGaspere and Glenn Lawton ended with Lawton holding the trophy, while Mike Brightman blasted the front in ’05, scoring his first and only Seekonk title. DeGaspere would spend ’06-’08 at the top, battling with Kyle Casper in ’08, in a race that went right down to the final laps. In ’09, Ryan Vanasse would storm to the front, scoring countless wins that year, and bolstering his resume with his first track title.
The Street Stock division, taking center stage on most nights with three-wide racing becoming a reality, would see seven different champions during the decade, with just Al Clements IV and Sparky Arsenault repeating. Clements would win two straight titles in ’05-’06, while Arsenault would push to the front of the field, winning two of his own in ’07-’08, after already celebrating in ’02. Additional names at the front included Bobby Rose, Dick Cavallaro, Dave Ratcliffe, Elmer Wing III and Mike Mitchell — all earning their own track titles. In 2008, Seekonk would debut the Street Stock 30/30 — an event with 30 cars involved in 30 laps of competition, where Scott Serydynski would take the win.
The Sport Trucks celebrated their 10-year anniversary in 2005, with this decade centering around the Casper brothers, Brian Clarke and Mike Cavallaro. The four drivers would combine to win eight of the titles in the stretch, with Lee Hayes (’04) and Jody Tripp (’09) the only two others to join them. Clarke would win the first two, while Kyle and Kevin Casper would hoist the Casper name to the top in the two years following. The division continued to grow, with Trucks debuting and some veterans marking their territory with victories. In the final year, Tripp would go tooth-and-nail with veteran Rick Martin, coming out on top. Both Casper brothers would go on to be Pro Stock winners.
Seekonk’s Fast Friday program launched during this decade, with go-karts racing in the back pit area, before a second night of weekly racing was officially introduced. Seekonk’s Youth Racing Association would begin, with the MiniCup division taking center stage. Early, it was names like Jason Heroux, Brit Andersen, Matt Hudon, Chris Robinson and Zach Tucan taking control. Tucan and Heroux would go on and compete in the Sport Trucks years later, while Hudon would become victorious in the Pro Stocks. By the end of the decade, it was Jake Spillers, Dylan Estrella and David Hutchins Jr. taking a full grasp of the class, winning races and championships. Estrella would become a Late Model champion and Pro Stock winner years later, while Spillers would take his talents south. The SYRA class would evolve into one of the country’s best divisions to find rising talent.
After years of competition, the Formula 4 division would wrap their Seekonk tenure with four years of competition to start the decade. Mike Brodeur, Lance Cambra, Jason Arsenault and Rob Murphy would earn titles. The Pure Stock division took the green flag, with Randy Arruda, Bill Chouinard and Scott Cestodio etching their names into history as some of the first to win top honors.
Seekonk would run under the NASCAR sanction from 2000-2005, before dropping back to just a weekly series track and finishing out the decade. The NASCAR Busch North Series visited six times early in the decade — with five different winners. Dave Dion, Kelly Moore, Dale Shaw, Matt Kobyluck and Andy Santerre would be victorious in events that had more than 20 cars come to Massachusetts for 150-lappers.
NASCAR’s Whelen Modified Tour competed in the first five years, with Jerry Marquis, Chris Kopec, Ed Flemke Jr., Chuck Hossfeld and Eric Beers winning 150-lap races, all from the top six starting positions.
In 2005, Open Wheel Wednesday took its first green, with some of the top drivers from the Modified ranks coming to Seekonk chasing a $10,000 prize. In the events first year, Modified veteran Donny Lia would edge the late Ted Christopher for victory. Kirk Alexander would score checkered in year two, while track favorite Vinny Annaurmmo would sit behind the wheel and drive to victory a year later. Matt Hirschman and Chris Pasteryak would also visit Victory Lane. Open Wheel Wednesday would also include the Boston Louie Seymour Memorial Classic for the NEMA Midgets, an event that would run during that race all the way through 2019.
The decade would begin with Ted Christopher wheeling an SK Modified into Victory Lane at the D.A.V. Fall Classic, and end with the late Mike Stefanik scoring his only career Seekonk win in the D.A.V. Fall Classic for the True Value Modified Racing Series. Two modified veterans that would lose their lives, both in air accidents, a decade later.
DARLING DOMINATES: 2010s (2010-2019)
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Young jockey Mickey Walls was a sensation on the local thoroughbred racing scene. Get premium, high resolution news photos at Getty Images
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Hall Of Fame Welcomes Class Of 2019
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The Canadian Horse Racing Hall of Fame welcomed its Class of 2019 at the Induction Gala on Wednesday, August 7 at the Mississauga Convention Centre.
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The Canadian Horse Racing Hall of Fame welcomed its Class of 2019 at the Induction Gala on Wednesday, August 7 at the Mississauga Convention Centre. Six people and four horses were elected from an extremely deep ballot of candidates, featuring international stars of the industry, two horses bred in Québec, a female trainer and individuals representing British Columbia, Alberta and Ontario.
Video and speeches from the 2019 Canadian Horse Racing Hall of Fame induction ceremony can be found below.
Standardbred inductees include Builder Ian Fleming, Driver Trevor Ritchie and Trainer Jimmy Takter, along with horses Tricky Tooshie and Angus Hall.
Ian Fleming’s career in the horse racing industry began as race secretary at his home track in Clinton, Ont. That evolved into managing the racetrack and from there he went on to create a centralized race office for several Ontario tracks in the 1990s, which now services racetracks across the province.
Fleming was also the Racing & Gaming Manager at Western Fair Raceway for a number of years. His business prowess is based on cultivating relationships, and his deep knowledge and understanding of the mechanics of racing and wagering is world-renowned. Fleming has helped every Ontario racetrack and many international organizations to shape and strengthen harness racing, and also volunteers his time in administrative capacities, as he sits on the Board of Directors for Standardbred Canada and the Ontario Standardbred Adoption Society. In addition to his racing-related responsibilities, Fleming continues to find ways to give back to the industry and his community through fundraising initiatives such as the bi-annual Legends Day at Clinton Raceway. The 2017 edition of Legends Day hosted harness racing fans from across North America to witness John Campbell’s final career race. Fleming was also an important part of the fundraising efforts following the Classy Lane Fire.
"I'm quite proud of the recognition," said Fleming, who succinctly grouped those he needed to thank into three groups: his family, those who have worked with and for him over the years, and the horsepeople -- even those that he hasn't necessarily seen eye-to-eye with over the years, because those people haven't always been wrong.
Fleming concluded by thanking CHRHOF executive director Linda Rainey for everything she does for the Hall.
Before retiring from driving in 2014, Acton, Ont. based Trevor Ritchie won many of North America’s premier races, including the North America Cup, Meadowlands Pace, Oliver Wendell Holmes, Prix d'Ete, Provincial Cup, Metro Pace, Canadian Pacing Derby, Trotting Classic Final for mares, and Champlain Stakes. During his career he had 3,710 driving wins and drove horses to over $70 million in purse earnings.
The year 2000 was a career best for Ritchie, as he won the Hambletonian with Yankee Paco, the first Canadian-sired horse to win that event. Later that year he won three Breeders Crown Championships, which tied him with John Campbell as being the only other driver in history at the time to accomplish that feat, and he was voted Canada’s Driver of the Year. Other top horses driven by Ritchie included Quite A Sensation, Frugal Gourmet, Road Machine, Armbro Agile, Peaceful Way, Majestic Son, Banker Hall, and Rotation. Ritchie’s quiet demeanour, immense talent, and great respect for his clients and fellow competitors served him well throughout his near 40-year driving career.
"You didn't give me the memo that this was a roast!" chirped Ritchie before offering congratulations to the other inductees. "I'm very proud and very humbled at being inducted tonight. It's really surreal knowing that my name will be joining all the other greats in this exclusive club."
"I want to thank all of the hard-working and dedicated trainers and the owners that trusted me to drive their horses," continued Ritchie before paying homage to his mentor Bill Herbert, who was inducted into the Hall some four decades ago. "He was the greatest horseman I have ever met. I considered Bill to be like my second father, and I'm pretty sure Bill considered me to be like his second son. Bill taught me how to be a horseman, he taught me how to be a better person, and I'm sure I would not be here tonight if Bill Herbert was not part of my life."
Swedish-born, U.S.-based Standardbred trainer Jimmy Takter has seen tremendous success on Canadian soil. With 1,325 starts in Canada, he has visited the winner’s circle 266 times and collected purse earnings of more than $34.2 million.
Takter has won 103 stakes races on the Woodbine Entertainment Group (WEG) circuit. Horses trained by Takter have won a total of 19 O’Brien Awards, including at least one O’Brien Award in 15 of the 19 years between his first award in 1999 with Moni Maker and his most recent with The Ice Dutchess in 2018. Despite being based in New Jersey, Takter was Canada’s leading trainer by earnings in 2015 with over $4.2 million made in Canada and has ranked among the nation’s top 10 conditioners six times since 2011, including second-place finishes in 2014 ($2,643,455) and 2016 ($2,263,361) Takter has also trained for a long list of prominent Canadian owners, including five members of the Canadian Horse Racing Hall of Fame: John Fielding, Marvin Katz, Al Libfeld, Charles Armstrong (CHRHF), Dr. Glen Brown (CHRHF), Herb Liverman, Bob Anderson (CHRHF), David Anderson, David Willmot (CHRHF), Lou Camara, John Florens and Peter Heffering (CHRHF).
"First, I want to thank everyone for all the support we've received over the years," said Takter. "It's been a long journey and I've been extremely fortunate.
"I love the passion they have for the horse in Canada," Takter continued. "When I came over here 37 years ago, my father said, 'Don't forget the love of the horse.' I couldn't have done it without you guys."
Tricky Tooshie was bred and owned during her racing career by Laurent Bergevin of Québec. Trainers included her co-breeder Jean L. Deblois, followed by Rick Zeron and then Linda Bedard.
As a two-year-old she raced in Québec where she dominated the Québec Sires Stakes, was the divisional leader and won the $197,000 Coupe des Eleveurs final at Blue Bonnets in a track record 1:55.1. As a sophomore she once again dominated her division in Québec. After a second-place finish in her first start, she then reeled off 15 consecutive wins including the $177,000 Coupe des Eleveurs and several Québec Sires Stakes. She won 15 of 17 races at six different tracks, almost $300,000 in purses and was a finalist in her division for an O’Brien Award. In seven years of racing she made 142 starts for a 44-29-24 record, posted a mark of 1:52.1 at Woodbine Racetrack and earned $1,005,566, becoming the first Canadian-sired mare to reach $1 million in earnings. As a broodmare, 11 of her 13 foals made it to the races to earn over $3 million for average earnings per starter of $284,441. Her richest foal was True North Hanover, a winner of $732,912.
"Tooshie and I had a connection; she was my girl and I was hers," said Bedard. "We both moved to Ontario from Québec at the same time to face tough competition. We also retired from racing at the same time to move on to our second careers."
"She went on to be a great broodmare, passing on her determination to her offspring at Hanover Shoe Farms, where she still lives today at 29 years old in a field with the retired mares."
"I went to visit Tooshie last month; I hadn't seen her in 20 years," continued Bedard, recounting a recent reunion with her Hall of Fame trainee. "When I saw her, I was about 30 feet away from her, and I said 'Hello, Mommy,' what I used to say to her every morning for five years. I did not expect her to remember me, but she did. She was and still is a very smart mare.
"I told her she was getting into the Hall this year, in a place where she surely belongs."
As a racehorse, Angus Hall earned $830,654 from 26 lifetime starts and took a mark of 1:54.3. In 26 lifetime starts over two racing seasons, the regally-bred son of Garland Lobell-Amour Angus, bred by Québec's Ferme Angus, won eight races and finished in the top three in all but four outings. He was the first trotter to break the 1:55 barrier as a two-year-old, winning in 1:54.4 at Colonial Downs.
Angus Hall has sired over 1,700 horses during a stallion career spanning 18 years, with 71.5 per cent of his foals having race careers. His offspring have earned over $102 million, and include six millionaires: 2008 CHRHF inductee Peaceful Way, Majestic Son, Elusive Desire, Winning Mister, Frenchfrysnvinegar and Laddie. His contribution to trotting bloodlines continues through top broodmares whose offspring have earned over $45 million.
"I represent the many that Angus Hall has graced with his presence," said Winbak Farm's Pat Woods. "Angus has done everything he was asked to do and he will leave a legacy in this industry."
Representing Thoroughbreds in the Class of 2019 are Builder Bory Margolus (deceased), Jockey Mickey Walls, Trainer Josie Carroll, as well as Female Horse Lexie Lou, and Veteran Horse All Along (FR).
Based in Alberta, the late Bory Margolus was a successful business executive who would also become a leading force in Western Canada’s Thoroughbred racing industry. From the time he purchased his first horse in 1952 until his retirement from the industry in 1986, Margolus and his Elmbrook Farm near Edmonton were dominant in Alberta as leading money-winning owner for nine consecutive years. Elmbrook's racing success channelled into its breeding operation, leading all Alberta breeders from 1980-1983 inclusive. His contribution was recognized nationally in the form of two Sovereign Awards – in 1975 as Canada’s Oustanding Owner and in 1977 as Outstanding Breeder. Margolus won every major stakes race in Alberta, including the Alberta Derby, and also frequently raced his horses in British Columbia. He later partnered with CHRHF member Jim Wright in the ownership of Winnipeg's Assiniboia Downs. Margolus was known as a consummate gentleman who treated his horses and those he employed the same way: he spoiled them.
A career in racing was inevitable for Mickey Walls, who was born in Vancouver, BC to horse racing parents, trainer Joe Walls (recently deceased) and mother Carol, who is still actively involved the industry. Walls began riding professionally at Vancouver’s Exhibition Park In 1990 at age 16, before concluding his year at Toronto’s Greenwood and being awarded his first Sovereign Award as Canada’s outstanding Apprentice Jockey. In 1991 Walls won 231 races surpassing a record previously set by Sandy Hawley, making him both the winningest jockey and garnering more purse money at Woodbine Racetrack than any jockey to that point in time. His efforts that year resulted in Walls receiving Sovereign Awards for both Outstanding Apprentice Jockey and Outstanding Jockey Award, and the Eclipse Award for Outstanding Apprentice in the U.S. Following time off to recuperate from injuries in 1992 he returned in 1993 to once again be Woodbine’s leading rider. After competing in the U.S. at various tracks, he returned to his homeland in 1996, capturing the Prince of Wales Stakes aboard Stephanotis and the Breeders' Stakes on Canada's top turf runner and future CHRHF inductee, Chief Bearhart. In 1999 he won the Queen’s Plate aboard Woodcarver. In 2008, Walls was inducted into the B.C. Thoroughbred Hall of Fame and in June, 2013 he was recipient of the Avelino Gomez Memorial Award for significant contributions to the sport. Walls accumulated 1,453 wins in 8,868 races and earnings of $37.3 million over a 12-year career that concluded in 2013.
Since establishing her own stable in 1994 Josie Carroll has accumulated 796 wins, including 44 graded stakes in both Canada and the USA and earnings exceeding $44.8 million in 4,786 starts for owners the likes of CHRHF Honoured Members John G. Sikura and Eugene Melnyk, as well as Ivan Dalos, Padua Stable and Donver Stables. Carroll is the first female trainer to win the Queen’s Plate, doing so in 2006 with Edenwold (two-year-old Champion in 2005) and again in 2011 with Champion filly Inglorious. She also had a second-place finish in the 2014 Plate with Amis Holiday who went on to win the prestigious Breeders’ Stakes. In 2009 her trainee Careless Jewel brought her a trio of Graded Stakes wins in the U.S. with the Alabama (G1) at Saratoga, the Delaware Oaks (G2) and Cotillion Stakes (G2). Other significant horses in Carroll’s career include Ami’s Mesa, second by a nose in the 2017 Breeders’ Cup Sprint (G1) and a G2 winner in Pennsylvania, Ami’s Gizmo, winner of the Prince of Wales Stakes, Ami’s Flatter, winner of the 2016 Commonwealth Stk (G2) at Keeneland. Most recently Carroll trainee Avie’s Flatter won the G3 Transylvania Stakes at Keeneland. Three Carroll-trained horses are finalists at the upcoming Sovereign Awards – two-year-old Avie’s Flatter, older female Gamble’s Ghost and female sprinter Moonlit Promise.
Bred by the late Hall of Fame Builder Dr. Michael Colterjohn’s Paradox Farms, in Caledon, ON, Sligo Bay-sired Lexie Lou was purchased in the 2012 CTHS Yearling Sale by owner/trainer John Ross who directed her two-year-old campaign of eight starts at Woodbine, including stakes wins in the Muskoka Stakes and South Ocean Stakes. Following her first start as a three-year-old, U.S.-based owner Gary Barber purchased the filly and moved her to trainer Mark Casse’s stable. Lexie Lou established herself as the best filly in Canada by winning the 2014 Woodbine Oaks, and Queen’s Plate becoming only the sixth filly to complete the Oaks/Plate double. Her first turf race and victory came later in the Wonder Where Stakes. She was named 2014 Sovereign Award Horse of the Year, Champion Grass Horse and Champion three-year-old Filly. Additional races of note include a graded stakes win in the G2 Autumn Miss Stakes at Santa Anita and a second-place finish to U.S. HOY California Chrome in the G1 Hollywood Derby at Del Mar. Following time off in 2015, she came back as a five-year-old in 2016 winning both the G2 Nassau and G2 Dance Smartly Stakes to earn the title of Sovereign Award Champion Turf Female.
French-bred filly All Along (FR), trained by Frenchman Patrick Louis Biancone and ridden for most of her career by Walter Swinburn, was the first winner of the Prix de l'Arc de Triomphe (G1) to race in Canada winning the 1983 Rothmans International (G1) as part of a 41-day international tour that also included wins in the Turf Classic (G1) at Aqueduct, NY and the Washington, D.C. International (G1) at Laurel, Maryland. Her 1984 campaign at age five included a fourth-place finish in the Rothmans International (G1) at Woodbine and a second-place finish behind upset winner Lashkari in the inaugural Breeders’ Cup Turf (G1) at Hollywood Park to conclude her race career. Named Horse of the Year on two continents, for owner famed art dealer Daniel Wildenstein and family, All Along (FR) was named Champion Older Horse in France and 1983 Horse of the Year in the U.S., the first female and foreign-based horse to win an Eclipse Award as Horse of the Year. At the time of her retirement following her 1984 campaign, All Along was the all-time leading distaffer in terms of career purse earnings with $3,015,764. Her broodmare career produced 11 starters and four winners from 13 foals; the first in 1986 by Mill Reef (GB), called Along All (GB) being the most successful, a G2 winner. All Along (FR) died at Three Chimneys Farm in Kentucky at age 26 in 2005. She was inducted to the National Museum of Racing and Hall of Fame in Saratoga in 1990.
Additional information about the Canadian Horse Racing Hall of Fame may be found at www.canadianhorseracinghalloffame.com
Standardbred Inductees
Builder: Ian Fleming, Clinton, Ont.
Driver: Trevor Ritchie, Acton, Ont.
Trainer: Jimmy Takter, born in, Mantrop, Sweden, resident of East Windsor, New Jersey, USA
Female Horse: Tricky Tooshie, bred and owned by Jean L Deblois, Mercier-Laurent Bergevin, St-Urbain-de-Châteauguay, QC (during race career); Hanover Shoe Farms Inc., Hanover, PA (during broodmare career); trained by Jean L. Deblois, Rick Zeron and Linda Bedard.
Male Horse: Angus Hall, bred by Ferme Angus Farms, Bedford, QC; owned by (during race career); Angus Hall Syndicate, Chesapeake City, MD (current owner); trainer Robert Stewart.
Thoroughbred Inductees
Builder: Bory Margolus (deceased), born in Edmonton, Alta.
Jockey: Mickey Walls, born in Vancouver, BC, resident of Etobicoke, Ont.
Trainer: Josie Carroll, born in Scarborough, Ont., resident of Etobicoke, Ont.
Female Horse: Lexie Lou, breeder Paradox Farms, Caledon, Ont.; owned during the majority of her race career by Gary Barber, California, and trained by Mark Casse.
Veteran Horse: All Along (FR), breeder and owner Daniel Wildenstein, Paris, France; trainer Patrick Biancone.
(Canadian Horse Racing Hall of Fame)
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The Canadian Horse Racing Hall of Fame welcomed its Class of 2019 at the Induction Gala on Wednesday, August 7 at the Mississauga Convention Centre.
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The Canadian Horse Racing Hall of Fame welcomed its Class of 2019 at the Induction Gala on Wednesday, August 7 at the Mississauga Convention Centre. Six people and four horses were elected from an extremely deep ballot of candidates, featuring international stars of the industry, two horses bred in Québec, a female trainer and individuals representing British Columbia, Alberta and Ontario.
Video and speeches from the 2019 Canadian Horse Racing Hall of Fame induction ceremony can be found below.
Standardbred inductees include Builder Ian Fleming, Driver Trevor Ritchie and Trainer Jimmy Takter, along with horses Tricky Tooshie and Angus Hall.
Ian Fleming’s career in the horse racing industry began as race secretary at his home track in Clinton, Ont. That evolved into managing the racetrack and from there he went on to create a centralized race office for several Ontario tracks in the 1990s, which now services racetracks across the province.
Fleming was also the Racing & Gaming Manager at Western Fair Raceway for a number of years. His business prowess is based on cultivating relationships, and his deep knowledge and understanding of the mechanics of racing and wagering is world-renowned. Fleming has helped every Ontario racetrack and many international organizations to shape and strengthen harness racing, and also volunteers his time in administrative capacities, as he sits on the Board of Directors for Standardbred Canada and the Ontario Standardbred Adoption Society. In addition to his racing-related responsibilities, Fleming continues to find ways to give back to the industry and his community through fundraising initiatives such as the bi-annual Legends Day at Clinton Raceway. The 2017 edition of Legends Day hosted harness racing fans from across North America to witness John Campbell’s final career race. Fleming was also an important part of the fundraising efforts following the Classy Lane Fire.
"I'm quite proud of the recognition," said Fleming, who succinctly grouped those he needed to thank into three groups: his family, those who have worked with and for him over the years, and the horsepeople -- even those that he hasn't necessarily seen eye-to-eye with over the years, because those people haven't always been wrong.
Fleming concluded by thanking CHRHOF executive director Linda Rainey for everything she does for the Hall.
Before retiring from driving in 2014, Acton, Ont. based Trevor Ritchie won many of North America’s premier races, including the North America Cup, Meadowlands Pace, Oliver Wendell Holmes, Prix d'Ete, Provincial Cup, Metro Pace, Canadian Pacing Derby, Trotting Classic Final for mares, and Champlain Stakes. During his career he had 3,710 driving wins and drove horses to over $70 million in purse earnings.
The year 2000 was a career best for Ritchie, as he won the Hambletonian with Yankee Paco, the first Canadian-sired horse to win that event. Later that year he won three Breeders Crown Championships, which tied him with John Campbell as being the only other driver in history at the time to accomplish that feat, and he was voted Canada’s Driver of the Year. Other top horses driven by Ritchie included Quite A Sensation, Frugal Gourmet, Road Machine, Armbro Agile, Peaceful Way, Majestic Son, Banker Hall, and Rotation. Ritchie’s quiet demeanour, immense talent, and great respect for his clients and fellow competitors served him well throughout his near 40-year driving career.
"You didn't give me the memo that this was a roast!" chirped Ritchie before offering congratulations to the other inductees. "I'm very proud and very humbled at being inducted tonight. It's really surreal knowing that my name will be joining all the other greats in this exclusive club."
"I want to thank all of the hard-working and dedicated trainers and the owners that trusted me to drive their horses," continued Ritchie before paying homage to his mentor Bill Herbert, who was inducted into the Hall some four decades ago. "He was the greatest horseman I have ever met. I considered Bill to be like my second father, and I'm pretty sure Bill considered me to be like his second son. Bill taught me how to be a horseman, he taught me how to be a better person, and I'm sure I would not be here tonight if Bill Herbert was not part of my life."
Swedish-born, U.S.-based Standardbred trainer Jimmy Takter has seen tremendous success on Canadian soil. With 1,325 starts in Canada, he has visited the winner’s circle 266 times and collected purse earnings of more than $34.2 million.
Takter has won 103 stakes races on the Woodbine Entertainment Group (WEG) circuit. Horses trained by Takter have won a total of 19 O’Brien Awards, including at least one O’Brien Award in 15 of the 19 years between his first award in 1999 with Moni Maker and his most recent with The Ice Dutchess in 2018. Despite being based in New Jersey, Takter was Canada’s leading trainer by earnings in 2015 with over $4.2 million made in Canada and has ranked among the nation’s top 10 conditioners six times since 2011, including second-place finishes in 2014 ($2,643,455) and 2016 ($2,263,361) Takter has also trained for a long list of prominent Canadian owners, including five members of the Canadian Horse Racing Hall of Fame: John Fielding, Marvin Katz, Al Libfeld, Charles Armstrong (CHRHF), Dr. Glen Brown (CHRHF), Herb Liverman, Bob Anderson (CHRHF), David Anderson, David Willmot (CHRHF), Lou Camara, John Florens and Peter Heffering (CHRHF).
"First, I want to thank everyone for all the support we've received over the years," said Takter. "It's been a long journey and I've been extremely fortunate.
"I love the passion they have for the horse in Canada," Takter continued. "When I came over here 37 years ago, my father said, 'Don't forget the love of the horse.' I couldn't have done it without you guys."
Tricky Tooshie was bred and owned during her racing career by Laurent Bergevin of Québec. Trainers included her co-breeder Jean L. Deblois, followed by Rick Zeron and then Linda Bedard.
As a two-year-old she raced in Québec where she dominated the Québec Sires Stakes, was the divisional leader and won the $197,000 Coupe des Eleveurs final at Blue Bonnets in a track record 1:55.1. As a sophomore she once again dominated her division in Québec. After a second-place finish in her first start, she then reeled off 15 consecutive wins including the $177,000 Coupe des Eleveurs and several Québec Sires Stakes. She won 15 of 17 races at six different tracks, almost $300,000 in purses and was a finalist in her division for an O’Brien Award. In seven years of racing she made 142 starts for a 44-29-24 record, posted a mark of 1:52.1 at Woodbine Racetrack and earned $1,005,566, becoming the first Canadian-sired mare to reach $1 million in earnings. As a broodmare, 11 of her 13 foals made it to the races to earn over $3 million for average earnings per starter of $284,441. Her richest foal was True North Hanover, a winner of $732,912.
"Tooshie and I had a connection; she was my girl and I was hers," said Bedard. "We both moved to Ontario from Québec at the same time to face tough competition. We also retired from racing at the same time to move on to our second careers."
"She went on to be a great broodmare, passing on her determination to her offspring at Hanover Shoe Farms, where she still lives today at 29 years old in a field with the retired mares."
"I went to visit Tooshie last month; I hadn't seen her in 20 years," continued Bedard, recounting a recent reunion with her Hall of Fame trainee. "When I saw her, I was about 30 feet away from her, and I said 'Hello, Mommy,' what I used to say to her every morning for five years. I did not expect her to remember me, but she did. She was and still is a very smart mare.
"I told her she was getting into the Hall this year, in a place where she surely belongs."
As a racehorse, Angus Hall earned $830,654 from 26 lifetime starts and took a mark of 1:54.3. In 26 lifetime starts over two racing seasons, the regally-bred son of Garland Lobell-Amour Angus, bred by Québec's Ferme Angus, won eight races and finished in the top three in all but four outings. He was the first trotter to break the 1:55 barrier as a two-year-old, winning in 1:54.4 at Colonial Downs.
Angus Hall has sired over 1,700 horses during a stallion career spanning 18 years, with 71.5 per cent of his foals having race careers. His offspring have earned over $102 million, and include six millionaires: 2008 CHRHF inductee Peaceful Way, Majestic Son, Elusive Desire, Winning Mister, Frenchfrysnvinegar and Laddie. His contribution to trotting bloodlines continues through top broodmares whose offspring have earned over $45 million.
"I represent the many that Angus Hall has graced with his presence," said Winbak Farm's Pat Woods. "Angus has done everything he was asked to do and he will leave a legacy in this industry."
Representing Thoroughbreds in the Class of 2019 are Builder Bory Margolus (deceased), Jockey Mickey Walls, Trainer Josie Carroll, as well as Female Horse Lexie Lou, and Veteran Horse All Along (FR).
Based in Alberta, the late Bory Margolus was a successful business executive who would also become a leading force in Western Canada’s Thoroughbred racing industry. From the time he purchased his first horse in 1952 until his retirement from the industry in 1986, Margolus and his Elmbrook Farm near Edmonton were dominant in Alberta as leading money-winning owner for nine consecutive years. Elmbrook's racing success channelled into its breeding operation, leading all Alberta breeders from 1980-1983 inclusive. His contribution was recognized nationally in the form of two Sovereign Awards – in 1975 as Canada’s Oustanding Owner and in 1977 as Outstanding Breeder. Margolus won every major stakes race in Alberta, including the Alberta Derby, and also frequently raced his horses in British Columbia. He later partnered with CHRHF member Jim Wright in the ownership of Winnipeg's Assiniboia Downs. Margolus was known as a consummate gentleman who treated his horses and those he employed the same way: he spoiled them.
A career in racing was inevitable for Mickey Walls, who was born in Vancouver, BC to horse racing parents, trainer Joe Walls (recently deceased) and mother Carol, who is still actively involved the industry. Walls began riding professionally at Vancouver’s Exhibition Park In 1990 at age 16, before concluding his year at Toronto’s Greenwood and being awarded his first Sovereign Award as Canada’s outstanding Apprentice Jockey. In 1991 Walls won 231 races surpassing a record previously set by Sandy Hawley, making him both the winningest jockey and garnering more purse money at Woodbine Racetrack than any jockey to that point in time. His efforts that year resulted in Walls receiving Sovereign Awards for both Outstanding Apprentice Jockey and Outstanding Jockey Award, and the Eclipse Award for Outstanding Apprentice in the U.S. Following time off to recuperate from injuries in 1992 he returned in 1993 to once again be Woodbine’s leading rider. After competing in the U.S. at various tracks, he returned to his homeland in 1996, capturing the Prince of Wales Stakes aboard Stephanotis and the Breeders' Stakes on Canada's top turf runner and future CHRHF inductee, Chief Bearhart. In 1999 he won the Queen’s Plate aboard Woodcarver. In 2008, Walls was inducted into the B.C. Thoroughbred Hall of Fame and in June, 2013 he was recipient of the Avelino Gomez Memorial Award for significant contributions to the sport. Walls accumulated 1,453 wins in 8,868 races and earnings of $37.3 million over a 12-year career that concluded in 2013.
Since establishing her own stable in 1994 Josie Carroll has accumulated 796 wins, including 44 graded stakes in both Canada and the USA and earnings exceeding $44.8 million in 4,786 starts for owners the likes of CHRHF Honoured Members John G. Sikura and Eugene Melnyk, as well as Ivan Dalos, Padua Stable and Donver Stables. Carroll is the first female trainer to win the Queen’s Plate, doing so in 2006 with Edenwold (two-year-old Champion in 2005) and again in 2011 with Champion filly Inglorious. She also had a second-place finish in the 2014 Plate with Amis Holiday who went on to win the prestigious Breeders’ Stakes. In 2009 her trainee Careless Jewel brought her a trio of Graded Stakes wins in the U.S. with the Alabama (G1) at Saratoga, the Delaware Oaks (G2) and Cotillion Stakes (G2). Other significant horses in Carroll’s career include Ami’s Mesa, second by a nose in the 2017 Breeders’ Cup Sprint (G1) and a G2 winner in Pennsylvania, Ami’s Gizmo, winner of the Prince of Wales Stakes, Ami’s Flatter, winner of the 2016 Commonwealth Stk (G2) at Keeneland. Most recently Carroll trainee Avie’s Flatter won the G3 Transylvania Stakes at Keeneland. Three Carroll-trained horses are finalists at the upcoming Sovereign Awards – two-year-old Avie’s Flatter, older female Gamble’s Ghost and female sprinter Moonlit Promise.
Bred by the late Hall of Fame Builder Dr. Michael Colterjohn’s Paradox Farms, in Caledon, ON, Sligo Bay-sired Lexie Lou was purchased in the 2012 CTHS Yearling Sale by owner/trainer John Ross who directed her two-year-old campaign of eight starts at Woodbine, including stakes wins in the Muskoka Stakes and South Ocean Stakes. Following her first start as a three-year-old, U.S.-based owner Gary Barber purchased the filly and moved her to trainer Mark Casse’s stable. Lexie Lou established herself as the best filly in Canada by winning the 2014 Woodbine Oaks, and Queen’s Plate becoming only the sixth filly to complete the Oaks/Plate double. Her first turf race and victory came later in the Wonder Where Stakes. She was named 2014 Sovereign Award Horse of the Year, Champion Grass Horse and Champion three-year-old Filly. Additional races of note include a graded stakes win in the G2 Autumn Miss Stakes at Santa Anita and a second-place finish to U.S. HOY California Chrome in the G1 Hollywood Derby at Del Mar. Following time off in 2015, she came back as a five-year-old in 2016 winning both the G2 Nassau and G2 Dance Smartly Stakes to earn the title of Sovereign Award Champion Turf Female.
French-bred filly All Along (FR), trained by Frenchman Patrick Louis Biancone and ridden for most of her career by Walter Swinburn, was the first winner of the Prix de l'Arc de Triomphe (G1) to race in Canada winning the 1983 Rothmans International (G1) as part of a 41-day international tour that also included wins in the Turf Classic (G1) at Aqueduct, NY and the Washington, D.C. International (G1) at Laurel, Maryland. Her 1984 campaign at age five included a fourth-place finish in the Rothmans International (G1) at Woodbine and a second-place finish behind upset winner Lashkari in the inaugural Breeders’ Cup Turf (G1) at Hollywood Park to conclude her race career. Named Horse of the Year on two continents, for owner famed art dealer Daniel Wildenstein and family, All Along (FR) was named Champion Older Horse in France and 1983 Horse of the Year in the U.S., the first female and foreign-based horse to win an Eclipse Award as Horse of the Year. At the time of her retirement following her 1984 campaign, All Along was the all-time leading distaffer in terms of career purse earnings with $3,015,764. Her broodmare career produced 11 starters and four winners from 13 foals; the first in 1986 by Mill Reef (GB), called Along All (GB) being the most successful, a G2 winner. All Along (FR) died at Three Chimneys Farm in Kentucky at age 26 in 2005. She was inducted to the National Museum of Racing and Hall of Fame in Saratoga in 1990.
Additional information about the Canadian Horse Racing Hall of Fame may be found at www.canadianhorseracinghalloffame.com
Standardbred Inductees
Builder: Ian Fleming, Clinton, Ont.
Driver: Trevor Ritchie, Acton, Ont.
Trainer: Jimmy Takter, born in, Mantrop, Sweden, resident of East Windsor, New Jersey, USA
Female Horse: Tricky Tooshie, bred and owned by Jean L Deblois, Mercier-Laurent Bergevin, St-Urbain-de-Châteauguay, QC (during race career); Hanover Shoe Farms Inc., Hanover, PA (during broodmare career); trained by Jean L. Deblois, Rick Zeron and Linda Bedard.
Male Horse: Angus Hall, bred by Ferme Angus Farms, Bedford, QC; owned by (during race career); Angus Hall Syndicate, Chesapeake City, MD (current owner); trainer Robert Stewart.
Thoroughbred Inductees
Builder: Bory Margolus (deceased), born in Edmonton, Alta.
Jockey: Mickey Walls, born in Vancouver, BC, resident of Etobicoke, Ont.
Trainer: Josie Carroll, born in Scarborough, Ont., resident of Etobicoke, Ont.
Female Horse: Lexie Lou, breeder Paradox Farms, Caledon, Ont.; owned during the majority of her race career by Gary Barber, California, and trained by Mark Casse.
Veteran Horse: All Along (FR), breeder and owner Daniel Wildenstein, Paris, France; trainer Patrick Biancone.
(Canadian Horse Racing Hall of Fame)
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Wall of Fame Honorees All Wall Of Fame Honorees 2022 - Richard "Dick" Stillings Former driver/trainer Richard "Dick" Stillings has been selected as the 37th Little Brown Jug Wall of Fame honoree by the Delaware County Fair. Stillings won the Little Brown Jug as a trainer in 1986 with Barberry Spur and came back the
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Little Brown Jug - The Great American Harness Race
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2022 - Richard "Dick" Stillings
Former driver/trainer Richard "Dick" Stillings has been selected as the 37th Little Brown Jug Wall of Fame honoree by the Delaware County Fair. Stillings won the Little Brown Jug as a trainer in 1986 with Barberry Spur and came back the next year to capture the Jug as a reinsman with Jaguar Spur. "Nothing could be bigger in my heart than the Little Brown Jug," said Stillings. "My family would attend every year. This is a great honor." Stillings, a native of Mount Vernon, Ohio, drove or trained some of the best Grand Circuit horses in the 1980s — Jaguar Spur ($1,806,473), Barberry Spur ($1,634,017), Kentucky Spur ($1,341,340), Pegasus Spur ($1,296,683), Esquire Spur ($336,250) and Gunslinger Spur ($317,562). Stillings began his career as a groom for Hall of Fame trainer Dick Buxton. After a three-year stint in the U. S. Army, he took jobs with Jimmy Cruise, Sr. and fellow Wall of Famer, Howard Beissinger. In 1968, Stillings moved to The Meadows in western Pennsylvania and soon established himself as a top trainer-driver. Stillings and his brother Charles “Buddy” soon joined up with owner Roy Davis and formed a tremendous partnership, sending out a string of successful horses, all with the “Spur” surname to honor the Tottenham Hotspur soccer club. Stillings, 78, retired from driving/training in 2020 with 5,920 driving victories and $44 million in purse earnings. The Delaware honor completes the Hall of Fame Triple Crown for Stillings, who was elected into the Harness Racing Hall of Fame in 2013 and the Ohio Hall of Fame in 2014.
2021 - Mickey & Sylvia Burke
Leading owners Mickey and Sylvia Burke have been selected as the 36th Little Brown Jug Wall of Fame honorees by the Delaware County Fair. The Burke’s are the principals of Burke Racing Stable who have owned a pair of Little Brown Jugs champs – Filibuster Hanover (2017) and Limelight Beach (2014) – and four Jugette queens – Warrawee Ubeaut (2019), Sassa Hanover (2015), Darena Hanover (2012) and Western Graduate (2007). Mickey started driving harness horses as a hobbyist in 1956, campaigning around the fair circuits of Ohio and Pennsylvania, all while operating a successful car dealership in Western Pennsylvania for several decades. After selling the dealership in 1981, Mickey and his wife Sylvia started ‘full-time’ in the harness racing business. Between 1991 and 2008, Mickey was credited with 3,167 training wins and $35.5 million in earnings. Mickey and Sylvia have five children, three of which are active daily in the sport. In 2009, Mickey turned his training operation over to his son, Ron, and Mickey, Jr. and Michelle oversee the operations of their Washington, PA. Coming into this year, Burke Racing Stable have entered 23 horses in the Little Brown Jug, winning $1.2 million in purses. Their success isn’t limited to the three-year-old colt classic. They have also won 10 heats of the Jugette, an Old Oaken Bucket, three Standardbred’s and seventeen Ohio Breeders Championship events.
2019 - Jimmy Takter
Triple Hall of Fame trainer Jimmy Takter has been selected as the 35th Little Brown Jug Wall of Fame Honoree. Takter won the 2006 Little Brown Jug with Mr Feelgood and the 2008 Jugette with Good News Lady. On the trotting side, he won six Buckette titles, three Standardbred's and two Old Oaken Buckets. He trained four USHWA "Horses of the Year" - Always B Miki (2016); Moni Maker (1999 & 1998) and Malabar Man (1997) – and was named the United States Harness Writers' Glen Garnsey Trainer of the Year Award six times. He is a member of the United States Harness Racing Hall of Fame (2012), the Canadian Horse Racing Hall of Fame (2019) and the Hall of Fame at the Nordic Trot Museum (2019) in his native Sweden. Takter retired from training at the end of 2018. He is credited with 9,972 starts, 2,157 wins and earnings of $130,132,900. It should be noted that the United States Trotting Association started keeping trainer records in 1991.
2018 - Ron Pierce
Four-time Little Brown Jug champion driver, Ron Pierce has been selected as the 34th Little Brown Jug Wall of Fame Honoree by the Delaware County Fair. Pierce, 62, scored back-to-back Jug wins in 1998 and 1999 with Shady Character and the Triple Crown winning Blissfull Hall. He returned to the Jug winner’s circle in 2004 with Timesareachanging and in 2009 with Well Said. The native of California owns an impressive Universal Drivers Rating of .417 in 49 Little Brown Jug starts. He ranks second in Jug earnings with $1.7 million. Of his 42 career wins at the Delaware County Fair, 34 of them came in stakes competition, including 13 in the Little Brown Jug and nine in the Standardbreds. Pierce retired from racing with 9,570 career wins and $215 million in earnings. He was enshrined into the Harness Racing Hall of Fame in Goshen, NY in 2005.
2017 - David Miller
Five-time Little Brown Jug champion driver, David Miller was selected as the 33rd Little Brown Jug Wall of Fame Honoree. Miller is the all-time leading driver at the Delaware County Fair. Among his 229 career wins are a pair of Jugette titles, four Old Oaken Buckets, two Buckettes and twenty Standardbred events. The native of Columbus, Ohio won his first Little Brown Jug title in 2003 with No Pan Intended, capping a 10-win day at the Delaware County Fairgrounds. Miller other Jug titles include Shadow Play (2008), Big Bad John (2011), Betting Line (2016) and Courtly Choice (2018) . Miller is only the third driver in history of the sport to pass $200 million in career earnings (currently at $242 million) and ranks fifth in career wins with 12,915. He was inducted into Harness Racing's Hall of Fame in 2014 and was enshrined into the Ohio Harness Racing Hall of Fame in 2010.
2016 - William C. "Bill" Lowe
Former Delaware County Fair general manager William C. "Bill" Lowe has been selected as the 32nd Little Brown Jug Wall of Fame Honoree. Lowe served as the part-time fair manager from 1982 until 1991. During that time, he helped guide the Delaware County Fair into one of the premier fairs in the State of Ohio. He became the full-time general manager in 1993 and led the organization through the 2001 Delaware County Fair. Lowe joined the Ohio Bicentennial Commission in 2001 as the project coordinator for the series of statewide events and programs to celebrate the 200th anniversary of statehood. In March 2013, Lowe returned to run the Delaware County Fair and was instrumental in the passage of a voter approved 3 percent hotel tax to improve the fairgrounds' nearly 80-year- old buildings and infrastructure. He retired in May 2016 after a total of 23 years at the Delaware County Fair. Lowe was elected as a member of the Little Brown Jug Society in 1985 and has served as the board’s Secretary.
2015 - Jim Buchy
Ohio State Representative Jim Buchy, a former horse owner and a longtime friend of harness racing at the track and in state government, has been selected as the 31st Little Brown Jug Wall of Fame Honoree. Buchy served in the Ohio House from 1983 until he was term-limited in 2000. He was re-appointed to the Ohio House in 2011 to represent the 84th District, which encompasses Mercer County, as well as portions of Auglaize, Darke and Shelby counties. Following his first stint in the House, Buchy served as Assistant Director of the Ohio Department of Agriculture. Buchy, a native of Greenville, Ohio, has supported the sport on several occasions including full card simulcasting legislation in the 1980s and was a tireless supporter of the efforts to bring the Video Lottery Terminals (VTLs) to Ohio's racetracks. A portion of the VLT and casino proceeds are used to increase purses, improve facilities and promote racing at the Ohio county fairs and commercial tracks. "Harness racing doesn't have a better friend than Jim Buchy," noted Robert Schmitz, chairman of the Ohio State Racing Commission. "He has helped establish the Gene Riegle Memorial Pace, rejuvenated the Parshall Futurity and continues to look for ways to get young Ohioans into the sport." Former general manager of the Ohio Harness Horsemen's Association, Jerry Knappenberger, agreed. "There is no bigger supporter of harness racing and the Little Brown Jug. He understands the economic impact of harness racing and the importance of county fairs."
2013 - James W. "Jim" Simpson
James W. "Jim" Simpson, former president and chief executive officer of Hanover Shoe Farm, was selected as the 29th Little Brown Jug Wall of Fame honoree. Like many of the greats in the sport, Jim Simpson followed his father John's footsteps as a successful driver and trainer. The younger Simpson handled such stars as Sugarcane Hanover (1:54.3; $1,706,465) and Noxie Hanover, whose speed record of 1:55 as a two-year-old filly trotter stood for nearly 20 years. He also trained many of the fillies who became noted producers in Hanover's star studded broodmare band. In 1992, Simpson traded his maroon and white driver's colors for the orange and blue attire of Hanover Shoe Farms where he became vice president. The famed Hanover, Pennsylvania nursery has bred a record fifteen Little Brown Jug champions, eleven Hambletonian winners and has been the world's leading Standardbred breeder every year for as long as records have been kept. Simpson was promoted to the position of president and CEO at Hanover in 1997. Jim Simpson was a director of the Hambletonian and Little Brown Jug Societies and achieved the pinnacle of recognition in the sport when he joined his father and brother John Simpson, Jr. in the Harness Racing Hall of Fame in Goshen, NY, in July of 2011.
2012 - Jeff Gural
Jeff Gural, chairman of Tioga Downs and Vernon Downs and the managing member of LLC which has leased The Meadowlands, has been elected the 28th Little Brown Jug Wall of Fame honoree. "This is a big honor for me. To be honest, my favorite two days of the year are when I come to Delaware for the Jugette and Little Brown Jug. Honestly, it is very depressing when the Jug is over because I will have to live another 363 days before the next one. I always say to myself, I hope I make it another year. I look forward to a lot fun... and I like the junk food too." Gural grew up on Long Island near Roosevelt Raceway. "In those days harness racing was very popular and when I was in high school, I started going to Roosevelt and Yonkers with my friends." Gural also owns and manages two Standardbred farms, one in Stanfordville, NY and the other in Litchfield, PA. Mr. Gural has been an owner and breeder of horses for over 35 years. In 1990, Gural co-owned Jugette champion Lady Genius. The 2012 Wall of Fame honoree also sponsors the Ms Versatility Aged Mare Trot Final each year during the Delaware Grand Circuit. Gural was elected to the Little Brown Jug Society board of directors in 2010. Gural has also received the 2006 Proximity Award from the U.S. Trotting Association, the 2004 Lee Anne Pooler Unsung Hero Award from the U.S. Harness Writers Association, the 2006 Stanley Bergstein Messenger Award from Harness Tracks of America, and the 2006 Frederick L. Van Lennep Award from the Hambletonian Society. Jeff is also the chairman of Newmark Knight Frank, a full service commercial and industrial real estate management firm. Jeffrey and wife Paula, who live in Manhattan, have three children and six grandchildren. "You know what makes Delaware and the Little Brown Jug so great is the large crowd, the county fair atmosphere which is a throw-back to the old days, and heat racing. Heat racing is the most exciting racing there is."
2011 - Paul E. Spears
Paul E. Spears, chairman of the board of Hanover Shoe Farms and executive vice-president of the Standardbred Horse Sales Company, was the 27th Little Brown Jug Wall of Fame honoree. Spears grew up in Reynoldsville, PA, a small town in northwestern Pennsylvania. "I worked on Dad's farm and I learned to ride a horse when I was 6 years old." Spears was a member of the Little Brown Jug Society, a director of the Hambletonian Society, a trustee of the Hall of Fame in Goshen, NY, the Pennsylvania Standardbred Breeders Association and former president of the Pennsylvania Live Horse Racing Council for Thoroughbreds and Standardbreds. The former amateur driver was also the first president of the Billings Amateur Driving Association. "What a tremendous thrill it has been to watch horses we bred and sold win the Little Brown Jug." Fifteen Hanover Shoe Farm-bred pacers have captured the Little Brown Jug, including Ensign Hanover, who won the inaugural in 1946. Spears passed away in August 2012.
2010 - Phil Terry
Phil Terry, former general manager and director of marketing for the Delaware County Fair, was elected as the 26th Little Brown Jug Wall of Fame honoree. In 1968, as a student at Ohio Wesleyan University, Phil helped direct traffic at the Delaware Fairgrounds. “I am extremely honored to be associated with the past Wall of Fame honorees,” said Terry. “When I look at the accomplishments of those past winners, I am humbled to think that I should be considered with them. I am a lucky guy to be involved with the Little Brown Jug. It has opened many doors.” Among Phil's major accomplishments were the financing and construction of the Lavern Hill Jugette Barn, the Hospitality Pavilion and the Tack Shack. Terry also created and oversaw simulcasting, the Future Jug Pool and the Little Brown Jug Fantasy Stable Contest.
2009 - Joe Thomson
Joe Thomson, breeder of Little Brown Jug winners Bettor's Delight and No Pan Intended and master of Winbak Farm, has been elected as the 25th Little Brown Jug Wall of Fame honoree. "I love coming to Delaware and being with longtime friends, Tommy Thomson and Phil Terry," said Thomson. "Tom is one of the few Thomson’s in this country who spells his name correctly. Tom and Phil approached us in 2006 to take over the sponsorship of the Magical Mike Pace. That first year Ponder set a World record of 1:49...what a start." In 1991, Joe and wife JoAnn founded Winbak Farm in the Maryland horse country near Chesapeake City, a short distance from Baltimore and Philadelphia. "We bought Winfield Farm, where the Thoroughbred Northern Dancer was born. The contract prohibited us from using the name Winfield, so we shortened it to Win and then used the names of our three kids, Bradley, Ashley and Kimberly to complete the name Winbak," explained Thomson.
2008 - Dr. J. Glen Brown
Dr. J. Glen Brown, owner of the 1981 Little Brown Jug winner Fan Hanover, is the 24th Little Brown Jug honoree as selected by a panel of national and international harness racing enthusiasts. The Brampton, Ontario native becomes the sixth Canadian to be honored by the Little Brown Jug. Dr. Brown is also a member of the Hall of Fame at Goshen, NY and the Canadian Horse Racing Hall of Fame. Dr. Brown will be officially inducted and presented a commemorative gold ring at the Mayor's Breakfast to be held in the Hospitality Pavilion at the fairgrounds on the morning of September 17th, the date of the Jugette Pace. The breakfast will get underway at 7 a.m. I am quite honored, said Dr. Brown. who served as president, general manager and chairman of the board of Armstrong Brothers Farms in Ontario. I am very surprised. I did not expect such an honor. Dr. Brown received his Doctor of Veterinary Medicine in 1957 and soon became farm manager and veterinarian for the fledgling ABC Farms started by Elgin and Ted Armstrong. Under Dr. Brown's guidance, Armstrong Brothers became one of North America's leading Standardbred Farms.
2007 - Jules Siegel
The 23rd Little Brown Jug Wall of Fame honoree was Jules Siegel of New Hope, PA. "This is exciting, but there are many other people more qualified than me." It is appropriate that Siegel will receive his gold ring on Jugette Day because he has owned two winners of the Jugette, Just Wait Kate in 2005 and Eternity's Delight in 2006. "The Jug is a throwback to what racing was and should be today," said Siegel. "The Delaware County Fair is the most exciting event in (harness) racing. My wife and I bring guests to Delaware each year who are not even involved in harness racing and they enjoy the racing as much as we do. Everything about Delaware is a credit to the sport. Siegel operated under the name of Fashion Farm.
2005 - LaVerne A. Hill
Mrs. LaVerne A. Hill, former vice-president of Scioto Downs and widow of the late Charles Hill, founder and former chairman of the board at Scioto Downs, became the 21st Little Brown Jug Wall of Fame inductee. "I can not think of a more fitting person to receive this year's award. LaVerne has done so much for harness racing at Delaware," said Mayor's Breakfast Chairman H.C. "Chip" Thomson. Mrs. Hill has won the Harness Tracks of America's prestigious Messenger Award and the U.S. Harness Writers' President's Award. She was also a director of the Little Brown Jug Society and Harness Tracks of America. Mrs. Hill also donated the funds to build the new Jugette Barn at the Delaware County Fairgrounds. Mrs. Hill passed away on October 16, 2013.
2003 - William O'Donnell
William O'Donnell, driver of back to back Little Brown Jug champions - Nihilator (1985) and Barberry Spur (1986), has been selected as the 19th Little Brown Jug Wall of Fame inductee. The Springhill, Nova Scotia native is a 1986 member of the Canadian Horse Racing Hall of Fame and was enshrined into Harness Racing's Hall of Fame in Goshen, NY in 1990. During his career, O'Donnell has amassed 5,742 career victories and his horses have earned just under $100 million in purses. O'Donnell was the Harness Tracks of America "Driver of the Year" in 1982 and 1984. O'Donnell was the regular pilot for three Horses of the Year, Fancy Crown (1984), Nihilator (1985) and Staying Together (1993). The "Magic Man" also captured 13 Breeders Crown titles and the 1985 Hambletonian Final with Prakas.
2002 - Thomas Walsh, Jr.
Thomas Walsh, Jr., a standardbred owner for more than 40-years, the Woodbury, New York native co-owned two Little Brown Jug champions Magical Mike (1994) and Armbro Operative (1996). Walsh and his Shadow Lane Farm also campaigned such stars as Conway Hall, Bold Dreamer, Victory My Way, McClusky and Miles McCool. Walsh has been a generous patron of several industry efforts and was presented with the United States Harness Writers' Association William Haughton Good Guy Award in 1998. Walsh's generosity helped establish the Magical Mike Invitational Pace at the Delaware County Fair and is largely responsible for the building of the Little Brown Jug Barn that houses the Jug starters. Walsh was the owner of Colonial Wire and Cable, a manufacturer of electrical wiring products, and served on the Board of Directors of the Standardbred Retirement Fund, the Harness Racing Museum and TIMES: In Harness, an industry trade publication.
1997 - Charlie Bowen
Charlie Bowen, a third generation Standardbred enthusiast, was the 1997 Little Brown Jug Society's Wall of Fame honoree. Bowen, who was director of special events for the Delaware County Fair through 1997, had been associated with the Little Brown Jug since 1947. ("Hank Thomson put me in charge of the winner's circle ceremonies.") But, Charlie has made his mark as Director of Special Events which translates into raising funds to promote and develop Grand Circuit harness racing at the Delaware County Fair. During his tenure, Charlie had been largely responsible for raising the necessary funding of the new paddock, log cabin, hospitality pavilion and the latest project, the Little Brown Jug Horse Barn. Mr. Bowen died in 2011 at the age of 84.
1996 - John Campbell
When a young driver from London, Ontario, showed up at the Delaware County Fairgrounds Track in 1981 to see if he too could sip from the heralded Little Brown Jug, there was no reason to think he'd be any different. But John Campbell showed that first impressions aren't always accurate. With more than $299 million in career earnings and 10.667 victories - including three Brown Jugs - Campbell was a portrait of confidence and success. When Campbell's regular ride, David's Pass, had his season cut short by injury, Campbell picked up the reigns of Nick's Fantasy. In the Brown Jug - their first race together - all Campbell did was bring the 3-year-old gelding home in a race-record time of 1:51.2. That win followed Jug triumphs in 1993 with Life Sign, and 1982 with Merger. Although Campbell has driven many champions in his career, his accomplishments behind a trio of trotters are his most noteworthy. The colts Mack Lobell and Pine Chip, and the filly Peace Corps are among the best of all times. Campbell retired from driving in 2017 and currently serves as the president and chief executive officer of the Hambletonian Society.
1995 - W.D. "Tom" Thomson
He never trained a harness horse or drove a two-minute mile. He doesn't sit in the front row at yearling sales or oversee a million-dollar stud farm. Yet as the Little Brown Jug celebrated "the fastest 50 years in racing," it looked forward to another 50, thanks in great part to W.D. "Tom" Thomson. Following in the footsteps of his late father Hank - the 1985 honoree - Thomson pointed the Jug toward the 21st Century, modernizing the pacing classic without it losing its quaint county fair charm and rich tradition. From his position as Director of Racing, a title he held since 1973, Thomson oversaw all that makes the Jug one of the most recognized sporting events in the world. He was instrumental in bringing regional and national television coverage to the Jug, organizing an extensive simulcasting operation, and making continual upgrades to the Delaware racing plant and equipment. At the same time, the Delaware County native has resolutely made sure the race lost none of its history and tradition. When not overseeing the Jug or the family-owned Delaware Gazette newspaper, Thomson served as an ambassador for the sport as president of the Grand Circuit. Thomson died at the age of 73 on January 28, 2012.
1994 - Corwin Nixon
For more than 50 years the influence and commitment to the harness racing sport and industry earned Corwin Nixon deep respect in Ohio and throughout all North America. Former president of the United States Trotting Association, he had been a leader not only in harness racing but also in politics and public and community service. Over the years, Nixon used his experience as manager of Lebanon Raceway, his many sessions in the Ohio House of Representatives where he served as minority leader, and as an officer of the USTA to effect progressive changes in harness racing. He owned and drove a number of standardbreds, the most outstanding being Smolder, Lass Hanover, Yankee Belle, and Gail Ann. A director of the Harness Tracks of America, he was inducted into the Ohio Harness Hall of Fame in 1986; the Living Hall of Fame in Goshen, N.Y. in 1993; and the Ohio State Fair Hall of Fame in 1990. Nixon died in 2003.
1993 - James A. Rhodes
Former Ohio Governor, James A. Rhodes will always be remembered for - among his many accomplishments in public life and service -the great support he has given to harness racing and the standardbred sport. Rhodes, who served an unprecedented four terms as the state's chief executive, still follows the sport with as much interest as during his days in the Ohio Statehouse. Much of the credit for the Ohio Sires Stakes program, established in 1976, can be directly attributed to Rhodes' efforts. He signed legislation which led to the creation of the program which has won national recognition. Rhodes remains in the forefront in promoting harness racing in Ohio and throughout the nation. An avid follower of the Little Brown Jug, he participated in the stake's winner's trophy presentation for more than three decades. Gov. Rhodes passed away in 2001 at the age of 91.
1992 - Gene Riegle
Gene Riegle carried more than ample credentials to the Jug Wall of Fame. He was a member of the Ohio Harness Racing Hall of Fame, Riegle was recipient of the sport's highest honor when he was inducted into the Hall of Fame of the Trotter at Goshen, N.Y. Riegle's career took off in 1952 with the top pacer Red Sails, and it really blossomed in 1958 when he piloted Mr. Saunders to a 2-3 finish in the Hambletonian. In 1993 Life Sign, trained by Riegle, won the Jug. Since that time, Riegle developed top horses in assembly-line fashion, cranking out some of the sport's best known and most popular performers on an annual basis. He died on October 17, 2011 at his Greenville, Ohio home.
1991 - Stanley F. Bergstein
Stanley F. Bergstein first became associated with Delaware Grand Circuit racing and the Little Brown Jug when, in the 1960s an emergency brought him to the track as the announcer, a post he held for several years until becoming executive vice-president of the Harness Tracks of America. Bergstein is the only person ever named to both harness racing's Hall of Fame - its highest honor - and its Writers Hall of Fame. Other awards include 1971 Harness Horseman of the Year, U.S. Harness Writers Proximity Award, and the National Clem McCarthy Good Guy Award. He was the first recipient of the Harness Publicists' Golden Pen Award and the Harness Horse Youth Foundation's Service award. Stan Bergstein died on November 2, 2011 at his home in Tucson, Arizona.
1986 - William R. "Billy" Haughton
William R. "Billy" Haughton was fatally injured in a driving accident just months before he was to be honored. Haughton has been rated as one of the greatest trainers and drivers in the sport, has a particular spot in Jug annals, as the only driver to take down five Jug champions. And he trained the great Nihilator. A Hall of Famer, Haughton achieved records in harness racing that would require volumes to catalog. Winner of seven Messenger Stakes and four Hambletonians, Haughton's green and white silks accounted for 4,910 race victories and $40.2 million over a 40-year career. His earnings totaled more than $1 million in each of 19 years, a record.
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https://www.amazon.com/RoomMates-Mickey-Mouse-Friends-Giant/dp/B08GGHNNDV
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en
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Amazon.com
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Enter the characters you see below
Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies.
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https://www.mickeythompsontires.com/drag-tires/
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en
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Mickey Thompson
|
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Mickey Thompson Tires & Wheels – UNDISPUTED.
|
en
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https://www.mickeythompsontires.com/media/site/acfb5693dc-1598278398/favicon.ico
|
Mickey Thompson
|
https://www.mickeythompsontires.com/drag-tires
|
Luke Bogacki is one of the most accomplished drag racers in the Sportsman Class. Bogacki has amassed over 250 event wins and more then $1,000,000 in prize money. He owns two NHRA national-championships, Super Comp and Super Gas along with five NHRA divisional championships, and four IHRA divisional titles. Bogacki wins on Mickey Thompson drag racing tires. Luke is a big believer in the products they use and sell, he says he depends on these products to win. Mickey Thompson drag tires are dependable and fast, the type of product Bogacki depends on. No one accidentally wins over 250 events without tires that hook up. You’ll see Mickey Thompson tires on Luke's vehicles and you’ll see Luke in the winners circle.
For more information see ThisIsBracketRacing.com
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https://www.fisk.edu/about/history/
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en
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Fisk University History
|
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2020-01-30T15:03:46+00:00
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https://www.fisk.edu
|
Fisk University
|
https://www.fisk.edu/about/history/
|
In 1865, barely six months after the end of the Civil War and just two years after the Emancipation Proclamation, three men — John Ogden, the Reverend Erastus Milo Cravath, and the Reverend Edward P. Smith — established the Fisk School in Nashville.
The school was named in honor of General Clinton B. Fisk of the Tennessee Freedmen's Bureau, who provided the new institution with facilities in former Union Army barracks near the present site of Nashville's Union Station. In these facilities Fisk convened its first classes on January 9, 1866. The first students ranged in age from seven to seventy, but shared common experiences of slavery and poverty — and an extraordinary thirst for learning.
The work of Fisk's founders was sponsored by the American Missionary Association — later part of the United Church of Christ, with which Fisk retains an affiliation today.
Ogden, Cravath, and Smith, along with others in their movement, shared a dream of an educational institution that would be open to all, regardless of race, and that would measure itself by "the highest standards, not of Negro education, but of American education at its best." Their dream was incorporated as Fisk University on August 22, 1867.
The tradition of excellence at Fisk has developed out of a history marked by struggle and uncertainty. Fisk's world-famous Jubilee Singers® originated as a group of traveling students who set out from Nashville on October 6, 1871, taking the entire contents of the University treasury with them for travel expenses, praying that through their music they could somehow raise enough money to keep the doors of their debt-ridden school open.
The singers struggled at first, but before long, their performances so electrified audiences that they traveled throughout the United States and Europe, moving to tears audiences that included William Lloyd Garrison, Wendell Phillips, Ulysses S. Grant, William Gladstone, Mark Twain, Johann Strauss, and Queen Victoria.
To this day, each October 6, Fisk pauses to observe the anniversary of the singers' departure from campus in 1871. The contemporary Jubilee Singers, a Grammy recipient group, perform in a University convocation — and conclude the day's ceremonies with a pilgrimage to the grave sites of the original singers, where once again, the old songs are sung at the burial places of their first performers.
Even before regional accreditation was available to African-American institutions, Fisk had gained recognition by leading universities throughout the nation, and by such agencies as the Board of Regents of the State of New York — enabling Fisk graduates to enter graduate and professional schools to study for advanced degrees.
Then, in 1930, Fisk became the first African-American institution to gain accreditation by the Southern Association of Colleges and Schools. It was also the first such institution to be placed on the approved lists of the Association of American Universities (1933) and the American Association of University Women (1948).
|
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https://www.observer-reporter.com/sports/2021/aug/22/mickey-sylvia-burke-to-little-brown-jug-wall-of-fame/
|
en
|
Mickey, Sylvia Burke to Little Brown Jug Wall of Fame
|
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2021-08-22T00:00:00
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DELAWARE, Ohio – Leading owners Mickey and Sylvia Burke have been selected as the 36th Little Brown Jug Wall of Fame honorees by the Delaware County Fair. The Burkes are the principal owners of Burke Racing Stable, Fredericktown, who have owned a pair of Little Brown Jugs champions – Filibuster Hanover (2017) and Limelight Beach […]
|
en
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https://www.observer-reporter.com/wp-content/themes/News_Core_2023_WashCluster/images/ORWP/favicon.ico
|
Observer-Reporter
|
https://www.observer-reporter.com/sports/2021/aug/22/mickey-sylvia-burke-to-little-brown-jug-wall-of-fame/
|
DELAWARE, Ohio – Leading owners Mickey and Sylvia Burke have been selected as the 36th Little Brown Jug Wall of Fame honorees by the Delaware County Fair.
The Burkes are the principal owners of Burke Racing Stable, Fredericktown, who have owned a pair of Little Brown Jugs champions – Filibuster Hanover (2017) and Limelight Beach (2014) – and four Jugette queens – Warrawee Ubeaut (2019), Sassa Hanover (2015), Darena Hanover (2012) and Western Graduate (2007).
Mickey Burke started driving harness horses as a hobby in 1956, campaigning around the fair circuits of Ohio and Pennsylvania, all the while operating a successful car dealership in Western Pennsylvania for several decades.
After selling the dealership in 1981, Mickey and his wife Sylvia started full-time in the harness racing industry. Between 1991 and 2008, Mickey Burke was credited with 3,167 training wins and $35.5 million in earnings.
The Burkes have five children – three of who are active daily in the sport.
In 2009, Mickey turned his training operation over to his son, Ron, while Mickey, Jr. and Michelle oversee the operations.
Ron Burke has been nominated for induction into the 2022 class of the Harness Racing Hall of Fame.
He has shattered all previous records for trainers in earnings and money – he has more than 11,700 winners, 4,900 more than any other conditioner, and the $250 million-plus in earnings, more than double of his closet competitor. He is a three-time winner of the Glen Garnsey Trainer of the Year Award selected by the United States Harness Writers Association (2011, 2013 and 2018).
Coming into this year, the Burke Racing Stable entered 23 horses in the Little Brown Jug, winning $1.2 million in purses. Their success isn’t limited to the 3-year-old colt classic. They have also won 10 heats of the Jugette, an Old Oaken Bucket, three Standardbred and 17 Ohio Breeders Championship events.
“We are extremely excited to welcome the Burkes onto the Little Brown Jug Wall of Fame,” said Chip Thomson, chair of the Wall of Fame Committee. “They have been strong supporters of our events and we wish them continued success.”
The Burkes will be presented the Wall of Fame plaque during the 2021 Little Brown Jug week (Sept. 19-23).
John Sacco, Observer-Reporter contributor, added to this story.
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https://en.wikipedia.org/wiki/Mickey_Walls
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en
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Mickey Walls
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https://en.wikipedia.org/static/favicon/wikipedia.ico
|
https://en.wikipedia.org/static/favicon/wikipedia.ico
|
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[
"Contributors to Wikimedia projects"
] |
2010-01-29T18:05:44+00:00
|
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/static/apple-touch/wikipedia.png
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https://en.wikipedia.org/wiki/Mickey_Walls
|
Mickey K. Walls (born June 1, 1974 in Vancouver, British Columbia) is a retired Thoroughbred horse racing jockey who was a Champion in both the United States and Canada.
Early life
[edit]
Mickey Walls grew up in Langley, British Columbia, the son of Thoroughbred racehorse trainer, Joe Walls.
Riding career
[edit]
He began riding professionally in 1990 at age sixteen, first competing at Exhibition Park in Vancouver. Immediately successful, in the fall he went east to Toronto to ride at Woodbine Racetrack and then at Greenwood Raceway where he was the leading jockey at the Autumn Meet. For his performances, Walls was voted the Sovereign Award as the 1990 Canadian Champion Apprentice Jockey.[1]
Still an apprentice in Canada, in 1991 Mickey Walls had a spectacular year, setting a Canadian record for most races won by an apprentice jockey with 231, and winning more races and garnering more purse money at Woodbine Racetrack than any jockey in history. At the Greenwood Raceway Spring Meet he won a second riding title.[2] His 1991 efforts saw him become the first apprentice jockey to be voted the Sovereign Award and the United States' Eclipse Award in the same year.[3] In addition, he was voted the overall Canadian Champion Jockey.
As a result of a serious injury, 1992 proved to be a difficult year for Mickey Walls. Nevertheless, he was the leading jockey at the Greenwood Spring Meet before breaking a leg in a racing accident that kept him out of racing for the season. In 1993, he was again back in form and was the leading jockey at Woodbine Racetrack for a second time. In 1994 and 1995, Walls competed in the United States at various tracks including Arlington Park, Churchill Downs, Fair Grounds Race Course, Keeneland, and Santa Anita Park. He returned to race in Canada in 1996 where he won the final two legs of the Canadian Triple Crown series, capturing the Prince of Wales Stakes aboard Stephanotis then the Breeders' Stakes on Canada's top turf runner and future Hall of Fame inductee, Chief Bearhart. Among his other racing accomplishments, in 1999 Mickey Walls rode Woodcarver to victory in the Queen's Plate, Canada's most prestigious race and the first leg of the Triple Crown series. [1]
Retirement
[edit]
After years of struggling against weight gain, in 2002 Walls retired but in 2003 attempted a short-lived comeback at Nad Al Sheba Racecourse in Dubai before retiring permanently.
Honors
[edit]
In 2008, Mickey Walls was inducted in the British Columbia Thoroughbred Hall of Fame[4] and was a nominee for the Canadian Horse Racing Hall of Fame in 2009.[5] In June 2013, he won the Avelino Gomez Memorial Award for significant contributions to the sport of thoroughbred horse racing.[6] Walls was later named into the Canadian Horse Racing Hall of Fame in 2019.[7]
References
[edit]
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https://www.theirishfield.ie/racing/racing-features/heart-of-racing-micky-fenton-760023
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HEART OF RACING: Micky Fenton
|
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[
"heart of racing",
"micky fenton"
] | null |
[] |
2023-04-14T00:00:00
|
HEART OF RACING: Micky Fenton 2023-04-14
|
/favicon.ico
|
https://www.theirishfield.ie/racing/racing-features/heart-of-racing-micky-fenton-760023
|
This current flat season, our first full campaign since taking out a trainers licence, is one I am very much looking forward to. Having returned to Ireland in 2019, I bought a farm in County Cork and set about developing a training facility suitable for our needs. The financial side of such an operation is just as important, so before sending out any runners, I worked hard on building solid foundations on which to base the business. Once everything was in place, we sent out our very first runners in late 2022.
Like most young lads of my generation, I started off with ponies and gymkhanas. My father was friendly with Alan and Lady Vivienne Lillingston of Mount Coote Stud and acted as DC of the Scarteen Pony Club.
Having learned how to ride on ponies at home, I started riding out for local trainer Cathy Harrison in my early teens. We used to gallop the horses at Andrew McNamara’s in Croom, then Cathy would drop me to school on our way home -more often than not, I was late!
Andrew said I could come in and ride out at his yard at weekends and school holidays, so I did that for a couple of years. Then, Alan Lillingston had a word with me, suggesting that if I was serious about becoming a flat jockey, the Curragh was the place to be. He kindly arranged for me to go up and spend a summer working for leading trainer Liam Browne.
I was only 14 when I first went to the Curragh but I knew immediately it was for me. The following year, I left school and signed on as an apprentice with Liam. I rode my first winner, Miss Gantlet, in a two-year-old maiden at Navan in April 1989.
Over the next few years, I rode plenty of winners for the stable, before I moved back to Limerick to ride for Austin Leahy. We enjoyed some good success together and between Liam and Austin, I rode over 40 winners in Ireland. In 1993, I moved to Britain to take up the position of stable apprentice to Michael Bell.
Having hit the ground running, riding 14 winners that first year, we ended up enjoying a highly successful 10-year partnership. In 2001, we combined for my first Group 1 win, when Zanzibar claimed the Italian Oaks at San Siro. Later, after making the decision to ride as a freelance jockey, I continued to ride winners for the Bell yard.
In October 2005, I enjoyed a second taste of Group 1 success, aboard Alcazar in the Prix Royal Oak at Longchamp. It was fitting that the Hughie Morrison-trained gelding should get his turn, as he had been placed the two years previously. Speciosa, the Pam Sly-trained filly with whom I will always be associated with, came along earlier that same year.
Having won her maiden at Beverley in August(2005), she finished third in the May Hill Stakes, before rounding off her season with a win in the Rockfel Stakes at Newmarket.
At that point, we knew we had a genuine Classic contender for the following year but her comeback victory in the Nell Gwyn Stakes confirmed our belief that she had trained on from two to three. Less than a month later, Speciosa provided me with the biggest success of my career when winning the 1000 Guineas at Newmarket.
Over the next seven years, I continued to enjoy plenty success riding for Pam, James Given, Tom Tate and Paul Midgley, among others. In 2013, I suffered a broken neck in a fall at Chepstow, which forced me to call time on my riding career.
At the time, it was certainly a shock; racing was all I knew and I had made no plans for a life outside of it. I wasn’t able to even sit on a horse for over a year, as I underwent intense physio in order to get the strength back in my neck. On a visit to my brother and sister-in-law, I took the first steps towards getting my life with horses back.
Emma (Lavelle) is a well known trainer and I asked if I could ride out a lot. It was as if I had never been away and I knew almost immediately that I wanted to continue working within the industry.
Despite having ridden as a successful jockey, most of that time had either been spent on horseback or in a car travelling to and from races. I knew that I wanted to train but in order to do so, I needed to learn about everything from feeding and treating minor injuries to traveling horses and running a business. The opportunity to do so came via a position as Assistant Trainer to Chris Wall in Newmarket.
During a two-year stint, I started from scratch, receiving a thorough education on a side of the industry I knew little about. It was an invaluable experience that set the foundations for a future training career. I then went on to spend a season with Charlie Appleby; again, another huge learning curve.
Having sourced a small 12-acre farm halfway between Killarney and Mallow, our family relocated to Ireland just before Covid. My wife Stephanie, who is a big support to me, worked for Dandy Nicholls, so knows the business well. We did much of the work on the yard/gallops during lockdown, so we were fortunate in that we were able to put the time in and tailor everything to suit.
Ann Cowley, an owner I had ridden for in the UK, phoned me up during lockdown to ask what I was up to. When she heard that I was setting up a training operation in Ireland, she promised to send some horses. Denis Enright of Munster Racing Partnership also rang up and said that he would like to get involved. I went and bought Run Forrest Run for him at the July Sales last year.
That horse had a few minor problems that we needed to iron out but he ran a big race when third at the Curragh recently and is going the right way. John Sheehan, who used to train in England, kindly sent us a few horses to get us started too. Sadly, he passed away from cancer at Christmas so never got to see their progress.
His brother, Patsy, is continuing on with the journey, so hopefully we can both do John proud. Having not ridden professionally for over a decade, I am relishing this new venture; building the training business, going racing again, meeting people and generally just appreciating an industry that has been my life.
Mickey Fenton was in conversation with John O’Riordan
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Portrait Of James Cagney With His Eyes Closed
Imogen Cunningham
$100
Dancers Anna Pavlova And Hubert Stowitts
Franz Van Riel
$100
Conchita Montenegro
George Hoyningen-Huene
$100
The Dodge Sisters
George Hoyningen-Huene
$100
Ida Rubinstein As Saint Sebastian
Wladimir Rehbinder
$100
Yvonne Printemps Lighting A Shadow's Cigarette
Florence Vandamm
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Actress Constance Cummings
Lusha Nelson
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Portrait Of Agnes De Mille
Nickolas Muray
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Actress Kay Francis
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Ballerina Tatiana Riabouchinska
Cecil Beaton
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Tamara Toumanova and Roman Jasinskii in the Ballet Mozartiana
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Portrait of Boxer Joe Louis Lacing His Boots
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Portrait Of Boxer Joe Louis in His Dressing Room
Lusha Nelson
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Portrait of Boxer Joe Louis
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Leone Sousa of the Ziegfield Follies
Lusha Nelson
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The Charleston
Charles Sheeler
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Jack Holland And June Hart Dancing
Horst P. Horst
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A Portrait Of George Gershwin At A Piano #1
Edward Steichen
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Grace And Paul Hartman
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Antonio And Renee De Marco Dancing
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Louis Armstrong Holding A Trumpet
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Greta Garbo Wearing A Black Dress
Edward Steichen
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Katherine Rawls Getting Ready To Dive
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Jack Dempsey's Hands
Ira L. Hill
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A Ford Automobile Factory
Charles Sheeler
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Bobby Jones Holding A Golf Club #1
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A Portrait Of Walt Disney With Mickey And Minnie
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Louise Brooks On A Chair
Edward Steichen
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A Portrait Of George Gershwin At A Piano
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Race Horse Gallant Fox
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A Sculpture Called The Bird
Edward Steichen
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Maurice Mouvet And Leonora Hughes Dancing
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Portrait Of Leslie Howard #4
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Grace And Paul Hartman Dancing
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A Portrait Of Paul Robeson #1
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Ida Rubinstein Wearing A Tutu
Phyllis Abbe
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Dorothy Dilley In The Butterfly Dance
Nickolas Muray
$100
Josephine Baker Wearing A Feathered Cape
George Hoyningen-Huene
$100
Four Dancers Of The Albertina Rasch Ballet Group
Edward Steichen
$100
Portrait Of Cole Porter #1
Horst P. Horst
$100
Orson Welles Resting On A Sculpture
Cecil Beaton
$100
Close-up Portrait Of Winifred Lenihan
Edward Steichen
$100
A Pair Of Glasses On Top Of A Newspaper
Irving Browning
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Amelia Earhart Wearing A Scarf
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Katharine Hepburn Raising Her Hand
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Richard Pitchford Doing A Card Trick
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Noel Coward Smoking #1
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Douglas Fairbanks Jr. With Joan Crawford
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Margaret Severn In Her Korean Warrior Dance
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$100
Cole Porter And Moss Hart At A Piano
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Edward Steichen
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Barnaba
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Dancers Fred And Adele Astaire
Edward Steichen
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A Portrait Of Paul Robeson
Ralph Steiner
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Greta Garbo Looking Up
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Portrait Of Loretta Young
George Hoyningen-Huene
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Margaret Severn On A Beach
Arnold Genthe
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Portrait Of Josephine Baker #1
George Hoyningen-Huene
$100
Two People Under An Umbrella On A Boardwalk
Lusha Nelson
$100
Elsa Von Reppert Bismarck Painting
Rolf Mahrenholz
$100
Portrait Of Anna May Wong #1
Edward Steichen
$100
A Portrait Of Fred Astaire
Edward Steichen
$100
Tallulah Bankhead Surrounded By Balloons
Cecil Beaton
$100
The Hands Of Peggy Wood
Ira L. Hill
$100
Portrait Of Actor Cary Grant
George Hoyningen-Huene
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Neon Signs Of Luna Park
Lusha Nelson
$100
Bobby Jones Holding A Golf Club
O. B. Keeler
$100
Anna Duncan In Character As A Wood Nymph
Arnold Genthe
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https://theblackstallion.com/web/tag/cass-ole/
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The Black Stallion
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2022-01-19T12:47:47-07:00
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en
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https://theblackstallion.com/web/tag/cass-ole/
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“I met director Carroll Ballard when he and my dad were looking for an Arabian stallion to play The Black,” says Tim Farley, who was still in college, finishing a photography degree at Brooks Institute in Santa Barbara, California when his father Walter Farley’s beloved novel, The Black Stallion, began its transformation to the big screen.
“I went to talk to Carroll and to Fred Roos, the producer, to see if I could get a job. Of course, they said I could have a job. They didn’t say they would pay me, at first. I was a 21-year-old kid who knew nothing about making movies,” says Farley laughing.
He would end up skipping graduation ceremonies to start on the film, which began production in Toronto in 1977.
“My first job was working in the office,” Farley recalls. “The film was in preproduction at that point. One of my assignments was to make copies of all the script changes for the crew. However, I also ran off an extra set of copies to send to my dad. So, he would send them back with all these comments on them, of course, and they were like, ‘Where is he getting all this information?’ I was his mole! They weren’t real happy about that, to tell you the absolute truth.”
Still, it brought benefits. “Actually, my dad came up with the sequence in the jockey’s room before The Black races. It became a humorous scene in the movie, because they kept adding weight to this little kid. The way the script was originally written had Alec sneaking weight into his pockets, or putting on a weight belt, or something. My dad said, ‘Nobody would do that. The officials add all the handicap weight jockeys must carry. They would never sneak weight.’ He came up with some helpful ideas.”
Farley smiles when he thinks back on it. “It was fascinating driving to the set daily with Mickey Rooney in Toronto, the location for our 1940s New York scenes. Mickey had been in a long career slump, but The Black Stallion brought him an Oscar nomination and he returned to the stage.”
When the production went overseas, Farley went too.
“From set of the Black Stallion when I was 22. Don’t know the photographer, it was sent to my Dad [Walter Farley] and on his office wall,” says Farley.
“The most memorable days for me were on the island. It took us months to get some of those shots,” he says. “My screen credit was ‘production assistant,’ but with only about 30 of us on crew [there], I did a little bit of everything. It was shot almost like a documentary, with a small crew on the Mediterranean island of Sardinia.
A small crew and not many — make that no — creature comforts: “It was exciting, even though we had to take cold showers!” Farley says. “Working on those beach sequences, there were no hotels. We stayed in an empty school with cold-water showers. Every once in a while you’d see a tourist come through for an hour or two, but we were pretty far out.”
The remote location brought unique challenges. “We had to do a lot of tracking shots, like The Black running down the sand bar, especially when Alec’s learning to ride and keeps falling off. We had to kind of wing it. We couldn’t say, ‘Oh, we need some dolly track here for 500 yards and we have to go 30 miles an hour. So, how are you going to do that?”
The answer was improvise: “They came up with a Citroën 2CV. It’s like a French version of a Volkswagen Beetle. We took the doors off and the seats out. We used that as our [camera] dolly to race down the beach. The horse was going pretty fast.”
Rarely without his own camera, Farley often photographed the star horse, Cass-Olé. “He and Kelly had a good relationship because they spent so much time together before the movie started. But Cass-Olé was kind of like the character of The Black. He was very independent, knew he was gorgeous, and that everybody loved him. He’d take control if you’d let him. On the other hand, Cass was gentle with Kelly. Corky Randall trained Cass for months to be able to work him at liberty and have him listen to voice commands.
” Dad [Walter Farley] editing my pix after getting back. [from filming],” says Farley
“I was one of the lucky people there watching a young Kelly Reno portray Alec Ramsay together with Cass-Olé as The Black. Those scenes on the beach with the magic of the boy and the horse getting to be friends on the island really did happen,” Farley says. “Also, at the end of the movie, where you see that big double rainbow and the horse rolls on the ground and Kelly rolls on the ground — it was totally impromptu. It’s during the credit roll at the very end of the film.”
When filming finished, coming home took some adjustment. “It was almost like in the movie — when Alec arrives back in America — that first sequence when he’s in a real bathroom with running water. That’s kind of what happened to us too,” Farley remembers.
Forty years later, the memories from those months working on the film are still vivid and exciting. “Learning something new every day … you never knew who might show up — Harrison Ford, Matt Dillon, Francis [Ford Coppola], even Scorsese. I met Fellini at Cinecittà [Studios, where the shipwreck scene was filmed in Rome].”
But the best part, Farley says, was “just being part of this small family that included the wonderful horses and horsemen, from cowboys to Hollywood.”
More about The Black Stallion
The Black Stallion: A Heartwarming Epic For The Ages
The Black Stallion’s Accidental Screenwriter
The Black Stallion at 40 With Stunt Coordinator Glenn Randall
The Black Stallion’s Secret Weapon
All images: Courtesy Tim Farley.
(Lead image) Tim Farley trying his hand at liberty work rearing the Black Stallion that starred in the long-running (now closed) Arabian Nights Dinner Attraction in Orlando. Walter Farley was close friends with the family and gave permission for the black stallion namesake to only be used there. Curious tidbit. Glenn Randall Sr. (Corky’s father) did the original horse training at Arabian Nights.
Shortly after Glenn Randall Jr. came onboard as stunt coordinator on The Black Stallion he was headed to a horse show in Texas. “They told me they’d committed to this black Arab. They wanted me to go see him. I said, ‘fine,’” recalls Randall, whose father, Glenn Randall Sr., trained Roy Rogers’ Trigger. “Myself, the producer, and I think the assistant director flew to Texas to see this horse.” A black Arabian stallion named Cass-Olé was being shown by Francesca Cuello when Randall met the girl’s father, Dr. Leo Cuello, at the competition.
“We were sitting in the upper bleachers in the arena. They had a little restaurant up there. It was a magnificent horse,” says Randall. “We had a talk and during the conversation he [Cuello] said the deal he’d made is we’d have to take their trainer to get possession of the horse. I said, ‘Really. I’d like to talk to the trainer.’”
When he did, Randall says, “I realized he was a show-ring trainer and had no knowledge, at all, of the type of training we were going to have to put on this horse. So I went back and said, ‘Gentlemen, we’ve got problems. If you want us to take your trainer along and let me hire another trainer and pay yours to watch while we train him, that’s fine with me.’”
Costs nixed that option.
“I said, ‘Well, then I can’t do the movie,” Randall continues. “The doctor spoke up and said, ‘I understand what you’re saying, Glenn, but the problem is the horse belongs to my daughter.”
Dr. Cuello’s daughter, then a teen, would only be assured that the horse would be safe if her trainer went along. But, Cuello allowed, “If she will let the horse go without the trainer, that’s fine with me.”
After winning her class, Francesca joined the group with her father and met Randall. “They introduced her and told her who I was. I said, ‘Would you walk with me for a little while? I want to go get a Coke.’ We went to another table away from her dad and the producers and all the other crew and I sat down and started talking to her.”
“I said, ‘I love your horse. He would be a wonderful black stallion you could be proud of. The problem is, we’re going to have to train your horse to do things he doesn’t know how to do. He’s going to have to work at liberty and learn a lot of different things. Your trainer is not qualified to do that type of training.’
“I explained to her who I was and what my background was. I said, ‘If you want the horse to go, you’re going to have to put your trust in me. I promise you that I’ll protect him with my life.’ We went back to the table and her dad said, ‘What do you think?’ She said, ‘I’m going to let the horse go because I trust Glenn.’ So, that’s how we got the horse.”
Randall proceeded to pave the path ahead. “I told the producers I’ve got to get a trainer and we’ll have to ship the horse to California and put him in training four to five months. Then I talked [brother] Corky into doing it,” says Randall.
Already established in Hollywood, his older brother wasn’t keen on the proposition. “Corky didn’t want to do the movie. I talked him into training the horse and it wasn’t easy. He wasn’t known as a horse trainer, as such. He’d been around my dad all of his life and we trained horses and what have you, but he was more of a ‘boss wrangler.’ He was probably one of Hollywood’s top ramrods, or boss wranglers. The Black Stallion launched his career as a horse trainer.”
Having gotten the horse and Corky on board, Randall was sent to the boy who would become the lead with the Black Stallion, Kelly Reno.
“Kelly came to California … got them a motel in Newhall with a swimming pool [near the Randall Ranch]. I spent half my time teaching him how to swim and we’d take him to the barn and let him work with Cass-Olé. His mother was not real sure about us. I promised his mother, ‘On my life, nothing is going to happen to him.’ So, now I’ve given my word on the horse and the little boy!”
He also brought two of his veteran trick horses to double Cass-Olé for difficult scenes. “They were sorrels, but we dyed them black. I had a lot of training on them. The horse that was tied up, wrapped up in ropes [after escaping the shipwreck and reaching the island], that was my horse dyed black.”
Randall’s horse also doubled where The Black gets loose and runs down a street back in America. “We shot that in Toronto — jumped over a car and that kind of stuff,” Randall recalls. “That’s what they hired me for. Doing all the stunt work and setting those things up. I would help them find locations, hire the people that would get the job done, and supervise the whole damn thing. I’m more structured in my work. I have to plan everything and look at every avenue of danger and provide for it.”
When the production got to Sardinia, Randall remembers that director Carroll [Ballard] and the director of photography, Caleb Deschanel, were adamant about having the horse swim 150 to 200 yards offshore.
“We swam our horses a little bit, but I said, “These horses aren’t amphibians. They can only swim a short distance.’ The producer said, ‘We’ve got to have them. What are we going to do?’ I said they’ve got some Camargue horses in France that were raised in the swamp and all they do is swim.’”
(Camargue horses are indigenous to the marshy Camargue wetlands of the Rhone delta in the south of France.)
Heeding Randall’s advice, they bought a white Camargue horse, significantly smaller than Cass-Olé, but it worked. “We dyed him black and used that little horse to do faraway swimming.”
Not only horses had water challenges. By this time, Kelly could swim, “But he wasn’t real brave about it,” Randall says. “One time they wanted to see Kelly far out, about 100 yards off the beach in Sardinia. Carroll just wanted him sitting on this rock outcropping. I gave Kelly a mask and said, ‘We’re going to have to swim out there. I’ll be on the back side of the rock, so they can’t see me but I’ll be right there with you.’
“He said, ‘OK,’ so we swam out to it. I said, ‘Let’s swim around the rock a little bit and get comfortable.’ We started swimming around and I looked down and it took my breath away. The water was so clear you could see 150 or 200 feet down. It was like jumping out of an airplane. It was a shock. When Kelly looked, he almost walked on water back to the rock! But, he did real good for a little kid.”
“I knew it was a good movie after I saw it,” he reflects on The Black Stallion. “I was kind of surprised, but the book had staying power. I did Raiders and ET and a lot of other movies that had legs too and are still being shown today.”
Randall’s credits — working as second unit director to stunt coordinator to stunts — saw him part of a long list of blockbusters, from Indiana Jones and Star Wars to The Mask of Zorro, and more.
“You’re also looking at a generation of films that will never be done again in the fashion that we did them. Back in the day, when my father did Ben Hur, they spent nine months just training the horses for it. In the stunt world, I had to do all my stunts for real. Now they’ve got cables, CGI, blue screen. It’s just a different way of making movies.”
These days, he’s retired and far from Hollywood. On the opposite coast from L.A.’s San Fernando Valley where he grew up, Randall lives on the 30-acre horse farm he built in Aiken, South Carolina, after leaving the movie business behind. “A little piece of heaven,” he says.
More about The Black Stallion
The Black Stallion: A Heartwarming Epic For The Ages
The Black Stallion’s Accidental Screenwriter
The Black Stallion’s Secret Weapon
The Black Stallion at 40 With Production Assistant Tim Farley
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https://brickerauctioncompany.hibid.com/lot/202149365
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en
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Hibid
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https://cdn.hibid.com/img.axd?id=7811548474&wid=&rwl=false&p=&ext=&w=0&h=0&t=&lp=&c=true&wt=false&sz=MAX&checksum=ROeeMUFpvG5GPkZ9Q32OaN54qdl5SPB5
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https://cdn.hibid.com/img.axd?id=7811548474&wid=&rwl=false&p=&ext=&w=0&h=0&t=&lp=&c=true&wt=false&sz=MAX&checksum=ROeeMUFpvG5GPkZ9Q32OaN54qdl5SPB5
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[] |
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[
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[] | null |
en
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https://cdn.hibid.com/img.axd?id=7811548474&wid=&rwl=false&p=&ext=&w=0&h=0&t=&lp=&c=true&wt=false&sz=MAX&checksum=ROeeMUFpvG5GPkZ9Q32OaN54qdl5SPB5
| null | |||||
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| 87 |
https://www.texastribune.org/2024/08/06/sheila-jackson-lee-houston-democrats-election/
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en
|
Here are the Democrats seeking to replace U.S. Rep. Sheila Jackson Lee
|
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[
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[
"Matthew Choi"
] |
2024-08-06T00:00:00
|
Because Jackson Lee died after winning the Democratic primary, Texas Democratic officials will get to decide who replaces her on the November ballot.
|
en
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/static/images/favicon-48x48.7388fd83b75b.png
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The Texas Tribune
|
https://www.texastribune.org/2024/08/06/sheila-jackson-lee-houston-democrats-election/
|
Sylvester Turner
Amanda Edwards
Jarvis Johnson
Letitia Plummer
Christina Morales
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1
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https://www.britannica.com/topic/Seattle-Slew
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en
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Seattle Slew | Triple Crown Winner, Racehorse Legend
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[
"Marvin Drager"
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1998-07-20T00:00:00+00:00
|
Seattle Slew, (foaled 1974), American racehorse (Thoroughbred) who in 1977 became the 10th winner of the American Triple Crown—the Kentucky Derby, the Preakness Stakes, and the Belmont Stakes—and the only horse to win the Triple Crown with an undefeated record. Seattle Slew was foaled on February
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/favicon.png
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Encyclopedia Britannica
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https://www.britannica.com/topic/Seattle-Slew
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Breeding and early years
Seattle Slew was foaled on February 15, 1974, at the White Horse Acres breeding farm in Lexington, Kentucky. He had an impressive family tree: his sire, Bold Reasoning, was the grandson of Bold Ruler, the father of the great Secretariat. His dam was My Charmer, the offspring of Myrtle Charm, the champion two-year-old filly of 1948.
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By the time he became a yearling, Seattle Slew had filled out nicely into a 700-pound (317-kg) colt with a good disposition. Nevertheless, the horse aficionados who attended the auction sales had reservations. Some thought he was not graceful, while others harped on his sire and dam, claiming that they were unproven, this being only his third foal and her first. Therefore, the colt was rejected for showing at the prestigious Keeneland sale but was entered in the Fasig-Tipton sale in Lexington, which would not generate the Keeneland prices.
He was purchased by novice owners Karen and Mickey Taylor and their business partners, veterinarian Jim Hill and his wife, Sally. The group named the horse after Seattle (the Taylors’ hometown was White Swan, Washington) and the swamps of Florida (also known as “slews”), where Hill grew up. The owners then sent the horse to Maryland to be trained by Billy Turner.
Seattle Slew made his racing debut on September 20, 1976, during the fifth race at Belmont Park in New York, which he won by five lengths even though he had left the gate last. Turner sent him out again on October 5 at Belmont Park in a seven-furlong allowance, which Seattle Slew won easily by three and one-half lengths. Turner had no reluctance then to enter him in the prestigious Champagne Stakes at Belmont for two-year-olds. It was hardly a race, for Seattle Slew trounced the field by nine and three-quarter lengths while running the fastest mile ever by a two-year-old. Sportswriters buzzed with excitement over the results and voted him Two-Year-Old Colt of the Year.
1977: Triple Crown
Seattle Slew rested well over the winter and began his preparation for the Kentucky Derby at the Hialeah Park racetrack in Florida on March 9, winning by nine lengths in the seven-furlong allowance race and setting a track record, followed by a four-length win in the Flamingo Stakes at 11/8 miles on March 26. Less than a month later he polished off the 11/8-mile Wood Memorial Stakes in New York three and a quarter lengths in front. Because the Wood was one of the top stakes races before the Kentucky Derby and Seattle Slew was undefeated in all six races he had run in his career at that point, it was no surprise that he was the 1–2 favourite in the Derby.
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Seattle Slew began the Kentucky Derby by turning his head sideways and swerving to the right while the gateman tried to push him out of the stall. By the time he did come out, he was two or three lengths behind a wall of straining horses. Jean Cruguet, the seasoned French jockey who had ridden him in all of his races, settled him down and then proceeded to pick holes in the wall of horses to slip through. By the time they reached the first quarter mile, Cruguet and Seattle Slew had left the herd behind and were challenging the leader, For the Moment. The two horses ran head-to-head down the backstretch to the far turn, and Seattle Slew pulled ahead for good with a quarter mile to go. Although the track was fast, the time was not. The 2:021/5 was hardly in the league of Secretariat’s 1:592/5.
A then-record crowd of 77,346 was on hand to watch the Preakness Stakes. Moving out of the eight post position, Seattle Slew ran neck-and-neck with Cormorant for most of the race. Cruguet hit him once in the upper stretch to keep him focused and hand-rode him to the finish for a one-and-a-half-lengths win.
Saturday, June 11, 1977, was Belmont Day, and 71,026 racing fans filled venerable Belmont Park, eagerly anticipating the crowning of a new Triple Crown champion. The eight colts came out on a track that was muddy from two days of rain. The start of the race found Seattle Slew, a 2–5 odds favourite, running up front, where he remained for the rest of the 11/2 miles. The pace was extremely slow. Run Dusty Run made a charge, as did Sanhedrin, but they were quickly dispatched. Seattle Slew won by four lengths in a time of 2:293/5, and he was named the 1977 Horse of the Year for his stellar undefeated racing season.
Final years
The following year began inauspiciously. In early 1978 Seattle Slew contracted a virus that almost killed him. He was nursed back to health and was able to resume racing. The Marlboro Cup, at nine furlongs at Belmont Park on September 16, his fourth start of the year, was remarkable because it featured, for the first time, two Triple Crown winners in the same race, as Affirmed had won the Triple Crown earlier in the year. There was never any doubt about the outcome of the Marlboro Cup from the very outset. Seattle Slew flew through the stretch and scored a decisive three-lengths victory over the younger champion. In his seven starts in 1978, Seattle Slew was the winner of five, came in second in two, and earned $473,006 in purses.
He was retired to stud in 1978, and he died in 2002 on the 25th anniversary of his Kentucky Derby victory. In his racing career of 17 races, he won 14, was second twice, and came in fourth once. He was inducted into the National Museum of Racing’s Hall of Fame in 1981.
Marvin Drager
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Make Your Day
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https://standardbredcanada.ca/category/news/mickey-walls
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Standardbred Canada
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Standardbred Canada
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https://standardbredcanada.ca/category/news/mickey-walls
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Copyright © 2022 | Standardbred Canada. All rights reserved. Use of this site signifies your agreement and compliance with the legal disclaimer and privacy policy.
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https://www.floridastateparks.org/parks-and-trails/rodman-recreation-area
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Rodman Recreation Area
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The upstream reservoir side of the earthen dam, adjacent to the spillway, provides excellent bank fishing opportunities. The reservoir side is known for its bass, bream, catfish and mullet.
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Florida State Parks
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https://www.floridastateparks.org/parks-and-trails/rodman-recreation-area
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Welcome to Rodman Recreation Area
The upstream reservoir side of the earthen dam, adjacent to the spillway, provides excellent bank fishing opportunities.
The reservoir side is known for its bass, bream, catfish and mullet.
The Rodman Recreation Area is comprised of the facilities and recreational opportunities surrounding and located upon the former Rodman Dam, designated by the Florida Legislature as the Kirkpatrick Dam in 1998 (named after former State Senator George Kirkpatrick, who was an ardent defender of keeping the dam and reservoir intact).
The 7,200-foot-long earthen dam has a four-gate spillway designed to discharge up to 36,000 cubic feet per second of water from the Rodman Reservoir, which is located on the upstream side of the dam and spillway. The approximately 9,500-acre reservoir has a drainage basin of almost 2,800 square miles, and its headwaters start in the Green Swamp and Lake Apopka.
The recreation area is located approximately 0.75 miles west of the Rodman Campground on Rodman Dam Road.
Freshwater fishing is the primary recreational pursuit with bank fishing opportunities on the downstream discharge side of the spillway; two accessible recreational fishing piers are located there. There is one wooden pier on the eastern side of the spillway discharge channel and an aluminum pier on the western side.
The moving water flowing through the spillway and down past the fishing piers provide excellent freshwater fishing opportunities, which include species such as bass, bream, catfish and more. There are also hardened areas along the spillway wing walls where people line up to fish.
For boat fishing or paddling enthusiasts there is a two-lane boat ramp on the lower east side of the spillway with paved parking, potable water, picnic pavilions and restrooms. These ramps access the lower Ocklawaha River below the dam. The Ocklawaha flows approximately 9 miles downstream from the dam into the St. Johns River. The Ocklawaha is the largest tributary of the St. Johns.
People also launch canoes and kayaks here or watch the numerous bird species that frequent the dam and spillway area. It is common to see anhinga, cormorant, bald eagles, osprey, and numerous types of herons and egrets foraging for an easy meal.
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https://www.amazon.com/Mickey-Walls-trading-Racing-Jockey/dp/B07N461CGY
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Mickey Walls trading card (Horse Racing) 1995 Jockey Star #212 at Amazon's Sports Collectibles Store
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Shop Mickey Walls trading card (Horse Racing) 1995 Jockey Star #212 and more authentic, autographed and game-used items at Amazon's Sports Collectibles Store. Free Shipping on eligible orders.
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https://www.amazon.com/Mickey-Walls-trading-Racing-Jockey/dp/B07N461CGY
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Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon
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https://www.cowboychannelplus.com/show/457
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Red Steagall: Somewhere West of Wall Street
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[
""
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[] | null |
en
| null |
Singer, songwriter, poet, author, cowboy and TV-show host – "Red Steagall Is Somewhere West of Wall Street," is simply the most recent addition to this Renaissance cowboy’s long list of noteworthy accomplishments. "My quarter horse, Grey Dog, and I are off to explore the people, places and stories of the American West", said Steagall. "We will discover the horses and the history of ranches like the 6666s Ranch, Pitchfork Ranch, Waggoner Ranch, JA Ranch, King Ranch; just to name a few. We will visit museums that present and perpetuate the image and lifestyle of the American West." In addition to many historic ranches, Steagall will also spend time at the National Ranching Heritage Center on the Texas Tech University campus in Lubbock, Texa
|
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4333
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dbpedia
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3
| 7 |
https://en.wikipedia.org/wiki/Grey_Stakes
|
en
|
Grey Stakes
|
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2007-10-01T15:15:28+00:00
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https://en.wikipedia.org/wiki/Grey_Stakes
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Horse race
Grey StakesGrade III raceLocationWoodbine Racetrack
Toronto, Ontario, CanadaInaugurated1906Race typeThoroughbred - Flat racingWebsitewww .woodbineentertainment .com /qct /default .aspRace informationDistance1 1/16 miles (8.5 furlongs)SurfaceDirt
(Polytrack since 2006)Trackleft-handedQualificationTwo-year-oldsWeightAllowancesPurse$114,045 (approx) (2015)
The Grey Stakes is a Canadian Thoroughbred horse race held annually during the first week of October at Woodbine Racetrack in Toronto. A Grade III, it is open to two-year-old horses and is raced on dirt at a distance of 1+1⁄16 miles. Since 2006, the dirt racing surface at Woodbine Racetrack has been the synthetic Polytrack.
Inaugurated as the Grey Stakes at the Old Woodbine Racetrack in 1906, it was named in honor of the then Governor General of Canada, Earl Grey. Over the years it has been run at various distances:
1 mile : 1906-1929 (Old Woodbine Racetrack)
1 mile 70 yards : 1930-1955 (Old Woodbine Racetrack)
1+1⁄16 miles : 1956 to present at Woodbine Racetrack
J. K. L. Ross, owner of the first United States Triple Crown Champion, Sir Barton, won this race five years in a row with future U.S. Racing Hall of Fame trainer, Henry McDaniel. In 1926 Henry McDaniel added another win, making him the leader among all winning trainers.
Notable horses who have won the race includes future Canadian Horse Racing Hall of Fame inductees Horometer (1933), Kennedy Road (1970), Sunny's Halo (1982), and Sky Classic (1989). Dancer's Image won the 1967 race and went on to capture the following year's Kentucky Derby, as did Mine That Bird in 2009. Since the creation of the Breeder's Cup races in 1984, Macho Uno is the only horse to have won the Grey Stakes then gone on to win that year's Breeders' Cup Juvenile.
Famous horses who did not win the Grey Stakes include Display who ran second in 1925 but was the ensuing year's Preakness Stakes winner. As well, the 1997 Belmont Stakes winner Touch Gold finished third in the 1996 running of the Grey Stakes.
Time record: (at current 1+1⁄16 miles distance)
1:43.20 - Black Cash (1997)
Most wins by an owner:
5 - J. K. L. Ross (1921, 1922, 1923, 1924, 1925)
5 - Sam-Son Farm (1984, 1986, 1987, 1989, 2004)
Most wins by a jockey:
5 - Pat Remillard (1937, 1943, 1947, 1961, 1963)
5 - Dave Penna (1982, 1986, 1987, 1992, 1995)
Most wins by a trainer:
6 - Henry McDaniel (1921, 1922, 1923, 1924, 1925, 1926)
Year
Winner
Jockey
Trainer
Owner
Time 2022 Bluebirds Over Edgard J. Zayas Saffie A. Joseph Jr. Edward Seltzer & Beverly Anderson 1:45.32 2021 God of Love Rafael M. Hernandez Mark E. Casse Eclipse Thoroughbred Partners & Gary Barber 1:44.20 2019 Chapalu Patrick Husbands Arnaud Delacour EA Seltzer & BS Anderson 1:44.50 2018 Solidify Emma-Jayne Wilson Reade Baker Paul Braverman & Timothy Pinch 1:43.90 2017 Archaggelos Rafael M. Hernandez Michael W. Dickinson Monticule LLC 1:44.56 2016 Golden Hawk Patrick Husbands Mark E. Casse Live Oak Plantation 1:43.38 2015 Riker Jesse M. Campbell Nicholas Gonzalez Tucci Stables 1:44.31 2014 International Star Rafael M. Hernandez Michael J. Maker Kenneth & Sarah Ramsey 1:45.15 2013 Ami's Holiday Luis Contreras Josie Carroll Ivan Dalos 1:44.80 2012 River Seven Eurico Rosa Da Silva Nicolas Gonzalez Tucci Stables 1:43.98 2011 Prospective Luis Contreras Mark E. Casse John C. Oxley 1:44.55 2010 Blue Laser Corey Fraser Mark E. Casse WinStar Farm 1:45.78 2009 Bear Tough Guy Eurico Rosa da Silva Reade Baker Bear Stables 1:45.34 2008 Mine That Bird Chantal Sutherland David Cotey David Cotey, D. Ball & HGHR Inc. 1:44.45 2007 Globetrotter Jeremy Rose H. Graham Motion Earle I. Mack 1:46.59 2006 Skip Code Patrick Husbands Mark E. Casse Charles Laloggia 1:45.56 2005 Unification Robert Landry Eoin G. Harty Darley Stable 1:46.50 2004 Dance with Ravens Todd Kabel Mark Frostad Sam-Son Farm 1:47.79 2003 Smoocher Jim McAleney David R. Bell John A. Franks 1:46.74 2002 Wando Richard Migliore Michael Keogh Gus Schickedanz 1:45.10 2001 Changeintheweather Mickey Walls David R. Bell Pin Oak Stable 1:47.03 2000 Macho Uno Jerry D. Bailey Joe Orseno Stronach Stable 1:44.13 1999 Four On The Floor Patrick Husbands Alexander McPherson Lor Stables 1:45.12 1998 Certainly Classic Constant Montpellier Alexander McPherson Dominion Bloodstock et al. 1:46.20 1997 Black Cash Robert Landry Daniel J. Vella Frank Stronach 1:43.20 1996 Cash Deposit Todd Kabel Daniel J. Vella Frank Stronach 1:45.00 1995 Gomtuu Dave Penna Dominic J. Polsinelli Tri-Colour Racing Stable 1:46.60 1994 Talkin Man Robert Landry Roger Attfield Kinghaven Farms & Helen G.Stollery 1:46.60 1993 Road Rush Robert Landry Daniel J. Vella Frank Stronach 1:46.00 1992 Truth Of It All Dave Penna Sheldon Wolfe A. Schmidt 1:46.20 1991 Steady Rise Mickey Walls Roger Attfield Kinghaven Farms 1:47.40 1990 Wildy Special Art Madrid, Jr. Stephen L. DiMauro Robert J. Sullivan 1:46.20 1989 Sky Classic Sandy Hawley James E. Day Sam-Son Farm 1:46.00 1988 Mercedes Won Lloyd Duffy Arnold Fink Chris Spencer 1:45.60 1987 Regal Classic Dave Penna James E. Day Sam-Son Farm 1:45.00 1986 Blue Finn Dave Penna James E. Day Sam-Son Farm 1:47.40 1985 Bishop Bob David Clark Arthur H. Warner Victura Farm 1:47.80 1984 Dauphin Fabuleux Jeffrey Fell James E. Day Sam-Son Farm 1:45.40 1983 Ten Gold Pots Gary Stahlbaum Gil Rowntree B. K. Y. Stable 1:45.00 1982 Sunny's Halo Dave Penna David C. Cross Jr. David J. Foster 1:45.40 1981 Tampa Bay Buck Dan Beckon Arnold Fink John Spencer 1:46.00 1980 Bayford Robin Platts John J. Tammaro, Jr. Kinghaven Farms 1:44.20 1979 Sunny Premier Gary Stahlbaum Frank H. Merrill, Jr. Meadowview Stable 1:46.20 1978 Port Ebony George HoSang M. Clapperton S. C. S. Stable 1:44.40 1977 Cash the Ticket W. Woods J. Kelly M. Martin 1:52.80 1976 Do Lishus Chris Rogers Sheldon Wolfe Krever Farm 1:47.20 1975 Bay Streak David Clark Gordon M. Huntley Whittaker Stable 1:47.40 1974 Silverbatim Jeffrey Fell Gordon M. Huntley Mutual Enterprises 1:44.80 1973 Trojan Bronze Robin Platts Glenn Magnusson A. B. Roks 1:46.40 1972 Impecunious J. Moseley George Handy Mrs. R. L. Feinberg 1:44.00 1971 Spirit Rock Brian Swatuk Gil Rowntree Stafford Farms 1:44.40 1970 Kennedy Road Sandy Hawley James C. Bentley Helen G. Stollery 1:47.20 1969 Dance to Market Chris Rogers Earl Harbourne V. Martin Jr. 1:52.60 1968 Jumpin Joseph Brian Swatuk Robert S. Bateman Warren Beasley 1:46.80 1967 Dancer's Image Avelino Gomez Lou Cavalaris, Jr. Peter D. Fuller 1:48.20 1966 Pine Point Avelino Gomez Jerry C. Meyer Willow Downs Farm 1:45.20 1965 Titled Hero Avelino Gomez Patrick MacMurchy Peter K. Marshall 1:47.20 1964 Des Erables John LeBlanc Duncan R. Campbell Mrs. S. Thomas 1:48.40 1963 Ramblin Road Pat Remillard Gordon M. Huntley Gordon F. Hall 1:45.00 1962 Sound Stage George Gubbins John Passero Stafford Farms 1:44.20 1961 Admiral Gano Pat Remillard Alfred I. Taylor Don G. Ross 1:45.20 1960 Belle O McClure John R. Adams Harry Trotsek Hasty House Farm 1:45.20 1959 Eltoro The Great George Gubbins John Passero William R. Beasley 1:50.40 1958 Anita's Son C. M. Clark Arthur H. Warner Lanson Farm 1:48.80 1957 Salon Billie Fisk J. Brown I. Tenney 1:47.40 1956 Roman Artist Eegene A. Rodriguez John Passero William R. Beasley 1:45.00
In 1963 Bimini Bill finished first but was disqualified and set back to second.
In 1999 Exciting Story won but was disqualified and placed fifth.
|
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https://www.bloodhorse.com/horse-racing/articles/277057/lindberg-receives-2024-avelino-gomez-memorial-award
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https://www.espn.com/espn/feature/story/_/id/29747748/the-united-states-athlete-streets
|
en
|
The United States of Athlete Streets
|
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Which athlete has the most roads in the U.S. named after him or her? (Hint: That athlete isn't human.) Take a wild ride through the 3,764 American streets we found with athlete names on them.
|
en
|
ESPN.com
|
https://www.espn.com/espn/feature/story/_/id/29747748/the-united-states-athlete-streets
|
BY Sachin Dave Chandan, Ryan Hockensmith and Dana Lee
Quick, which athlete has the most roads in the U.S. named after him or her? (Hint: The athlete is not human. Like, literally not a person.) Which sport has the most streets named after its athletes? (Hint: Again, not humans.) After six months of unprecedented research, we can answer those questions and many more. So saddle up for a wild ride. (Hint: We're trying to tell you that this country loves horse racing way more than you thought.)
3,764
TOTAL STREETS
It sounded like such a fun idea: Let's find every street in the U.S. named after an athlete! Then we hit a huge pothole: There's no database or study or expert with that information. So we combed through 2010 census data, Google Maps and a slew of other sources and located a stunning 3,700-plus streets named after athletes in a country with about 1 million total roads -- around 1 in every 275.
263
SECRETARIAT
Yep, Secretariat wins by a mile, with an average of 5.3 Secretariat streets per state. Why so much love for a horse from the early '70s? Perhaps the best explanation comes from Kate Chenery Tweedy, whose mother raised and owned Big Red. "Secretariat came along at a time of great crisis in our country -- Watergate, the Vietnam War, Nixon's impeachment," Tweedy says. "And unlike any other athlete ever has, he restored our sense that there is beauty and good in the world."
101
Dale Earnhardt
Say hello to the only human in our top 10. The Intimidator sure didn't scare off road namers. Earnhardt lapped the next non-horse on our list (Sam Snead, with 42 streets). And his appeal stretched well beyond the South: Earnhardt has a road named after him in a whopping 23 different states, including Delaware, New York and good ol' Earnhardt Drive in Williston, Vermont.
14
Mickey Mantle
Mantle became the king of New York -- the legendary Yankee won seven World Series titles there -- but he ended up with 14 streets in seven different states ... none of which was New York. Of particular note: His home state of Oklahoma paid homage to the entire Mantle family, with three roads named after Mickey, one after his son Billy, who had Hodgkin's disease and died tragically of a heart attack at age 36, and even a sports complex in Commerce named after his dad, Mutt.
Athlete streets, by the numbers
Though we found 3,764 roads named after athletes, there were actually only 1,049 different sports figures whose fame was cemented with a street. Horses led the charge with 276, followed by golfers (207), football players (194) and baseball players (133). But smaller sports got into the action too -- the Babe Ruth of dog sledding, Jimmy Huntington, has a street named after him in Huslia, Alaska. But you don't need to be an immortal Hall of Famer to get a street either -- hence, Rex Grossman Boulevard in his hometown of Bloomington, Indiana.
TOP 10 ATHLETE STREETS
Horses win, by many, many lengths. But they earned it -- this group of nine won a combined six Triple Crowns, including Citation, winner of 16 straight overall races and the first horse to earn $1 million.
1 Secretariat
263
2 Dale Earnhardt
101
3 Citation
86
4 Whirlaway
84
5 Seabiscuit
69
6 Man o' War
60
7 Seattle Slew
59
8 Riva Ridge
50
9 Affirmed
45
10 War Admiral
45
MOST COMMON BY SPORT
Have we mentioned that we found lots of horse streets in America? OK, let's move on to the No. 2 entry -- by a landslide -- on this list, golf. A huge chunk of the golfer roads we found were nestled together, presumably by duffer land developers. Our favorite: an outbreak of nine golf streets in Wasilla, Alaska ... the state that Golf.com once anointed as having the lowest golfiness rating in America.
1 Horse racing
1,835
2 Golf
777
3 Baseball
323
4 Football
293
5 Motorsports
186
6 Tennis
84
7 Basketball
79
8 Boxing
58
9 Track and field
39
10 Hockey
17
MOST STREETS FOR ACTIVE ATHLETES
Speaking of golf ... golfers dominated our list of active athletes already enshrined with a road. But one football neighborhood caught our eye in San Antonio. If you're headed north on Novacek Boulevard, past Moose Circle, hang a left onto Aikman Way and quickly look to your left. Because yes, some optimistic Cowboys fan seems to have recently slapped Dak Avenue onto a road to honor Dallas' 27-year-old potential 2021 free agent who has one career playoff win. Hope that long-term contract situation works out!
1 Tom Watson
19
2 Tiger Woods
16
3 John Daly
7
T4 Ernie Els
3
T4 Phil Mickelson
3
T4 Vijay Singh
3
MOST STREETS, BY STATE
Our top three were what you'd expect -- the three most populated states had the most athlete streets. But then ... Kentucky? More than 80% of the Bluegrass State's 283 athlete streets were devoted to horses, but 33 were named after sports people, ranging from the inspirational (Mary T. Meagher Drive, named for the Olympic swimming champion) to the controversial (two different towns in Kentucky have roads named after Rick Pitino).
1 Texas
630
2 California
429
3 Florida
318
4 Kentucky
283
5 North Carolina
187
6 Illinois
126
7 Indiana
125
8 Virginia
108
9 Tennessee
106
10 Maryland
104
If it hasn't hit you yet, let's just come out and say it: We ran into a lot of surprising and weird things while researching this project. Here are five quirky takeaways we'd be remiss if we didn't highlight.
EL PASO, TEXAS
Most total streets in one city (135)
Welcome to El Paso, Texas, home to the most streets in the U.S. named after athletes -- 135! (Owensboro, Kentucky, is second with 65.) More than 20 MLB Hall of Famers have their own road in El Paso, and the Sun City's numbers are really juiced by the pocket of golf streets nestled around Lee Trevino Parkway, which cuts through the east side of the city and features streets named after golfers ranging from all-time greats like Nancy Lopez to lesser-knowns like Art Wall Jr. If you're wondering who Art Wall is, he's the 1959 Masters winner who for many years held the unofficial world record with 45 career holes-in-one.
Miracle on Ice
A very hot hockey haven
The 1980 U.S. men's hockey team is paved in immortality with an entire neighborhood in ... Austin, Texas? The Rancho Alto neighborhood in south Austin features 14 streets named after team members, including captain Mike Eruzione and head coach Herb Brooks. And if you're thinking maybe some of the players or coaches had roots in Texas, well, they didn't. Nobody was born there.
Artboard
Name Changers
No way, Jose
Experts say renaming streets in the U.S. is difficult to do, requiring near-unanimous support from town commissions and residents. But it does happen occasionally. The Red Sox recently changed Yawkey Way to Jersey Street because of former owner Tom Yawkey's refusal to integrate the team decades earlier. And in Miami, the city commissioner didn't enjoy local legend Jose Canseco's book outlining rampant steroid use in baseball and led a campaign to take the slugger's name off of Jose Canseco Street, near Florida International University. Joe Martinez called Canseco a snitch and said, "He started the tarnishment of America's favorite pastime." The replacement name? The considerably less interesting Southwest 16th Street.
Artboard
WALDORF, MARYLAND
Fake (road) news
Even fictional athletes have streets named after them, as we discovered in the neighborhood of Fieldside. Minutes away from the Southern Maryland Blue Crabs' stadium is a pocket of streets named after Roy Hobbs, Mighty Casey and Crash Davis. Other streets in this fun neighborhood include Hammerin Hank and the Splendid Splinter. We were just as intrigued as you are, so we asked, and it turns out there is a very simple answer: The land developer loves baseball. Same here.
OOPSIES
Was Google not working that day?
Naming a street isn't that hard. In huge chunks of the country, land developers can basically present street names to local commissions and get sign-off. But geez, guys, maybe double-check the spelling before you throw up those road signs? We found dozens of misspellings, ranging from the semi-acceptable (Sea Biscuit or Seabisquit instead of Seabiscuit) to the less forgivable (we found four Earnhart streets instead of Earnhardt). And then there are the totally perplexing -- seriously, Bluffdale, Utah, how'd you come up with Seattle Slue Drive?
Now that you're hooked on athlete street news just like us, be sure to keep an eye on Staples Center. The Los Angeles City Council announced on Aug. 24 that Figueroa Street will soon be renamed Kobe Bryant Boulevard.
More Stories
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https://www.hottopic.com/product/adventure-time-james-baxter-the-horse-t-shirt/33222999.html
|
en
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Adventure Time James Baxter The Horse T-Shirt - WHITE
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https://cdn.media.amplience.net/s/hottopic/33222999_hi?h=630
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https://cdn.media.amplience.net/s/hottopic/33222999_hi?h=630
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Show off your fandom with our Adventure Time James Baxter The Horse T-Shirt, available online at Hot Topic today!
|
/on/demandware.static/Sites-hottopic-Site/-/default/v1723619704950/images/favicons/ht-favicon.svg
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Hot Topic
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https://www.hottopic.com/product/adventure-time-james-baxter-the-horse-t-shirt/33222999.html
|
Curbside Pickup is a part of our Free Pickup In-Store program and is available at select stores. Once the order is placed with pickup option and it's ready, you’ll get instructions on how to let us know when you arrive at store. Test Test test test
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4333
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0
| 89 |
https://www.cowboychannelplus.com/show/457
|
en
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Red Steagall: Somewhere West of Wall Street
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en
| null |
Singer, songwriter, poet, author, cowboy and TV-show host – "Red Steagall Is Somewhere West of Wall Street," is simply the most recent addition to this Renaissance cowboy’s long list of noteworthy accomplishments. "My quarter horse, Grey Dog, and I are off to explore the people, places and stories of the American West", said Steagall. "We will discover the horses and the history of ranches like the 6666s Ranch, Pitchfork Ranch, Waggoner Ranch, JA Ranch, King Ranch; just to name a few. We will visit museums that present and perpetuate the image and lifestyle of the American West." In addition to many historic ranches, Steagall will also spend time at the National Ranching Heritage Center on the Texas Tech University campus in Lubbock, Texa
|
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4333
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3
| 33 |
https://www.amazon.com/Mickey-Thompson-Tragic-Racing-Legend/dp/0760340153
|
en
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Mickey Thompson: The Fast Life and Tragic Death of a Racing Legend: Arneson, Erik: 9780760340158: Amazon.com: Books
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Mickey Thompson: The Fast Life and Tragic Death of a Racing Legend [Arneson, Erik] on Amazon.com. *FREE* shipping on qualifying offers. Mickey Thompson: The Fast Life and Tragic Death of a Racing Legend
|
en
|
https://www.amazon.com/Mickey-Thompson-Tragic-Racing-Legend/dp/0760340153
|
When Mickey Thompson and his wife Trudy were assassinated in their driveway in the pre-dawn hours of March 16, 1988, the salacious details of the crime and the years of legal wrangling that followed made for hundreds of splashy headlines and sexy television soundbytes.
After all, the story had it all . . . unknown hooded gunmen riding into a gated Southern California community on bicycles, ambushing their victims and brutally ending their lives while neighbors ate breakfast and read the morning paper.
Leaving behind more than $70,000 in jewelry, the killing was an obvious “hit,” and those close to Mickey and Trudy immediately pointed to Mickey’s hot-headed former business partner Michael Goodwin as the mastermind behind the tragedy. Nearly 20 years later, Goodwin was found guilty by a Pasadena Superior Court jury in 2006 of two counts of first-degree murder. The actual gunmen were never identified or apprehended.
John Walsh and America’s Most Wanted did multiple episodes leading up to the conviction. Robert Stack featured the murders on Unsolved Mysteries. CBS’ 48 Hours Mystery got in the act. Everyone wanted a piece of the story.
A good story, however, has much more than a powerful ending.
Who was Mickey Thompson? What made him more than just another victim of violent crime in America? This is what Mickey Thompson: The Fast Life and Mysterious Death of a Racing Legend explores.
Mickey was one of the most influential figures in early American motorsports. While he did have loyal and longtime friends, Mickey always did things one way . . . his way. And he did it with speed . . . he did everything with speed.
From his 1950s adventures in the Carrera Panamericana, ending with five dead and dramatic pictures in Life Magazine in 1953, through making a one-way run of 406.60 miles per hour at the Bonneville Salt Flats in 1960 in his famed Challenger, through multiple trend-setting entries in the famed Indianapolis 500 and into the creation of some of the most popular off-road racing series and motor sportsstadium shows, Mickey’s life was full of “firsts.”
And in a world that seems to be moving faster than even Mickey Thompson could have imagined, the complete story of this true American legend is one worth slowing down for.
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0
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https://www.chipshotz.com/lens-on-tampa-bay/2019/11/12/derby-lane
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en
|
Derby Lane: Nostalgic and thrilling. See it while you still can. — Chip Weiner
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[
""
] | null |
[
"Chip Weiner"
] |
2019-11-12T00:00:00
|
I feel so fortunate to have been allowed to photograph inside Derby Lane a few weeks ago. Being a documentary photographer, I seek out places that have historical meaning to the bay area. Derby Lane and dog racing has been a staple in the community since 1925, but the last race is scheduled for Dece
|
en
|
https://static1.squarespace.com/static/5093b717e4b0979eac7c286c/t/5093b8d0e4b044ecf47accc4/favicon.ico
|
Chip Weiner
|
https://www.chipshotz.com/lens-on-tampa-bay/2019/11/12/derby-lane
|
I feel so fortunate to have been allowed to photograph Derby Lane a few weeks ago. In my documentary photographer role I seek out places that have historical meaning and speak to my past. Derby Lane dog racing has been a staple in this community for as long as I have been in Tampa. I was granted permission to bring cameras and record a typical day at the races. I had never been inside the gates. What a treat.
My visit feels nostalgic, as though I am walking back in time. There are photographs of less conflicted eras on the wall, where thousands of people took to the grandstands and crowded the fence line as races commenced. In the Derby Club photos of proud owners with their dogs and dignitaries who visited, including Babe Ruth and Mickey Mantle, line the walls. In 2001 scenes of the movie Ocean’s Eleven were filmed at the track with the likes of Brad Pitt, George Clooney, and Carl Reiner. Modifications from the movie, most prominently blue neon dog lights, are still in use here.
Races occur about every 20 minutes. The procession is very ceremonial. Dogs are brought onto the track with each having an individual leadout (handler), and stopped in front of the fans. The name of the dog is announced and they proceed to the start box. Leadouts have their own storied history, at one time dressing in formal uniforms for each race. It’s just part of the almost century-old history of Derby Lane.
As the mechanical chase bunny rounds the track it lets out a squeak the dogs clearly recognize, telling them that it’s go time. I hear excitement and barking in anticipation of the starting gate opening and all at once the doors fly open and those pups whiz down the track in a fury.
It is nostalgic. The track is a window to a simpler time. Pop music plays over the loudspeakers until race time when (recorded) trumpets blow and the ceremony begins. Excitement builds in the audience as the dogs are placed into their numbered boxes getting ready to race. The rush of energy from both the dogs and the people is palpable. Once the gate opens and the dogs sprint down the track, gamblers and dog owners yell out the names and numbers of the dogs, hoping their voice somehow influences a win. In a flash it’s over. In typical Hollywood style, some gamblers toss their losing tickets in the air and some cheer their win. Fifteen minutes later it all happens again.
I don’t care to delve into the controversy around dog racing. The animals I observe are treated with respect and love, and it looks as though they live to race. I am sure there have been instances of neglect and abuse throughout the 100 years of dog racing. None of that is evident today. I meet Donald Beck DVM, the track Veterinarian. He inspects every dog every race and is not afraid to DQ an animal not fit to run. He has been doing it for over 25 years. Throughout my time at the track several dog owners approach me and inquire about my project. They are friendly to me genuinely concerned about the welfare their animals.
No matter where you land on the dog racing opinion spectrum, do yourself a favor and go and watch these athletes in action. It’s free! And if you have a couple of extra bucks, pick a dog that you like and wager. If you care to luxuriate a little, have dinner in the Circa 1925 restaurant on the 6th floor of the Derby Club. It offers a panoramic view of the entire track while you dine. But don’t stay there. Walk down to the track and get a close-up view of these magnificent animals in action! Children are welcome to attend (but no wagering!) See it before it goes away.
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https://standardbredcanada.ca/category/news/mickey-burke
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Standardbred Canada
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2024-02-23T19:37:42-05:00
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/themes/custom/standardbred/favicon.ico
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Standardbred Canada
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https://standardbredcanada.ca/category/news/mickey-burke
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Copyright © 2022 | Standardbred Canada. All rights reserved. Use of this site signifies your agreement and compliance with the legal disclaimer and privacy policy.
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https://www.tiktok.com/discover/horses-crash-through-wall-at-ohio-state-fair
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Make Your Day
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[
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en
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4333
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3
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http://blog.axisofoversteer.com/2015/04/what-kind-of-mickey-mouse-organization.html
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en
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Axis Of Oversteer: What kind of Mickey Mouse organization allows cars to run tracks the wrong way?
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Another driving instructor killed because of subpar safety at a track
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http://blog.axisofoversteer.com/favicon.ico
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http://blog.axisofoversteer.com/2015/04/what-kind-of-mickey-mouse-organization.html
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https://www.bloodhorse.com/horse-racing/articles/tag/mickey-walls
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en
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https://standardbredcanada.ca/category/news/mickey-burke
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en
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Standardbred Canada
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2024-02-23T19:37:42-05:00
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/themes/custom/standardbred/favicon.ico
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Standardbred Canada
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https://standardbredcanada.ca/category/news/mickey-burke
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Copyright © 2022 | Standardbred Canada. All rights reserved. Use of this site signifies your agreement and compliance with the legal disclaimer and privacy policy.
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https://jacobhollefuneralhome.com/tribute/details/9319/Michael-Hannon/condolences.html
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en
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Contributions to the tribute of Michael Mickey Hannon
|
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"funeral",
"cremation",
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""
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[
"Mary Leicht Fenton",
"Lisette Arsuaga",
"Manny Vidal",
"Gilbert Davila",
"Tony Hernandez"
] | null |
Contributions to the tribute of Michael Mickey Hannon.
|
en
|
https://jacobhollefuneralhome.com/tribute/details/9319/Michael-Hannon/condolences.html
| |||||||
4333
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dbpedia
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0
| 41 |
https://www.britishhorseracingmovies.uk/national-velvet
|
en
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British Horse Racing Movies
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[] |
[
"British",
"Horse Racing",
"Movies",
"Films",
"Racecourse"
] | null |
[] | null |
This is a website dedicated to those British movies which focus on horse racing or at least feature action from one of Britain's racecourses past and present. I have started to build a small collection of related films but the list is by no means exhaustive and I would welcome feedback on any other similar films which could be added to this site.
|
en
|
https://www.britishhorseracingmovies.uk/national-velvet
|
Personal Review
I was sceptical about including this movie in my list as it is neither British or filmed at one of our racecourses (Uplifters Ranch in Santa Monica was used as a poor substitute for Aintree). However the fact that the movie focuses on the world famous Grand National, a British institution, and stars British born Elizabeth Taylor meant that it just got up in a photo finish.
National Velvet is based on a 1935 novel of the same name written by Enid Bagnold which centres around a day-dreaming young girl, Velvet Brown, who is passionate about horses. She meets an ex jockey called Mi Taylor and then wins a local unruly horse, "The Pie", in a raffle - a horse that they have both witnessed jumping over a 6ft stone wall. Velvet dreams of running The Pie in the Grand National and enlists Mi to help her train it for the grueling test of stamina and jumping. With the full support of her mother, who Mi's father (without him knowing) had trained to be the first women to swim the channel, Velvet gets the Pie entered into the big race but when her chosen jockey is not deemed suitable for the horse who will take the ride?
Elizabeth Taylor in her first major role is simply adorable as the "lit up" 12 year old Velvet Brown and she connects really well with Mickey Rooney (Mi Taylor) and their acting is top class. Velvet's parents Mr Brown (Donald Crisp - star of How Green Was My Valley & Greyfriars Bobby) and Mrs Brown (Anna Revere who won an Oscar for Best Supporting Actress in this film) have a wonderful relationship and even refer to each other as Mr Brown and Mrs Brown - Mr Brown is colder with strong principles but eventually loosens up and Mrs Brown is more open and understanding of her daughters big dreams having fulfilled a major one of her own when she was younger. The film was shot in glorious colour in a stunning coastal location, although sadly not in Sussex as the fictional village of Sewel would have you believe - the film was made entirely in California. The original plan was to shoot the film in England but due to delays and the onset of World War Two the decision was taken to make the film in America using the Uplifters ranch as a fake Aintree. The movie also and also won an Oscar for film editing (Robert J. Kern) and it's obvious to see why.
The sad thing for me about the film is the fact that the Grand National scenes were not shot at Aintree racecourse although I can understand from the reasons given above that this wasn't possible at the time. The film makers made a great effort to turn the Uplifters Ranch into a pretend Aintree but it looks nothing like the real thing and takes the gloss of the film. Having said that the racing action is superb and very realistic with lots of horses falling throughout, a typical feature of the Grand National although I hope none of them were hurt. It's reported that Elizabeth Taylor fell from the horse and broke her back during the filming of the racing scene and although she recovered quickly, she suffered greatly later in life. The beautiful horse which played "The Pie" was called "King Charles" and he was a first-cousin of champion thoroughbred "Seabiscuit" who had two films made of his very own.
Overall an excellent film, beautifully shot in a stunning location with great acting and dialogue and you get a warm fluffy feeling when you watch it. The fact the film was made in California and the Grand National sequences weren't shot at Aintree is a big negative for me as the "National" is a British institution but this is still a very good watch (Rating 7/10).
Favourite Quotes
Velvet Brown: "Every day I pray to god to give me horses, wonderful horses and to let me be the best rider in England."
Commentator: "A girl ladies and gentleman, a slip of a girl clutching the neck of a bandy legged outsider streaked across the line to win the greatest race in turfdom, a girl wins the Grand National!"
MOVIE STILLS
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|
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3
| 14 |
https://lethbridgenewsnow.com/2019/04/19/woobine-jockey-eurico-rosa-da-silva-has-tough-act-to-follow-in-2019/
|
en
|
Woobine jockey Eurico Rosa da Silva has tough act to follow in 2019
|
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2019-04-19T00:00:00
|
TORONTO - Jockey Eurico Rosa da Silva has a tough act to follow in 2019. His own. The 43-year-old Brazilian re...
|
en
|
Lethbridge News Now
|
https://lethbridgenewsnow.com/2019/04/19/woobine-jockey-eurico-rosa-da-silva-has-tough-act-to-follow-in-2019/
|
The two-time Queen’s Plate winner (Eye of the Leopard in 2009, Big Red Mike in ’10) has cracked the 200-win plateau four straight years. In 2017, he was named Canada’s top jockey after registering 203 victories, including 42-1 longshot Bullards Alley in the $800,000 Canadian International turf event.
The 133-day ’19 meet begins Saturday at Woodbine and runs through Dec. 15.
Da Silva isn’t feeling any added pressure this season, saying he always faces the expectation to perform head-on.
“There’s always pressure,” he said. “Every athlete has that pressure but you need to use that pressure to inspire you.
“I use that as motivation to get better. There’s pressure because there’s a lot of good riders and also I use that as motivation to get myself even more focused every day.”
Woodbine’s first signature race day will be June 8 with both the $500,000 Woodbine Oaks and $125,000 Plate Trial headlining the card.
The $1-million Queen’s Plate, the first jewel of the Canadian Triple Crown, again highlights the Woodbine meet June 29, which also includes the $400,000 Breeders’ Stakes, a 1 1/2-mile turf race that concludes the Triple Crown, also at Woodbine, on Aug. 17.
Woodbine will also unveil a new inner turf course this season and the $1 million Ricoh Woodbine Mile will kick off the track’s championship fall grass season Sept. 14. The International, another event that annually attracts top international turf horses, is scheduled for Oct. 12.
Surprisingly, da Rosa pondered retirement prior to embarking on his record-breaking ’18 season.
“But my love for horses was bigger,” he said. “I came back and put my true focus on having explored that love and connection with the horse.
“I went through everything.”
A laser focus is a da Silva trademark. Just ask veteran jockey Justin Stein, who’s returning to racing this season following a three-year retirement.
“When I came back this time, the focus — that’s something I actually learned from da Silva watching the way he focuses on what he’s doing — is something I’ve put into practice,” Stein said.
Da Silva expounded on that ability a little further.
“My strength is I have a real strong connection with the horse and that’s what I focus on every day,” he said. “And have that mindset to feel what the horse feels.
“The first thing I focus on doing is relax the horse and that’s what I was doing all of last year. I was not thinking about winning this race or that race. I was really really focused on having that connection and making the horse feel good about himself.”
Another da Silva strength is being able to leave horse racing once the season is complete.
“I switch off my mind from racing,” he said. “I don’t watch any races and I truly focus on my family, you know, my kids.”
That means spending quality family time, be it at home or travelling abroad. Then in March, da Silva commits to a hard-core taekwondo training regime.
“I train (to) where I’m going to throw up . . .but I continue to train and make the mind overcome that,” he said. “I try to train really really high performance.
“I prefer doing that in the gym . . . training than go to the track where I feel like I am not prepared for it. I like to be fully prepared for the first day.”
Da Silva is also looking forward to racing on Woodbine’s new turf course.
“It will be a new challenge for everybody,” he said. “Some horses are going to handle it well and some horses aren’t going to handle it that well because it’s a different course.
“Just get on to the horse and get him to think he’ll handle it well and going for it. You embrace that new challenge.”
One of da Silva’s more successful ’18 mounts was Pink Lloyd, Canada’s ’17 horse of the year who’d won 11 straight stakes events before finishing third July 8 in the $100,000 Shepperton Stakes. But da Silva said the seven-year-old gelding has shown well in off-season workouts.
“The last work, he was so powerful,” he said. “I was super, super impressed with him.
“I don’t doubt one bit that he’s going to have a good season.”
Dan Ralph, The Canadian Press
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https://www.towelcityracingtires.com/Vintage/Pie-Crust-Cheater-Slicks
|
en
|
Pie Crust Cheater Slicks Kannapolis, NC
|
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Create the perfect hot rod look with Pie Crust Cheater Slick tires. This vintage design rocked the road from the 1950s to the 1970s. Order your own tires today. We ship across the US and Canada.
|
en
| null |
The Pie Crust Cheater Slick got its name from the unique design around the outside edge of the sidewall. The oval depressions mimic that of the crust of a pie. Just like the thought of a fresh pie can bring back memories of days gone by, the image of this tire takes you back to the roaring Rod cars of the 1950's and 60's.
This mold was originally used at Towel City for retreading Racing Tires from the late 1950's through around 1970 when newer tread designs became favored by drivers. Today we have this mold back in production to offer classic car enthusiasts a true vintage tire design. A set of Pie Crusts is sure to set off your car and grab attention.
You will not find the same detailed Pie Crust design anywhere else but here since it is our own Original Design. Over the years many of our customers have commented how these tires took their classic car or hot rod from being just another car at the shows to becoming the center of attention. Don't wait, contact us to order your set today.
Contact Us for Shipping Costs
Shoulder Grooves (8" Wide Tire) - Add $30.00 per tire
** Two Straight grooves with shoulders notched and contact patch in the center. **
Custom Grooving (9", & 10" Wide Tires) - Add $50.00 per tire
** Four Straight grooves with shoulders notched and contact patch in the center. (Pictured in Grooving Option Photos below) **
Full Groove (8", 9", & 10" Wide Tire) - Add $70.00 per tire
** Straight grooves and cross grooves similar to older dirt pattern. Number of straight grooves will depend on tread width. **
Photos of Grooving Options
8" Pie Crust Cheater Slicks with Shoulder Grooves
10" Pie Crust Cheater Slick with Custom Grooving
10" Pie Crust Cheater Slicks with Full Groove Tread Design
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4333
|
dbpedia
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2
| 5 |
https://en.wikipedia.org/wiki/Canadian_Horse_Racing_Hall_of_Fame
|
en
|
Canadian Horse Racing Hall of Fame
|
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2006-06-20T19:02:04+00:00
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en
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/static/apple-touch/wikipedia.png
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https://en.wikipedia.org/wiki/Canadian_Horse_Racing_Hall_of_Fame
|
The Canadian Horse Racing Hall of Fame was established in 1976 to honour those who have made a significant contribution to the sport of harness and Thoroughbred horse racing in Canada. It is located at Woodbine Racetrack in Toronto, Ontario.
The Hall of Fame annually inducts Thoroughbred and Standardbred horses, sulky drivers, jockeys, trainers and the horse racing industry's builders.
Background
[edit]
Although the Canadian Horse Racing Hall of Fame (CHRHF) was founded in 1976, it was not until 1997 that it had a physical location. At that time, the Ontario Jockey Club granted a permanent site located at the West Entrance to Woodbine Racetrack. The Hall now includes information on each of the inductees plus related memorabilia, including trophies, silks, old racing programs and bronzed horseshoes. Each year, special displays are created to honour some of racing's greats, such as jockey Ron Turcotte or pacer Cam Fella.[1]
In 2014, the Hall commemorated the 50th anniversary of Northern Dancer's wins in the Kentucky Derby, Preakness Stakes and Queen's Plate with a series of initiatives such as an online timeline of his career,[2] the induction of his trainer Horatio Luro, a special tribute at the annual ceremony[3] and a calendar.[4] Northern Dancer and his owner, E. P. Taylor, were part of the original class of inductees in 1976. Since then, Northern Dancer's sire Nearctic, dam Natalma, sire's dam Lady Angela, several sons and daughters (including Nijinsky, The Minstrel, Northernette and Vice Regent), plus numerous descendants have also been inducted.
There are two nominating committees – one for the Thoroughbred industry, and the other for Standardbreds. Each committee nominates up to eight candidates, which are later voted on by the corresponding election committee. Any Canadian person or horse can be nominated for their achievements, whether in Canada or internationally. Foreign-bred horses who had a significant influence on Canadian racing or breeding may also be nominated.[5] For example, Secretariat was nominated in 2013 in recognition of his appearance in the 1973 Canadian International, an appearance that brought worldwide attention to the race.[6]
Inductees (year inducted)
[edit]
Thoroughbred horses
[edit]
Note: An * designates they are also an inductee of the United States National Museum of Racing and Hall of Fame.
Standardbred horses
[edit]
Thoroughbred jockeys
[edit]
Thoroughbred trainers
[edit]
Standardbred drivers and trainers
[edit]
Builders
[edit]
See also
[edit]
American National Museum of Racing and Hall of Fame
American Harness Racing Museum & Hall of Fame
Australian Racing Hall of Fame
British National Horseracing Museum
New Zealand Racing Hall of Fame
References
[edit]
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4333
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dbpedia
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3
| 34 |
https://speedstorm.fandom.com/wiki/Racers
|
en
|
Racers
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[
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[
"Contributors to Disney Speedstorm Wiki"
] |
2024-07-29T22:27:06+00:00
|
Racers are playable characters in Disney Speedstorm. Each of them is based on Disney or Pixar universe and has a fictional character prototype. All Racers have a set of skills that players can use during the race. Additionally, each character has a unique ability that resembles their personality...
|
en
|
https://static.wikia.nocookie.net/speedstorm/images/4/4a/Site-favicon.ico/revision/latest?cb=20230506085433
|
Disney Speedstorm Wiki
|
https://speedstorm.fandom.com/wiki/Racers
|
Racers are playable characters in Disney Speedstorm. Each of them is based on Disney or Pixar universe and has a fictional character prototype.
All Racers have a set of skills that players can use during the race. Additionally, each character has a unique ability that resembles their personality or their original story. All Disney Speedstorm characters can be grouped by franchises or Collections they come from:
Racers can be Seasonal and Mid-Seasonal.
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4333
|
dbpedia
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2
| 97 |
https://www.the42.ie/cian-oconnor-horse-jumping-team-equestrian-6454038-Aug2024/
|
en
|
'I probably lost my concentration a little bit': Cian O'Connor on a tough, tough day
|
https://img2.thejournal.ie/article/6454038/river/?height=400&version=6454040
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[
"2024 Paris",
"Cian O'Connor",
"Daniel Coyle",
"James Kann Cruz",
"Jumping",
"legacy",
"Maurice",
"Paris 2024",
"Sean Sweetman",
"Showjumping",
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] | null |
[
"View all articles",
"Sinead O'Carroll",
"sinead-o'carroll"
] |
2024-08-02T20:00:05+00:00
|
The Ireland team was hotly tipped to take a medal but slipped to seventh after incurring 14 penalties.
|
en
|
//b0.thejournal.ie/redesign/i/the42/apple-touch-icon.png
|
The 42
|
https://www.the42.ie/cian-oconnor-horse-jumping-team-equestrian-6454038-Aug2024/
|
THE IRISH JUMPING team had strong aspirations to be on today’s podium at the incredible Château de Versailles equestrian venue as the Jumping Team Final got under way.
An experienced medalist from London 2012 and an on-form rider during his ‘coming of age’ era alongside a world top-10 Olympian, the three-man team were also insiders’ tip for at least a bronze.
And the trio, with their horses James Kann Cruz, Legacy and Maurice, were in the mix following an almost-but-not-quite faultless round one and a perfect round two.
However, it wasn’t to be and Cian O’Connor – aboard Maurice – incurred nine penalties on his go-around.
“It is a tough day,” he told The 42 after Great Britain secured gold and Ireland had slipped to seventh position.
“My horse was a little more alert than usual. It is a shame, he has been jumping fantastic all year. He just touched those two fences today.
“Listen, we jump at shows week in and week out. It is our job. Normally we pull off clear rounds and unfortunately, it didn’t go our way today. The Olympics is where we want to achieve.
All the riders and horses have worked very hard. It is tough, a tough competition. A big atmosphere there.
“We are dealing with horses, we are dealing with live animals. Once they come out happy, well and sound, that is a good day.”
The atmosphere was such that the French crowd were simultaneously cheering and shushing as their riders jumped the 14 obstacles (including 18 jumping efforts), six of which were over 1.6m high, designed to showcase the best of Paris.
If the riders and their horses took longer than 79 seconds to complete the course, they incurred another penalty.
It was that strict deadline that bumped O’Connor’s penalty count from eight to nine but Ireland was already out of contention after the two rails knocked by the legs of Maurice.
“He started off really well,” explained O’Connor. “One two, good. Pink oxer, jumped well. Double jumped well with the water ditches. The Eiffel Tower fence he took a little look, obviously a fence he had never seen before. The wall to the next he jumped good.”
It was the next jumping pass that caused the first difficulty, a triple bar that had been flagged in advance as a potential sticky point.
“It was eight strides short to the triple combination,” says O’Connor. “I thought I had good distance. Not too close, but he just looked at something. He didn’t give a really powerful jump, stayed a bit low.
“I probably lost my concentration a little bit and got a bit too close to the second double. You see some people rub it and they stay up. That is the game. That is the sport.”
Shane Sweetman, who competed in Tokyo 2020, will also be feeling the what-if question after his near-ideal turn around Chateau de Versailles transformed itself on the final hurdle. James Kann Cruz clipped it, the rail falling to the ground. To add to the hurt, it slowed the pair down to see the four turn to a five in the penalties column.
“Shane had a fantastic round and the horse jumped really well,” O’Connor said when asked about the unfortunate mistake.
He also heaped praise on 29-year-old debutante Daniel Coyle, whose clean and fast run will have eyes on him going into the individual competition next week.
“Unreal,” O’Connor, now 44, exclaimed with a smile. “Daniel has really come of age here. He has been to a couple of championships, he has really matured. He was outstanding both days. He rode it really, really well.”
Coyle, whose Klopp-like fist pump after his performance overjoyed the significant Irish crowd almost as much as his 76.72 time.
All six competitors now have two days rest before resetting for the individual events.
“Two days off is good for the horses because they have a chance to relax a little bit and recover,” O’Connor said. “Then we can get out heads in the zone for Monday or Tuesday.”
Instead of the green, white and gold of Ireland, the Union Jack, the star-spangled banner and the tricolore of the Fifth Republic were raised during the medal ceremony.
Great Britain took the gold after three spectacular runs with just a mere two time penalties between them.
The USA saw only two rails fall, both during Laura Kraut’s first round. And, in the end, the raucous side of the French crowd won out with their team fending off the Dutch to take the last piece of metal available. Their bronze medal heroics were witnessed not just by the 20,000-strong audience but also their prime minister, Emmanuel Macron.
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4333
|
dbpedia
|
0
| 36 |
https://harnesslink.com/usa/michael-mickey-burke-sr-obit/
|
en
|
Michael “Mickey” Burke Sr. passes, age 87
|
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[] |
[] |
[
""
] | null |
[
"Ken Weingartner",
"www.facebook.com"
] |
2024-05-07T08:30:27+12:00
|
Michael “Mickey” Burke Sr., the 2006 Trainer of the Year and first harness racing trainer in history to surpass $10 million in purses in a single season,
|
en
|
Harnesslink
|
https://harnesslink.com/usa/michael-mickey-burke-sr-obit/
|
Michael “Mickey” Burke Sr., the 2006 Trainer of the Year and first harness racing trainer in history to surpass $10 million in purses in a single season, passed away Monday morning at the age of 87.
Mr. Burke, the patriarch of the Burke Racing Stable now led by his son Ron, won 3,167 races and $35.4 million in purses since the inception of official trainer statistics in 1991. The western Pennsylvania native’s involvement in harness racing began as a horse owner in 1955 and he drove in his first race at an Ohio fair in 1956 at the age of 20.
After selling his car dealership in 1981, Mr. Burke turned his attention to training on a fulltime basis. His first star was Maltese Artist, who was a multiple Grand Circuit winner as a 4-year-old in 2005 and went on to earn $2.32 million lifetime.
In the ensuing years, the Burke Stable became associated with many of the sport’s great horses, including Hall of Fame pacers Foiled Again (who retired in 2018 with a record $7.63 million in earnings) and Sweet Lou (2014 Pacer of the Year) as well as Hall of Fame trotters Hannelore Hanover (the 2017 Horse of the Year) and Mission Brief (to be inducted in July), not to mention numerous Dan Patch Award honorees.
Mr. Burke turned the stable’s daily operations over to his son Ron in 2009 but remained active in working with young horses and as an owner. The Burke Stable has led all training stables in wins and purses every year since 2005.
The entire Burke family has been involved in harness racing either through active participation or horse ownership: Mr. Burke’s wife, Sylvia, who is the stable’s bookkeeper; sons Ron and Mickey Jr., and daughters Michelle, Rebecca, and Melissa.
Mr. Burke and Sylvia were named to the Little Brown Jug Wall of Fame in 2021. Two years earlier, Mr. Burke received the Lifetime Achievement Award from the Monticello-Goshen chapter of the U.S. Harness Writers Association.
Additional details will be announced when available.
|
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4333
|
dbpedia
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1
| 83 |
https://www.bloodhorse.com/horse-racing/articles/218528/mickey-taylor-pays-tribute-to-slews-surgeon
|
en
|
[] |
[] |
[] |
[
""
] | null |
[] | null | null | ||||||||||
4333
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dbpedia
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0
| 20 |
https://www.horseracingnation.com/news/Breakthrough_year_Woman_trainers_now_are_major_players_123
|
en
|
Breakthrough year: Women trainers become major players
|
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[
""
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[
"Tom Pedulla / Special to HRN",
"Tom Pedulla",
"Special to HRN"
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2024-01-11T13:34:00+00:00
|
The latest horse racing news from Horse Racing Nation!
|
en
|
/static/images/favicon-894e86d21817a611651f5b1622a049ee.ico?vsn=d
|
Horse Racing Nation
|
https://www.horseracingnation.com/news/Breakthrough_year_Woman_trainers_now_are_major_players_123
|
Jena Antonucci earned a triumph that will resonate for generations when Arcangelo captured the 155th Belmont Stakes, making her the first woman to train the winner of a Triple Crown race.
Linda Rice, after topping the standings in a succession of New York meets, set the record for victories in a single season on that rugged circuit when she recorded her 165th victory at Aqueduct on New Year’s Eve.
Brittany Russell, in only her fourth full season, emerged as the first woman to lead Maryland’s year-end trainer standings with 118 wins between Laurel Park and Pimlico. Claudio Gonzalez had maintained a grip on that title since 2017.
Cherie DeVaux stamped herself as yet another rising female star when she set career highs with 56 victories and $5,558,777 in earnings in 2023. She more than doubled her earnings total of the season before.
After years of toiling with relatively small stables in virtual anonymity, can it be that women are finally ready to make a considerable mark on an industry notoriously slow to accept change? Or will they be unable to back up last year’s breakthroughs?
Antonucci is confident that her ground-breaking success and that of others signals things to come. “I don’t find it to be an anomaly,” she said. “I find it to be a fair representation of work that has always been done.”
Rice, 59, had been steadily building toward her record success. She traces her ability to surpass David Jacobson’s mark of 164 wins, which had stood since 2013, to a critical decision she made that same year. She opted to race in her home state of New York year-round to capitalize on its hefty purses.
“That’s been a big part of it,” she said. “I felt we should concentrate on New York racing and the things you do well.”
Another pivotal move was her decision about five years ago to play the claiming game in earnest. “That was due to financial restraints at auctions,” Rice said. She consistently found herself without the spending power to bring home prospects she wanted most.
Working with horses obtained from the claiming ranks requires extreme patience. “You’re going to find horses that need time. A horse that’s lame. A horse that needs a chip removed from an ankle. A horse that needs time off for mild pneumonia,” she noted.
Rice provides them with the time they need to run effectively again.
She also has demonstrated a keen eye for spotting claiming horses with ability and then identifying sources for improvement. “Certainly, in the claiming game, if you are going to run them where they can win, you are going to lose a lot of horses,” she said. “But you just have to have the confidence that you will replace them.”
Rice does such a good job of replenishing her stock that she has become a woman for all seasons. She was NYRA’s leading trainer last winter, she captured Belmont Park’s spring-summer stand, she pulled out a tie with Chad Brown at Saratoga and showed the way at Aqueduct last fall.
“The year-end total was nice, but winning the Belmont meet and managing to pull up in the last two days to tie the Saratoga meet, that would be what has meant the most to me,” she said.
In discussing her accomplishments, Rice recalled that her father, Clyde, was somewhat skeptical years ago when she told him of her ambition to emulate his career.
“Well, it would be a lot easier if you were one of my sons,” he told her.
She would not be dissuaded.
“He was just looking out for my best interests at that time,” she said. “He certainly believed those words to be true and, frankly, he was probably correct. He was right about a lot of things.”
Russell, 34, and DeVaux, 41, show every sign of joining Antonucci and Rice as major players for years to come. Russell ranked 11th nationally with 177 victories overall and 16th with $7,996,867 in earnings. DeVaux took out her trainer’s license in 2018 after almost eight years as an assistant to Brown. She comes off a career-high 56 wins. She ranked 25th nationally in earnings, which included a third-place effort by She Feels Pretty in the Breeders’ Cup Juvenile Fillies Turf.
Jockey Sheldon Russell said of his wife’s soaring fortunes, “She’s not only training horses and going there when they run, but we’re growing two kids as well. No one works harder. She deserves all of the success she’s having.” Their children are Edy, 4, and Rye, 2.
Antonucci has spent considerable time since the Belmont speaking to young girls about what the future can hold for them if they have a passion for horses, understand the nature of running a business and are willing to work hard. She is confident the past season will have a lasting impact.
“I think there will be a constant exposure to successful women,” she said.
|
||||
4333
|
dbpedia
|
3
| 59 |
https://www.americasbestracing.net/races/2024-lambholm-south-tampa-bay-derby
|
en
|
2024 Lambholm South Tampa Bay Derby
|
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The Tampa Bay Derby is a race for 3-year-old Thoroughbreds that awards points toward a spot in the Kentucky Derby starting gate for its first four finishers. The race is contested at 1 1/16 miles at Tampa Bay Downs each March. The race gained notoriety in 2007 when 2006 champion 2-year-old Street Sense won the race and went on to capture the Kentucky Derby. In 2010 third-place
|
https://www.americasbestracing.net/sites/all/themes/custom/abr_theme/favicon.ico
|
https://www.americasbestracing.net/races/2024-lambholm-south-tampa-bay-derby
|
The Tampa Bay Derby is a race for 3-year-old Thoroughbreds that awards points toward a spot in the Kentucky Derby starting gate for its first four finishers. The race is contested at 1 1/16 miles at Tampa Bay Downs each March.
The race gained notoriety in 2007 when 2006 champion 2-year-old Street Sense won the race and went on to capture the Kentucky Derby. In 2010 third-place finisher Super Saver won the Kentucky Derby to boost the race's reputation further. Other notable horses to have competed in the race include Verrazano, War Pass, Bluegrass Cat, Cajun Beat and Menifee.
|
||||||
4333
|
dbpedia
|
3
| 18 |
https://www.dmtc.com/media/history
|
en
|
Del Mar Horse Racing History
|
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History of horse racing at the Del Mar Thoroughbred Club.
|
en
|
/favicon.ico
| null |
1940
Del Mar establishes itself as a playground for the stars. If you attend the meet this summer you might find yourself bumping into Dorothy Lamour, W. C. Fields, Paulette Goddard, Edgar Bergen, June Haver, Ann Miller, Don Ameche, Ava Gardner, Red Skelton and, of course, Bing Crosby and Pat O'Brien.
1941
Del Mar presents its longest meet to date--32 days--and draws average crowds of just over 7,500 daily. Ferril Zufelt (48 wins) is the top rider, F. S. Baker and Mozier Helm (13 wins each) are the top trainers and the R. C. Stable is the leading owner with $14,575 in purses.
1942-1943-1944
Del Mar is 'dark' as the U.S. plunges into World War II. Initially, the grounds are used for training by the Marines, then as a manufacturing site for parts to B-17 bombers.
1945
The war ends and Del Mar begins again. When Japan surrenders, President Truman declares a national holiday for August 15 and 20,324 turn out at the track and bet a whopping $958,476, a Del Mar record.
1946
Indian Watch and War Allies deadheat for the win in the first running of the Bing Crosby Handicap. The six-furlong dash goes on to become the track's annual sprint championship and year after year draws the quickest in the west for speed battles deluxe.
1947
The Santa Fe Railroad brings both racehorses and bettors south to Del Mar to do their thing. Cheering the arrival of the "racetrack special" from Los Angeles becomes a popular tradition for the locals.
1948
A new crop of Hollywood types makes Del Mar the spot to be for summer frolic. Among the celebs who join in the turf and surf fun this year are Lucille Ball, Desi Arnaz, Betty Grable, George Jessel, Mickey Rooney and Jimmy Durante. Durante becomes such a regular that the track eventually names its turf course in his honor.
1949
A young rider out of Texas sets a Del Mar record of 52 wins at the meet and becomes the first apprentice to claim the track's riding title. His name is William Lee Shoemaker, and his history and that of the track will become entwined hereafter.
1950
It's the "Kid" vs. the "Vet" at Del Mar as Bill Shoemaker and Johnny Longden go head-and-head all summer for the track's riding crown. In the end they finish in a tie with 60 wins each.
1951
Bandleader Harry James makes a blast with Big Noise, a colt he named for his famous trumpet. The juvenile captures the Del Mar Futurity with Ralph Neves in the irons.
1952
For the first time Del Mar's average daily crowd climbs into the five figure range when the 41-day meet draws 426,691, a daily average of 10,433. The average daily pari-mutuel handle for the year is $760,058.
1953
The track presents its richest stakes schedule thus far with 10 events worth $130,000 in added money. Leading rider Bill Shoemaker wins half of them, giving him five of the 93 added-money races he'll capture during his unparalleled Del Mar riding career.
1954
It's that Shoemaker fellow again, this time winning a remarkable 94 races during the meet's 41-day run, a Del Mar standard that may never be topped. Shoe teams up with trainer R. H. (Red) McDaniel that year to nearly breakup the game at the seashore: McDaniel saddles a record 47 winners, giving Shoemaker a leg-up on 42 of them.
1955
An Argentinean filly named Cipria wins a maiden race by a head on September 1 and rewards her backers with $263.40 for each $2 bet to win, a Del Mar record that still stands today.
1956
John Longden becomes the world's winningest rider--passing Sir Gordon Richards--when he boots home Arrogate in the Del Mar Handicap on September 3, Labor Day, for victory No. 4,871.
1957
The tough and versatile handicap horse How Now wins the six-furlong Bing Crosby Handicap and the nine-furlong Del Mar Handicap during the season. The two stakes wins are the first of five he'll accomplish at the track, a mark that has been tied (Flawlessly), but not surpassed in the track's history.
1958
Mr. and Mrs. Fred Turner, Jr.'s Tomy Lee wins the Del Mar Futurity by three lengths under Bill Shoemaker. The following year Shoe and the English-bred colt by Tudor Minstrel combine to capture the Kentucky Derby.
1959
The CTBA Selected Yearling Sales, now inits sixth summer at Del Mar, draws the get of such stallions as Royal Charger, Determine, Alibhai, Helioscope, Citation, Berseem and Imbros. One hundred and one head sell for a total of $613,000 as buyers look for the likes of such recent Del Mar yearling bargains as Lucky Mel, Old Pueblo, T.V. Lark and Silky Sullivan.
1960
Del Mar unveils its brand-new seven-eighths mile turf course with its unique diagonal chute that allows for mile and one-sixteenth and mile and one-eighth starts. The course is an instant success.
1961
Trainer Charles Whittingham saddles W.M. Ingram's Scotland for a victory in the Del Mar Handicap. It is the first of a record 73 stakes victories at the seaside course for the shiny-domed conditioner, who goes on to become one of the greatest handlers of horses the game has ever known.
1962
Crazy Kid, one of the fastest horses to ever come out of California, wins a division of the six-furlong Bing Crosby Handicap in a world's record 1:07 4/5. Later that summer he runs a mile and one-eighth in 1:47 3/5 to capture the Del Mar Handicap.
1963
It's a season for track records to tumble. Pirate Cove runs a mile in a rapid 1:33 3/5, a main-track mark that is to stand for the next 25 years. On the turf course, the teletimer can't keep up with the horses: Victory Beauty sets the standard at 7 1/2 furlongs with a time of 1:29 2/5; the same horse runs 1 1/16 miles in a record 1:43 2/5, and Puyallup establishes a new yardstick for 1 3/8 miles at 2:18 4/5.
1964
Del Mar presents its silver anniversary summer season at the course "where nobody's in a hurry but the horses." Racing secretary Barry Whitehead comes up with a stakes and purse distribution of $1,500,000, which averages out to about $35,000 in prize money for the 42 days.
1965
The sea breezes dance around some of the sport's biggest names in the winner's circle at Del Mar. The leading rider is William Hartack, he of the five Kentucky Derbies. The leading trainer is Farrell Jones, who is capturing the sixth of his record 11 turf and surf titles. And the top owner is Louis Rowan, the man who brought us Coursing, Ruken and Quicken Tree.
1966
In '66, a list of the track's top six riders and top six trainers looks like this: Riders--Donald Pierce, Alvaro Pineda, Jerry Lambert, Rudy Campas, Bobby Jennings and Mario Valenzuela; Trainers--Farrell Jones, J.L. Mosbacher, Clyde Turk, James Jordan, Riley Cofer and Dale Landers.
1967
Del Mar tries an experiment with a second meeting, running 42 days in the summer and 20 in the fall. The summer stand draws 10,028 a day, while the fall manages 4,173. On the pari-mutuel end, the summer portion does a daily take of $955,687, with the fall meet falling to $400,033. The experiment is not repeated.
1968
One of America's premier race callers, Harry Henson, takes up his summer post at the Del Mar mike for the first time, after making his local bow at the fall session in 1967. For the next 16 years his husky baritone massages the faithful at the horse heaven by the Pacific.
1969
Clement L. Hirsch's Figonero fires big in the lane to win the Del Mar Handicap over Triple Tux. The South American import's winning time for the mile and one-eighth--1:46 4/5--establishes a new world record.
1970
Bill Shoemaker boots home a filly named Dares J on September 7, 1970 at Del Mar and surpasses John Longden as the winningest rider of all time. Longden is there for the occasion and greets Shoe in the winner's circle after victory No. 6,033.
1971
For the only time in its history, the Del Mar Futurity is divided and the end results turn out to be quite similar. In the first division, favored MacArthur Park wins easily under Bill Shoemaker, while in the second half favored D.B. Carm also scores easily under Fernando Toro. Both colts run the seven and one-half furlongs on turf in 1:29 and take home $41,975.
1972
A young Midwestern horseman named Jack Van Berg ships Mongo's Pride to Del Mar and wins his first seaside stakes race in the Escondido Handicap. Van Berg goes on to saddle more than 6,000 winners, though he doesn't capture another stakes at Del Mar until Beyond Perfection scores in the 1990 Del Mar Debutante.
1973
Del Mar inaugurates the "Rocking Chair Derby," a gathering of former riders for a return to glory in one exhibition race each summer. Racing's answer to the "Old-Timers Game" draws eight soon-to-be-sore veterans: Ken Church, Dean Hall, Bill Harmatz, John Longden, Pete Moreno, Ralph Neves, George Taniguchi and Angel Valezuela. After the dust and nostalgia settle, Hall gets to ride the rocking chair in the winner's circle.
1974
Ambassador Maxwell Gluck's famous Elmendorf colors fly on top of the owners' roster at Del Mar as the top money maker at the session. Those same gold, blue and white silks lead the seashore parade for the next four summers, too.
1975
Show biz sparkles in the Del Mar winner's circle as movie producer Howard Koch and actor Telly Savalas get their charge Telly's Pop to win the Del Mar Futurity. Though visions of Derbies-to-come were not to be, on this sunny afternoon lollipops aplenty were raised in cheers by trackside star-gazers.
1976
"The Pirate" from Panama, Laffit Pincay, Jr., wins six races on opening day en route to 86 tallies and the first of his five Del Mar riding titles. During his exceptional summer stand, the muscular jockey also captures 12 stakes races, a record that still stands.
1977
Bing Crosby makes one final visit to the track he founded, then dies later that year of a heart attack. His memory lives on at Del Mar each summer, though, by virtue of lore, legend and his now famous rendition of "Where the Turf Meets the Surf."
1978
A trainer making the switch from quarter horses to thoroughbreds lets the racing world know he's for real when he cuts loose a flashy filly named Terlingua to capture the Del Mar Debutante. The trainer's name is D. Wayne Lukas and he goes on to rewrite racing history by building one of the winningest stables of all time.
1979
As the track completes its first decade under the control of the Del Mar Thoroughbred Club, attendance (17,449 per day) and handle ($2,696,598 per day) show a rise for the 10th straight year.
1980
Mary Lou Tuck strikes a blow for liberation when she pulls off a stakes double with the grey battler Go West Young Man. The trainer sends out her charger to capture both the Eddie Read and Del Mar handicaps, the biggest wins ever scored by a female conditioner in the history of the track to that point.
1981
A late-running grey horse carries rider Eddie Delahoussaye and trainer Edwin Gregson to the winner's circle following the finish of the Del Mar Futurity. The following spring Gato del Sol takes those two to the winner's circle again, this time in Kentucky's famed Run for the Roses.
1982
It's a winning year for juveniles at the track as Landaluce triumphs in the Del Mar Debutante for trainer D. Wayne Lukas and goes on to be named 2-year-old filly champion, while Roving Boy captures the Del Mar Futurity for trainer Joe Manzi and picks up an Eclipse as top 2-year-old colt.
1983
If you like to watch Eclipse Award winners run, Del Mar is the place to be this year. Althea (2-year-old filly champion) wins the Del Mar Debutante, then comes back to beat the boys in the Del Mar Futurity. Heartlight No. One (3-year-old filly champion) takes the Del Mar Oaks. Bates Motel (champion older horse) captures the San Diego 'Cap. And Chinook Pass (champion sprinter) is best in the Bing Crosby Handicap.
1984
Trevor Denman, the South African racing commentator whose colorful style changes the nature of race calling in the United States, takes command of the microphone on the Del Mar roof. Thereafter it's "And away they go."
1985
Del Mar completes an underground tunnel into its infield and fans flock to the center of the track for picnics, rays, Frisbee flings and close-up views of the thoroughbred action. It quickly becomes hard to believe that the infield hasn't been part of the track forever.
1986
Five turf marks and a like number of dirt standards are set by such good horses as: Turf--Hidden Light (Del Mar Oaks--1:47 4/5); Al Mamoon (Eddie Read H.--1:46 3/5); Aberuschka (Palomar H.--1:34 2/5). Dirt--Brave Raj (Sorrento S.--1:22 3/5); Hopeful Word (Cabrillo H.--1:46 2/5); Temperate Sil (Balboa S.--1:23).
1987
Bill Shoemaker and Charlie Whittingham team up for the third time to win the Del Mar Handicap, here with a horse named Swink. The tally is the 93rd and final stakes victory at Del Mar for Shoe, who goes out in style: Swink sets a track and stakes record of 2:13 4/5 for 11 grassy furlongs.
1988
The big names abound this summer: Gary Stevens wins his second straight seaside riding crown; Chris McCarron wins 10 stakes races; D. Wayne Lukas wins his third training title; Fred W. Hooper is the leading owner; Precisionist breaks a 25-year-old track standard with a mile in 1:33 1/5. If that isn't enough, Inter Track Wagering comes to the seashore and pushes daily handle ($6,749,971) and attendance (33,100) through the roof.
1989
Del Mar becomes the leading track in the country with a daily average handle of $7,320,623; Olympic Native sets a track record for seven panels (1:20 1/5) in winning the Pat O'Brien B. C. Handicap; and Bill Shoemaker goes out a winner for the 889th and final time in his very last ride at the seaside oval on September 10.
1990
Del Mar retains its hold as the nation's leading track with a daily average handle of $7,510,867. The track also announces plans for its richest race ever--the $1,000,000 Pacific Classic for 1991--and finalizes a program for the start of a new $80,000,000 grandstand following racing in '91.
1991
The hometown horse--John and Betty Mabee's Best Pal--zooms to an impressive tally in the $1,000,000 Pacific Classic as the lone 3-year-old in the powerhouse lineup for the inaugural edition of the track's richest and most prestigious race ever; Del Mar retains its place atop the nation's list in daily average handle ($7,806,430) and moves into the No. 1 spot for daily average attendance (37,072); and, with the close of racing on September 11, the wrecking ball lands on the old grandstand and the rebuilding begins.
1992
The "new" Del Mar--well, half of it, anyway--is unveiled, causing a striking juxtaposition of the track's past and future. This temporary arrangement, which features a rebuilt grandstand section alongside the old clubhouse and turf club, will last only for one year. Out on the track, Peter Wall's Missionary Ridge pulls off a major upset as the longest shot in the field in the second edition of the $1,000,000 Pacific Classic and Del Mar continues its reign as the nation's leader in both daily average handle ($7,699,259) and attendance (35,384).
1993
The "new" Del Mar, $80-million worth, is dedicated by Governor Pete Wilson. Trainer Bobby Frankel makes it two-for-three in the $1-million Pacific Classic with 505 Farms and Nahem's Bertrando, Laffit Pincay, Jr. wins the 8,000th race of his remarkable career and the track continues its run in the racing heavens with average handle ($8,122,609) and attendance (34,415).
1994
Del Mar leads the nation in daily average attendance (35,849) for the fourth straight year and reaches a new high in daily average handle at $9,603,271. Trainer Bobby Frankel continues his Pacific Classic dominance by registering his third score in the race, this time with Juddmonte Farms' Tinners Way. Owner Vern Winchell, trainer Ron McAnally and jockey Alex Solis pull off a nifty double when they capture the meet's top two juvenile events with Call Now (Del Mar Debutante) and On Target (Del Mar Futurity).
1995
With simulcasting pushing the envelope's edge even further out, the track takes yet another jump in the world of average daily handle ($11,263,896), while remaining atop the list for daily average attendance (33,150). In perhaps the most bizarre incident in Del Mar's history, a suicidal fan dashes onto the track and runs among a field of oncoming horses, somehow managing to avoid killing or injuring himself and the eight throroughbreds and their riders. Trainer Robert Frankel just won't let the Pacific Classic loose, as he wins it again with Tinners Way. And a rejuvenated Chris McCarron captures his fifth seaside riding title--but first in 11 years--by winning the last race on the last day of the meet.
1996
The track experiences its most exciting day ever when a record throng of 44,181 comes aboard to watch the mighty Cigar attempt to break Citation's 16-consecutive-wins mark in the sixth Pacific Classic. But the roar turns to a hush of disbelief as unheralded Dare And Go upsets the champ. Buoyed by the big day, Del Mar once more ranks among the cream of the game's crop--daily average attendance of 31,587 (1st nationally) and daily average handle of $11,677,827 (2nd nationally). Finally, on closing day, a young colt named Silver Charm wins the Del Mar Futurity, a signpost that points him out as something special, a point he furthers with an exciting Triple Crown run the next spring that comes up less than a length shy of glory.
1997
The track continues to do outstanding numbers--30,578 for daily average attendance (1st in nation) and a record $12,115,024 for daily average handle (2nd nationally)--amidst the surf and turf and fun and sun. The mighty Gentlemen puts his stamp of class on the Pacific Classic; trainer Bob Baffert fires nothing but bullets out of his barn; Kent Desormeaux announces he's back as a serious riding force on the Southern California scene; and Golden Eagle Farm wins the owners' title en route to an Eclipse Award season for John and Betty Mabee.
1998
Del Mar crowns a couple of new kings -- trainer Ron McAnally and rider Laffit Pincay, Jr. The former pulls the cinch on his 375th Del Mar winner, surpassing the long-held standard for most seaside victories set by Farrell Jones, while Pincay -- overcoming an injury that had him on the sidelines for most of the meet -- registered tally No. 890 to go past the shore oval's previous riding champ, Bill Shoemaker. The attendance and handle continue to ride high, while Mr. Triple Crown (Bob Baffert), Corey Nakatani and Golden Eagle Farm are respectively the best of the best in the trainer, jockey and owner ranks. The flashy grey/roan Free House collects the biggest prize of the season in taking the $1-million Pacific Classic.
1999
Golden Eagle Farm (John and Betty Mabee) wins its sixth owners' title, eclipsing the famed Elmendorf connections as Del Mar's winningest owners ever. Leading the Golden Eagle '99 charge is the white-footed whirlwind General Challenge, who romps in the rich Pacific Classic. Trainer Bob Baffert accomplishes an amazing feat when he wins all five of the track's Grade I races, four of them with leading rider David Flores in the boot.
2000
For the 10th year in a row, Del Mar and its satellites top the nation in daily average attendance (27,960). Robert Frankel does it again (!) when he saddles Skimming to take the Pacific Classic for the trainerpis fifth win in 10 runnings of the $1-million race. Bob Baffert captures his fourth straight conditioning title and rising star Victor Espinoza is champion rider. And it all gets seen on the trackpis new video boards in the infield and the paddock.
2001
There is talk of changing the race name from the Pacific Classic to the Robert Frankel when the Hall-of-Fame trainer does his deja vu magic with Skimming for an unprecedented sixth win in a particular $1-million race. The victory helps Juddmonte Farms become the first Del Mar owner to top $1 million for a season ($1,150,954). And it's that Bob Baffert fellow as champion trainer once more, while Alex Solis goes back on top among the riders.
2002
The track loses one of its great leaders when John C. Mabee passes at age 80, but carries on the tradition he helped put in place, including his grandest idea of all: the $1-million Pacific Classic (captured this year by the 3-year-old ace Came Home). Daily average handle goes to an all-time high ($12,351,679); a rejuvenated Patrick Valenzuela wins a riding title for the first time in more than a decade; Bob Baffert takes his sixth straight training title, and The Thoroughbred Corp. captures its first owners crown.
2003
Del Mar was saddened with the passing of two of its riding stars, John Longden and Bill Shoemaker. South American ace Candy Ride sets a track record (1:59.11) in winning the Pacific Classic. The betting goes higher still with another record season ($570,903,890). Bob Baffert and Pat Valenzuela are the training and riding champs again, and Valenzuela and Hall of Famer Julie Krone - making a big splash in her first season at the shore - put on a match race for the ages with P Val winning it by a whisker.
2004
The numbers are still nifty, with a record total handle ($580,382,206) equating to a record daily average ($13,497,260), aided by another on-track attendance increase -- the fourth straight -- to an average 17,052 per day. Purses reach an all-time high (a daily average of $559,349) and there is a record Pick Six payout ($2,100,017) to one lucky bettor. Pleasantly Perfect is the Pacific Classic star, making sure Gerald Fordpis Diamond A Racing Corp. is Del Marpis leading owner, while jockey Corey Nakatani and trainer Doug O'Neill prove best of their respective rivals. On a lone sour note, the track hosts what may prove to be the last Del Mar yearling sale, a summer staple at the shore since 1954.
2005
Once again the marks for its betting standards tumble as fans find the Del Mar product alluring and they plunge a record $608,168,297 through the wickets for a daily average of $14,143,449. Reflective of this, a single-day handle mark is set ($24,004,733) and purses reach a new pinnacle at $592,406 per day. An ownership group headed by Rancho Santa Fepis Jon Kelly hits it big with Borrego in the $1-million Pacific Classic and Victor Espinoza earns his second jockey crown while Jeff Mullins wins his first trainer's title. "Sing Along With Bing" is born, "Four O'Clock Friday" continues to pack 'em in and turf and surf, fun and sun has never seemed better.
2006
Opening day is a dandy. 42,005 turn out, the second-largest crowd in track history and the tone is set for another fun and sun run through the summer. The explosive Lava Man captures Pacific Classic No. 16, thus becoming the first to sweep California.s three Big Ones (S.A..Cap, H.wood Gold Cup) in one year. Leading rider (again) Victor Espinoza does something never done at the shore oval before when he wins seven races on one card on Labor Day. And California.s new training kingpin, Doug O'Neill, earns his second Del Mar title.
2007
The Polytrack Era dawns at Del Mar, all $9-million worth of it, and the new main-track surface brings slower times, but safer trips for horses and riders. Another Opening Day onslaught -- 42,842, second-largest crowd in the trackis history n kicks things right off and the Pacific Classic Day handle -- $24,667,351 n is the largest one-day run at the wickets in the seaside courseis 68 summer seasons. Student Council surprises in the Classic, while Michael Baze captured his first Del Mar riding crown and Doug O'Neill takes home his third in the past four years.
2008
The seaside oval charges out of the gate with an Opening Day record crowd n 43,459. Battling a recession-bound economy heading south, it takes a mild hit at the gate and the wickets, but manages to hold its own in the end. A tweaked Polytrack allows for faster times while continuing to reduce catastrophic injuries. The eastern invader Go Between snatches the Pacific Classic, as newcomer Rafael Bejarano and old pro John Sadler win their first jockey/trainer crowns.
2009
For the first time since 1945, Del Mar runs five days per week, dropping its Monday programs (with the exception of Labor Day) in an adjustment to a tough economy and a declining horse population. And less proves to be more. The seaside trackis 70th racing season sees ups in on-track attendance and handle as fans and horsemen respond positively to the switch. Opening Day, which has become an event all unto itself, establishes a new record when 44,907 fans start things with a rush. Richardis Kid pulls off a big surprise in the Pacific Classic and John Sadler is training champ (again), while Joel Rosario wins his first shore riding crown.
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Sovereign Award Winner Slade Jones Won’t Ride This Year
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2023-04-17T12:03:19-04:00
|
The young rider had a sensational first year in Canada riding at Woodbine but his size has led to weight issues.
|
en
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Canadian Thoroughbred
|
https://canadianthoroughbred.com/horse-news/sovereign-award-winner-slade-jones-wont-ride-this-year/
|
Just days after receiving the Sovereign Award for Canada’s Outstanding Apprentice Jockey, 16-year-old Slade Jones has returned to his home in Barbados and will not ride this year. According to his agent Tom Patton, Jones, who is nearly six feet tall, was having trouble maintaining his preferred riding weight last fall and the issue has persisted.
“He’s tall and he’s growing,” said Patton. “It’s too bad. I’m not saying he’s never coming back [to Woodbine]. He might come back here to work and gallop horses but for now, he’s gone home.”
Not since the days of Mickey Walls (early ’90s) has Canadian racing had a teenaged jockey burst onto the scene with great success like Slade Jones. The son of successful Barbados and Canadian rider Jono Jones is the grandson of the great Barbadian rider ‘Chally Jones. He began his Canadian riding career in May 2022 and was the leading race-winning apprentice jockey in Canada in 2022 with 61 wins, a 14% win rate. He finished a solid 12th in the overall jockey standings at Woodbine.
“His dad was one of the most intelligent riders Woodbine has ever seen and Slade was heading that way too,’ said Patton. “But Jono also had to do quite a bit of reducing when he was riding and he is not nearly as tall as Slade.”
As for Patton, he will also step away from racing as an agent this year as his other rider from 2022, Antonio Gallardo, will not be returning. But Patton will still be around the track as he recently signed on as a consultant for the exciting new, state-of-the-art animal and horse hospital near King, ON, Dog Tales.
Owned by Rob and Danielle Scheinberg, the hospital is some 56,000 square feet and on three levels. It will serve mainly horses, dogs, cats and some exotic animals such as birds and lizards. The facility will have top-of-the-line equipment not found anywhere else in the province. It will be a 24-hour emergency referral hospital serving all of southern Ontario and will have a standing CT scanner, MRI machines, water therapy pools and hyperbaric oxygen treatment for dogs.
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dbpedia
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3
| 19 |
https://ustrottingnews.com/michael-mickey-burke-sr-87-dies/
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en
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Michael “Mickey” Burke Sr., 87, dies – U.S. Trotting News
|
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2024-05-06T14:30:58-04:00
|
en
|
https://ustrottingnews.com/michael-mickey-burke-sr-87-dies/
|
Share via:
Hightstown, NJ — Michael “Mickey” Burke Sr., the 2006 Trainer of the Year and first trainer in history to surpass $10 million in purses in a single season, passed away Monday morning at the age of 87.
Mr. Burke, the patriarch of the Burke Racing Stable now led by his son Ron, won 3,167 races and $35.4 million in purses since the inception of official trainer statistics in 1991. The western Pennsylvania native’s involvement in harness racing began as a horse owner in 1955 and he drove in his first race at an Ohio fair in 1956 at the age of 20.
After selling his car dealership in 1981, Mr. Burke turned his attention to training on a fulltime basis. His first star was Maltese Artist, who was a multiple Grand Circuit winner as a 4-year-old in 2005 and went on to earn $2.32 million lifetime.
In the ensuing years, the Burke Stable became associated with many of the sport’s great horses, including Hall of Fame pacers Foiled Again (who retired in 2018 with a record $7.63 million in earnings) and Sweet Lou (2014 Pacer of the Year) as well as Hall of Fame trotters Hannelore Hanover (the 2017 Horse of the Year) and Mission Brief (to be inducted in July), not to mention numerous Dan Patch Award honorees.
Mr. Burke turned the stable’s daily operations over to his son Ron in 2009 but remained active in working with young horses and as an owner. The Burke Stable has led all training stables in wins and purses every year since 2005.
The entire Burke family has been involved in harness racing either through active participation or horse ownership: Mr. Burke’s wife, Sylvia, who is the stable’s bookkeeper; sons Ron and Mickey Jr., and daughters Michelle, Rebecca, and Melissa.
Mr. Burke and Sylvia were named to the Little Brown Jug Wall of Fame in 2021. Two years earlier, Mr. Burke received the Lifetime Achievement Award from the Monticello-Goshen chapter of the U.S. Harness Writers Association.
Additional details will be announced when available.
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dbpedia
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1
| 16 |
https://en.wikipedia.org/wiki/Canadian_Horse_Racing_Hall_of_Fame
|
en
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Canadian Horse Racing Hall of Fame
|
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2006-06-20T19:02:04+00:00
|
en
|
/static/apple-touch/wikipedia.png
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https://en.wikipedia.org/wiki/Canadian_Horse_Racing_Hall_of_Fame
|
The Canadian Horse Racing Hall of Fame was established in 1976 to honour those who have made a significant contribution to the sport of harness and Thoroughbred horse racing in Canada. It is located at Woodbine Racetrack in Toronto, Ontario.
The Hall of Fame annually inducts Thoroughbred and Standardbred horses, sulky drivers, jockeys, trainers and the horse racing industry's builders.
Background
[edit]
Although the Canadian Horse Racing Hall of Fame (CHRHF) was founded in 1976, it was not until 1997 that it had a physical location. At that time, the Ontario Jockey Club granted a permanent site located at the West Entrance to Woodbine Racetrack. The Hall now includes information on each of the inductees plus related memorabilia, including trophies, silks, old racing programs and bronzed horseshoes. Each year, special displays are created to honour some of racing's greats, such as jockey Ron Turcotte or pacer Cam Fella.[1]
In 2014, the Hall commemorated the 50th anniversary of Northern Dancer's wins in the Kentucky Derby, Preakness Stakes and Queen's Plate with a series of initiatives such as an online timeline of his career,[2] the induction of his trainer Horatio Luro, a special tribute at the annual ceremony[3] and a calendar.[4] Northern Dancer and his owner, E. P. Taylor, were part of the original class of inductees in 1976. Since then, Northern Dancer's sire Nearctic, dam Natalma, sire's dam Lady Angela, several sons and daughters (including Nijinsky, The Minstrel, Northernette and Vice Regent), plus numerous descendants have also been inducted.
There are two nominating committees – one for the Thoroughbred industry, and the other for Standardbreds. Each committee nominates up to eight candidates, which are later voted on by the corresponding election committee. Any Canadian person or horse can be nominated for their achievements, whether in Canada or internationally. Foreign-bred horses who had a significant influence on Canadian racing or breeding may also be nominated.[5] For example, Secretariat was nominated in 2013 in recognition of his appearance in the 1973 Canadian International, an appearance that brought worldwide attention to the race.[6]
Inductees (year inducted)
[edit]
Thoroughbred horses
[edit]
Note: An * designates they are also an inductee of the United States National Museum of Racing and Hall of Fame.
Standardbred horses
[edit]
Thoroughbred jockeys
[edit]
Thoroughbred trainers
[edit]
Standardbred drivers and trainers
[edit]
Builders
[edit]
See also
[edit]
American National Museum of Racing and Hall of Fame
American Harness Racing Museum & Hall of Fame
Australian Racing Hall of Fame
British National Horseracing Museum
New Zealand Racing Hall of Fame
References
[edit]
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4333
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dbpedia
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2
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https://www.gettyimages.com/detail/news-photo/jockey-mickey-walls-walks-izvestia-away-from-the-track-news-photo/502549325
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en
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Getty Images
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Getty Images Deutschland. Finden Sie hochauflösende lizenzfreie Bilder, Bilder zur redaktionellen Verwendung, Vektorgrafiken, Videoclips und Musik zur Lizenzierung in der umfangreichsten Fotobibliothek online.
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4333
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dbpedia
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0
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https://www.dmtc.com/media/history
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en
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Del Mar Horse Racing History
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History of horse racing at the Del Mar Thoroughbred Club.
|
en
|
/favicon.ico
| null |
1940
Del Mar establishes itself as a playground for the stars. If you attend the meet this summer you might find yourself bumping into Dorothy Lamour, W. C. Fields, Paulette Goddard, Edgar Bergen, June Haver, Ann Miller, Don Ameche, Ava Gardner, Red Skelton and, of course, Bing Crosby and Pat O'Brien.
1941
Del Mar presents its longest meet to date--32 days--and draws average crowds of just over 7,500 daily. Ferril Zufelt (48 wins) is the top rider, F. S. Baker and Mozier Helm (13 wins each) are the top trainers and the R. C. Stable is the leading owner with $14,575 in purses.
1942-1943-1944
Del Mar is 'dark' as the U.S. plunges into World War II. Initially, the grounds are used for training by the Marines, then as a manufacturing site for parts to B-17 bombers.
1945
The war ends and Del Mar begins again. When Japan surrenders, President Truman declares a national holiday for August 15 and 20,324 turn out at the track and bet a whopping $958,476, a Del Mar record.
1946
Indian Watch and War Allies deadheat for the win in the first running of the Bing Crosby Handicap. The six-furlong dash goes on to become the track's annual sprint championship and year after year draws the quickest in the west for speed battles deluxe.
1947
The Santa Fe Railroad brings both racehorses and bettors south to Del Mar to do their thing. Cheering the arrival of the "racetrack special" from Los Angeles becomes a popular tradition for the locals.
1948
A new crop of Hollywood types makes Del Mar the spot to be for summer frolic. Among the celebs who join in the turf and surf fun this year are Lucille Ball, Desi Arnaz, Betty Grable, George Jessel, Mickey Rooney and Jimmy Durante. Durante becomes such a regular that the track eventually names its turf course in his honor.
1949
A young rider out of Texas sets a Del Mar record of 52 wins at the meet and becomes the first apprentice to claim the track's riding title. His name is William Lee Shoemaker, and his history and that of the track will become entwined hereafter.
1950
It's the "Kid" vs. the "Vet" at Del Mar as Bill Shoemaker and Johnny Longden go head-and-head all summer for the track's riding crown. In the end they finish in a tie with 60 wins each.
1951
Bandleader Harry James makes a blast with Big Noise, a colt he named for his famous trumpet. The juvenile captures the Del Mar Futurity with Ralph Neves in the irons.
1952
For the first time Del Mar's average daily crowd climbs into the five figure range when the 41-day meet draws 426,691, a daily average of 10,433. The average daily pari-mutuel handle for the year is $760,058.
1953
The track presents its richest stakes schedule thus far with 10 events worth $130,000 in added money. Leading rider Bill Shoemaker wins half of them, giving him five of the 93 added-money races he'll capture during his unparalleled Del Mar riding career.
1954
It's that Shoemaker fellow again, this time winning a remarkable 94 races during the meet's 41-day run, a Del Mar standard that may never be topped. Shoe teams up with trainer R. H. (Red) McDaniel that year to nearly breakup the game at the seashore: McDaniel saddles a record 47 winners, giving Shoemaker a leg-up on 42 of them.
1955
An Argentinean filly named Cipria wins a maiden race by a head on September 1 and rewards her backers with $263.40 for each $2 bet to win, a Del Mar record that still stands today.
1956
John Longden becomes the world's winningest rider--passing Sir Gordon Richards--when he boots home Arrogate in the Del Mar Handicap on September 3, Labor Day, for victory No. 4,871.
1957
The tough and versatile handicap horse How Now wins the six-furlong Bing Crosby Handicap and the nine-furlong Del Mar Handicap during the season. The two stakes wins are the first of five he'll accomplish at the track, a mark that has been tied (Flawlessly), but not surpassed in the track's history.
1958
Mr. and Mrs. Fred Turner, Jr.'s Tomy Lee wins the Del Mar Futurity by three lengths under Bill Shoemaker. The following year Shoe and the English-bred colt by Tudor Minstrel combine to capture the Kentucky Derby.
1959
The CTBA Selected Yearling Sales, now inits sixth summer at Del Mar, draws the get of such stallions as Royal Charger, Determine, Alibhai, Helioscope, Citation, Berseem and Imbros. One hundred and one head sell for a total of $613,000 as buyers look for the likes of such recent Del Mar yearling bargains as Lucky Mel, Old Pueblo, T.V. Lark and Silky Sullivan.
1960
Del Mar unveils its brand-new seven-eighths mile turf course with its unique diagonal chute that allows for mile and one-sixteenth and mile and one-eighth starts. The course is an instant success.
1961
Trainer Charles Whittingham saddles W.M. Ingram's Scotland for a victory in the Del Mar Handicap. It is the first of a record 73 stakes victories at the seaside course for the shiny-domed conditioner, who goes on to become one of the greatest handlers of horses the game has ever known.
1962
Crazy Kid, one of the fastest horses to ever come out of California, wins a division of the six-furlong Bing Crosby Handicap in a world's record 1:07 4/5. Later that summer he runs a mile and one-eighth in 1:47 3/5 to capture the Del Mar Handicap.
1963
It's a season for track records to tumble. Pirate Cove runs a mile in a rapid 1:33 3/5, a main-track mark that is to stand for the next 25 years. On the turf course, the teletimer can't keep up with the horses: Victory Beauty sets the standard at 7 1/2 furlongs with a time of 1:29 2/5; the same horse runs 1 1/16 miles in a record 1:43 2/5, and Puyallup establishes a new yardstick for 1 3/8 miles at 2:18 4/5.
1964
Del Mar presents its silver anniversary summer season at the course "where nobody's in a hurry but the horses." Racing secretary Barry Whitehead comes up with a stakes and purse distribution of $1,500,000, which averages out to about $35,000 in prize money for the 42 days.
1965
The sea breezes dance around some of the sport's biggest names in the winner's circle at Del Mar. The leading rider is William Hartack, he of the five Kentucky Derbies. The leading trainer is Farrell Jones, who is capturing the sixth of his record 11 turf and surf titles. And the top owner is Louis Rowan, the man who brought us Coursing, Ruken and Quicken Tree.
1966
In '66, a list of the track's top six riders and top six trainers looks like this: Riders--Donald Pierce, Alvaro Pineda, Jerry Lambert, Rudy Campas, Bobby Jennings and Mario Valenzuela; Trainers--Farrell Jones, J.L. Mosbacher, Clyde Turk, James Jordan, Riley Cofer and Dale Landers.
1967
Del Mar tries an experiment with a second meeting, running 42 days in the summer and 20 in the fall. The summer stand draws 10,028 a day, while the fall manages 4,173. On the pari-mutuel end, the summer portion does a daily take of $955,687, with the fall meet falling to $400,033. The experiment is not repeated.
1968
One of America's premier race callers, Harry Henson, takes up his summer post at the Del Mar mike for the first time, after making his local bow at the fall session in 1967. For the next 16 years his husky baritone massages the faithful at the horse heaven by the Pacific.
1969
Clement L. Hirsch's Figonero fires big in the lane to win the Del Mar Handicap over Triple Tux. The South American import's winning time for the mile and one-eighth--1:46 4/5--establishes a new world record.
1970
Bill Shoemaker boots home a filly named Dares J on September 7, 1970 at Del Mar and surpasses John Longden as the winningest rider of all time. Longden is there for the occasion and greets Shoe in the winner's circle after victory No. 6,033.
1971
For the only time in its history, the Del Mar Futurity is divided and the end results turn out to be quite similar. In the first division, favored MacArthur Park wins easily under Bill Shoemaker, while in the second half favored D.B. Carm also scores easily under Fernando Toro. Both colts run the seven and one-half furlongs on turf in 1:29 and take home $41,975.
1972
A young Midwestern horseman named Jack Van Berg ships Mongo's Pride to Del Mar and wins his first seaside stakes race in the Escondido Handicap. Van Berg goes on to saddle more than 6,000 winners, though he doesn't capture another stakes at Del Mar until Beyond Perfection scores in the 1990 Del Mar Debutante.
1973
Del Mar inaugurates the "Rocking Chair Derby," a gathering of former riders for a return to glory in one exhibition race each summer. Racing's answer to the "Old-Timers Game" draws eight soon-to-be-sore veterans: Ken Church, Dean Hall, Bill Harmatz, John Longden, Pete Moreno, Ralph Neves, George Taniguchi and Angel Valezuela. After the dust and nostalgia settle, Hall gets to ride the rocking chair in the winner's circle.
1974
Ambassador Maxwell Gluck's famous Elmendorf colors fly on top of the owners' roster at Del Mar as the top money maker at the session. Those same gold, blue and white silks lead the seashore parade for the next four summers, too.
1975
Show biz sparkles in the Del Mar winner's circle as movie producer Howard Koch and actor Telly Savalas get their charge Telly's Pop to win the Del Mar Futurity. Though visions of Derbies-to-come were not to be, on this sunny afternoon lollipops aplenty were raised in cheers by trackside star-gazers.
1976
"The Pirate" from Panama, Laffit Pincay, Jr., wins six races on opening day en route to 86 tallies and the first of his five Del Mar riding titles. During his exceptional summer stand, the muscular jockey also captures 12 stakes races, a record that still stands.
1977
Bing Crosby makes one final visit to the track he founded, then dies later that year of a heart attack. His memory lives on at Del Mar each summer, though, by virtue of lore, legend and his now famous rendition of "Where the Turf Meets the Surf."
1978
A trainer making the switch from quarter horses to thoroughbreds lets the racing world know he's for real when he cuts loose a flashy filly named Terlingua to capture the Del Mar Debutante. The trainer's name is D. Wayne Lukas and he goes on to rewrite racing history by building one of the winningest stables of all time.
1979
As the track completes its first decade under the control of the Del Mar Thoroughbred Club, attendance (17,449 per day) and handle ($2,696,598 per day) show a rise for the 10th straight year.
1980
Mary Lou Tuck strikes a blow for liberation when she pulls off a stakes double with the grey battler Go West Young Man. The trainer sends out her charger to capture both the Eddie Read and Del Mar handicaps, the biggest wins ever scored by a female conditioner in the history of the track to that point.
1981
A late-running grey horse carries rider Eddie Delahoussaye and trainer Edwin Gregson to the winner's circle following the finish of the Del Mar Futurity. The following spring Gato del Sol takes those two to the winner's circle again, this time in Kentucky's famed Run for the Roses.
1982
It's a winning year for juveniles at the track as Landaluce triumphs in the Del Mar Debutante for trainer D. Wayne Lukas and goes on to be named 2-year-old filly champion, while Roving Boy captures the Del Mar Futurity for trainer Joe Manzi and picks up an Eclipse as top 2-year-old colt.
1983
If you like to watch Eclipse Award winners run, Del Mar is the place to be this year. Althea (2-year-old filly champion) wins the Del Mar Debutante, then comes back to beat the boys in the Del Mar Futurity. Heartlight No. One (3-year-old filly champion) takes the Del Mar Oaks. Bates Motel (champion older horse) captures the San Diego 'Cap. And Chinook Pass (champion sprinter) is best in the Bing Crosby Handicap.
1984
Trevor Denman, the South African racing commentator whose colorful style changes the nature of race calling in the United States, takes command of the microphone on the Del Mar roof. Thereafter it's "And away they go."
1985
Del Mar completes an underground tunnel into its infield and fans flock to the center of the track for picnics, rays, Frisbee flings and close-up views of the thoroughbred action. It quickly becomes hard to believe that the infield hasn't been part of the track forever.
1986
Five turf marks and a like number of dirt standards are set by such good horses as: Turf--Hidden Light (Del Mar Oaks--1:47 4/5); Al Mamoon (Eddie Read H.--1:46 3/5); Aberuschka (Palomar H.--1:34 2/5). Dirt--Brave Raj (Sorrento S.--1:22 3/5); Hopeful Word (Cabrillo H.--1:46 2/5); Temperate Sil (Balboa S.--1:23).
1987
Bill Shoemaker and Charlie Whittingham team up for the third time to win the Del Mar Handicap, here with a horse named Swink. The tally is the 93rd and final stakes victory at Del Mar for Shoe, who goes out in style: Swink sets a track and stakes record of 2:13 4/5 for 11 grassy furlongs.
1988
The big names abound this summer: Gary Stevens wins his second straight seaside riding crown; Chris McCarron wins 10 stakes races; D. Wayne Lukas wins his third training title; Fred W. Hooper is the leading owner; Precisionist breaks a 25-year-old track standard with a mile in 1:33 1/5. If that isn't enough, Inter Track Wagering comes to the seashore and pushes daily handle ($6,749,971) and attendance (33,100) through the roof.
1989
Del Mar becomes the leading track in the country with a daily average handle of $7,320,623; Olympic Native sets a track record for seven panels (1:20 1/5) in winning the Pat O'Brien B. C. Handicap; and Bill Shoemaker goes out a winner for the 889th and final time in his very last ride at the seaside oval on September 10.
1990
Del Mar retains its hold as the nation's leading track with a daily average handle of $7,510,867. The track also announces plans for its richest race ever--the $1,000,000 Pacific Classic for 1991--and finalizes a program for the start of a new $80,000,000 grandstand following racing in '91.
1991
The hometown horse--John and Betty Mabee's Best Pal--zooms to an impressive tally in the $1,000,000 Pacific Classic as the lone 3-year-old in the powerhouse lineup for the inaugural edition of the track's richest and most prestigious race ever; Del Mar retains its place atop the nation's list in daily average handle ($7,806,430) and moves into the No. 1 spot for daily average attendance (37,072); and, with the close of racing on September 11, the wrecking ball lands on the old grandstand and the rebuilding begins.
1992
The "new" Del Mar--well, half of it, anyway--is unveiled, causing a striking juxtaposition of the track's past and future. This temporary arrangement, which features a rebuilt grandstand section alongside the old clubhouse and turf club, will last only for one year. Out on the track, Peter Wall's Missionary Ridge pulls off a major upset as the longest shot in the field in the second edition of the $1,000,000 Pacific Classic and Del Mar continues its reign as the nation's leader in both daily average handle ($7,699,259) and attendance (35,384).
1993
The "new" Del Mar, $80-million worth, is dedicated by Governor Pete Wilson. Trainer Bobby Frankel makes it two-for-three in the $1-million Pacific Classic with 505 Farms and Nahem's Bertrando, Laffit Pincay, Jr. wins the 8,000th race of his remarkable career and the track continues its run in the racing heavens with average handle ($8,122,609) and attendance (34,415).
1994
Del Mar leads the nation in daily average attendance (35,849) for the fourth straight year and reaches a new high in daily average handle at $9,603,271. Trainer Bobby Frankel continues his Pacific Classic dominance by registering his third score in the race, this time with Juddmonte Farms' Tinners Way. Owner Vern Winchell, trainer Ron McAnally and jockey Alex Solis pull off a nifty double when they capture the meet's top two juvenile events with Call Now (Del Mar Debutante) and On Target (Del Mar Futurity).
1995
With simulcasting pushing the envelope's edge even further out, the track takes yet another jump in the world of average daily handle ($11,263,896), while remaining atop the list for daily average attendance (33,150). In perhaps the most bizarre incident in Del Mar's history, a suicidal fan dashes onto the track and runs among a field of oncoming horses, somehow managing to avoid killing or injuring himself and the eight throroughbreds and their riders. Trainer Robert Frankel just won't let the Pacific Classic loose, as he wins it again with Tinners Way. And a rejuvenated Chris McCarron captures his fifth seaside riding title--but first in 11 years--by winning the last race on the last day of the meet.
1996
The track experiences its most exciting day ever when a record throng of 44,181 comes aboard to watch the mighty Cigar attempt to break Citation's 16-consecutive-wins mark in the sixth Pacific Classic. But the roar turns to a hush of disbelief as unheralded Dare And Go upsets the champ. Buoyed by the big day, Del Mar once more ranks among the cream of the game's crop--daily average attendance of 31,587 (1st nationally) and daily average handle of $11,677,827 (2nd nationally). Finally, on closing day, a young colt named Silver Charm wins the Del Mar Futurity, a signpost that points him out as something special, a point he furthers with an exciting Triple Crown run the next spring that comes up less than a length shy of glory.
1997
The track continues to do outstanding numbers--30,578 for daily average attendance (1st in nation) and a record $12,115,024 for daily average handle (2nd nationally)--amidst the surf and turf and fun and sun. The mighty Gentlemen puts his stamp of class on the Pacific Classic; trainer Bob Baffert fires nothing but bullets out of his barn; Kent Desormeaux announces he's back as a serious riding force on the Southern California scene; and Golden Eagle Farm wins the owners' title en route to an Eclipse Award season for John and Betty Mabee.
1998
Del Mar crowns a couple of new kings -- trainer Ron McAnally and rider Laffit Pincay, Jr. The former pulls the cinch on his 375th Del Mar winner, surpassing the long-held standard for most seaside victories set by Farrell Jones, while Pincay -- overcoming an injury that had him on the sidelines for most of the meet -- registered tally No. 890 to go past the shore oval's previous riding champ, Bill Shoemaker. The attendance and handle continue to ride high, while Mr. Triple Crown (Bob Baffert), Corey Nakatani and Golden Eagle Farm are respectively the best of the best in the trainer, jockey and owner ranks. The flashy grey/roan Free House collects the biggest prize of the season in taking the $1-million Pacific Classic.
1999
Golden Eagle Farm (John and Betty Mabee) wins its sixth owners' title, eclipsing the famed Elmendorf connections as Del Mar's winningest owners ever. Leading the Golden Eagle '99 charge is the white-footed whirlwind General Challenge, who romps in the rich Pacific Classic. Trainer Bob Baffert accomplishes an amazing feat when he wins all five of the track's Grade I races, four of them with leading rider David Flores in the boot.
2000
For the 10th year in a row, Del Mar and its satellites top the nation in daily average attendance (27,960). Robert Frankel does it again (!) when he saddles Skimming to take the Pacific Classic for the trainerpis fifth win in 10 runnings of the $1-million race. Bob Baffert captures his fourth straight conditioning title and rising star Victor Espinoza is champion rider. And it all gets seen on the trackpis new video boards in the infield and the paddock.
2001
There is talk of changing the race name from the Pacific Classic to the Robert Frankel when the Hall-of-Fame trainer does his deja vu magic with Skimming for an unprecedented sixth win in a particular $1-million race. The victory helps Juddmonte Farms become the first Del Mar owner to top $1 million for a season ($1,150,954). And it's that Bob Baffert fellow as champion trainer once more, while Alex Solis goes back on top among the riders.
2002
The track loses one of its great leaders when John C. Mabee passes at age 80, but carries on the tradition he helped put in place, including his grandest idea of all: the $1-million Pacific Classic (captured this year by the 3-year-old ace Came Home). Daily average handle goes to an all-time high ($12,351,679); a rejuvenated Patrick Valenzuela wins a riding title for the first time in more than a decade; Bob Baffert takes his sixth straight training title, and The Thoroughbred Corp. captures its first owners crown.
2003
Del Mar was saddened with the passing of two of its riding stars, John Longden and Bill Shoemaker. South American ace Candy Ride sets a track record (1:59.11) in winning the Pacific Classic. The betting goes higher still with another record season ($570,903,890). Bob Baffert and Pat Valenzuela are the training and riding champs again, and Valenzuela and Hall of Famer Julie Krone - making a big splash in her first season at the shore - put on a match race for the ages with P Val winning it by a whisker.
2004
The numbers are still nifty, with a record total handle ($580,382,206) equating to a record daily average ($13,497,260), aided by another on-track attendance increase -- the fourth straight -- to an average 17,052 per day. Purses reach an all-time high (a daily average of $559,349) and there is a record Pick Six payout ($2,100,017) to one lucky bettor. Pleasantly Perfect is the Pacific Classic star, making sure Gerald Fordpis Diamond A Racing Corp. is Del Marpis leading owner, while jockey Corey Nakatani and trainer Doug O'Neill prove best of their respective rivals. On a lone sour note, the track hosts what may prove to be the last Del Mar yearling sale, a summer staple at the shore since 1954.
2005
Once again the marks for its betting standards tumble as fans find the Del Mar product alluring and they plunge a record $608,168,297 through the wickets for a daily average of $14,143,449. Reflective of this, a single-day handle mark is set ($24,004,733) and purses reach a new pinnacle at $592,406 per day. An ownership group headed by Rancho Santa Fepis Jon Kelly hits it big with Borrego in the $1-million Pacific Classic and Victor Espinoza earns his second jockey crown while Jeff Mullins wins his first trainer's title. "Sing Along With Bing" is born, "Four O'Clock Friday" continues to pack 'em in and turf and surf, fun and sun has never seemed better.
2006
Opening day is a dandy. 42,005 turn out, the second-largest crowd in track history and the tone is set for another fun and sun run through the summer. The explosive Lava Man captures Pacific Classic No. 16, thus becoming the first to sweep California.s three Big Ones (S.A..Cap, H.wood Gold Cup) in one year. Leading rider (again) Victor Espinoza does something never done at the shore oval before when he wins seven races on one card on Labor Day. And California.s new training kingpin, Doug O'Neill, earns his second Del Mar title.
2007
The Polytrack Era dawns at Del Mar, all $9-million worth of it, and the new main-track surface brings slower times, but safer trips for horses and riders. Another Opening Day onslaught -- 42,842, second-largest crowd in the trackis history n kicks things right off and the Pacific Classic Day handle -- $24,667,351 n is the largest one-day run at the wickets in the seaside courseis 68 summer seasons. Student Council surprises in the Classic, while Michael Baze captured his first Del Mar riding crown and Doug O'Neill takes home his third in the past four years.
2008
The seaside oval charges out of the gate with an Opening Day record crowd n 43,459. Battling a recession-bound economy heading south, it takes a mild hit at the gate and the wickets, but manages to hold its own in the end. A tweaked Polytrack allows for faster times while continuing to reduce catastrophic injuries. The eastern invader Go Between snatches the Pacific Classic, as newcomer Rafael Bejarano and old pro John Sadler win their first jockey/trainer crowns.
2009
For the first time since 1945, Del Mar runs five days per week, dropping its Monday programs (with the exception of Labor Day) in an adjustment to a tough economy and a declining horse population. And less proves to be more. The seaside trackis 70th racing season sees ups in on-track attendance and handle as fans and horsemen respond positively to the switch. Opening Day, which has become an event all unto itself, establishes a new record when 44,907 fans start things with a rush. Richardis Kid pulls off a big surprise in the Pacific Classic and John Sadler is training champ (again), while Joel Rosario wins his first shore riding crown.
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Shop for wall art from millions of independent artists and global brands. Browse and purchase art prints, canvas prints, framed art prints, metal prints, posters, tapestries, and more. Search for products by subjects and artistic styles.
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Fine Art America
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Choose from 15 different print sizes starting a 6" x 6" and going all the way up to 50" x 108".
Square, rectangular, panoramic - we have them all.
Customize your print with hundreds of different frame and mat options.
Craftsmanship
Fine Art America is the largest wall art marketplace in the world. We have 16 fulfillment centers located in five different countries and produce museum-quality products for millions of artists, photographers, and iconic brands.
Our expert staff cuts and assembles each wall art product by hand and prints each image using archival inks which are designed to last for 75 years without fading.
Your wall art will be ready to ship within 2 - 3 days after you place your order, and you can ship it to any destination in the world.
Every product includes a 30-day money-back guarantee. If you're not happy with your purchase, for any reason, you can send it back for a refund. Don't worry - you're going to love it!
Mounting
Your wall will arrive with everything that you need to mount it on your wall.
Small prints (less than 20" x 16" in size) include a saw-tooth hanger on the back, and medium to large prints include a hanging wire or D-clips.
You'll also receive a small plastic bag containing mounting hooks and nails.
Quality & Care
Our wall art products are produced using archival inks which are designed to last 75 years without fading or loss of color.
As long as you don't place your wall art somewhere outdoors where it will be subjected to high humidity, extreme temperatures, and/or direct rain, your purchase will last a lifetime!
Lead Times and Delivery
Fine Art America is the largest wall art marketplace in the world. We have 16 fulfillment centers located in five different countries and produce museum-quality wall art products for millions of artists, photographers, and iconic brands.
Your wall art will be hand-crafted by our expert staff at the fulfillment center that is located closest to your destination shipping address. Your order will ready to ship within 2 - 3 days after you place your order, and then standard UPS / FedEx shipping times apply. You can ship your wall art to any destination in the world.
Every product includes a 30-day money-back guarantee. If you're not happy with your purchase, for any reason, you can send it back for a refund. Don't worry - you're going to love it!
|
|||||
4333
|
dbpedia
|
3
| 35 |
https://tredwear.com/
|
en
|
Raised White Letter CUSTOM TIRES
|
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] |
[] |
[] |
[
""
] | null |
[] |
2014-04-10T08:48:50+00:00
|
When you need tire graphics for your naked tires, Don't buy stickers. Choose The original tire graphics solution. TredWear---NoNakedTires.
|
en
|
https://tredwear.com/wp-content/themes/minimum-pro/images/favicon.ico
|
TredWear
|
https://tredwear.com/
|
The Original Solution for Creating REAL Raised White Letter Tires #nonakedtires ®
Our raised white letter tire inserts allow you to turn any black wall tire into a REAL raised white letter tire. Never again will you have to struggle with tire paint pens and tire markers . Make your own white letter tires using our REAL rubber raised white letter tire kits (patent pending). They adhere permanently to the sidewall of your tire in seconds. White Tire Paint pens cannot compare the performance of our REAL rubber letters. Whether you are trying to shout about your favorite sports team, advertize a business, or add a nostalgic look to your ride, TredWear offers the ultimate answer. Try a set today on your sports car and create your own low profile white letter tires, or add a visual POP to your Motorcycle that will turn heads. But WHATEVER you do….. Don’t let your tires go ROUND NAKED! Dress them with TredWear Graphics and Lettering Kits.
WE’VE GOT THE BEST TIRE GRAPHICS ANYWHERE!
|
||||
4333
|
dbpedia
|
2
| 4 |
https://boo.world/database/profile/1101374/mickey-walls-personality-type
|
en
|
Mickey Walls's Personality Unveiled: MBTI, Enneagram and More
|
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] |
[] |
[] |
[
""
] | null |
[] | null |
What 16 personality type is Mickey Walls from Horse Racing? Find out Mickey Walls's 16 type, Enneagram, and Zodiac sign in the Soulverse, the comprehensive personality database.
|
en
|
/icon.png
|
Boo
|
https://boo.world/database/profile/1101374/mickey-walls-personality-type
|
Mickey Walls Personality Type
Mickey Walls is an ESFP and Enneagram Type 8w7.
What is Mickey Walls's personality type?
|
||||
4333
|
dbpedia
|
3
| 15 |
https://harnesslink.com/usa/mickey-and-sylvia-burke-to-the-little-brown-jug-wall-of-fame/
|
en
|
Mickey and Sylvia Burke to Wall of Fame
|
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[] |
[] |
[
""
] | null |
[
"admin",
"harnesslink.com",
"www.facebook.com"
] |
2021-08-21T08:03:21+12:00
|
Delaware, OH — Leading owners Mickey and Sylvia Burke have been selected as the 36th Little Brown Jug Wall of Fame honorees by the Delaware County Fair.
|
en
|
Harnesslink
|
https://harnesslink.com/usa/mickey-and-sylvia-burke-to-the-little-brown-jug-wall-of-fame/
|
Delaware, OH — Leading owners Mickey and Sylvia Burke have been selected as the 36th Little Brown Jug Wall of Fame honorees by the Delaware County Fair.
The Burke’s are the principals of Burke Racing Stable who have owned a pair of Little Brown Jugs champs – Filibuster Hanover (2017) and Limelight Beach (2014) – and four Jugette queens – Warrawee Ubeaut (2019), Sassa Hanover (2015), Darena Hanover (2012) and Western Graduate (2007).
Mickey started driving harness horses as a hobbyist in 1956, campaigning around the fair circuits of Ohio and Pennsylvania, all while operating a successful car dealership in Western Pennsylvania for several decades.
After selling the dealership in 1981, Mickey and his wife Sylvia started ‘full-time’ in the harness racing business. Between 1991 and 2008, Mickey was credited with 3,167 training wins and $35.5 million in earnings.
Mickey and Sylvia have five children, three of which are active daily in the sport. In 2009, Mickey turned his training operation over to his son, Ron, and Mickey, Jr. and Michelle oversee the operations of their Washington, PA
Coming into this year, Burke Racing Stable have entered 23 horses in the Little Brown Jug, winning $1.2 million in purses. Their success isn’t limited to the three-year-old colt classic. They have also won 10 heats of the Jugette, an Old Oaken Bucket, three Standardbred’s and seventeen Ohio Breeders Championship events.
“We are extremely excited to welcome the Burke’s onto the Little Brown Jug Wall of Fame,” said Chip Thomson, chair of the Wall of Fame Committee. “They have been strong supporters of our events and we wish them continued success.”
The Burke’s will be presented the Wall of Fame plaque during the 2021 Little Brown Jug week (September 19-23).
Photo: Mickey and Sylvia Burke flank the great Foiled Again at his induction into the Harness Racing Hall of Fame.
|
|||||
4333
|
dbpedia
|
2
| 59 |
https://stores.spirithalloween.com/
|
en
|
Halloween & Costume Stores
|
[
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[] |
[] |
[
"halloween costumes",
"spirit halloween",
"spirit halloween store",
"halloween store",
"halloween stores near me"
] | null |
[] | null |
Spirit Halloween is your destination for costumes, props, accessories, hats, wigs, shoes, make-up, masks and much more! Find a store near you!
|
en
|
https://stores.spirithalloween.com/
| |||||||
4333
|
dbpedia
|
0
| 40 |
https://woodbine.com/kingsplate/history/
|
en
|
Kings Plate
|
[
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] |
[] |
[] |
[
""
] | null |
[] |
2023-05-23T18:37:43+00:00
|
King's Plate is Canada's oldest and continuously run thoroughbred race in North America. History of King's Plate dates back to June 27, 1860 when the first run was held at Toronto's Carleton Race Course.
|
en
|
Kings Plate
|
https://woodbine.com/kingsplate/history/
|
There is no reason to believe that Queen Victoria was a wild-eyed devotee of horse racing. However, Her Majesty granted the petition of the little turf club in the boisterous Upper Canada community (the population of Toronto was 44,425) and offered as an annual prize, “a plate to the value of Fifty Guineas.”
Canadian horse-racing had fallen on evil days in 1881, when Joseph Duggan, owner of the Woodbine race course, decided that the only person who could save the situation was Toronto’s postmaster T. C. Patteson, a remarkable man who was recovering from the financial disaster of funding the old Toronto Mail. When he died, the Toronto World described him as “the man of the most distinct personality ever known to Toronto and probably to all Canada.”
Patteson was a paradox – a courtly Etonian and Oxonian who insisted upon transplanting the gracious living of upper class England to rowdy Toronto although for personal protection, he carried a pair of brass-knuckles in his jacket pockets. (Twice, he was knocked senseless by footpads in the Toronto streets.)
Patteson attacked the racing problem with his customary vigour. He called the formation meeting of The Ontario Jockey Club at the Queen’s Hotel in June, 1881. Sir Casimir promptly subscribed $500 and attempted to leave the chair, saying, “There, that’s all I expect that you want of me.”
But Patteson had other plans which he confided to Sir Casimir. They agreed that horse racing would be established for all time as a Canadian institution – not alone as a sport – if a member of the Royal Family could be persuaded to attend the races at Woodbine. In his personal writings, Patteson envisioned the day “when the Queen herself would be present for the running of The Queen’s Plate.”
The plot was hatched guilefully. The incumbent Governor-General of Canada was the Marquis of Lorne. The Marchioness of Lorne was Princess Louise, daughter of Queen Victoria. In his capacity as aide-de-camp to the Queen, Sir Casimir invited the Lornes to be his house guests in Toronto. Remarkably, their visit coincided with the spring racing meeting at Woodbine. Remarkably, too, they agreed to accompany their host to the races.
It was perhaps, typical of Patteson that, writing of the event under a pen-name in The Mail, he remarked testily that “it was unfortunate that Her Royal Highness delayed the start of the racing by being 15 minutes late.”
Sir Casimir and Mr. Patteson had turned the trick. Canadian racing was established as “the sport of royalty”.
In 1974 Queen Mother Elizabeth attended the 115th running of The Queen’s Plate, her fourth official visit to an Ontario race track. The Queen’s Plate was won by Amber Herod, owned by Stafford Farms and trained by Gil Rowntree. He was ridden by Robin Platts.
Queen Mother Elizabeth made her fifth visit to The Queen’s Plate in 1979. This time she attended the 120th running of the three-year-old classic and watched Kinghaven Farms’ Steady Growth defeat Windfields Farm’s Bold Agent over a sloppy track.
In 1981 The Queen Mother congratulated Mr. and Mrs. Jack Carmichael, trainer Jim Bentley and jockey David Clark after Fiddle Dancer Boy eked out a nose decision.
Her Majesty Queen Elizabeth The Queen Mother made her sixth appearance at Woodbine in 1985. She made the presentation to Charles Taylor, of Windfields Farm, whose brilliant filly, La Lorgnette won handily. La Lorgnette is the second filly in history to capture both the Canadian Oaks and The Queen’s Plate.
In 1989 Her Majesty Queen Mother Elizabeth celebrated the 50th anniversary of her first visit to Toronto and the Royal Race. The Queen Mother presented the Gold Cup to With Approval’s proud owner, Mr. “Bud” Willmot.
|
|||||
4333
|
dbpedia
|
0
| 56 |
https://www.leoweekly.com/news/censored-a-horse-dies-state-keeps-details-secret-15763037
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en
|
Censored: A Horse Dies, State Keeps Details Secret
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[
"Crossroads in horse racing",
"Crossroads in horse racing",
"Feature"
] | null |
[
"Caitlin McGlade"
] |
2019-06-19T10:24:24
|
This story is from Kentucky Center For Investigative Reporting. This piece is part of a package of stories and commentary on horse racing in Kentucky...
|
en
|
/favicon.ico
|
LEO Weekly
|
https://www.leoweekly.com/news/censored-a-horse-dies-state-keeps-details-secret-15763037
|
This story is from Kentucky Center For Investigative Reporting. This piece is part of a package of stories and commentary on horse racing in Kentucky and elsewhere. For more, click here.
It was Kinley Karoles first race, ever.
On a Thursday nearly two weeks after the Kentucky Derby, the crowd at Churchill Downs was sparse. The 3-year-old filly came out of the gate slow. For the first minute, she trailed far behind the pack.
When she started to catch up, her back leg snapped.
Dennis Trusty, a regular bettor at Churchill Downs, lurched away from his spot close to the rail, punched a wall and stormed down to the paddock. Too painful to watch.
He was certain the filly would be euthanized from the way her leg bent backwards.
I knew what happened; its just I wanted to be sure what happened, he said.
He scanned social media, checked industry blogs. Nothing.
If Kinley Karole had died in other states with major races, her death would become public record. Officials from California, Illinois, New Jersey, Maryland and New York share which horses die, where and when. The Kentucky Horse Racing Commission largely keeps that secret, saying state law protects the business interests of their trainers and owners.
The Courier Journal in March reported that 43 Thoroughbreds had died at Churchill Downs since 2016. Last month, The Kentucky Center for Investigative Reporting requested records that would further detail the circumstances of those deaths: race horse necropsies filed by veterinarians and data the state submits to an industry database that tracks race horse death and injuries.
The commission refused to release the data, calling the submissions drafts, which would exempt them from disclosure under Kentuckys Open Records Act. The commission also said state law makes veterinarians relationships with clients confidential.
Officials did agree to release the death reports, which include medical descriptions of the horses problems and the track conditions. But the commission redacted other key information: name, age, sex, time and date of death, race number, the track name and the owners name.
Shawn Chapman, the Kentucky Horse Racing Commissions deputy general counsel, cited a Kentucky state law that protects competitive information from disclosure in refusing to turn over details from the necropsies.
He said releasing that information could put trainers and owners at a competitive disadvantage. He declined to answer additional questions.
Susan West, a spokesperson for the Public Protection Cabinet, which oversees the Kentucky Horse Racing Commission, said in an emailed statement that other states keep the names of injured and dead horses confidential too. She did not specify which states.
West also noted that the agency will confirm the deaths of specific horses when asked; she confirmed that Kinley Karole died after that race at Churchill Downs last month.
But the horse racing commissions position on open records makes it harder for the public to hold accountable some of the racing industrys biggest players, said Amye Bensenhaver, with the Kentucky Open Government Coalition.
In establishing these impediments to access, they are tipping the balance in favor of the industry rather than the publics right to know, Bensenhaver said.
New York, home of the Belmont Stakes, takes the opposite approach.
When New York-based trainer Robert Barbaras horse, Tommy T, died at the Aqueduct Racetrack in Queens, the details were entered into a publicly available database maintained by the New York State Gaming Commission.
The database says Tommy T broke a leg bone on January 27 and was euthanized on the track.
Barbara told KyCIR that he doesnt feel at a disadvantage simply because anyone can go online and see how many of his horses died or got injured in New York.
Besides Tommy T, Barbara has lost two other horses since 2016 and had a few others that incurred injuries.
If its out there, its out there, Barbara said. If people go to the internet and see this stuff and see that Ive had five horses break down in two years or whatever and another guy that has the same record as me never had a horse break down, will it mean something to somebody? I guess. Does it bother me? No, it doesnt. It is what it is.
other States share Fatality Details
A spate of deaths at Santa Anita Park in California recently sparked widespread scrutiny on fatalities and health impacts of various drugs administered to race horses.
Track fatalities in Kentucky are on the rise: they nearly doubled from 23 in 2017 to 38 in 2018, according to statistics in veterinary reports obtained through a public records request.
Mary Scollay, the racing commissions equine medical director, declined an interview with KyCIR. She instead asked for emailed questions but did not respond.
In February, Scollay told the Paulick Report, a race industry trade publication, that she couldnt find much that stuck out about the horses that died.
She noted the only commonality among the dead was their age: the horses dying are younger than usual.
The age group most at risk for fatal injuries is shifting to 2- and 3-year-olds rather than 3- and 4-year-olds, according to the Paulick Report story. The Kentucky Horse Racing Commission blacked out the ages of the horses that died in the records provided to KyCIR.
The public should be able to independently look for trends, Bensenhaver said.
We have to have access to these records to enable us to assess at every level how these responsibilities are being discharged; how seriously [state officials] are undertaking this effort to expose what the problem is.
Officials from other major racing states interviewed by KyCIR all said basic details and the identities of horses that die are not confidential.
A spokesman for Marylands racing commission handed over a list of all horse racing deaths in 2018, with dates, locations, injury types and horse names, after a phone call. An official from California, too, quickly turned over names of the dead from Santa Anita Park.
The spokesman said names and dates of deaths at other tracks, as long as the deaths were not under investigation, would be available after submitting a public records request.
In Arkansas, a state official with the Arkansas Racing Commission said the agency would share the details, although they didnt respond to a public records request prior to publication.
Several state officials remarked that they release details because they value transparency.
Absolutely. Were 100% transparent when it comes to the information Horse name, trainer, the track, what kind of race . It should be made public, said Mickey Ezzo, projects manager for the Illinois Racing Board.
A spokesman from New Yorks gaming commission, which launched its injury and death database in 2009, wrote in an email that the racing community widely accepts the transparency.
Officials from other states said they seldom hear complaints for sharing.
Not one, said Ezzo, from the Illinois Racing Board. Ive been doing this for 20 years and never gotten any complaints from horsemen when that information was released to the public.
The Jockey Club, which is the Thoroughbred breed registry for Thoroughbreds in North America, encourages race tracks to post their death and injury statistics. Only Keeneland and Turfway Park in Kentucky share their statistics; Churchill Downs does not. A Churchill Downs spokesperson did not respond to requests for comment.
Jockey Club President James Gagliano said his website does not publish information on individual cases but he couldnt understand how Kentucky could argue that identifying horses that die and where they died would create competitive disadvantages.
I really question the wisdom of a statement like that, Gagliano said. These are facts and there is nothing wrong with reporting the facts.
Went Wrong
Even in the midst of the nationwide controversy over horse deaths, Kinley Karoles death two weeks after the Derby didnt make the news.
The only place it was reported was on Patrick Battuellos anti-horse racing website, HorseRacingWrongs.com. Battuello scours the internet for information. Churchill Downs daily racing chart, posted to a major bettor website, said the filly went wrong entering the lane, was pulled up and vanned off.
Some states racing charts just say horses were euthanized. But not Kentuckys, according to Battuellos research. Went wrong, he says, is code for euthanized.
Larry Demeritte, who trained the three-year-old filly who recently died at Churchill Downs, didnt have any problem putting it plainly: Her leg snapped off, he said.
It was ugly. I couldnt even go look at her. It was just too painful to see.
Demeritte trains 10 horses at his stables at The Thoroughbred Center in Lexington, surrounded by rolling green hills and white fences. He said he bonds with each of his horses; that they all have their own quirks, their own way of expressing themselves to him.
He patted his chest as he searched for the words.
Thats like one of your kids you just lost People dont know, he said. These animals we spend more time around them than we do ourselves, our families.
It hurt, but Demeritte doesnt think it should be a secret.
If Kentucky shared horse death data like other states do, Demeritte said, he wouldnt see it as a competitive disadvantage. In fact, he thinks encouraging more transparency could help.
I would like to see that people trust us more in the game, he said. The more secretive you are, people always say, theres something shady about it.
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dbpedia
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0
| 6 |
https://www.pinterest.jp/pin/young-jockey-mickey-walls-was-a-sensation-on-the-local-thoroughbred--298645019031599234/
|
en
|
[] |
[] |
[] |
[
""
] | null |
[] |
2017-06-29T11:01:38+00:00
|
Young jockey Mickey Walls was a sensation on the local thoroughbred racing scene. Get premium, high resolution news photos at Getty Images
|
en
|
Pinterest
|
https://www.pinterest.jp/pin/young-jockey-mickey-walls-was-a-sensation-on-the-local-thoroughbred--298645019031599234/
| |||||||
4333
|
dbpedia
|
2
| 63 |
https://www.merriam-webster.com/dictionary/stud
|
en
|
Stud Definition & Meaning
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[] |
[] |
[
""
] | null |
[] |
2024-08-09T00:00:00
|
The meaning of STUD is a group of animals and especially horses kept primarily for breeding. How to use stud in a sentence.
|
en
|
/favicon.svg
|
https://www.merriam-webster.com/dictionary/stud
|
Recent Examples on the Web
Noun
The pop star carried a wicker handbag, completing her look with pearl studs. —Hannah Malach, WWD, 28 July 2024 Surprisingly, Taylor didn’t wear a necklace but did however opt for large stud earrings that were in flower or star-like shape. —Kerane Marcellus, Essence, 11 July 2024 Oversized stud earrings in geometric shapes, floral designs or more classic styles create an eye-catching look that’s not too over-the-top. —Ebony-Renee Baker, refinery29.com, 17 June 2024 In 1990 a young stud of a movie star directed his first movie. —Ross Douthat, National Review, 25 July 2024 See all Example Sentences for stud
These examples are programmatically compiled from various online sources to illustrate current usage of the word 'stud.' Any opinions expressed in the examples do not represent those of Merriam-Webster or its editors. Send us feedback about these examples.
Etymology
Noun (1)
Middle English stod, from Old English stōd; akin to Old Church Slavonic stado flock and probably to Old High German stān to stand — more at stand
Noun (2)
Middle English stode, from Old English studu; akin to Middle High German stud prop, Old Norse stoth post
|
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4333
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dbpedia
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3
| 97 |
https://profiles.stanford.edu/mickey-trockel
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en
|
Mickey Trockel's Profile
|
https://profiles.stanford.edu/images/favicon.ico;jsessionid=C4EFFB623E16AD98D56C4BA2311AB15B.cap-su-capappprd98?r=10.8.0
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https://profiles.stanford.edu/images/favicon.ico;jsessionid=C4EFFB623E16AD98D56C4BA2311AB15B.cap-su-capappprd98?r=10.8.0
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[] |
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[
""
] | null |
[] | null |
Mickey Trockel is part of Stanford Profiles, official site for faculty, postdocs, students and staff information (Expertise, Bio, Research, Publications, and more). The site facilitates research and collaboration in academic endeavors.
|
en
|
/images/favicon.ico;jsessionid=C4EFFB623E16AD98D56C4BA2311AB15B.cap-su-capappprd98?r=10.8.0
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https://profiles.stanford.edu/mickey-trockel;jsessionid=C4EFFB623E16AD98D56C4BA2311AB15B.cap-su-capappprd98
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Abstract
Importance: Physician turnover interrupts care delivery and creates health care system financial burden.Objective: To describe the prevalence of burnout, professional fulfillment, and intention to leave (ITL) among physicians at academic-affiliated health care systems and identify institutional and individual factors associated with ITL.Design, Setting, and Participants: This cross-sectional study administered a survey to 37 511 attending-level medical specialists at 15 academic medical institutions participating in the Healthcare Professional Well-Being Academic Consortium. Data were collected from October 2019 to July 2021. Statistical analysis was performed from May 2022 to March 2023.Exposures: Hypothesized institutional and individual determinants of occupational well-being.Main Outcomes and Measures: The main outcome was ITL, defined as having at least a moderate intention (a score of 2 on a 0-4 scale) to leave one's institution within the next 2 years. Additional outcomes included burnout and professional fulfillment, defined using published Professional Fulfillment Index cut points.Results: Of 18 719 academic physician survey respondents (8381 [44.8%] male; 2388 [12.8%] Asian, 10 599 [56.6%] White, 1039 [5.6%] other race, 4693 [25.1%] unknown race; 294 [1.6%] Hispanic or Latina/Latino/Latinx), 6903 of 18 217 (37.9%) met criteria for burnout and 7301 of 18 571 (39.3%) for professional fulfillment; 5177 of 15 890 (32.6%) reported moderate or greater ITL. Burnout, professional fulfillment, and ITL varied across specialties. After adjusting for demographics, each 1-point increase (range 0-10) in burnout was directly associated with ITL (odds ratio [OR], 1.52 [95% CI, 1.49-1.55])c, and each 1-point increase in professional fulfillment was inversely associated with ITL (OR, 0.64 [95% CI, 0.63-0.65]). After adjusting for demographics, burnout, and professional fulfillment, each 1-point increase (range 0-10) in supportive leadership behaviors (OR, 0.83 [95% CI, 0.82-0.84]), peer support (OR, 0.93 [95% CI, 0.91-0.95]), personal-organizational values alignment (OR, 0.81 [95% CI, 0.80-0.82]), perceived gratitude (OR, 0.95 [95% CI, 0.92-0.97]), COVID-19 organizational support (OR, 0.88 [95% CI, 0.85-0.91]), and electronic health record helpfulness (OR, 0.95 [95% CI, 0.93-0.97]) were inversely associated with ITL, whereas each 1-point increase (range 0-10) in depression (OR, 1.08 [95% CI, 1.05-1.10]) and negative impact of work on personal relationships (OR, 1.09 [1.07-1.11]) were directly associated with ITL.Conclusions and Relevance: In this cross-sectional study of academic physicians, 32.6% indicated moderate or higher ITL within 2 years. Burnout, lack of professional fulfillment, and other well-being factors were associated with ITL, suggesting the need for a comprehensive approach to reduce physician turnover.
View details for DOI 10.1001/jamanetworkopen.2023.47894
View details for PubMedID 38100103
Abstract
To assess associations of adverse childhood experiences (ACEs) and adverse occupational experiences (AOEs) with depression and burnout in US physicians.We performed a secondary analysis of data from a representative sample survey of US physicians conducted between November 20, 2020, and March 23, 2021, and from a probability-based sample of other US workers. The ACEs, AOEs, burnout, and depression were assessed using previously published measures.Analyses included data from 1125 of the 3671 physicians (30.6%) who received a mailed survey and 6235 of 90,000 physicians (6.9%) who received an electronic survey. The proportion of physicians age 29-65 who had lived with a family member with substance misuse during childhood (673 of 5039[13.4%]) was marginally lower (P <.001) than that of workers in other professions (448 of 2505 [17.9%]). The proportion of physicians age 29-65 who experienced childhood emotional abuse (823 of 5038 [16.3%]) was similar to that of workers in other professions (406 of 2508 [16.2%]). The average physician depression T-score was 49.60 (raw score ± SD, 6.48±3.15), similar to the normed US average. The AOEs were associated with mild to severe depression, including making a recent significant medical error (odds ratio [OR], 1.64; 95% CI, 1.33 to 2.02, P<.001), being named in a malpractice suit (OR, 1.30; 95% CI, 1.07 to 1.59, P=.008), and experiencing one or more coronavirus disease 2019-related AOEs (OR, 1.76; 95% CI, 1.56 to 1.99, P<.001). Having one or more ACEs was associated with mild to severe depression (OR, 1.58; 95% CI, 1.38 to 1.79, P<.001). The ACEs, coronavirus disease 2019-related AOEs, and medical errors were also associated with burnout.Assessing ACEs and AOEs and implementing selective primary prevention interventions may improve population health efforts to mitigate depression and burnout in physicians.
View details for DOI 10.1016/j.mayocp.2023.03.021
View details for PubMedID 38043996
Abstract
To determine the effects of a popular opinion leader (POL)-led organizational intervention targeting all physicians and advanced practice providers (APPs) working within clinic groups on professional fulfillment (primary outcome), gratitude, burnout, self-valuation, and turnover intent.All 20 Stanford University HealthCare Alliance clinics with ≥5 physicians-APPs were matched by size and baseline gratitude scores and randomly assigned to immediate or delayed intervention (control). Between July 10, 2018, and March 15, 2019, trained POLs and a physician-PhD study investigator facilitated 4 interactive breakfast or lunch workshops at intervention clinics, where colleagues were invited to discuss and experience one evidence-based practice (gratitude, mindfulness, cognitive, and behavioral strategies). Participants in both groups completed incentivized annual assessments of professional fulfillment, workplace gratitude, burnout, self-valuation, and intent to leave as part of ongoing organizational program evaluation.Eighty-four (75%) physicians-APPs at intervention clinics attended at least 1 workshop. Of all physicians-APPs, 236 of 251 (94%) completed assessments in 2018 and 254 of 263 (97%) in 2019. Of 264 physicians-APPs with 2018 or 2019 assessment data, 222 (84%) had completed 2017 assessments. Modal characteristics were 60% female, 46% White, 49% aged 40 to 59 years, 44% practicing family-internal medicine, 78% living with partners, and 53% with children. Change in professional fulfillment by 2019 relative to average 2017 to 2018 levels was more favorable (0.63 points; effect size = 0.35; P=.001) as were changes in gratitude and intent to leave among clinicians practicing at intervention clinics.Interventions led by respected physicians-APPs can achieve high participation rates and have potential to promote well-being among their colleagues.
View details for DOI 10.1016/j.mayocp.2022.06.035
View details for PubMedID 36464536
Abstract
The National Academy of Medicine's 2019 consensus study on clinician burnout identified a need for research evaluating the impact of clinician distress on health care quality. This study examined the association between clinician distress and the inappropriate use of antibiotic prescriptions for acute respiratory tract infections (RTIs) in adult outpatients.A retrospective cohort study was conducted using electronic health record visit data linked to annual wellness surveys administered to all clinicians at Boston Medical Center from May 4 to June 20, 2017, and June 5 to July 6, 2018. Included were outpatient visits occurring in Family Medicine, General Internal Medicine, or the emergency department in which an acute RTI for an otherwise healthy adult was listed as a primary diagnosis. The study examined the association of clinician depression, anxiety, and burnout with the visit-level odds of a clinician inappropriately prescribing an antibiotic for an acute RTI.Out of the 2,187 visits eligible for inclusion, 1,668 visits were included in the final sample. Overall, 33.8% and 51.0% of clinicians reported depression/anxiety and burnout symptoms, respectively. Each 1 standard deviation increase in a clinician's composite depression and anxiety score was associated with a 28% increase (odds ratio = 1.28, 95% confidence interval = 1.02-1.61) in the adjusted odds of an inappropriate antibiotic prescription for an acute RTI. Clinician burnout had no significant association with inappropriate antibiotic prescribing for acute RTIs.These findings suggest that clinician depression and anxiety may be important indicators of health care quality in routine outpatient care.
View details for DOI 10.1016/j.jcjq.2022.01.011
View details for Web of Science ID 000805833000006
View details for PubMedID 35489803
Abstract
OBJECTIVE: To evaluate the prevalence of suicidal ideation (SI) and attitudes regarding help seeking among US physicians relative to the general US working population.PARTICIPANTS AND METHODS: A secondary analysis of a cross-sectional survey of US physicians and a probability-based sample of the US working population was conducted between October 12, 2017, and March 15, 2018. Among 30,456 invited physicians, 5197 (17.1%) completed the primary survey. Suicidal ideation in the last year, attitudes regarding help seeking, symptoms of depression, and burnout were assessed by standardized questions.RESULTS: Among the 4833 physicians who responded regarding SI, 316 (6.5%) reported having suicidal thoughts in the last 12 months. Most physicians (3527 [72.9%]) reported that they would seek professional help if they had a serious emotional problem. Physicians with SI were less likely to report that they would seek help (203/316 [64.2%]) than physicians without SI (3318/4517 [73.5%]; P=.001). On multivariable analysis, symptoms of depression (odds ratio [OR], 4.42; 95% CI, 1.89 to 11.52), emotional exhaustion (OR, 1.07 each 1-point increase; 95% CI, 1.03 to 1.11), and self-valuation (OR, 0.84 each 1-point increase; 95% CI, 0.70 to 0.99) were associated with SI. Among individuals aged 29 to 65 years, physicians were more likely than workers in other fields to report SI (7.1% vs 4.3%; P<.001), a finding that persisted on multivariable analysis.CONCLUSION: In this national study conducted before the COVID-19 pandemic, 1 in 15 US physicians had thoughts of taking their own life in the last year, which exceeded the prevalence of SI among US workers in other fields.
View details for DOI 10.1016/j.mayocp.2021.01.033
View details for PubMedID 34301399
Abstract
OBJECTIVE: To compare physicians with workers in other fields on measures of self-valuation (SV) and determine the effect of adjusting for SV on the relationship between being a physician and risk for burnout.PATIENTS AND METHODS: A random sample of physicians from the American Medical Association Physician Masterfile and a probability sample from the general US population were used. Data were collected for this cross-sectional study between October 12, 2017 and March 15, 2018. Burnout was indicated by a score of 27 or higher on Emotional Exhaustion or 10 or higher on Depersonalization, using the Maslach Burnout Inventory. Self-valuation was measured with Self-valuation Scale items.RESULTS: Physicians (248/832=29.8%) more than workers in other fields (1036/5182=20.0%) "often" or "always" felt more self-condemnation than self-encouragement to learn from the experience when they made a mistake. Physicians (435/832=52.3%) more than workers in other fields (771/5182=14.9%) "often" or "always" put off taking care of their own health due to time pressure. Physicians had greater odds of burnout before (odds ratio [OR], 1.51; 95% CI, 1.30 to 1.76) but not after adjusting for SV responses (OR, 0.93; 95% CI, 0.78 to 1.11). After adjustment for SV, work hours, sex, and age, physicians had lower odds of burnout than workers in other fields (OR, 0.82; 95% CI, 0.68 to 0.99).CONCLUSION: Self-valuation is lower in physicians compared with workers in other fields and adjusting for SV eliminated the association between being a physician and higher risk for burnout. Experimental design research is needed to determine whether the association of SV with burnout is causal and the degree to which SV is malleable to intervention at individual, organization, and professional culture levels.
View details for DOI 10.1016/j.mayocp.2020.12.032
View details for PubMedID 34210511
Abstract
BACKGROUND: Physician burnout is often assessed by healthcare organizations. Yet, scores from different burnout measures cannot currently be directly compared, limiting the interpretation of results across organizations or studies.OBJECTIVE: To link common measures of burnout to a single metric in psychometric analyses such that group-level scores from different assessments can be compared.DESIGN: Cross-sectional survey.SETTING: US practices.PARTICIPANTS: A total of 1355 physicians sampled from the American Medical Association Physician Masterfile.MAIN MEASURES: We linked the Stanford Professional Fulfillment Index (PFI) and Mini-Z Single-Item Burnout (MZSIB) scale to the Maslach Burnout Inventory (MBI) in item response theory (IRT) fixed-calibration and equipercentile analyses and created crosswalks mapping PFI and MZSIB scores to corresponding MBI scores. We evaluated the accuracy of the results by comparing physicians' actual MBI scores to those predicted by linking and described the closest cut-point equivalencies across scales linked to the same MBI subscale using the resulting crosswalks.KEY RESULTS: IRT linking produced the most accurate results and was used to create crosswalks mapping (1) PFI Work Exhaustion (PFI-WE) and MZSIB scores to MBI Emotional Exhaustion (MBI-EE) scores and (2) PFI Interpersonal Disengagement (PFI-ID) scores to MBI Depersonalization (MBI-DP) scores. The commonly used MBI-EE raw score cut-point of ≥27 corresponded most closely with respective PFI-WE and MZSIB raw score cut-points of ≥7 and ≥3. The commonly used MBI-DP raw score cut-point of ≥10 corresponded most closely with a PFI-ID raw score cut-point of ≥9.CONCLUSIONS: Our findings allow healthcare organizations using the PFI or MZSIB to compare group-level scores to historical, regional, or national MBI scores (and vice-versa).
View details for DOI 10.1007/s11606-021-06661-4
View details for PubMedID 33791938
Abstract
Importance: Although misalignment of values between physicians and their organization is associated with increased risk of burnout, actionable organizational factors that contribute to perceived values alignment are poorly understood.Objective: To evaluate the association between the leadership behaviors of immediate supervisors and physicians' perception of personal-organizational values alignment.Design, Setting, and Participants: This survey study of faculty physicians and physician leaders at Stanford University School of Medicine was conducted from April 1 to May 13, 2019. The survey included assessments of perceived personal-organizational values alignment, professional fulfillment, and burnout. Physicians also evaluated the leadership behaviors of their immediate supervisor (eg, division chief) using a standardized assessment. Data analysis was performed from May to December 2020.Main Outcomes and Measures: Association between mean leadership behavior score (range, 0-10) of each supervisor and the mean personal-organizational values alignment scores (range, 0-12) for the physicians in their work unit.Results: Of 1924 physicians eligible to participate, 1285 (67%) returned surveys. Among these, 651 (51%) were women and 729 (57%) were aged 40 years or older. Among the 117 physician leaders evaluated, 66 (56%) had their leadership behavior independently evaluated by at least 5 physicians and were included in analyses. The mean (SD) personal-organizational values alignment score on the 0 to 12 scale was 6.19 (3.21). As the proportion of work effort devoted to clinical care increased, values alignment scores decreased. Personal-organizational values alignment scores demonstrated an inverse correlation with burnout (r=-0.39; P<.001) and a positive correlation with professional fulfillment (r=0.52; P<.001). The aggregate leader behavior score of the 66 leaders evaluated correlated with the mean values alignment score for physicians in their work unit (r=0.53; P<.001). Aggregate leader behavior score was associated with 21.6% of the variation in personal-organizational values alignment scores between work units. After adjusting for age, gender, academic rank, work hours, physician-leader gender concordance, and time devoted to clinical care, each 1-point increase in leadership score of immediate supervisor was associated with a 0.56-point (95% CI, 0.46-0.66; P<.001) increase in personal-organizational values alignment score.Conclusions and Relevance: This survey study's results suggest that physicians experience their organization through the prism of their work unit leader. Organizational efforts to improve values alignment should attend to the development of first-line physician leaders.
View details for DOI 10.1001/jamanetworkopen.2020.35622
View details for PubMedID 33560424
Abstract
Importance: Sleep-related impairment in physicians is an occupational hazard associated with long and sometimes unpredictable work hours and may contribute to burnout and self-reported clinically significant medical error.Objective: To assess the associations between sleep-related impairment and occupational wellness indicators in physicians practicing at academic-affiliated medical centers and the association of sleep-related impairment with self-reported clinically significant medical errors, before and after adjusting for burnout.Design, Setting, and Participants: This cross-sectional study used physician wellness survey data collected from 11 academic-affiliated medical centers between November 2016 and October 2018. Analysis was completed in January 2020. A total of 19 384 attending physicians and 7257 house staff physicians at participating institutions were invited to complete a wellness survey. The sample of responders was used for this study.Exposures: Sleep-related impairment.Main Outcomes and Measures: Association between sleep-related impairment and occupational wellness indicators (ie, work exhaustion, interpersonal disengagement, overall burnout, and professional fulfillment) was hypothesized before data collection. Assessment of the associations of sleep-related impairment and burnout with self-reported clinically significant medical errors (ie, error within the last year resulting in patient harm) was planned after data collection.Results: Of all physicians invited to participate in the survey, 7700 of 19 384 attending physicians (40%) and 3695 of 7257 house staff physicians (51%) completed sleep-related impairment items, including 5279 women (46%), 5187 men (46%), and 929 (8%) who self-identified as other gender or elected not to answer. Because of institutional variation in survey domain inclusion, self-reported medical error responses from 7538 physicians were available for analyses. Spearman correlations of sleep-related impairment with interpersonal disengagement (r=0.51; P<.001), work exhaustion (r=0.58; P<.001), and overall burnout (r=0.59; P<.001) were large. Sleep-related impairment correlation with professional fulfillment (r=-0.40; P<.001) was moderate. In a multivariate model adjusted for gender, training status, medical specialty, and burnout level, compared with low sleep-related impairment levels, moderate, high, and very high levels were associated with increased odds of self-reported clinically significant medical error, by 53% (odds ratio, 1.53; 95% CI, 1.12-2.09), 96% (odds ratio, 1.96; 95% CI, 1.46-2.63), and 97% (odds ratio, 1.97; 95% CI, 1.45-2.69), respectively.Conclusions and Relevance: In this study, sleep-related impairment was associated with increased burnout, decreased professional fulfillment, and increased self-reported clinically significant medical error. Interventions to mitigate sleep-related impairment in physicians are warranted.
View details for DOI 10.1001/jamanetworkopen.2020.28111
View details for PubMedID 33284339
Abstract
Importance: Addressing physician suicide requires understanding its association with possible risk factors such as burnout and depression.Objective: To assess the association between burnout and suicidal ideation after adjusting for depression and the association of burnout and depression with self-reported medical errors.Design, Setting, and Participants: This cross-sectional study was conducted from November 12, 2018, to February 15, 2019. Attending and postgraduate trainee physicians randomly sampled from the American Medical Association Physician Masterfile were emailed invitations to complete an online survey in waves until a convenience sample of more than 1200 practicing physicians agreed to participate.Main Outcomes and Measures: The primary outcome was the association of burnout with suicidal ideation after adjustment for depression. The secondary outcome was the association of burnout and depression with self-reported medical errors. Burnout, depression, suicidal ideation, and medical errors were measured using subscales of the Stanford Professional Fulfillment Index, Maslach Burnout Inventory-Human Services Survey for Medical Personnel, and Mini-Z burnout survey and the Patient-Reported Outcomes Measurement Information System depression Short Form. Associations were evaluated using multivariable regression models.Results: Of the 1354 respondents, 893 (66.0%) were White, 1268 (93.6%) were non-Hispanic, 762 (56.3%) were men, 912 (67.4%) were non-primary care physicians, 934 (69.0%) were attending physicians, and 824 (60.9%) were younger than 45 years. Each SD-unit increase in burnout was associated with 85% increased odds of suicidal ideation (odds ratio [OR], 1.85; 95% CI, 1.47-2.31). After adjusting for depression, there was no longer an association (OR, 0.85; 95% CI, 0.63-1.17). In the adjusted model, each SD-unit increase in depression was associated with 202% increased odds of suicidal ideation (OR, 3.02; 95% CI, 2.30-3.95). In the adjusted model for self-reported medical errors, each SD-unit increase in burnout was associated with an increase in self-reported medical errors (OR, 1.48; 95% CI, 1.28-1.71), whereas depression was not associated with self-reported medical errors (OR, 1.01; 95% CI, 0.88-1.16).Conclusions and Relevance: The results of this cross-sectional study suggest that depression but not physician burnout is directly associated with suicidal ideation. Burnout was associated with self-reported medical errors. Future investigation might examine whether burnout represents an upstream intervention target to prevent suicidal ideation by preventing depression.
View details for DOI 10.1001/jamanetworkopen.2020.28780
View details for PubMedID 33295977
Abstract
Although leadership behavior of physician supervisors is associated with the occupational well-being of the physicians they supervise, the factors associated with leadership behaviors are poorly understood.To evaluate the associations between burnout, professional fulfillment, and self-care practices of physician leaders and their independently assessed leadership behavior scores.This survey study of physicians and physician leaders at Stanford University School of Medicine (n = 1924) was conducted from April 1 to May 13, 2019. The survey included assessments of professional fulfillment, self-valuation, sleep-related impairment, and burnout. Physicians also rated the leadership behaviors of their immediate physician supervisors using a standardized assessment. Leaders' personal well-being metrics were paired with their leadership behavior scores as rated by the physicians they supervised. All assessment scores were converted to a standardized scale (range, 0-10). Data were analyzed from October 20, 2019, to March 10, 2020.Association between leaders' own well-being scores and their independently assessed leadership behavior.Of 1924 physicians invited to participate, 1285 (66.8%) returned surveys, including 67 of 117 physician leaders (57.3%). Among these respondents, 651 (50.7%) were women and 729 (56.7%) were 40 years or older. Among the 67 leaders, 57 (85.1%) had their leadership behaviors evaluated by at least 5 physicians (median, 11 [interquartile range, 9-15]) they supervised. Overall, 9.8% of the variation in leaders' aggregate leadership behavior scores was associated with their own degree of burnout. In models adjusted for age and sex, each 1-point increase in burnout score of the leaders was associated with a 0.19-point decrement in leadership behavior score (β = -0.19; 95% CI, -0.35 to -0.03; P = .02), whereas each 1-point increase in their professional fulfillment and self-valuation scores was associated with a 0.13-point (β = 0.13; 95% CI, 0.01-0.26; P = .03) and 0.15-point (β = 0.15; 95% CI, 0.02-0.29; P = .03) increase in leadership behavior score, respectively. Each 1-point increase in leaders' sleep-related impairment was associated with a 0.15-point increment in sleep-related impairment among those they supervised (β = 0.15; 95% CI, 0.02-0.29; P = .03). The associations between leaders' well-being scores in other dimensions and the corresponding well-being measures of those they supervised were not significant.In this survey study, burnout, professional fulfillment, and self-care practices of physician leaders were associated with their independently assessed leadership effectiveness. Training, skill building, and support to improve leader well-being should be considered a dimension of leadership development rather than simply a dimension of self-care.
View details for DOI 10.1001/jamanetworkopen.2020.7961
View details for PubMedID 32543700
Abstract
OBJECTIVE: To measure self-valuation, involving constructive prioritization of personal well-being and a growth mindset perspective that seeks to learn and improve as the primary response to errors, in physicians and evaluate its relationship with burnout and sleep-related impairment.METHODS: We analyzed cross-sectional survey data collected between July 1, 2016, and October 31, 2017, from 5 academic medical centers in the United States. All faculty and medical-staff physicians at participating organizations were invited to participate. The self-valuation scale included 4 items measured on a 5-point (0-4) Likert scale (summative score range, 0-16). The self-valuation scale was developed and pilot tested in a sample of 250 physicians before inclusion in the multisite wellness survey, which also included validated measures of burnout and sleep-related impairment.RESULTS: Of the 6189 physicians invited to participate, 3899 responded (response rate, 63.0%). Each 1-point score increase in self-valuation was associated with-1.10 point lower burnout score (95% CI,-1.16 to-1.05; standardized beta=-0.53; P<.001) and 0.81 point lower sleep-related impairment score (95% CI,-0.85 to-0.76; standardized beta=-0.47; P<.001), adjusting for sex and medical specialty. Women had lower self-valuation (Cohen d=0.30) and higher burnout (Cohen d=0.22) than men. Lower self-valuation scores in women accounted for most of the sex difference in burnout.CONCLUSION: Low self-valuation among physicians is associated with burnout and sleep-related impairment. Further research is warranted to develop and test interventions that increase self-valuation as a mechanism to improve physician well-being.
View details for DOI 10.1016/j.mayocp.2019.04.040
View details for PubMedID 31543254
Abstract
Following national calls to address burnout among U.S. physicians, healthcare systems across the nation are integrating measures of physician well-being into institutional assessments. In this paper, we review important conceptual and methodological considerations for selecting self-reported physician well-being measures to monitor health system performance and to screen individual physicians for symptoms of distress. First, we discuss the importance of selecting any given measure of physician well-being based on the degree to which evidence supports the validity of the measure within the context of its intended use. Second, we present a conceptual model explaining the relationship between physician well-being and the larger healthcare context, to assist health systems in identifying the intended goals of physician well-being assessment. Well-being assessments are metrics of individual-level physician wellness/distress and may be indicators of system-level performance. We highlight proposed roles of physician well-being as a performance metric (i.e., as a downstream effect of the medical practice environment, as a predictor of health system outcomes, and as a mediator of the practice environment's effect on health system outcomes). Using this framework, we review the evidence supporting the validity of four of the most commonly used measures of well-being in U.S. physicians, identify gaps in the literature, and present practical recommendations for healthcare organizations' selection of appropriate measurement tools. We conclude by offering directions for future research to advance the measurement of physician well-being outcomes.
View details for DOI 10.1016/j.cppeds.2019.100662
View details for PubMedID 31562054
Abstract
BACKGROUND: Awareness of the economic cost of physician attrition due to burnout in academic medical centers may help motivate organizational level efforts to improve physician wellbeing and reduce turnover. Our objectives are: 1) to use a recent longitudinal data as a case example to examine the associations between physician self-reported burnout, intent to leave (ITL) and actual turnover within two years, and 2) to estimate the cost of physician turnover attributable to burnout.METHODS: We used de-identified data from 472 physicians who completed a quality improvement survey conducted in 2013 at two Stanford University affiliated hospitals to assess physician wellness. To maintain the confidentially of survey responders, potentially identifiable demographic variables were not used in this analysis. A third party custodian of the data compiled turnover data in 2015 using medical staff roster. We used logistic regression to adjust for potentially confounding factors.RESULTS: At baseline, 26% of physicians reported experiencing burnout and 28% reported ITL within the next 2years. Two years later, 13% of surveyed physicians had actually left. Those who reported ITL were more than three times as likely to have left. Physicians who reported experiencing burnout were more than twice as likely to have left the institution within the two-year period (Relative Risk (RR)=2.1; 95% CI=1.3-3.3). After adjusting for surgical specialty, work hour categories, sleep-related impairment, anxiety, and depression in a logistic regression model, physicians who experienced burnout in 2013 had 168% higher odds (Odds Ratio=2.68, 95% CI: 1.34-5.38) of leaving Stanford by 2015 compared to those who did not experience burnout. The estimated two-year recruitment cost incurred due to departure attributable to burnout was between $15,544,000 and $55,506,000. Risk of ITL attributable to burnout was 3.7 times risk of actual turnover attributable to burnout.CONCLUSIONS: Institutions interested in the economic cost of turnover attributable to burnout can readily calculate this parameter using survey data linked to a subsequent indicator of departure from the institution. ITL data in cross-sectional studies can also be used with an adjustment factor to correct for overestimation of risk of intent to leave attributable to burnout.
View details for PubMedID 30477483
Abstract
The objective of this study was to evaluate the performance of the Professional Fulfillment Index (PFI), a 16-item instrument to assess physicians' professional fulfillment and burnout, designed for sensitivity to change attributable to interventions or other factors affecting physician well-being.A sample of 250 physicians completed the PFI, a measure of self-reported medical errors, and previously validated measures including the Maslach Burnout Inventory (MBI), a one-item burnout measure, the World Health Organization's abbreviated quality of life assessment (WHOQOL-BREF), and PROMIS short-form depression, anxiety, and sleep-related impairment scales. Between 2 and 3 weeks later, 227 (91%) repeated the PFI and the sleep-related impairment scale.Principal components analysis justified PFI subscales for professional fulfillment, work exhaustion, and interpersonal disengagement. Test-retest reliability estimates were 0.82 for professional fulfillment (α = 0.91), 0.80 for work exhaustion (α = 0.86), 0.71 for interpersonal disengagement (α = 0.92), and 0.80 for overall burnout (α = 0.92). PFI burnout measures correlated highly (r ≥ 0.50) with their closest related MBI equivalents. Cohen's d effect size differences in self-reported medical errors for high versus low burnout classified using the PFI and the MBI were 0.55 and 0.44, respectively. PFI scales correlated in expected directions with sleep-related impairment, depression, anxiety, and WHOQOL-BREF scores. PFI scales demonstrated sufficient sensitivity to detect expected effects of a two-point (range 8-40) change in sleep-related impairment.PFI scales have good performance characteristics including sensitivity to change and offer a novel contribution by assessing professional fulfillment in addition to burnout.
View details for PubMedID 29196982
Abstract
To examine the effects of cognitive behavioral therapy for insomnia (CBT-I) on suicidal ideation among Veterans with insomnia.Longitudinal data collected in the course of an uncontrolled evaluation of a large-scale CBT-I training program.Outpatient and residential treatment facilities.Four hundred five Veterans presenting for treatment of insomnia.Cognitive behavioral therapy for insomnia (CBT-I).At baseline, 32% of patients, compared with 21% at final assessment, endorsed some level of suicidal ideation [χ(2)(df = 1) = 125; P < 0.001]. After adjusting for demographic variables and baseline insomnia severity, each 7-point decrease in Insomnia Severity Index (ISI) score achieved during CBT-I treatment was associated with a 65% (OR = 0.35; 95% CI = 0.24 to 0.52) reduction in odds of suicidal ideation. The effect of change in insomnia severity on change in depression severity was also significant. After controlling for change in depression severity and other variables in the model, the effect of change in insomnia severity on change in suicidal ideation remained significant.This evaluation of the largest dissemination of CBT-I in the United States found a clinically meaningful reduction in suicidal ideation among Veterans receiving CBT-I. The mechanisms by which effective treatment of insomnia with CBT-I reduces suicide risk are unknown and warrant investigation. The current results may have significant public health implications for preventing suicide among Veterans.
View details for DOI 10.5665/sleep.4410
View details for Web of Science ID 000348757800014
View details for PubMedID 25515115
View details for PubMedCentralID PMC4288607
Abstract
This paper examines the effectiveness of Cognitive Behavioral Therapy for insomnia (CBT-I) in Veterans and the effects of two process measures on CBT-I outcomes: 1) therapist ratings of patient adherence and 2) patient ratings of therapeutic alliance. Data are from 316 therapists in the Department of Veterans Affairs CBT-I Training Program and 696 patients receiving CBT-I from therapists undergoing training. Mixed effects model results indicate Insomnia Severity Index scores decreased from 20.7 at baseline to 10.9 (d = 2.3) during a typical course of CBT-I. Patients with highest tercile compared to those with lowest tercile adherence achieved, on average, 4.1 points greater reduction in ISI scores (d = 0.95). The effect of therapeutic alliance on change in insomnia severity was not significant after adjusting for adherence to CBT-I. These results support the effectiveness and feasibility of large-scale training in and implementation of CBT-I and indicate that greater focus on patient adherence may lead to enhanced outcomes. The current findings suggest that CBT-I therapists and training programs place greater emphasis on attending to and increasing patient adherence.
View details for DOI 10.1016/j.brat.2013.11.006
View details for PubMedID 24412462
Abstract
Patients with cardiovascular disease who stop smoking lower their risk of subsequent morbidity and mortality. However, patients who have suffered a myocardial infarction (MI) are more likely to be depressed than the general population, which may make smoking cessation more difficult. Poor social support may also make smoking cessation more difficult for some patients. This study examines the effect of cognitive behavior therapy (CBT) for depression, low perceived social support or both on smoking behavior in post-MI patients.Participants were 1233 patients with a history of smoking enrolled in the Enhancing Recovery in Coronary Heart Disease Patients (ENRICHD) trial who provided 7-day point-prevalence smoking behavior information at baseline and at two or more follow-up assessments. The ENRICHD trial enrolled post-MI patients with depression, low perceived social support or both. Participants were randomly assigned to either CBT intervention or usual care. We used mixed effects models to accommodate data from multiple smoking point-prevalence measures for each individual participant.CBT did not significantly reduce post-MI smoking across all intervention patients with a history of smoking. However, CBT did reduce post-MI smoking among the subgroup of depressed patients with adequate perceived social support (OR, 0.68; 95% CI, 0.47-0.98).CBT for depression without more specific attention to smoking cessation may have little overall value as a strategy for helping post-MI patients refrain from smoking. However, use of CBT to treat depression may have the gratuitous benefit of reducing smoking among some post-MI patients.
View details for DOI 10.1097/PSY.0b013e3181842897
View details for Web of Science ID 000260401100006
View details for PubMedID 18842753
Abstract
Physiatry is a specialty with high rates of burnout. Although organizational strategies to combat burnout are key, it is also important to understand strategies that individual physiatrists can use to address burnout.To identify changes that resulted in improvement of occupational well-being of physiatrists over a 6- to 9-month period.We employed two quantitative surveys spaced 6 to 9 months apart to identify physiatrists who experienced meaningful improvement in occupational burnout and/or professional fulfillment between the two survey timepoints. These physiatrists were subsequently recruited to participate in a qualitative study using semi-structured interviews to identify changes that respondents felt contributed to improvements in burnout and professional fulfillment.Setting: Online surveys and interviews.Participants: Physiatrists in the American Academy of Physical Medicine and Rehabilitation (AAPM&R) Membership Masterfile.Main Outcome Measure: Burnout and professional fulfillment were assessed using the Stanford Professional Fulfillment Index.One hundred twelve physiatrists responded to the baseline and follow-up surveys. Of these, 35 were eligible for interviews based on improvements in the Stanford Professional Fulfillment Index, and 23 (64%) agreed to participate. Themes from the qualitative interviews highlighted the importance of personal lifestyle choices, approaches to improve professional satisfaction, and strategies to foster work-life harmony. Personal lifestyle strategies included investing in wellness and mental health. Efforts to improve professional satisfaction included decreasing work intensity, prioritizing meaningful aspects of work, and building relationships with colleagues. Fostering work-life harmony also included making trade-offs in both domains, setting boundaries at work, setting expectations at home, and overcoming personal challenges.Our findings illustrate that, in addition to organizational strategies demonstrated to be effective, there are actions that individual physiatrists can take to recover from burnout and foster professional fulfillment.
View details for DOI 10.1097/PHM.0000000000002555
View details for PubMedID 38838100
Abstract
Physiatry is a specialty with high rates of burnout. Although organizational strategies to combat burnout are key, it is also important to understand strategies that individual physiatrists can use to address burnout.To identify changes that resulted in improvement of occupational well-being of physiatrists over a 6- to 9-month period.We employed two quantitative surveys spaced 6 to 9 months apart to identify physiatrists who experienced meaningful improvement in occupational burnout and/or professional fulfillment between the two survey timepoints. These physiatrists were subsequently recruited to participate in a qualitative study using semi-structured interviews to identify changes that respondents felt contributed to improvements in burnout and professional fulfillment.Online surveys and interviews.Physiatrists in the American Academy of Physical Medicine and Rehabilitation (AAPM&R) Membership Masterfile.Burnout and professional fulfillment were assessed using the Stanford Professional Fulfillment Index.One hundred twelve physiatrists responded to the baseline and follow-up surveys. Of these, 35 were eligible for interviews based on improvements in the Stanford Professional Fulfillment Index, and 23 (64%) agreed to participate. Themes from the qualitative interviews highlighted the importance of personal lifestyle choices, approaches to improve professional satisfaction, and strategies to foster work-life harmony. Personal lifestyle strategies included investing in wellness and mental health. Efforts to improve professional satisfaction included decreasing work intensity, prioritizing meaningful aspects of work, and building relationships with colleagues. Fostering work-life harmony also included making trade-offs in both domains, setting boundaries at work, setting expectations at home, and overcoming personal challenges.Our findings illustrate that, in addition to organizational strategies demonstrated to be effective, there are actions that individual physiatrists can take to recover from burnout and foster professional fulfillment.
View details for DOI 10.1002/pmrj.13189
View details for PubMedID 38837667
Abstract
The objective of this study was to evaluate satisfaction with work-life integration (WLI), social isolation, and the impact of work on personal relationships (IWPR) among senior healthcare operational leaders.Between June 7 and June 30, 2021, we performed a national survey of CEOs and other senior healthcare operational leaders in the United States to evaluate their personal work experience. Satisfaction with WLI, social isolation, and IWPR were assessed using standardized instruments. Burnout and professional fulfillment were also assessed using standardized scales.The mean IWPR score on the 0-10 scale was 4.39 (standard deviation was 2.36; higher scores were unfavorable). On multivariable analysis to identify demographic and professional factors associated with the IWPR score, each additional hour worked per week decreased the likelihood of a favorable IWPR score. The IWPR, feeling isolated, and satisfaction with WLI were independently associated with burnout after adjusting for other personal and professional factors. On multivariable analysis, healthcare administrators were more likely than U.S. workers in other fields to indicate work had adversely impacted personal relationships in response to the item "In the past year, my job has contributed to me feeling more isolated and detached from the people who are most important to me."Experiencing an adverse IWPR is common among U.S. healthcare administrators, who are more likely than the general U.S. working population to indicate their job contributes to isolation and detachment from the people most important to them. Problems with WLI, isolation, and an adverse IWPR are associated with increased burnout and lower professional fulfillment. Intentional efforts by both organizations and administrative leaders are necessary to address the work characteristics and professional norms that erode WLI and result in work adversely impacting personal relationships.
View details for DOI 10.1097/JHM-D-23-00134
View details for PubMedID 38467024
Abstract
Vacation has been shown to be an important restorative activity in the general population; less is known about physicians' vacation behaviors and their association with burnout and professional fulfillment.To examine the number of vacation days taken per year and the magnitude of physician work while on vacation and their association with physician burnout and professional fulfillment, by individual and organizational characteristics.This cross-sectional survey of US physicians was conducted between November 20, 2020, and March 23, 2021. Data analysis was performed from March to July 2023.Burnout was measured using the Maslach Burnout Index, and professional fulfillment was measured using the Stanford Professional Fulfillment Index. Number of vacation days taken in the last year, time spent working on patient care and other professional tasks per typical vacation day (ie, work on vacation), electronic health record (EHR) inbox coverage while on vacation, barriers to taking vacation, and standard demographics were collected.Among 3024 respondents, 1790 of 3004 (59.6%), took 15 or fewer days of vacation in the last year, with 597 of 3004 (19.9%) taking 5 or fewer days. The majority, 2104 respondents (70.4%), performed patient care-related tasks on vacation, with 988 of 2988 (33.1%) working 30 minutes or more on a typical vacation day. Less than one-half of physicians (1468 of 2991 physicians [49.1%]) reported having full EHR inbox coverage while on vacation. On multivariable analysis adjusting for personal and professional factors, concern about finding someone to cover clinical responsibilities (odds ratio [OR], 0.48 [95% CI, 0.35-0.65] for quite a bit; OR, 0.30 [95% CI, 0.21-0.43] for very much) and financial concerns (OR, 0.49 [95% CI, 0.36-0.66] for quite a bit; OR, 0.38 [95% CI, 0.27-0.54] for very much) were associated with decreased likelihood of taking more than 3 weeks of vacation per year. Taking more than 3 weeks of vacation per year (OR, 0.66 [95% CI, 0.45-0.98] for 16-20 days; OR, 0.59 [95% CI, 0.40-0.86] for >20 days vs none) and having full EHR inbox coverage while on vacation (OR, 0.74; 95% CI, 0.63-0.88) were associated with lower rates of burnout on multivariable analysis, whereas spending 30 minutes or longer per vacation day on patient-related work (OR, 1.58; 95% CI, 1.22-2.04 for 30-60 minutes; OR, 1.97; 95% CI, 1.41-2.77 for 60-90 minutes; OR, 1.92; 95% CI, 1.36-2.73 for >90 minutes) was associated with higher rates of burnout.In this cross-sectional study of 3024 physicians, the number of vacation days taken and performing patient-related work while on vacation were associated with physician burnout. System-level efforts to ensure physicians take adequate vacation and have coverage for clinical responsibilities, including EHR inbox, may reduce physician burnout.
View details for DOI 10.1001/jamanetworkopen.2023.51635
View details for PubMedID 38214928
Abstract
OBJECTIVE: To assess the career plans of US physicians at the end of 2021 relative to 2011 and2014.METHODS: Physicians in the United States were surveyed from December 9, 2021, to January 24, 2022, using methods similar to prior studies in 2011 and 2014. Responding physicians in active practice (n=1884) were included in the analysis. At all time-points, physicians indicated the likelihood they would (1) reduce clinical work hours in the next 12 months and (2) leave their current practice within 24 months.RESULTS: In 2021, 542 of 1344 (40.3%) indicated that it was "likely" or "definite" they would reduce clinical work hours in the next 12 months compared with 1120 of 6950 (16.1%) and 1275 of 6452 (19.8%) in 2011 and 2014. In 2021, 466 of 1817 (25.6%) indicated it was "likely" or "definite" they would leave their current practice in the next 24 months compared with 1284 of 6975 (18.4%) and 1726 of 6496 (26.6%) in 2011 and 2014. On multivariable analysis pooling responders from 2011, 2014, and 2021, physicians who responded in 2021 had higher odds of reporting intent to reduce clinical work hours compared with those who responded in 2014 (OR, 3.12; 95% CI, 2.73 to 3.57), whereas those responding in 2011 had lower odds relative to 2014 (OR, 0.81; 95% CI, 0.74 to 0.89).CONCLUSION: Roughly two of every five US physicians intend to reduce their clinical work hours in the next year, more than double previous rates. These findings have potentially profound implications for the adequacy of a US physician workforce already facing substantial shortages.
View details for DOI 10.1016/j.mayocp.2023.07.006
View details for PubMedID 37923521
Abstract
OBJECTIVE: To evaluate the association of politicization of medical care with burnout, professional fulfillment, and professionally conflicting emotions (eg, less empathy, compassion; more anger, frustration, resentment).PARTICIPANTS AND METHODS: Physicians in select specialties were surveyed between December 2021 and January 2022 using methods similar to our prior studies, with additional assessment of politicization of medical care; moral distress; and having had to compromise professional integrity, workload, and professionally conflicting emotions.RESULTS: In a sample of 2780 physicians in emergency medicine, critical care, noncritical care hospital medicine, and ambulatory care, stress related to politicization of medical care was reported by 91.8% of physicians. On multivariable analysis, compromised integrity (odds ratio [OR], 3.64; 95% CI, 2.31 to 5.98), moral distress (OR, 2.82; 95% CI, 2.16 to 3.68), and feeling more exhausted taking care of patients with coronavirus disease 2019 (COVID-19) (OR, 3.46; 95% CI, 2.63 to 4.54) were associated with burnout. Compromised integrity, moral distress, and feeling more exhausted taking care of patients with COVID-19 were also statistically significantly associated with lower odds of professional fulfillment and professionally conflicting emotions. Stress related to conversations about non-approved COVID-19 therapies (OR, 1.74; 95% CI, 1.08 to 2.89), patient resistance to mask wearing (OR, 1.84; 95% CI, 1.35 to 2.55), and working more hours due to COVID (OR, 0.66; 95% CI, 0.49 to 0.89) were associated with professionally conflicting emotions.CONCLUSION: Most physicians experienced intrusion of politics into medical care during the pandemic. These experiences are associated with professionally conflicting emotions, including less compassion and empathy, greater frustration, and resentment. COVID-19-related moral distress and compromised integrity were also associated with less professional fulfillment and greater occupational burnout.
View details for DOI 10.1016/j.mayocp.2023.07.007
View details for PubMedID 37923520
Abstract
As health care organizations in the United States move toward recovery from the COVID-19 pandemic, physicians and clinical faculty are experiencing occupational burnout and various manifestations of distress. To mitigate these challenges, health care organizations must optimize the work environment and provide support for individual clinicians using a variety of approaches, including mentoring, group-based peer support, individual peer support, coaching, and psychotherapy. While often conflated, each of these approaches offers distinct benefits. Mentoring is a longitudinal one-on-one relationship, typically focused on career development, usually with an experienced professional guiding a junior professional. Group-based peer support involves regular, longitudinal meetings of health professionals to discuss meaningful topics, provide mutual support to one another, and foster community. Individual peer support involves training peers to provide timely 1-on-1 support for a distressed colleague dealing with adverse clinical events or other professional challenges. Coaching involves a certified professional helping an individual identify their values and priorities and consider changes that would allow them to adhere to these more fully, and providing longitudinal support that fosters accountability for action. Individual psychotherapy is a longitudinal, short- or long-term professional relationship during which specific therapeutic interventions are delivered by a licensed mental health professional. When distress is severe, this is the best approach. Although some overlap exists, these approaches are distinct and complementary. Individuals may use different methods at different career stages and for different challenges. Organizations seeking to address a specific need should consider which approach is most suitable. Over time, a portfolio of offerings is typically needed to holistically address the diverse needs of clinicians. A stepped care model using a population health approach may be a cost-effective way to promote mental health and prevent occupational distress and general psychiatric symptoms.
View details for DOI 10.1097/ACM.0000000000005276
View details for PubMedID 37220390
Abstract
Systematic reviews by the WHO have shown an increased risk of morbidity and mortality related to ischemic heart disease and stroke among individuals working an average of ≥55 hours/week.A cross-sectional survey of U.S. physicians and a probability-based sample of the general U.S. working population (n=2,508) was conducted between November 20, 2020, and February 16, 2021 (data analyzed in 2022). Among 3,617 physicians who received a mailed survey, 1,162 (31.7%) responded; among 90,000 physicians who received an electronic survey, 6,348 (7.1%) responded. Mean weekly work hours were assessed.The mean reported weekly work hours for physicians and U.S. workers in other fields were 50.8 hours and 40.7 hours, respectively (p<0.001). Less than 10% of U.S. workers in other fields (9.2%) reported working ≥55 hours/week compared with 40.7% of physicians. Although work hours decreased among physicians working less than full time, the decrease in work hours was smaller than the reported reduction in professional work effort. Specifically, for physicians who worked between half-time and full-time (i.e., full-time equivalent=50%-99%), work hours decreased by approximately 14% for each 20% reduction in full-time equivalent. On multivariable analysis of physicians and workers in other fields adjusting for age, gender, relationship status, and level of education, individuals with a professional/doctorate degree other than an MD/DO (OR=3.74; 95% CI=2.28, 6.09) and physicians (OR=8.62; 95% CI=6.44, 11.80) were more likely to work ≥55 hours/week.A substantial proportion of physicians have work hours previously shown to be associated with adverse personal health outcomes.
View details for DOI 10.1016/j.amepre.2023.03.020
View details for PubMedID 37178097
Abstract
Multiple national studies suggest that among physicians, physiatrists are at increased risk for occupational burnout.The aim of the study is to identify characteristics of the work environment associated with professional fulfillment and burnout among US physiatrists.Between May and December 2021, a mixed qualitative and quantitative approach was used to identify factors contributing to professional fulfillment and burnout in physiatrists.Online interviews, focus groups, and survey were conducted.The participants are physiatrists in the American Academy of Physical Medicine and Rehabilitation Membership Masterfile.Burnout and professional fulfillment were assessed using the Stanford Professional Fulfillment Index.Individual interviews with 21 physiatrists were conducted to identify domains that contributed to professional fulfillment followed by focus groups for further definition. Based on themes identified, scales were identified or developed to evaluate: control over schedule (6 items, Cronbach α = 0.86); integration of physiatry into patient care (3 items, Cronbach α = 0.71); personal-organizational values alignment (3 items, Cronbach α = 0.90); meaningfulness of physiatrist clinical work (6 items, Cronbach α = 0.90); teamwork and collaboration (3 items, Cronbach α = 0.89). Of 5760 physiatrists contacted in the subsequent national survey, 882 (15.4%) returned surveys (median age, 52 yrs; 46.1% women). Overall, 42.6% (336 of 788) experienced burnout and 30.6% (244 of 798) had high levels of professional fulfillment. In multivariable analysis, each one-point improvement in control over schedule (odds ratio = 1.96; 95% confidence interval = 1.45-2.69), integration of physiatry into patient care (odds ratio = 1.77; 95% confidence interval = 1.32-2.38), personal-organizational values alignment (odds ratio = 1.92; 95% confidence interval = 1.48-2.52), meaningfulness of physiatrist clinical work (odds ratio = 2.79; 95% confidence interval = 1.71-4.71), and teamwork and collaboration score (odds ratio = 2.11; 95% confidence interval = 1.48-3.03) was independently associated with higher likelihood of professional fulfillment.Control over schedule, optimal integration of physiatry into clinical care, personal-organizational values alignment, teamwork, and meaningfulness of physiatrist clinical work are strong and independent drivers of occupational well-being in US physiatrists. Variation in these domains by practice setting and subspecialty suggests that tailored approaches are needed to promote professional fulfillment and reduce burnout among US physiatrists.
View details for DOI 10.1097/PHM.0000000000002216
View details for PubMedID 37076955
Abstract
A growing body of evidence for digital interventions to improve sleep shows promising effects. The interventions investigated so far have been primarily web-based; however, app-based interventions may reach a wider audience and be more suitable for daily use.This study aims to evaluate the intervention effects, adherence, and acceptance of an unguided app-based intervention for individuals who wish to improve their sleep.In a randomized controlled trial, we evaluated the effects of an app-based short intervention (Refresh) to improve sleep compared with a waitlist condition. Refresh is an 8-week unguided intervention covering the principles of cognitive behavioral therapy for insomnia (CBT-I) and including a sleep diary. The primary outcome was sleep quality (insomnia symptoms) as self-assessed by the Regensburg Insomnia Scale (RIS). The secondary outcomes were depression (9-item Patient Health Questionnaire [PHQ-9] score) and perceived insomnia-related impairment.We included 371 participants, of which 245 reported poor sleep at baseline. About 1 in 3 participants who were allocated to the intervention group never accessed the intervention. Active participants completed on average 4 out of 8 chapters. Retention rates were 67.4% (n=250) at postassessment and 57.7% (n=214) at the 6-month follow-up. At postintervention, insomnia symptoms in the intervention group had improved more than those in the waitlist group, with a small effect (d=0.26) in the whole sample and a medium effect (d=0.45) in the subgroup with poor sleep. Effects in the intervention group were maintained at follow-up. Perceived insomnia-related impairment also improved from pre- to postassessment. No significant intervention effect on depression was detected. Working alliance and acceptance were moderate to good.An app-based, unguided intervention is a feasible and effective option to scale-up CBT-I-based treatment, but intervention uptake and adherence need to be carefully addressed.ISRCTN Registry ISRCTN53553517; https://www.isrctn.com/ISRCTN53553517.
View details for DOI 10.2196/39052
View details for PubMedID 36943337
Abstract
Multiple national studies suggest that, among physicians, physiatrists are at increased risk for occupational burnout.Identify characteristics of the work environment associated with professional fulfillment and burnout among U.S. physiatrists.Between May and December 2021, a mixed qualitative and quantitative approach was used to identify factors contributing to professional fulfillment and burnout in physiatrists.Online interviews, focus groups, and survey PARTICIPANTS: physiatrists in the AAPM&R Membership Masterfile MAIN OUTCOME MEASURES: Burnout and professional fulfillment assessed using the Stanford Professional Fulfillment Index RESULTS: Individual interviews with 21 physiatrists were conducted to identify domains that contributed to professional fulfillment followed by focus groups for further definition. Based on themes identified, scales were identified or developed to evaluate: control over schedule (6 items; Cronbach's alpha=0.86); integration of physiatry into patient care (3 items; Cronbach's alpha=0.71); personal-organizational values alignment (3 items; Cronbach's alpha=0.90); meaningfulness of physiatrist clinical work (6 items; Cronbach's alpha=0.90); teamwork and collaboration (3 items; Cronbach's alpha=0.89). Of 5760 physiatrists contacted in the subsequent national survey, 882 (15.3%) returned surveys (median age 52 years; 46.1% women). Overall, 42.6% (336 or 788) experienced burnout and 30.6% (224 of 798) had high levels of professional fulfillment. In multivariable analysis, each one-point improvement in control over schedule (OR=2.00; 95%CI=1.45-2.69), integration of physiatry into patient care (OR=1.77; 95%CI=1.32-2.38), personal-organizational-values alignment (OR=1.92; 95%CI=1.48-2.52), meaningfulness of physiatrist clinical work (OR=2.79; 95%CI=1.71-4.71) and teamwork and collaboration score (OR=2.11; 95%CI=1.48-3.03) was independently associated with higher likelihood of professional fulfillment.Control over schedule, optimal integration of physiatry into clinical care, personal-organizational values alignment, teamwork, and meaningfulness of physiatrist clinical work are strong and independent drivers of occupational well-being in U.S. physiatrists. Variation in these domains by practice setting and sub-specialty suggests tailored approaches are needed to promote professional fulfillment and reduce burnout among US physiatrists.
View details for DOI 10.1002/pmrj.12961
View details for PubMedID 36794660
Abstract
Physicians are experiencing symptoms of burnout at unprecedented rates. It is essential to assess programmatic factors contributing to physician burnout as actionable items for work climate improvement. Creation of an evidence base of strategies and methods to cultivate a culture of wellness requires iterative assessment, program development and implementation, and evaluation. To serve their function optimally, assessment tools need to be reliable, valid, and sensitive to change. In this Invited Commentary, the authors discuss Vermette and colleagues' report on the Residency Program Community Well-Being (RCWB) instrument. The authors examine the utility of the RCWB, a novel, validated tool that quantifies the subjective community well-being of an individual residency program and has 3 subscales that measure key aspects of interpersonal interactions among residents, with emphasis on those within the program leadership sphere of influence. The commentary authors recommend further validation of the RCWB, but acknowledge the instrument is a useful contribution to currently available measures in the domains of community well-being, workplace climate, and culture of wellness. Workplace interventions focused on community well-being or culture of wellness are particularly salient ethical and educational priorities for medical training programs. Prioritizing community well-being will help nurture trainees as an investment in the future of medical care, rather than an exploitable resource valued primarily for short-term work demands.
View details for DOI 10.1097/ACM.0000000000005163
View details for PubMedID 36745876
Abstract
The Student Bodies-Eating Disorders intervention (SB-ED), a digital cognitive behavior therapy-guided self-help intervention for college women with an eating disorder, is effective for reducing eating disorder psychopathology. The purpose of this study was to evaluate moderators and mediators of the SB-ED intervention. To our knowledge, this is the first evaluation of clinical mediators of a digital intervention for women with eating disorders.This is an exploratory secondary analysis of a cluster randomized trial comparing the SB-ED intervention to referral to usual care among 690 women at 27 United States colleges. Moderators included body mass index (BMI), race, ethnicity, weight/shape concerns, eating disorder impairment, thin ideal internalization, depression, anxiety, and motivation for treatment, assessed at baseline. Thin ideal internalization and depressive symptoms were tested as predictors at postintervention and mediators at 2-year follow-up. Outcome was change in global eating disorder psychopathology.BMI moderated the effect of the intervention at follow-up (but not posttreatment), with individuals with a lower BMI experiencing more continued improvements in eating disorder psychopathology following the intervention than individuals with a higher BMI. Thin ideal internalization mediated the effect of the intervention at follow-up, and depression partially mediated the effect of the intervention at follow-up.Results of the mediator analyses suggest that helping college women reduce inflated internalization of the thin ideal and improve depressive symptoms leads to improvements in eating disorder psychopathology. Results also suggest opportunities to optimize the intervention so individuals across the BMI spectrum experience ongoing improvements over time. (PsycInfo Database Record (c) 2023 APA, all rights reserved).
View details for DOI 10.1037/ccp0000786
View details for Web of Science ID 000912082400001
View details for PubMedID 36634022
Abstract
Health care delivery organizations are positioned to have a tremendous impact on addressing the variables in the practice environment that contribute to occupational distress and that, when optimized, can promote clinician well-being. Many organizations are committed to this work and have clarity on how to address general, system-wide issues and provide resources for individual clinicians. While such top of the organization elements are essential for success, many of the specific improvement efforts that are necessary must address local challenges at the work unit level (department, division, hospital ward, clinic). Uncertainty of how to address variability and the unique needs of different work units is a barrier to effective action for many health care delivery systems. Overcoming this challenge requires organizations to recognize that unit-specific improvement efforts require a system-level approach. In this manuscript, we outline 7 steps for organizations to consider as they establish the infrastructure to improve professional well-being and provide a description of application and evidence of efficacy from a large academic medical center. Such unit-level efforts to address the unique needs of each specialty and occupation at the work unit level have the ability to address many of the day-to-day issues that drive clinician well-being. An enterprise approach is necessary to systematically advance such unit-level action.
View details for DOI 10.1016/j.mayocp.2022.10.031
View details for PubMedID 36603944
Abstract
OBJECTIVE: To evaluate the prevalence of burnout and satisfaction with work-life integration (WLI) in US physicians at the end of 2021, roughly 21 months into the COVID-19 pandemic, with comparison to 2020, 2017, 2014, and2011.METHODS: Between December 9, 2021, and January 24, 2022, we surveyed US physicians using methods similar to those of our prior studies. Burnout, WLI, depression, and professional fulfillment were assessed with standard instruments.RESULTS: There were 2440 physicians who participated in the 2021 survey. Mean emotional exhaustion and depersonalization scores were higher in 2021 than those observed in 2020, 2017, 2014, and 2011 (all P<.001). Mean emotional exhaustion scores increased 38.6% (2020 mean, 21.0; 2021 mean, 29.1; P<.001), whereas mean depersonalization scores increased 60.7% (2020 mean, 6.1; 2021 mean, 9.8; P<.001). Overall, 62.8% of physicians had at least 1 manifestation of burnout in 2021 compared with 38.2% in 2020, 43.9% in 2017, 54.4% in 2014, and 45.5% in 2011 (all P<.001). Although these trends were consistent across nearly all specialties, substantial variability by specialty was observed. Satisfaction with WLI declined from 46.1% in 2020 to 30.2% in 2021 (P<.001). Mean scores for depression increased 6.1% (2020 mean, 49.54; 2021 mean, 52.59; P<.001).CONCLUSION: A dramatic increase in burnout and decrease in satisfaction with WLI occurred in US physicians between 2020 and 2021. Differences in mean depression scores were modest, suggesting that the increase in physician distress was overwhelmingly work related. Given the association of physician burnout with quality of care, turnover, and reductions in work effort, these findings have profound implications for the US health care system.
View details for DOI 10.1016/j.mayocp.2022.09.002
View details for PubMedID 36229269
Abstract
OBJECTIVE: To determine the prevalence of imposter phenomenon (IP) experiences among physicians and evaluate their relationship to personal and professional characteristics, professional fulfillment, burnout, and suicidal ideation.PARTICIPANTS AND METHODS: Between November 20, 2020, and February 16, 2021, we surveyed US physicians and a probability-based sample of the US working population. Imposter phenomenon was measured using a 4-item version of the Clance Imposter Phenomenon Scale. Burnout and professional fulfillment were measured using standardized instruments.RESULTS: Among the 3237 physician responders invited to complete the subsurvey including the IP scale, 3116 completed the IP questions. Between 4% (133) and 10% (308) of the 3116 physicians endorsed each of the 4 IP items as a "very true" characterization of their experience. Relative to those with a low IP score, the odds ratio for burnout among those with moderate, frequent, and intense IP was 1.28 (95% CI, 1.04 to 1.58), 1.79 (95% CI, 1.38 to 2.32), and 2.13 (95% CI, 1.43 to 3.19), respectively. A similar association between IP and suicidal ideation was observed. On multivariable analysis, physicians endorsed greater intensity of IP than workers in other fields in response to the item, "I am disappointed at times in my present accomplishments and think I should have accomplished more."CONCLUSION: Imposter phenomenon experiences are common among US physicians, and physicians have more frequent experiences of disappointment in accomplishments than workers in other fields. Imposter phenomenon experiences are associated with increased burnout and suicidal ideation and lower professional fulfillment. Systematic efforts to address the professional norms and perfectionistic attitudes that contribute to this phenomenon are necessary.
View details for DOI 10.1016/j.mayocp.2022.06.021
View details for PubMedID 36116974
Abstract
GOAL: The objective of this study was to evaluate the prevalence of burnout and professional fulfillment among healthcare administrative leaders and examine the association between burnout and professional fulfillment and personal and professional characteristics.METHODS: Between June 7 and June 30, 2021, we performed a national survey of CEOs and other senior operational leaders to evaluate their personal work experience. Burnout and professional fulfillment-as well as a sleep-related impairment and self-valuation-were assessed using standardized instruments.PRINCIPLE FINDINGS: Of the 5,994 members of the American College of Healthcare Executives who were sent an invitation to participate, 1,269 (21.2%), including 279 CEOs, submitted usable responses. The mean overall burnout score was 2.71 (range: 0-10), and 33% of participants had burnout scores that fell in the high range (unfavorable). Mean professional fulfillment score was 7.29 (range: 0-10), with 56.6% scoring in the high range (favorable). Burnout and professional fulfillment scores varied by role. On multivariable analysis, sleep-related impairment (OR for each 1-point increase = 1.29, 95% CI [1.19-1.41]; p < .001) and self-valuation (OR for each 1-point increase = 0.63, 95% CI [0.57-0.68]; p < .001) were independently associated with burnout after adjusting for all other variables.APPLICATIONS TO PRACTICE: Results of this study suggest that healthcare leaders had lower burnout and professional fulfillment scores than clinicians. Nonetheless, one-third of healthcare leaders had burnout scores that fell in the high range. At the individual level, sleep health and self-valuation appear to reduce risk of burnout and promote professional fulfillment.
View details for DOI 10.1097/JHM-D-22-00012
View details for PubMedID 35984407
Abstract
Importance: Reducing physician occupational distress requires understanding workplace mistreatment, its relationship to occupational well-being, and how mistreatment differentially impacts physicians of diverse identities.Objectives: To assess the prevalence and sources of mistreatment among physicians and associations between mistreatment, occupational well-being, and physicians' perceptions of protective workplace systems.Design, Setting, and Participants: This survey study was administered in September and October 2020 to physicians at a large academic medical center. Statistical analysis was performed from May 2021 to February 2022.Main Outcomes and Measures: Primary measures were the Professional Fulfillment Index, a measure of intent to leave, and the Mistreatment, Protection, and Respect Measure (MPR). Main outcomes were the prevalence and sources of mistreatment. Secondary outcomes were the associations of mistreatment and perceptions of protective workplace systems with occupational well-being.Results: Of 1909 medical staff invited, 1505 (78.8%) completed the survey. Among respondents, 735 (48.8%) were women, 627 (47.1%) were men, and 143 (9.5%) did not share gender identity or chose "other"; 12 (0.8%) identified as African American or Black, 392 (26%) as Asian, 10 (0.7%) as multiracial, 736 (48.9%) as White, 63 (4.2%) as other, and 292 (19.4%) did not share race or ethnicity. Of the 1397 respondents who answered mistreatment questions, 327 (23.4%) reported experiencing mistreatment in the last 12 months. Patients and visitors were the most common source of mistreatment, reported by 232 physicians (16.6%). Women were more than twice as likely as men to experience mistreatment (31% [224 women] vs 15% [92 men]). On a scale of 0 to 10, mistreatment was associated with a 1.13 point increase in burnout (95% CI, 0.89 to 1.36), a 0.99-point decrease in professional fulfillment (95% CI, -1.24 to -0.73), and 129% higher odds of moderate or greater intent to leave (odds ratio, 2.29; 95% CI, 1.75 to 2.99). When compared with a perception that protective workplace systems are in place "to a very great extent," a perception that there are no protective workplace systems was associated with a 2.41-point increase in burnout (95% CI, 1.80 to 3.02), a 2.81-point lower professional fulfillment score (95% CI, -3.44 to -2.18), and 711% higher odds of intending to leave (odds ratio, 8.11; 95% CI, 3.67 to 18.35).Conclusions and Relevance: This survey study found that mistreatment was common among physicians, varied by gender, and was associated with occupational distress. Patients and visitors were the most frequent source, and perceptions of protective workplace systems were associated with better occupational well-being. These findings suggest that health care organizations should prioritize reducing workplace mistreatment.
View details for DOI 10.1001/jamanetworkopen.2022.10768
View details for PubMedID 35522279
Abstract
Importance: Burnout is common among physicians and is associated with suboptimal patient outcomes. Little is known about how experiences with patients, families, and visitors differ by physician characteristics or contribute to the risk of burnout.Objective: To examine the occurrence of mistreatment and discrimination by patients, families, and visitors by physician characteristics and the association between such interactions and experiencing burnout.Design, Setting, and Participants: This cross-sectional survey was conducted from November 20, 2020, to March 23, 2021, among US physicians.Exposures: Mistreatment and discrimination were measured using items adapted from the Association of American Medical College's Graduation Questionnaire with an additional item querying respondents about refusal of care because of the physicians' personal attributes; higher score indicated greater exposure to mistreatment and discrimination.Main Outcomes and Measures: Burnout as measured by the Maslach Burnout Inventory.Results: Of 6512 responding physicians, 2450 (39.4%) were female, and 369 (7.2%) were Hispanic; 681 (13.3%) were non-Hispanic Asian, Native Hawaiian, or Pacific Islander; and 3633 (70.5%) were non-Hispanic White individuals. Being subjected to racially or ethnically offensive remarks (1849 [29.4%]), offensive sexist remarks (1810 [28.7%]), or unwanted sexual advances (1291 [20.5%]) by patients, families, or visitors at least once in the previous year were common experiences. Approximately 1 in 5 physicians (1359 [21.6%]) had experienced a patient or their family refusing to allow them to provide care because of the physician's personal attributes at least once in the previous year. On multivariable analyses, female physicians (OR, 2.33; 95% CI, 2.02-2.69) and ethnic and racial minority physicians (eg, Black or African American: OR, 1.59; 95% CI, 1.13-2.23) were more likely to report mistreatment or discrimination in the previous year. Experience of mistreatment or discrimination was independently associated with higher odds of burnout (vs score of 0 [no mistreatment], score of 1: OR, 1.27; 95% CI, 1.04-1.55; score of 2: OR, 1.70; 95% CI, 1.38-2.08; score of 3: OR, 2.20; 95% CI, 1.89-2.57). There was no difference in the odds of burnout by gender after controlling for experiencing mistreatment and discrimination score and other demographic factors, specialty, practice setting, work hours, and frequency of overnight call.Conclusions and Relevance: In this study, mistreatment and discrimination by patients, families, and visitors were common, especially for female and racial and ethnic minority physicians, and associated with burnout. Efforts to mitigate physician burnout should include attention to patient and visitor conduct.
View details for DOI 10.1001/jamanetworkopen.2022.13080
View details for PubMedID 35587344
Abstract
PURPOSE: The questionnaire "Professional Fulfillment Index" (PFI) was validated to assess emotional exhaustion, interpersonal disengagement, and professional achievement among physicians. This study presents the process of cross-cultural adaptation of the PFI to the Brazilian context.DESIGN: Analytical cross-sectional study carried out between July and October 2020. Settings: For conceptual equivalence, a panel of experts was constituted who conducted analyzes on the translation and back-translation processes from English to Brazilian Portuguese.SUBJECTS: For the operational equivalence, 432 physicians in the field of Occupational Medicine were invited.MEASURES: They answered the PFI in an online platform. Analysis: Both exploratory and confirmatory factor analysis were performed to seek evidence of the hypothesized structure of PFI item responses. Reliability was assessed using three indicators.RESULTS: The Brazilian version can be considered similar to the original. Most of participants were female (57.6%) and mean age 49.6years-SD 14.0. The mean time since graduation was 18.5years-SD 9.67. Most of them had a full-time job (88.0%) and were trained through post-graduation courses 83.8%. The most frequent job task was to perform workers clinical evaluations (84.9%). Exploratory and confirmatory analyzes showed the adequacy of the items in measuring the instrument's construct, with stability for use in other populations and samples.CONCLUSION: The PFI was developed to evaluate positive and negative aspects of physicians' role and performance. The process described in this article was the first cross-cultural adaptation of the questionnaire. The PFI can help in mapping potential risk situations for negative impacts on physicians' occupational well-being and performance at work, in order to propose interventions that reduce exhaustion and expand professional fulfillment.
View details for DOI 10.1177/08901171221086945
View details for PubMedID 35417258
Abstract
PURPOSE: We conducted an exploratory study to identify risk factors of dropout in an 8-week e-mail-based cognitive-behavioral therapy for insomnia (REFRESH) to improve sleep among university students with insomnia symptoms.METHODS: University and graduate students in Hong Kong and Korea who scored higher than 10 on the Insomnia Severity Index participated in REFRESH.RESULTS: Of 158 participants from Hong Kong (n = 43) and Korea (n = 115), 90 (57%) did not complete all 7 sessions, while 52 of 90 (57.8%) dropped out prior to the fourth session. ROC analysis was conducted on the entire sample of 158 participants with intervention completion vs. dropout (non-completion) as the outcome variable. Predictors of dropout were wake time after sleep onset (WASO)<7.1min on the weekly sleep diary and expectations for sleep (a subscale of dysfunctional beliefs and attitudes about sleep; DBAS)<18 at baseline.CONCLUSIONS: These findings indicate that shorter WASO and less expectations for sleep at baseline were associated with risk of dropout from e-mail delivered self-help CBT-I-based intervention. Our results highlight the importance of identifying and tailoring treatment formats to students based on their presenting sleep characteristics.
View details for DOI 10.1007/s11325-022-02609-y
View details for PubMedID 35412222
Abstract
OBJECTIVE: To evaluate the prevalence of burnout and satisfaction with work-life integration (WLI) among physicians and US workers in 2020 relative to 2011, 2014, and2017.METHODS: Between November 20, 2020, and March 23, 2021, we surveyed US physicians and a probability-based sample of the US working population using methods similar to our prior studies. Burnout and WLI were measured using standard tools. Information about specific work-related COVID-19 experiences was collected.RESULTS: There were 7510 physicians who participated in the survey. Nonresponder analysis suggested that participants were representative of US physicians. Mean emotional exhaustion and depersonalization scores were lower in 2020 than in 2017, 2014, and 2011 (all P<.001). However, emotional exhaustion and depersonalization scores did not improve in specialties most heavily affected by COVID-19. Overall, 38.2% of physicians reported 1 or more symptoms of burnout in 2020 compared with 43.9% in 2017, 54.4% in 2014, and 45.5% in 2011 (all P<.001). Providing care without adequate personal protective equipment (odds ratio [OR], 1.53; 95% CI, 1.35 to 1.72) and having suffered disruptive economic consequences due to COVID-19 (OR, 1.49; 95% CI, 1.32 to 1.69) were independently associated with risk of burnout. On multivariable analysis, physicians were at increased risk for burnout (OR, 1.41; 95% CI, 1.25 to 1.58) and were less likely to be satisfied with WLI (OR, 0.71; 95% CI, 0.64 to 0.79) than other working US adults.CONCLUSION: Burnout and satisfaction with WLI among US physicians improved between 2017 and 2020. The impact of the COVID-19 pandemic on physicians varies on the basis of professional characteristics and experiences. Physicians remain at increased risk for burnout relative to workers in other fields.
View details for DOI 10.1016/j.mayocp.2021.11.021
View details for PubMedID 35246286
Abstract
This study examined the effects of an e-mail-delivered cognitive behavioral therapy for insomnia (CBT-I), validated in Western countries, on insomnia severity, anxiety, and depression in young adults with insomnia in Eastern countries, particularly Japan. This prospective parallel-group randomized clinical trial included college students with Insomnia Severity Index (ISI) scores of ten or higher. Participants were recruited via advertising on a university campus and randomized to an e-mail-delivered CBT-I (REFRESH) or self-monitoring (SM) with sleep diaries group. The primary outcomes were insomnia severity, anxiety, and depression; secondary outcomes were sleep hygiene practices, dysfunctional beliefs, sleep reactivity, and pre-sleep arousal. All measurements were assessed before and after the intervention. A total of 48 participants (mean (SD) age, 19.56 (1.86) years; 67% female) were randomized and included in the analysis. The results of the intent-to-treat analysis showed a significant interaction effect for insomnia severity, anxiety, depression, sleep hygiene practice, and pre-sleep arousal. Compared with the SM group, the REFRESH group was more effective in reducing insomnia severity (Hedges' g = 1.50), anxiety (g = 0.97), and depression (g = 0.61) post-intervention. These findings suggest that an e-mail-delivered CBT-I may be an effective treatment for young adults with elevated insomnia symptoms living in Japan.
View details for DOI 10.3390/ijerph19010186
View details for PubMedID 35010445
Abstract
Thin ideal internalization is a risk factor for disordered eating behaviors, poor body image, and eating disorders (EDs). This paper evaluated the psychometric properties of a novel measure, the Perceived Benefits of Thinness Scale (PBTS), which assesses how individuals feel being thinner would affect various aspects of their lives. Three separate studies with unique samples of college-aged women over 18 years were conducted to assess reliability and validity. In Study 1, exploratory and confirmatory factor analyses suggested all PBTS items loaded onto one factor that was distinct from a measure of weight and shape concerns. A large correlation between changes in PTBS scores and changes in ED psychopathology scores over 8 months (r=.57, p<.01) suggested sensitivity to change. Greater severity in ED pathology was also associated with higher scores on the PBTS. In Study 2, the PBTS showed good test-retest reliability (r=.84, p<.001) and, in Study 3, expected correlations with existing measures of thin ideal internalization (rs=.38-.60, ps<.001). Overall, the PBTS displayed good factor structure, reliability, concurrent validity, and sensitivity to change. By emphasizing social, emotional, and quality of life benefits, the PBTS may serve clinicians, researchers, and patients in understanding thin ideal internalization and associated ED risk.
View details for DOI 10.1016/j.bodyim.2021.11.005
View details for PubMedID 34896896
Abstract
PURPOSE: To compare acute effects of 2 dietary interventions with usual dietary habits on physician trainees' alertness during overnight shifts.METHOD: This registered, controlled, block-randomized crossover trial (NCT03698123) was conducted between October 2018 and May 2019 at Stanford Medicine. Physician trainees working at least 3 overnight shifts during a 1-week period were recruited. During the first overnight shift, participants followed their usual dietary habits. During the intervention nights (low carbohydrate-to-protein ratio and high carbohydrate-to-protein ratio interventions), participants received healthy dinners, snacks, water, and, upon request, caffeinated beverages, at the beginning of their shifts and were instructed to eat meals before 10 p.m. The sequence of interventions on the second and third nights were block-randomized across study weeks. Outcome measures (a priori) were overnight changes in validated measures of specific neurobehavioral dimensions: psychomotor vigilance, sensory-motor speed, working memory, and risk decision-making, as well as self-reported sleepiness and work exhaustion.RESULTS: Sixty-one physician trainees participated in this study. Compared to usual dietary habits, overnight changes in psychomotor vigilance scores (scale 0-1,000) improved by 51.02 points (95% confidence interval [CI]: 12.08, 89.96); sleepiness (scale 1-7) improved by 0.69 points (95% CI: 0.33, 1.05) under the low carbohydrate-to-protein ratio intervention. Compared to usual dietary habits, overnight changes in sleepiness (scale 1-7) improved by 0.61 points (95% CI: 0.25, 0.96) under the high carbohydrate-to-protein ratio intervention. Neither intervention had beneficial effects relative to usual dietary habits with respect to sensory-motor speed, working memory, risk decision-making, or work exhaustion. There were no differences in outcomes between low carbohydrate-to-protein ratio and high carbohydrate-to-protein ratio interventions.CONCLUSIONS: Dietary interventions may mitigate negative effects of physician trainee sleep deprivation during overnight shifts. Future studies are warranted to further examine the effectiveness of nutritional strategies on physician alertness during overnight shifts.
View details for DOI 10.1097/ACM.0000000000004509
View details for PubMedID 34753859
Abstract
OBJECTIVE: To evaluate how variation in the way patient satisfaction feedback is delivered relates to physician well-being and perceptions of its impact on patient care, job satisfaction, and clinical decision making.PARTICIPANTS AND METHODS: A cross-sectional electronic survey was sent to faculty physicians from a large academic medical center in March 29, 2019. Physicians reported their exposure to feedback (timing, performance relative to peers, or channel) and related perceptions. The Professional Fulfillment Index captured burnout and professional fulfillment. Associations between feedback characteristics and well-being or perceived impact were tested using analysis of variance or logistic regression adjusted for covariates.RESULTS: Of 1016 survey respondents, 569 (56.0%) reported receiving patient satisfaction feedback. Among those receiving feedback, 303 (53.2%) did not believe that this feedback improved patient care. Compared with physicians who never received feedback, those who received any type of feedback had higher professional fulfillment scores (mean, 6.6±2.1 vs 6.3±2.0; P=.03) but also reported an unfavorable impact on clinical decision making (odds ratio [OR], 2.9; 95% CI, 1.8 to 4.7; P<.001). Physicians who received feedback that included one-on-one discussions (as opposed to feedback without this channel) held more positive perceptions of the feedback's impact on patient care (OR, 2.0; 95% CI, 1.3 to 3.0; P=.003), whereas perceptions were less positive in physicians whose feedback included comparisons to named colleagues (OR, 0.5; 95% CI, 0.3 to 0.8; P=.003).CONCLUSION: Providing patient satisfaction feedback to physicians was associated with mixed results, and physician perceptions of the impact of feedback depended on the characteristics of feedback delivery. Our findings suggest that feedback is viewed most constructively by physicians when delivered through one-on-one discussions and without comparison to peers.
View details for DOI 10.1016/j.mayocp.2021.03.039
View details for PubMedID 34479736
Abstract
BACKGROUND: Disparities in US physician burnout rates across age, gender, and specialty groups as measured by the Maslach Burnout Inventory-Human Services Survey for Medical Personnel (MBI) are well documented. We evaluated whether disparities in US physician burnout are explained by differences in the MBI's functioning across physician age, gender, and specialty groups.METHODS: We assessed the measurement equivalence of the MBI across age, gender, and specialty groups in multi-group item response theory- (IRT-) based differential item functioning (DIF) analyses using secondary, cross-sectional survey data from US physicians (n=6577). We detected DIF using two IRT-based methods and assessed its impact by estimating the overall average difference in groups' subscale scores attributable to DIF. We assessed DIF's practical significance by comparing differences in individuals' subscale scores and burnout prevalence estimates from models unadjusted and adjusted for DIF.RESULTS: We detected statistically significant age-, gender-, and specialty- DIF in all but one MBI item. However, in all cases, average differences in expected subscale-level scores due to DIF were<0.10 SD on each subscale. Differences in physicians' individual-level subscale scores and burnout symptom prevalence estimates across DIF- adjusted and unadjusted IRT models were also small (in all cases, mean absolute differences in individual subscale scores were<0.04 z-score units; prevalence estimates differed by <0.70%).CONCLUSIONS: Age-, gender-, and specialty-related disparities in US physician burnout are not explained by differences in the MBI's functioning across these demographic groups. Our findings support the use of the MBI as a valid tool to assess age-, gender-, and specialty-related disparities in US physician burnout.
View details for DOI 10.1186/s41687-021-00312-2
View details for PubMedID 34089412
Abstract
Importance: Poor work-life integration (WLI) occurs when career and personal responsibilities come in conflict and may contribute to the ongoing high rates of physician burnout. The characteristics associated with WLI are poorly understood.Objective: To identify personal and professional factors associated with WLI in physicians and identify factors that modify the association between gender and WLI.Design, Setting, and Participants: This cross-sectional study was based on electronic and paper surveys administered October 2017 to March 2018 at private, academic, military, and veteran's practices across the US. It used a population-based sample of US physicians across all medical specialties. Data analysis was performed from November 2019 to July 2020.Main Outcomes and Measures: WLI was assessed using an 8-item scale (0-100 point scale, with higher scores indicating favorable WLI), alongside personal and professional factors. Multivariable linear regressions evaluated independent associations with WLI as well as factors that modify the association between gender and WLI.Results: Of 5197 physicians completing surveys, 4370 provided complete responses. Of the physicians who provided complete responses, 2719 were men, 3491 were White/Caucasian (80.8%), 3560 were married (82.4%), and the mean (SD) age was 52.3 (12.0) years. The mean (SD) WLI score was 55 (23). Women reported lower (worse) mean (SD) WLI scores than men overall (52 [22] vs 57 [23]; mean difference, -5 [-0.2 SDs]; P<.001). In multivariable regression, lower WLI was independently associated with being a woman (linear regression coefficient, -6; SE, 0.7; P<.001) as well as being aged 35 years or older (eg, aged 35 to 44 years: linear regression coefficient, -7; SE, 1.4; P<.001), single (linear regression coefficient, -3 vs married; SE, 1.1; P=.003), working more hours (eg, 50 to 59 hours per week vs less than 40 hours per week: linear regression coefficient, -9; SE, 1.0; P<.001) and call nights (linear regression coefficient, -1 for each call night per week; SE, 0.2; P<.001), and being in emergency medicine (linear regression coefficient, -18; SE, 1.6, P<.001), urology (linear regression coefficient, -11; SE, 4.0; P=.009), general surgery (linear regression coefficient, -4; SE, 2.0; P=.04), anesthesiology (linear regression coefficient, -4; SE, 1.7; P=.03), or family medicine (linear regression coefficient, -3; SE, 1.4; P=.04) (reference category, internal medicine subspecialties). In interaction modeling, physician age, youngest child's age, and hours worked per week modified the associations between gender and WLI, such that the largest gender disparities were observed in physicians who were aged 45 to 54 years (estimated WLI score for women, 49; 95% CI, 47-51; estimated WLI score for men, 57, 95% CI, 55-59; P<.001), had youngest child aged 23 years or older (estimated WLI score for women, 51; 95% CI, 48-54; estimated WLI score for men, 60; 95% CI, 58-62; P<.001), and were working less than 40 hours per week (estimated WLI score for women, 61; 95% CI, 59-63; estimated WLI score for men; 70; 95% CI, 68-72; P<.001).Conclusions and Relevance: This study found that lower WLI was reported by physicians who are women, single, aged 35 years or older, and who work more hours and call nights. These findings suggest that systemic change is needed to improve WLI among physicians.
View details for DOI 10.1001/jamanetworkopen.2021.11575
View details for PubMedID 34042994
Abstract
BACKGROUND: Accumulating evidence indicates an association between physician electronic health record (EHR) use after work hours and occupational distress including burnout. These studies are based on either physician perception of time spent in EHR through surveys which may be prone to bias or by utilizing vendor-defined EHR use measures which often rely on proprietary algorithms that may not take into account variation in physician's schedules which may underestimate time spent on the EHR outside of scheduled clinic time. The Stanford team developed and refined a nonproprietary EHR use algorithm to track the number of hours a physician spends logged into the EHR and calculates the Clinician Logged-in Outside Clinic (CLOC) time, the number of hours spent by a physician on the EHR outside of allocated time for patient care.OBJECTIVE: The objective of our study was to measure the association between CLOC metrics and validated measures of physician burnout and professional fulfillment.METHODS: Physicians from adult outpatient Internal Medicine, Neurology, Dermatology, Hematology, Oncology, Rheumatology, and Endocrinology departments who logged more than 8hours of scheduled clinic time per week and answered the annual wellness survey administered in Spring 2019 were included in the analysis.RESULTS: We observed a statistically significant positive correlation between CLOC ratio (defined as the ratio of CLOC time to allocated time for patient care) and work exhaustion (Pearson's r=0.14; p=0.04), but not interpersonal disengagement, burnout, or professional fulfillment.CONCLUSION: The CLOC metrics are potential objective EHR activity-based markers associated with physician work exhaustion. Our results suggest that the impact of time spent on EHR, while associated with exhaustion, does not appear to be a dominant factor driving the high rates of occupational burnout in physicians.
View details for DOI 10.1055/s-0041-1731678
View details for PubMedID 34261173
Abstract
Cognitive task load can affect providers' ability to perform their job well and may contribute to burnout.The researchers evaluated whether task load, measured by the National Aeronautics and Space Administration (NASA) Task Load Index (TLX), correlated with burnout scores in a large national study of US physicians between October 2017 and March 2018 with a 17.1%
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2014-08-18T20:07:48-04:00
|
The next best thing to riding horses is watching horse movies. Everyone has a childhood favorite. See where yours ranks on our list.
|
en
|
Horse Network
|
https://horsenetwork.com/2014/08/50-best-horse-movies/
|
The next best thing to riding horses is watching horse movies. Everyone has a childhood favorite. See where yours ranks on our list.
1. War Horse
War Horse is an inspiring 2011 film about the bond between a man and his horse. This remarkable story explores the power of love and friendship during a time of war.
2. Seabiscuit
Set in the depression-era, Seabiscuit tells the true story of an undersized racehorse who inspired the nation.
3. The Man From Snowy River
The Man From Snowy River follows 18 year-old Craig, who has to work to get his family’s farm back on its feet following the loss of his father.
4. Spirit: Stallion of the Cimarron
Spirit: Stallion of the Cimarron tells the story of a wild stallion (so wild, he could only be a cartoon) as he travels across the western frontier.
5. National Velvet
National Velvet stars a young Liz Taylor as Velvet Brown, a young equestrian who wins a downtrodden horse in a lottery and tries to turn him into a champion.
6. The Black Stallion
After surviving a shipwreck that has left young Alec stranded on an island with a mysterious Arabian stallion, the boy and the horse are forced to find common ground. The Black Stallion tells the story of their rescue and the bond they form as they prepare to race the fastest horserace in the country.
7. Secretariat
This 2010 Disney film relives Big Red’s unrivaled dominance on the racetrack and his owner’s determination to get him there.
8. Champions
Bob Champion and his horse Aldaniti overcome (what else?) numerous obstacles in this 1981 film, based on a true story.
9. Hidalgo
Hidalgo tells the story of a Pony Express courier and his horse, Hidalgo, who together travel to Arabia to compete in a legendary horse race.
10. Shergar
Based on a true story, an Irish racehorse is kidnapped by the Irish Republican Army, which did not heed the memo: “Keep the horses out of this.”
11. Dreamer: Inspired By A True Story
Starring an impossibly adorable Dakota Fanning, Dreamer tells the story of a horse-crazy little girl and her mission to rehabilitate an injured horse. Based on a…yeah.
12. The Horse Whisperer
The Horse Whisperer is a film about a handsome horse trainer (Robert Redford) who helps a young girl (Scarlett Johansson) and her horse on the road to recovery after a traumatizing riding accident.
13. The Derby Stallion
Starring a young Zac Efron, The Derby Stallion explores the bond between a former trainer and a defiant 15-year old boy with a passion for horses.
14. All Roads Lead Home
All Roads Lead Home follows the life changing relationship between a girl, a horse, and a dog (aka the Holy Trinity) following a tragic accident.
15. Horse Sense
Horse Sense tells the story of two cousins and their month-long adventure on the family ranch.
16. Virginia’s Run
Following the death of her mother in a horse-riding accident, a teenage girl cares for the foal of her mother’s horse.
17. A Horse For Danny
The made-for-TV tale of a young girl and her search for a winning horse for her horse-trainer uncle.
18. Running Free
Running Free chronicles an Arabian colt born into slavery during WWI and one boy’s pursuit to set him free.
19. Black Beauty
Taking place in 1870’s England, Black Beauty is the stallion narrating the circle of life in this family favorite.
20. Flicka
Starring Tim McGraw, Flicka is about a young girl’s attempt to tame a wild mustang and make it her own, while proving to her father that she has what it takes to take over the family ranch.
21. The Horsemasters
The Horsemasters follows a group of students as they work tirelessly to earn the all-important British Horse Society certification. These things aren’t just handed out as party favors, you know.
22. The Horse in the Gray Flannel Suit
Exploring the search for purpose in a business dominated world, The Horse in the Gray Flannel revolves around a businessman and his use/exploitation of his daughter’s horse to market and promote a stomach medication. Obviously.
23. Phar Lap
An incredible true story, Phar Lap was a beloved Australian racehorse in the 1930’s. The film explores his successful and dramatic life as he races in events across Europe and in the United States.
24. Something to Talk About
This 1995 film starring Julia Roberts and Dennis Quaid follows Grace (Roberts), the daughter of a horse breeder (Robert Duvall), after she finds out her husband had an affair.
25. Ladyhawke
This beautiful film is set in medieval France and is a favorite for many horse and fantasy fans, but not nerds. Nope.
26. The Electric Horseman
A former rodeo cowboy is hired to be a spokesperson for a cereal company in Las Vegas but runs away in costume on an electric-lit horse in this 1979 romance-adventure starring Robert Redford and Jane Fonda. Make sense?
27. A Day At The Races
A Day At The Races is the Marx Brothers take on a veterinarian posing as a human doctor, a racehorse owner, and a misfit racehorse, who, together, try to keep a sanitarium open.
28. Miracle of the White Stallions
General George Patton and the U.S. Army rescue the famed Lipizzan Stallions of the Spanish Riding School from the dangers of World War II.
29. Into the West
Two impoverished gypsy boys in Dublin go on an epic adventure when they follow a mysterious white horse into the Connemara.
30. Casey’s Shadow
A boy and his father raise a foal and train him all the way to the All American Quarter Horse Futurity.
31. All the Pretty Horses
Based on the stirring novel by Cormac McCarthy, All the Pretty Horses stars Matt Damon as a Texas Rancher on an intense journey to Mexico following the death of his father.
32. Let It Ride
After a cab driver learns about a horse race that’s about to be fixed, he wins big. Ignoring the advice of those around him, he decides to bet it all on a horse named Hot to Trot. What could go wrong?
33. Wild Hearts Can’t Be Broken
Wild Hearts Can’t Be Broken is the story of a teenage runaway during the Depression who lands work as a stable hand for a girl-and-horse high diving act, though she dreams of being a diving girl herself.
34. Moondance Alexander
When a spirited teen finds a lost pinto pony, she returns the horse to its owner, but convinced the horse has the potential to be a champion jumper, she has the owner train her and the horse for the Bow Valley Classic.
35. Ruffian
The true story of the legendary filly, Ruffian, from her rise to stardom in the 1970’s, to her tragic downfall on the racetrack.
36. Two Bits and Pepper
When two girls are kidnapped for ransom, their horses, Two Bits and Pepper, hatch a plan to rescue them. Not based on a true story.
37. Saving Winston
A troubled teen finds a troubled horse and the two embark on a path to redemption.
38. The Silver Brumby
A mother tells her daughter a story about the Prince of the Brumbies, which were feral horses in Australia. The brumby is supposed to find its place, but is threatened as one man tries to capture and tame it.
39. The Long Shot
A woman and her daughter move to Colorado after her husband leaves. She finds peace and healing (and maybe a little love) while working on a horse farm and ends up entering her horse in a high-stakes riding competition.
40. Misty
Two siblings set their hearts on owning a wild horse named The Phantom. Caught in the town’s annual roundup to thin out the herd, the siblings must outbid everyone. The Phantom has a surprise for the kids: a foal named Misty. Paternity tests are pending.
41. Racing Stripes
A zebra thinks he’s a racehorse in this charming comedy. With the help of a teenage girl, he works to fulfill his racing dream and accept himself for who he really is.
42. In Pursuit of Honor
In Pursuit of Honor tells the story of a United States Cavalry detachment who defies orders by refusing to slaughter its horses.
43. The Horse Boy
The Horse Boy is an inspiring documentary based on the autobiography of a father’s journey to help his autistic son.
44. Dark Horse
Dark Horse is a 1992 film about a teenager’s required community service at a local stable. When tragedy strikes, the girl learns more about strength and courage than ever before.
45. Tonka
A 1958 Walt Disney Western, Tonka is about a US cavalry horse that survived the Battle of the Little Big Horn.
46. It Ain’t Hay
After giving a horse candy and accidentally killing it, Abbott and Costello set out to make amends in this 1943 comedy. Sounds like a hoot.
47. Boots Malone
This 1952 film explores the seedy side of racetrack life. Boots Malone follows the story of an agent who has fallen on hard times after his star jockey is killed.
48. The Killing
Centered around a racetrack heist and the murder of a racehorse, this black and white film noir is gritty and bold.
49. Wall of Noise
Wall of Noise is a 1963 racetrack drama about a respected horse trainer who becomes the owner of a racehorse with the help of another horse owner’s neglected wife. This film explores the power of love, wealth, and dedication.
50. The Rocking Horse Winner
A 1949 fantasy film features a boy who is able to accurately predict the winner of horse races by rocking back and forth on his own rocking horse.
|
|||||
4333
|
dbpedia
|
1
| 20 |
https://www.dmtc.com/media/history
|
en
|
Del Mar Horse Racing History
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History of horse racing at the Del Mar Thoroughbred Club.
|
en
|
/favicon.ico
| null |
1940
Del Mar establishes itself as a playground for the stars. If you attend the meet this summer you might find yourself bumping into Dorothy Lamour, W. C. Fields, Paulette Goddard, Edgar Bergen, June Haver, Ann Miller, Don Ameche, Ava Gardner, Red Skelton and, of course, Bing Crosby and Pat O'Brien.
1941
Del Mar presents its longest meet to date--32 days--and draws average crowds of just over 7,500 daily. Ferril Zufelt (48 wins) is the top rider, F. S. Baker and Mozier Helm (13 wins each) are the top trainers and the R. C. Stable is the leading owner with $14,575 in purses.
1942-1943-1944
Del Mar is 'dark' as the U.S. plunges into World War II. Initially, the grounds are used for training by the Marines, then as a manufacturing site for parts to B-17 bombers.
1945
The war ends and Del Mar begins again. When Japan surrenders, President Truman declares a national holiday for August 15 and 20,324 turn out at the track and bet a whopping $958,476, a Del Mar record.
1946
Indian Watch and War Allies deadheat for the win in the first running of the Bing Crosby Handicap. The six-furlong dash goes on to become the track's annual sprint championship and year after year draws the quickest in the west for speed battles deluxe.
1947
The Santa Fe Railroad brings both racehorses and bettors south to Del Mar to do their thing. Cheering the arrival of the "racetrack special" from Los Angeles becomes a popular tradition for the locals.
1948
A new crop of Hollywood types makes Del Mar the spot to be for summer frolic. Among the celebs who join in the turf and surf fun this year are Lucille Ball, Desi Arnaz, Betty Grable, George Jessel, Mickey Rooney and Jimmy Durante. Durante becomes such a regular that the track eventually names its turf course in his honor.
1949
A young rider out of Texas sets a Del Mar record of 52 wins at the meet and becomes the first apprentice to claim the track's riding title. His name is William Lee Shoemaker, and his history and that of the track will become entwined hereafter.
1950
It's the "Kid" vs. the "Vet" at Del Mar as Bill Shoemaker and Johnny Longden go head-and-head all summer for the track's riding crown. In the end they finish in a tie with 60 wins each.
1951
Bandleader Harry James makes a blast with Big Noise, a colt he named for his famous trumpet. The juvenile captures the Del Mar Futurity with Ralph Neves in the irons.
1952
For the first time Del Mar's average daily crowd climbs into the five figure range when the 41-day meet draws 426,691, a daily average of 10,433. The average daily pari-mutuel handle for the year is $760,058.
1953
The track presents its richest stakes schedule thus far with 10 events worth $130,000 in added money. Leading rider Bill Shoemaker wins half of them, giving him five of the 93 added-money races he'll capture during his unparalleled Del Mar riding career.
1954
It's that Shoemaker fellow again, this time winning a remarkable 94 races during the meet's 41-day run, a Del Mar standard that may never be topped. Shoe teams up with trainer R. H. (Red) McDaniel that year to nearly breakup the game at the seashore: McDaniel saddles a record 47 winners, giving Shoemaker a leg-up on 42 of them.
1955
An Argentinean filly named Cipria wins a maiden race by a head on September 1 and rewards her backers with $263.40 for each $2 bet to win, a Del Mar record that still stands today.
1956
John Longden becomes the world's winningest rider--passing Sir Gordon Richards--when he boots home Arrogate in the Del Mar Handicap on September 3, Labor Day, for victory No. 4,871.
1957
The tough and versatile handicap horse How Now wins the six-furlong Bing Crosby Handicap and the nine-furlong Del Mar Handicap during the season. The two stakes wins are the first of five he'll accomplish at the track, a mark that has been tied (Flawlessly), but not surpassed in the track's history.
1958
Mr. and Mrs. Fred Turner, Jr.'s Tomy Lee wins the Del Mar Futurity by three lengths under Bill Shoemaker. The following year Shoe and the English-bred colt by Tudor Minstrel combine to capture the Kentucky Derby.
1959
The CTBA Selected Yearling Sales, now inits sixth summer at Del Mar, draws the get of such stallions as Royal Charger, Determine, Alibhai, Helioscope, Citation, Berseem and Imbros. One hundred and one head sell for a total of $613,000 as buyers look for the likes of such recent Del Mar yearling bargains as Lucky Mel, Old Pueblo, T.V. Lark and Silky Sullivan.
1960
Del Mar unveils its brand-new seven-eighths mile turf course with its unique diagonal chute that allows for mile and one-sixteenth and mile and one-eighth starts. The course is an instant success.
1961
Trainer Charles Whittingham saddles W.M. Ingram's Scotland for a victory in the Del Mar Handicap. It is the first of a record 73 stakes victories at the seaside course for the shiny-domed conditioner, who goes on to become one of the greatest handlers of horses the game has ever known.
1962
Crazy Kid, one of the fastest horses to ever come out of California, wins a division of the six-furlong Bing Crosby Handicap in a world's record 1:07 4/5. Later that summer he runs a mile and one-eighth in 1:47 3/5 to capture the Del Mar Handicap.
1963
It's a season for track records to tumble. Pirate Cove runs a mile in a rapid 1:33 3/5, a main-track mark that is to stand for the next 25 years. On the turf course, the teletimer can't keep up with the horses: Victory Beauty sets the standard at 7 1/2 furlongs with a time of 1:29 2/5; the same horse runs 1 1/16 miles in a record 1:43 2/5, and Puyallup establishes a new yardstick for 1 3/8 miles at 2:18 4/5.
1964
Del Mar presents its silver anniversary summer season at the course "where nobody's in a hurry but the horses." Racing secretary Barry Whitehead comes up with a stakes and purse distribution of $1,500,000, which averages out to about $35,000 in prize money for the 42 days.
1965
The sea breezes dance around some of the sport's biggest names in the winner's circle at Del Mar. The leading rider is William Hartack, he of the five Kentucky Derbies. The leading trainer is Farrell Jones, who is capturing the sixth of his record 11 turf and surf titles. And the top owner is Louis Rowan, the man who brought us Coursing, Ruken and Quicken Tree.
1966
In '66, a list of the track's top six riders and top six trainers looks like this: Riders--Donald Pierce, Alvaro Pineda, Jerry Lambert, Rudy Campas, Bobby Jennings and Mario Valenzuela; Trainers--Farrell Jones, J.L. Mosbacher, Clyde Turk, James Jordan, Riley Cofer and Dale Landers.
1967
Del Mar tries an experiment with a second meeting, running 42 days in the summer and 20 in the fall. The summer stand draws 10,028 a day, while the fall manages 4,173. On the pari-mutuel end, the summer portion does a daily take of $955,687, with the fall meet falling to $400,033. The experiment is not repeated.
1968
One of America's premier race callers, Harry Henson, takes up his summer post at the Del Mar mike for the first time, after making his local bow at the fall session in 1967. For the next 16 years his husky baritone massages the faithful at the horse heaven by the Pacific.
1969
Clement L. Hirsch's Figonero fires big in the lane to win the Del Mar Handicap over Triple Tux. The South American import's winning time for the mile and one-eighth--1:46 4/5--establishes a new world record.
1970
Bill Shoemaker boots home a filly named Dares J on September 7, 1970 at Del Mar and surpasses John Longden as the winningest rider of all time. Longden is there for the occasion and greets Shoe in the winner's circle after victory No. 6,033.
1971
For the only time in its history, the Del Mar Futurity is divided and the end results turn out to be quite similar. In the first division, favored MacArthur Park wins easily under Bill Shoemaker, while in the second half favored D.B. Carm also scores easily under Fernando Toro. Both colts run the seven and one-half furlongs on turf in 1:29 and take home $41,975.
1972
A young Midwestern horseman named Jack Van Berg ships Mongo's Pride to Del Mar and wins his first seaside stakes race in the Escondido Handicap. Van Berg goes on to saddle more than 6,000 winners, though he doesn't capture another stakes at Del Mar until Beyond Perfection scores in the 1990 Del Mar Debutante.
1973
Del Mar inaugurates the "Rocking Chair Derby," a gathering of former riders for a return to glory in one exhibition race each summer. Racing's answer to the "Old-Timers Game" draws eight soon-to-be-sore veterans: Ken Church, Dean Hall, Bill Harmatz, John Longden, Pete Moreno, Ralph Neves, George Taniguchi and Angel Valezuela. After the dust and nostalgia settle, Hall gets to ride the rocking chair in the winner's circle.
1974
Ambassador Maxwell Gluck's famous Elmendorf colors fly on top of the owners' roster at Del Mar as the top money maker at the session. Those same gold, blue and white silks lead the seashore parade for the next four summers, too.
1975
Show biz sparkles in the Del Mar winner's circle as movie producer Howard Koch and actor Telly Savalas get their charge Telly's Pop to win the Del Mar Futurity. Though visions of Derbies-to-come were not to be, on this sunny afternoon lollipops aplenty were raised in cheers by trackside star-gazers.
1976
"The Pirate" from Panama, Laffit Pincay, Jr., wins six races on opening day en route to 86 tallies and the first of his five Del Mar riding titles. During his exceptional summer stand, the muscular jockey also captures 12 stakes races, a record that still stands.
1977
Bing Crosby makes one final visit to the track he founded, then dies later that year of a heart attack. His memory lives on at Del Mar each summer, though, by virtue of lore, legend and his now famous rendition of "Where the Turf Meets the Surf."
1978
A trainer making the switch from quarter horses to thoroughbreds lets the racing world know he's for real when he cuts loose a flashy filly named Terlingua to capture the Del Mar Debutante. The trainer's name is D. Wayne Lukas and he goes on to rewrite racing history by building one of the winningest stables of all time.
1979
As the track completes its first decade under the control of the Del Mar Thoroughbred Club, attendance (17,449 per day) and handle ($2,696,598 per day) show a rise for the 10th straight year.
1980
Mary Lou Tuck strikes a blow for liberation when she pulls off a stakes double with the grey battler Go West Young Man. The trainer sends out her charger to capture both the Eddie Read and Del Mar handicaps, the biggest wins ever scored by a female conditioner in the history of the track to that point.
1981
A late-running grey horse carries rider Eddie Delahoussaye and trainer Edwin Gregson to the winner's circle following the finish of the Del Mar Futurity. The following spring Gato del Sol takes those two to the winner's circle again, this time in Kentucky's famed Run for the Roses.
1982
It's a winning year for juveniles at the track as Landaluce triumphs in the Del Mar Debutante for trainer D. Wayne Lukas and goes on to be named 2-year-old filly champion, while Roving Boy captures the Del Mar Futurity for trainer Joe Manzi and picks up an Eclipse as top 2-year-old colt.
1983
If you like to watch Eclipse Award winners run, Del Mar is the place to be this year. Althea (2-year-old filly champion) wins the Del Mar Debutante, then comes back to beat the boys in the Del Mar Futurity. Heartlight No. One (3-year-old filly champion) takes the Del Mar Oaks. Bates Motel (champion older horse) captures the San Diego 'Cap. And Chinook Pass (champion sprinter) is best in the Bing Crosby Handicap.
1984
Trevor Denman, the South African racing commentator whose colorful style changes the nature of race calling in the United States, takes command of the microphone on the Del Mar roof. Thereafter it's "And away they go."
1985
Del Mar completes an underground tunnel into its infield and fans flock to the center of the track for picnics, rays, Frisbee flings and close-up views of the thoroughbred action. It quickly becomes hard to believe that the infield hasn't been part of the track forever.
1986
Five turf marks and a like number of dirt standards are set by such good horses as: Turf--Hidden Light (Del Mar Oaks--1:47 4/5); Al Mamoon (Eddie Read H.--1:46 3/5); Aberuschka (Palomar H.--1:34 2/5). Dirt--Brave Raj (Sorrento S.--1:22 3/5); Hopeful Word (Cabrillo H.--1:46 2/5); Temperate Sil (Balboa S.--1:23).
1987
Bill Shoemaker and Charlie Whittingham team up for the third time to win the Del Mar Handicap, here with a horse named Swink. The tally is the 93rd and final stakes victory at Del Mar for Shoe, who goes out in style: Swink sets a track and stakes record of 2:13 4/5 for 11 grassy furlongs.
1988
The big names abound this summer: Gary Stevens wins his second straight seaside riding crown; Chris McCarron wins 10 stakes races; D. Wayne Lukas wins his third training title; Fred W. Hooper is the leading owner; Precisionist breaks a 25-year-old track standard with a mile in 1:33 1/5. If that isn't enough, Inter Track Wagering comes to the seashore and pushes daily handle ($6,749,971) and attendance (33,100) through the roof.
1989
Del Mar becomes the leading track in the country with a daily average handle of $7,320,623; Olympic Native sets a track record for seven panels (1:20 1/5) in winning the Pat O'Brien B. C. Handicap; and Bill Shoemaker goes out a winner for the 889th and final time in his very last ride at the seaside oval on September 10.
1990
Del Mar retains its hold as the nation's leading track with a daily average handle of $7,510,867. The track also announces plans for its richest race ever--the $1,000,000 Pacific Classic for 1991--and finalizes a program for the start of a new $80,000,000 grandstand following racing in '91.
1991
The hometown horse--John and Betty Mabee's Best Pal--zooms to an impressive tally in the $1,000,000 Pacific Classic as the lone 3-year-old in the powerhouse lineup for the inaugural edition of the track's richest and most prestigious race ever; Del Mar retains its place atop the nation's list in daily average handle ($7,806,430) and moves into the No. 1 spot for daily average attendance (37,072); and, with the close of racing on September 11, the wrecking ball lands on the old grandstand and the rebuilding begins.
1992
The "new" Del Mar--well, half of it, anyway--is unveiled, causing a striking juxtaposition of the track's past and future. This temporary arrangement, which features a rebuilt grandstand section alongside the old clubhouse and turf club, will last only for one year. Out on the track, Peter Wall's Missionary Ridge pulls off a major upset as the longest shot in the field in the second edition of the $1,000,000 Pacific Classic and Del Mar continues its reign as the nation's leader in both daily average handle ($7,699,259) and attendance (35,384).
1993
The "new" Del Mar, $80-million worth, is dedicated by Governor Pete Wilson. Trainer Bobby Frankel makes it two-for-three in the $1-million Pacific Classic with 505 Farms and Nahem's Bertrando, Laffit Pincay, Jr. wins the 8,000th race of his remarkable career and the track continues its run in the racing heavens with average handle ($8,122,609) and attendance (34,415).
1994
Del Mar leads the nation in daily average attendance (35,849) for the fourth straight year and reaches a new high in daily average handle at $9,603,271. Trainer Bobby Frankel continues his Pacific Classic dominance by registering his third score in the race, this time with Juddmonte Farms' Tinners Way. Owner Vern Winchell, trainer Ron McAnally and jockey Alex Solis pull off a nifty double when they capture the meet's top two juvenile events with Call Now (Del Mar Debutante) and On Target (Del Mar Futurity).
1995
With simulcasting pushing the envelope's edge even further out, the track takes yet another jump in the world of average daily handle ($11,263,896), while remaining atop the list for daily average attendance (33,150). In perhaps the most bizarre incident in Del Mar's history, a suicidal fan dashes onto the track and runs among a field of oncoming horses, somehow managing to avoid killing or injuring himself and the eight throroughbreds and their riders. Trainer Robert Frankel just won't let the Pacific Classic loose, as he wins it again with Tinners Way. And a rejuvenated Chris McCarron captures his fifth seaside riding title--but first in 11 years--by winning the last race on the last day of the meet.
1996
The track experiences its most exciting day ever when a record throng of 44,181 comes aboard to watch the mighty Cigar attempt to break Citation's 16-consecutive-wins mark in the sixth Pacific Classic. But the roar turns to a hush of disbelief as unheralded Dare And Go upsets the champ. Buoyed by the big day, Del Mar once more ranks among the cream of the game's crop--daily average attendance of 31,587 (1st nationally) and daily average handle of $11,677,827 (2nd nationally). Finally, on closing day, a young colt named Silver Charm wins the Del Mar Futurity, a signpost that points him out as something special, a point he furthers with an exciting Triple Crown run the next spring that comes up less than a length shy of glory.
1997
The track continues to do outstanding numbers--30,578 for daily average attendance (1st in nation) and a record $12,115,024 for daily average handle (2nd nationally)--amidst the surf and turf and fun and sun. The mighty Gentlemen puts his stamp of class on the Pacific Classic; trainer Bob Baffert fires nothing but bullets out of his barn; Kent Desormeaux announces he's back as a serious riding force on the Southern California scene; and Golden Eagle Farm wins the owners' title en route to an Eclipse Award season for John and Betty Mabee.
1998
Del Mar crowns a couple of new kings -- trainer Ron McAnally and rider Laffit Pincay, Jr. The former pulls the cinch on his 375th Del Mar winner, surpassing the long-held standard for most seaside victories set by Farrell Jones, while Pincay -- overcoming an injury that had him on the sidelines for most of the meet -- registered tally No. 890 to go past the shore oval's previous riding champ, Bill Shoemaker. The attendance and handle continue to ride high, while Mr. Triple Crown (Bob Baffert), Corey Nakatani and Golden Eagle Farm are respectively the best of the best in the trainer, jockey and owner ranks. The flashy grey/roan Free House collects the biggest prize of the season in taking the $1-million Pacific Classic.
1999
Golden Eagle Farm (John and Betty Mabee) wins its sixth owners' title, eclipsing the famed Elmendorf connections as Del Mar's winningest owners ever. Leading the Golden Eagle '99 charge is the white-footed whirlwind General Challenge, who romps in the rich Pacific Classic. Trainer Bob Baffert accomplishes an amazing feat when he wins all five of the track's Grade I races, four of them with leading rider David Flores in the boot.
2000
For the 10th year in a row, Del Mar and its satellites top the nation in daily average attendance (27,960). Robert Frankel does it again (!) when he saddles Skimming to take the Pacific Classic for the trainerpis fifth win in 10 runnings of the $1-million race. Bob Baffert captures his fourth straight conditioning title and rising star Victor Espinoza is champion rider. And it all gets seen on the trackpis new video boards in the infield and the paddock.
2001
There is talk of changing the race name from the Pacific Classic to the Robert Frankel when the Hall-of-Fame trainer does his deja vu magic with Skimming for an unprecedented sixth win in a particular $1-million race. The victory helps Juddmonte Farms become the first Del Mar owner to top $1 million for a season ($1,150,954). And it's that Bob Baffert fellow as champion trainer once more, while Alex Solis goes back on top among the riders.
2002
The track loses one of its great leaders when John C. Mabee passes at age 80, but carries on the tradition he helped put in place, including his grandest idea of all: the $1-million Pacific Classic (captured this year by the 3-year-old ace Came Home). Daily average handle goes to an all-time high ($12,351,679); a rejuvenated Patrick Valenzuela wins a riding title for the first time in more than a decade; Bob Baffert takes his sixth straight training title, and The Thoroughbred Corp. captures its first owners crown.
2003
Del Mar was saddened with the passing of two of its riding stars, John Longden and Bill Shoemaker. South American ace Candy Ride sets a track record (1:59.11) in winning the Pacific Classic. The betting goes higher still with another record season ($570,903,890). Bob Baffert and Pat Valenzuela are the training and riding champs again, and Valenzuela and Hall of Famer Julie Krone - making a big splash in her first season at the shore - put on a match race for the ages with P Val winning it by a whisker.
2004
The numbers are still nifty, with a record total handle ($580,382,206) equating to a record daily average ($13,497,260), aided by another on-track attendance increase -- the fourth straight -- to an average 17,052 per day. Purses reach an all-time high (a daily average of $559,349) and there is a record Pick Six payout ($2,100,017) to one lucky bettor. Pleasantly Perfect is the Pacific Classic star, making sure Gerald Fordpis Diamond A Racing Corp. is Del Marpis leading owner, while jockey Corey Nakatani and trainer Doug O'Neill prove best of their respective rivals. On a lone sour note, the track hosts what may prove to be the last Del Mar yearling sale, a summer staple at the shore since 1954.
2005
Once again the marks for its betting standards tumble as fans find the Del Mar product alluring and they plunge a record $608,168,297 through the wickets for a daily average of $14,143,449. Reflective of this, a single-day handle mark is set ($24,004,733) and purses reach a new pinnacle at $592,406 per day. An ownership group headed by Rancho Santa Fepis Jon Kelly hits it big with Borrego in the $1-million Pacific Classic and Victor Espinoza earns his second jockey crown while Jeff Mullins wins his first trainer's title. "Sing Along With Bing" is born, "Four O'Clock Friday" continues to pack 'em in and turf and surf, fun and sun has never seemed better.
2006
Opening day is a dandy. 42,005 turn out, the second-largest crowd in track history and the tone is set for another fun and sun run through the summer. The explosive Lava Man captures Pacific Classic No. 16, thus becoming the first to sweep California.s three Big Ones (S.A..Cap, H.wood Gold Cup) in one year. Leading rider (again) Victor Espinoza does something never done at the shore oval before when he wins seven races on one card on Labor Day. And California.s new training kingpin, Doug O'Neill, earns his second Del Mar title.
2007
The Polytrack Era dawns at Del Mar, all $9-million worth of it, and the new main-track surface brings slower times, but safer trips for horses and riders. Another Opening Day onslaught -- 42,842, second-largest crowd in the trackis history n kicks things right off and the Pacific Classic Day handle -- $24,667,351 n is the largest one-day run at the wickets in the seaside courseis 68 summer seasons. Student Council surprises in the Classic, while Michael Baze captured his first Del Mar riding crown and Doug O'Neill takes home his third in the past four years.
2008
The seaside oval charges out of the gate with an Opening Day record crowd n 43,459. Battling a recession-bound economy heading south, it takes a mild hit at the gate and the wickets, but manages to hold its own in the end. A tweaked Polytrack allows for faster times while continuing to reduce catastrophic injuries. The eastern invader Go Between snatches the Pacific Classic, as newcomer Rafael Bejarano and old pro John Sadler win their first jockey/trainer crowns.
2009
For the first time since 1945, Del Mar runs five days per week, dropping its Monday programs (with the exception of Labor Day) in an adjustment to a tough economy and a declining horse population. And less proves to be more. The seaside trackis 70th racing season sees ups in on-track attendance and handle as fans and horsemen respond positively to the switch. Opening Day, which has become an event all unto itself, establishes a new record when 44,907 fans start things with a rush. Richardis Kid pulls off a big surprise in the Pacific Classic and John Sadler is training champ (again), while Joel Rosario wins his first shore riding crown.
|
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correct_death_00034
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FactBench
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2
| 7 |
https://www.findagrave.com/memorial/1664/count-basie
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en
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1984) – Find a Grave Gedenkstätte
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Jazz Musician. He was one of the greatest bandleaders of all-time, epitomizing the jazz of south-western America. He rose to fame after taking over Bennie Moten's band in 1935. His second great band, from the 1950s onwards, relied more on arrangements, typically from Neil Hefti and Ernie Wilkins. As a pianist Basie...
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https://de.findagrave.com/memorial/1664/count-basie
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Es gibt ein Problem mit Ihrer E-Mail bzw. Ihrem Passwort.
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correct_death_00034
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https://m.facebook.com/groups/377226088995142/posts/7996104647107210/
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Facebook
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https://www.wbgo.org/music/2021-03-04/duffy-jackson-ebullient-drummer-with-lionel-hampton-count-basie-and-others-dies-at-67
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en
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Duffy Jackson, Ebullient Drummer with Lionel Hampton, Count Basie and Others, Dies at 67
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2021-03-04T00:00:00
|
Duffy Jackson, a drummer whose swinging exuberance propelled him from child stardom to a prolific career behind Lionel Hampton, Ella Fitzgerald, Lena…
|
en
|
WBGO
|
https://www.wbgo.org/music/2021-03-04/duffy-jackson-ebullient-drummer-with-lionel-hampton-count-basie-and-others-dies-at-67
|
Duffy Jackson, a drummer whose swinging exuberance propelled him from child stardom to a prolific career behind Lionel Hampton, Ella Fitzgerald, Lena Horne and many others, died on Wednesday in Nashville, Tenn. He was 67.
The cause was complications from hip surgery, Sandra Anton, his first cousin, tells WBGO.
Show business was a proud birthright for Jackson, who began to learn his craft before he was in grade school. His father, Chubby Jackson, was a bass player and bandleader who became a popular children’s television host, and Duffy earned a reputation as a boy wonder — initially through his appearances on Chubby Jackson's Little Rascals, which aired on ABC. At age 5, his picture appeared in DownBeat magazine, with a caption noting that “Duff, who has nicknamed himself Jazz Jackson, has only one ambition in life: to run away with Count Basie’s band.”
He realized that dream in his 20s, when he became the youngest member hired by Basie at the time. His bedrock time and tasteful embellishments were a natural fit for the band; here he is on the 1980 Pablo album Kansas City Shout, playing a tune cowritten by Basie and saxophonist Eddie “Cleanhead” Vinson.
Basie’s was just one of the many swinging bands that Jackson played with over the years. He worked with saxophonists Benny Carter, Sonny Stitt and Illinois Jacquet, along with vibraphonist Lionel Hampton and bassist Ray Brown. He also powered the band behind Sammy Davis, Jr. on network television for two years, and spent a year on tour with Lena Horne.
Among Jackson’s other close affiliations was one with Jamaican pianist Monty Alexander, beginning in the early 1970s with Here Comes the Sun. On that album’s title track, the Beatles hit by George Harrison, Jackson shows the ease with which he can hold down a funkier groove.
Still, Jackson considered himself something of a specialist. “I can play beautifully in a trio or whatever,” he said in a 2019 interview with the Nashville publication Music Mecca, “but when I’m in the driver’s seat of a big band, that’s where I can take you to places that you’ve probably never been before.”
Duff Clark Jackson was born on July 3, 1953 in Freeport, N.Y. The first indication of his musical talent came when he was a toddler, keeping time to records on a set of bongos. At 4, he began taking lessons with his first drum teacher — Don Lamond, who’d played alongside Chubby Jackson in the Woody Herman Orchestra. He also received encouragement from master big band drummers like Buddy Rich, Louis Bellson and Sonny Payne.
Jackson developed his precocious talent on the most public platform available at the time: by his own estimation, made 300 television appearances between the ages of 5 and 12. The primary outlet was his father’s Little Rascals show, airing in Chicago and New York. “My dad had access to the ABC local musicians on staff,” he recalled, “so at eight in the morning, you’d hear an 18-piece band swingin’ so hard. Now all the guys were all drunk or stoned or stayed up all night, but the thing is my dad had little kids dancing and singing in front of the band.”
The razzle-dazzle of an entertainer was always something Jackson could access musically, and in his later career he made it a trademark, as a drummer and a scat singer. Though there’s just one album under his name — Swing! Swing! Swing! on the Milestone label, made in the mid-‘90s — he was a seasoned bandleader, and a cornerstone of the jazz ecology in Nashville.
Jackson moved to Nashville in the late 2000s, from his previous home base in South Florida. He quickly found a niche in Music City — playing residencies at Rudy’s Jazz Room and Acme Feed and Seed; sitting in with the Time Jumpers at 3rd & Lindsley; and engaging with the Nashville Jazz Workshop, as both an instructor and a featured artist.
“Playing with Duffy felt like a glove,” pianist Lori Mechem, cofounder of the Nashville Jazz Workshop, tells WBGO. “His groove was infectious, and his sense of swing was flawless. He truly lived to play and loved everyone to the fullest.”
He is survived by his wife, Marina, and two sisters, Myno Tayloe and Jai Jackson.
Jackson often talked about his relationship to an audience in terms of crackling excitement. “Sometimes an audience will sit very quietly like an oil painting, and be subservient to the jazz musicians that demand your respect by not talking,” he told Music Mecca. “I want people to go nuts when I’m playing, as long as I can still hear myself. I want people to react.”
|
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correct_death_00034
|
FactBench
|
0
| 14 |
https://nysmusic.medium.com/the-harlem-renaissance-counting-basie-s-life-and-legacy-4b69f652c70e
|
en
|
The Harlem Renaissance: ‘Count’ing Basie’s Life and Legacy
|
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2020-12-11T23:54:53.813000+00:00
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William James “Count” Basie was born in Red Bank, New Jersey in August 1904. Both of his parents played instruments: his dad on mellophone, his mom on piano. He dreamt of traveling, heavily inspired…
|
en
|
Medium
|
https://nysmusic.medium.com/the-harlem-renaissance-counting-basie-s-life-and-legacy-4b69f652c70e
|
By Joseph Dugan. Originally published on NYSMusic.com
William James “Count” Basie was born in Red Bank, New Jersey in August 1904. Both of his parents played instruments: his dad on mellophone, his mom on piano. He dreamt of traveling, heavily inspired by touring carnivals. However, he spent most of his free time working at the Palace Theater in Red Bank where he eventually received free admission for performances.
Although he was more proficient on piano, his real love was drums. However, another drummer, Sonny Greer, also grew up at the same time in Red Bank, and Greer eventually became Duke Ellington’s drummer. Therefore, Basie stuck to the piano.
Harlem
In about 1920, Basie moved to Harlem where the Harlem Renaissance was beginning. He lived down the street from the Alhambra Ballroom, a staple of the Renaissance. Soon after his arrival, he ran into Greer, who was already playing with Ellington. In addition, Basie ran into numerous Harlem musicians including James P. Johnson and Willie “The Lion”” Smith.
Basie soon began touring with various acts as both a soloist and accompanist. These tours took his to future homes of Kansas City and Chicago as well as St. Louis and New Orleans. The touring also allowed Basie to create connections with other musicians, including Louis Armstrong.
Basie was located in Harlem again in 1925, receiving his first steady job at a Leroy’s a place known for its piano players. There he met Fats Waller, another jazz pianist who was also proficient at organ and was playing it accompanying silent films. Waller taught Basie the organ, and Basie would go on to play it in Kansas City.
In 1928, Basie was invited to join Walter Page and his Oklahoma City Blue Devils. At this point, he began to be called “Count” Basie.
Kansas City
In 1929, Basie began working with the Bennie Moten band, located in Kansas City, Missouri. Basie joined with the intention of achieving the level off success seen by Duke Ellington. The Moten band was well-respected, playing in the ‘Kansas City Style’ of jazz which was the precursor to bebop. The band’s “Moten Swing” paved the way not only for the band, but swing music as a whole.
The band eventually voted Moten out, with Basie replacing him in “Count Basie and his Cherry Blossoms.” This group also failed, and Basie rejoined Moten. In 1935, Moten died from a failed tonsillectomy. The band tried to remain together, but failed. Basie then went on to form “Barons of Rhythm” with five other Moten Band members.
The Barons of Rhythm often did radio broadcasts, one of which cemented Basie as “Count Basie” when one radio announcer referred to him that way. It was with this group that Basie released his signature tune “One O’Clock Jump.”
Chicago
In 1936, Basie and his band, now “Count Basie and His Barons of Rhythm” moved to Chicago, landing a long engagement with the Grand Terrace Ballroom. Immediately, the band made an impact with its stellar rhythm section. Basie was one of the first to utilize two tenor saxophone players, Lester Young and Herschel Evans. They were able to complement each other and in some cases, held “duels.”
While in Chicago, Basie began recording with John Hammond. He recorded with Vocalion Records (now Columbia Records) from 1936–41. Basie already had deals with Decca Records, but did not begin recording with them until 1937.
Back to New York
In 1937, Basie brought his band back to Harlem, often rehearsing in the Woodside Hotel basement. Soon, the Roseland Ballroom booked the group for their Christmas show. The show was not received well as the band lacked polishing and presentation.
Their producer John Hammond eventually introduced Basie to Billie Holiday who was invited to sing with the band. She declined to record with them as she had her own contract, but did sing with the band for concerts. They appeared at the Apollo Theater soon after.
The band then played at the Savoy Ballroom. In 1938, there was a “battle of the bands” with Chuck Webb’s group. Basie had Holiday to sing vocals, and Webb countered with a superstar of his own: Ella Fitzgerald. Basie and his band came out on top.
This “battle” with Webb brought publicity and name recognition to Basie. Benny Goodman recorded “One O’Clock Jump” with his band, bringing further recognition to Basie.
Over the next few years, band members came and went. Basie dropped his agent and switched to the William Morris Agency. In 1939, Basie and his Orchestra did a cross-country tour, the first time Basie played the West Coast. In February 1940, Basie and his Orchestra began a four-week stint at Southland in Boston.
Post-War
After World War II, the era of the big band era appeared to have ended. Basie disbanded the group. He performed in combos and occasionally orchestras for the next few years.
In 1952, Basie reformed his band, eventually called the New Testament band and got a stint with the Birdland club. The jukebox era had begun, and Basie was there along with the early rock’n’roll artists. Basie and his band were sharing the Birdland stage with Charlie Parker, Dizzy Gillespie, and Miles Davis, bebop legends. Soon, the band began to tour and record again.
In 1958, Basie and his band toured Europe. They later made two tours to the British Isles, performing for Queen Elizabeth II and Judy Garland. In 1959, Basie appeared on a television special with Fred Astaire. In 1961, Basie performed at one of John F. Kennedy’s Inaugural Balls. In the summer of that year, Basie and Duke Ellington made their first recording together. Basie continued to lead his band through the next two decades.
In April of 1984, Count Basie died of pancreatic cancer in Hollywood, Florida.
Legacy
Count Basie recorded with a number of prominent vocal artists including Joe Williams, Ella Fitzgerald, Frank Sinatra, and Tony Bennett. Basie never recorded with Louis Armstrong, a fact Basie regretted.
The impact Basie had can be seen across the country. In his hometown of Red Bank, there is now a Count Basie Theatre and a Count Basie Field. He received an Honorary Doctorate from the Berklee College of Music. Basie is a member of the New Jersey Hall of Fame as well as the Blues Hall of Fame. In 1997, astronomers at a French observatory discovered an asteroid, naming it “Asteroid 35394 Countbasie” after Basie. In 85, Basie was posthumously awarded the Presidential Medal of Freedom, the highest honor an American civilian can receive. There was also a Count Basie 32 cent stamp issued by the USPS in 1996.
Basie introduced generations of listeners to Big Band. Throughout his life, he was described as considerate, relaxed, fun-loving, and extremely passionate about his music.
|
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correct_death_00034
|
FactBench
|
3
| 16 |
https://www.blackpast.org/african-american-history/basie-count-william-allen-count-basie-1904-1984/
|
en
|
William Allen (Count) Basie (1904
|
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2008-02-19T20:22:43+00:00
|
A jazz pianist and bandleader, Count Basie was one of the leading musicians of the Big Band “Swing” era. His Count Basie Orchestra was formed in 1936, and featured singers such as Billie Holliday, and notable musicians including Lester Young, Jo Jones, and Walter Page. … Read MoreWilliam Allen (Count) Basie (1904-1984)
|
en
|
https://www.blackpast.org/african-american-history/basie-count-william-allen-count-basie-1904-1984/
|
A jazz pianist and bandleader, Count Basie was one of the leading musicians of the Big Band “Swing” era. His Count Basie Orchestra was formed in 1936, and featured singers such as Billie Holliday, and notable musicians including Lester Young, Jo Jones, and Walter Page. The band lasted for many decades, outliving Basie himself.
He was born William Allen Basie in Red Bank, New Jersey on August 21, 1904. His mother was his childhood piano teacher, and he was taught to play the cinema organ by Fats Waller. As a young man, he toured with vaudeville acts playing ragtime and stride piano, and after being stranded in Kansas City, Missouri in 1927, played the organ for silent films. He joined the Blue Devils, a jazz band, in 1928. Basie later formed his own group, playing at the renowned Apollo in New York City, New York and in 1937 recorded “One O’Clock Jump” on the Decca label, which became the band’s signature song.
The importance of radio exposure in this pre-television era was shown by the heartland enthusiasm for his band’s tours after Basie was broadcast from New York’s 52nd Street Famous Door on the CBS Network in 1938. By the end of the thirties, the band had an international reputation. When Count Basie’s band was hired by a major New York hotel in 1943, it was considered a breakthrough for black musicians, who were often limited to playing in black clubs at that time.
When the Big Band era was supplanted by Bebop, Basie reorganized and adapted his orchestra, becoming a popular mainstream jazz band, with successful tours including to Europe and Japan. He continued to record extensively, including with jazz singer Sarah Vaughan and with Frank Sinatra. On March 20, 1981, Carnegie Hall paid tribute to Basie on the 50th anniversary of his career.
|
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correct_death_00034
|
FactBench
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1
| 19 |
https://fromthevaults-boppinbob.blogspot.com/2013/08/count-basie-born-21-august-1904.html
|
en
|
FROM THE VAULTS: Count Basie born 21 August 1904
|
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William "Count" Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. Commonly regar...
|
en
|
https://fromthevaults-boppinbob.blogspot.com/favicon.ico
|
https://fromthevaults-boppinbob.blogspot.com/2013/08/count-basie-born-21-august-1904.html
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correct_death_00034
|
FactBench
|
0
| 55 |
https://iverson.substack.com/p/tt-232-elusive-thad-jones-at-100
|
en
|
TT 232: Elusive: Thad Jones at 100, by Russell Scarbrough
|
https://substackcdn.com/image/youtube/w_728,c_limit/wlO8aTYxvLU
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https://substackcdn.com/image/youtube/w_728,c_limit/wlO8aTYxvLU
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2023-03-28T10:43:10+00:00
|
A guest post about the legendary trumpet player, composer, and arranger
|
en
|
https://iverson.substack.com/p/tt-232-elusive-thad-jones-at-100
|
Most jazz fans know Thad Jones for his work with the famous Thad Jones/Mel Lewis band, the house ensemble of the Village Vanguard. I was intrigued by all the non-Thad/Mel material Russell was posting on his socials, and am grateful for the opportunity to repost these fascinating insights here. — e.i.
——
by Russell Scarbrough:
Below are notes I collected while contemplating a book on Thad Jones. All this material first appeared on my Facebook page. Corrections welcome, for accurate and complete information about Thad remains elusive!
Thad Jones, born 100 years ago today in Pontiac, Michigan, recorded “Elusive” on his first record in 1954.
“My Centennial” is number 100 in that fat book of charts at the Village Vanguard.
Thad’s parents had moved to Pontiac from Mississippi in the Great Migration. His siblings included two other great jazz musicians, Hank (older), and Elvin (younger). Their father, Hank Sr. was a deacon at Trinity Baptist Church, within sight of their childhood home (one of Thad's first big band charts was "The Deacon"). By all accounts, his sister was the most talented member of the family, but she died tragically at age 12. Thad apparently didn't pick up a trumpet until he was about 13, and was completely self-taught (his uncle gave him the horn and a book about how to play). No jazz was allowed in the house on Sundays.
Thad played locally until enlisting in WWII in 1943, then ended up in Guam in time to hear Dizzy Gillespie on the radio. After the war, Thad played in Detroit and in the midwest, but didn't arrive in NYC until May 1954. He was 31! Hardly a note of Thad's career was recorded until his life was almost half over.
Since many jazz musicians regularly went through Detroit, Thad was well known along that circuit before he moved east. He joined the Count Basie Orchestra on Frank Wess's recommendation just as Basie was entering one of his most fruitful and enduring periods.
In addition, Thad immediately became part of Charles Mingus's circle of performers and composers for an important three year run.
By the end of the summer of 1954, Thad had recorded his debut LP The Fabulous Thad Jones with Mingus on bass; he also recorded Mingus's "Portrait" (a trumpet solo with orchestra) for10-inch record. An oft-quoted letter by Mingus to Metronome Magazine praises Thad as "Bartók with valves.”
The relationship didn’t last. In Gene Santoro's biography of Mingus Myself When I Am Real, he reports a plausible enough story about Mingus and Thad having a dispute about an appearance Thad made on some album that — due to some contractual matter — caused one of Mingus's records to be held up... so Mingus called Thad's residence, got his wife on the phone instead, and proceeded to subject her to one of Mingus's famous tirades. When Thad heard about this, said to Mingus, "I'll kill you if you ever do that again," and then according to Santoro, they didn't speak for 20 years.
Except — In 1972, for Mingus's big band album Let My Children Hear Music, the CD reissue notes by George Kanzler state: "Mingus conceived of an ambitious project with a large ensemble and hired Thad Jones to do the arranging and scoring. But Jones, in the midst of writer's block, didn't produce any music.”
Say what now? So they were certainly talking. And Thad had "writer's block?" If Thad was getting paid, he would be writing charts: this was a period when Thad did a lot of freelance arranging of all kinds of lesser commercial material (after his day gig with Ed Sullivan at CBS dried up). I really don't believe this.
I have a lot of questions about Thad and Mingus. They worked together during important years for both of them, and clearly there had been mutual respect for each other's music. And them one day it was over? What really happened after that falling out in 1957? What was their relationship like afterwards? What if?
It seems likely that Thad Jones spent time playing, and presumably writing, while serving in the US Army in WWII (from 1943-46). We know practically nothing about Thad in the first half of the 1940's, and practically nothing about when he became interested in writing music or how he developed that craft.
Chris Sheridan's bio-discography of Count Basie notes that the Ernie Wilkins arrangement of "Every Day I Have The Blues” — which was a giant hit — was “written out from riffs and figures supplied by Thad Jones and Frank Wess.” Bill Kirchner is quoted on the Living Jazz Archives website saying that a 1956 arrangement of Denzil Best's "Move" featured on the Hall Of Fame LP was actually co-arranged by Wess and Thad — representing Thad's first chart for Basie, and therefore, the first Thad chart we know about (though he wrote many original tunes for his small group records).
1955-56 were good years for Thad. His first son and daughter were born. He played his iconic "Pop Goes the Weasel" solo on "April In Paris" (another massive hit for Basie). He recorded two more solo albums and won Down Beat's New Star award. And on August 29, 1955, while on the road in Chicago with Basie, he met the drummer from Stan Kenton's orchestra: Mel Lewis.
Apart from that half-a-chart of “Move,” from 1954-58 Thad contributes no other arrangements to the Basie band. Strange but true? According to Sheridan's exhaustive catalog of radio checks and (many) other documented performances at that time, there were no Thad charts in the book. Basie had other great writers, of course: Ernie Wilkins, Frank Wess, Frank Foster, Neal Hefti, and others.
This changes in 1958 when the great Chairman Of The Board LP comes out. Thad contributes four charts to the album: "The Deacon", "H.R.H.", "Mutt & Jeff", and the rather progressive "Speaking of Sounds" (also known as "Brushes & Brass”). The kinetic "Counter Block" appears in concerts in the first half of 1959 and may have been written about the same time as the Chairman charts.
(A listing of Thad's charts for Basie is here.)
Thad became very close to Al Grey, who joined the Basie trombone section in 1957 just before a triumphant tour of Great Britain. Sheridan suggests Grey was the "missing link" providing real depth to the Basie band, and his arrival inspired Thad's pen. Indeed, Thad wrote at least three great charts to feature Grey: “H.R.H.," "Bluish Grey,” and "Makin' Whoopie," perhaps the definitive showcase for Grey's plunger technique.
"To You” on the First Time: Basie Meets The Duke (1961) was also originally intended for Grey, but he’d been fired from the Basie band 6 months earlier, so it ended up being a feature for Quintin Jackson's plunger.
(Incidentally, Sheridan also mentions that “H.R.H.," obviously the acronym for Her Royal Highness, was inspired by the British tour. The title specifically refers to Princess Margaret, who was a fan of Basie's and made quite a favorable impression on the band.)
Thad spent almost 8 1/2 years with Basie. In his seniority, he self-promoted himself from "The Deacon" (1957) to "The Elder" (1962).
But other than the concept album projects where Thad was contracted to write most of the arrangements — Dance Along With Basie and Count Basie/Sarah Vaughan — less than a dozen Thad charts were performed regularly.
From this vantage point it seems odd that Thad’s arrangements were so scarce in the Basie book, but there were reasons. Basie had no shortage of great writers for the band; Verve Records wanted to feature Neil Hefti; Basie was notorious for his pickiness regarding charts. In the Hall Of Fame liner notes, Wilkins is quoted: "[Basie] rejects more arrangements than he accepts,” a sentiment echoed by many later voices.
Basie also made no hesitation in changing, cutting, and correcting his arrangers, which naturally led to some tension. It’s possible that Basie simply didn't dig much of Thad's writing. Too hard, too complicated, too modern, not in keeping with the signature Basie style. "Bartók with an arranger's pen" might have too much for the leader, no matter how elegant or progressive the writing may have been.
Thad joined Basie as a relatively unknown voice from the mid-west with practically no documentation of his talent. Over 8+ years he'd become and experienced and widely-admired veteran player, acknowledged as a significant force in progressive jazz. Basie had featured him, shown him how to be a successful leader, and given him a chance to grow as a writer.
But Thad eventually outgrew the limitations of the sideman role, so on January 24, 1963, Thad finally left Count Basie freelance in NYC, writing, arranging, playing, and band-leading. Publicly he said it was to spend more time with his family, which makes sense. Life in a big band like Basie's meant large periods of time on the road, and sometimes grueling schedules.
(An example of a grueling schedule: In May 1959, in the midst of a two-week nightly residency at Birdland in NYC, the band flew to Miami with Joe Williams to play an all-night dance from 2-7am, and flew back to make their Birdland hit later that evening! The Miami performance is captured on the Breakfast Dance & Barbecue LP.)
But was this a good time to stop being a sideman? On one hand, Thad was a seasoned 40-year old and in good artistic company: Roland Hanna, James Moody, Pepper Adams, Shirley Scott, Gerry Mulligan, Ben Webster, Sonny Stitt, Thelonious Monk, McCoy Tyner, George Russell... great voices of the past, present, and future. He regarded his week of playing "Night Creature" with Duke Ellington and the Detroit Symphony in March 1963 as one of the high points of his career. (See Mark Stryker's Jazz From Detroit for more about “Night Creature.”)
On the other hand, the scene was changing: The Cold War heating up, instability in Europe, the assassination of JFK, the Civil Rights movement beginning to have wide effects, Vietnam on the horizon….TV was increasingly a focal point for all Americans (most broadcasting was in color by 1965), keeping people at home evenings. and there were fewer young people interested in jazz (no longer the music of rebellion and freedom, but of rarefied modern art). Birdland went bankrupt in 1964 and closed early in 1965, just after a weeklong residency featuring John Coltrane.
Finally, at the encouragement of his brother Hank, he joined CBS as a studio musician in 1964, and began performing regularly on the Ed Sullivan Show. He stayed on the show until it was cancelled in 1971.
Meanwhile, Thad played occasionally with Gerry Mulligan's Concert Jazz Band. Unlike Basie, Mulligan's group was not full-time, and was mostly centered in New York. Also unlike Basie, Mulligan tended to feature a limited number of soloists: Mulligan himself, valve trombonist Bob Brookmeyer, and Clark Terry or Conte Candoli on trumpet, giving far less to the other (quite capable) players in the band. And Mulligan's band could be said to have an element of restraint and refinement, perhaps unusually so for a large jazz group at that time, and not necessarily to everyone's taste (which may partially explain why Mulligan didn't keep it together for long). But while less satisfying for Thad to perform in, he made important connections there: composer Brookmeyer would become an important ally, and he built a relationship with the drummer Mel Lewis, whom Thad had previously met on the road. Lewis would then power a quintet with Thad and baritone sax player Pepper Adams (the 1966 LP Mean What You Say is a great document of this group).
Knowing Thad's writing aspirations (and finding no outlet with Mulligan in that regard, it seems), Mel began to encourage Thad to start his own band. Mel was not the first to suggest this: Roland Hanna said the same thing immediately after Thad left Basie. And it's not as if Thad wasn't writing: in fact, Harry James hired Thad for about a chart a month once he had left Basie, resulting in the 1964 LP Harry James Plays New Versions of Down Beat Favorites, containing 12 Thad Jones arrangements. So why not just start writing, get the guys together and start playing? After all, there were other bands in NYC doing just that: besides Mulligan, Duke Pearson had a big band, and there were many other part-time or occasional bands that only played locally. Take a few months, write out a couple of sets, and we're off and running, right? What was Thad waiting for?
In his biography of Mel Lewis The View From The Back Of The Band, Chris Smith gives a hint in passing which may be the key to understanding a lot of Thad's decision making. Regarding this question, why did Thad not write charts for his own use, even when many encouraged him to do so, and logistical pieces were falling into place, Smith writes, "...as Mel later discovered, Thad rarely composed or arranged music unless he had a paid commission to do so.”
Turns out, on principle, Thad didn't write music in his spare time — only when he was on the clock. This perhaps help explain why he didn't write much for Basie, except when there was a project (like a concept album) where he could be contracted to write without the possibility of Basie rejecting his charts (and therefore, not getting paid for the ones Basie didn't accept). On the other hand, Thad did write for Harry James when he was basically on retainer and getting a monthly check. If he was going to write big band charts—which he really wanted to do—Thad needed a way to get paid.
Perhaps this principle is at the heart of one of the strangest chapters in Thad's career: the ill-fated "Basie/Thad" record of 1965.
Somewhere along the line, Thad and Basie spoke. They agreed that Basie would record an album of Thad’s charts. Not a bunch of arrangements dashed off in a hurry for some singer, but a full LP of Thad’s original compositions. The very thing Thad had wanted all those years, but never quite got. And… Basie would pay for it. This is the story as we’ve received it.
So — again, at some point — there was a handshake and Thad got to work writing in Spring 1965. The Beatles toured America, and Birdland closed. The first indoor baseball game happened in the Astrodome, and the US sent 250,000 personnel to Vietnam. “Thad, we’ll bring the band into the hall at the end of the summer and read down what you’ve got so far.”
In September, Thad brought seven charts — about half of what would be needed for an album — to a reading session with Count Basie and the orchestra. The titles are familiar to those who know the future Vanguard band: “Back Bone,” "All My Yesterdays,” “Big Dipper,” “The Little Pixie,” “Low Down,” “A-That’s Freedom,” "The Second Race,” Some of them, like “A-That’s Freedom" (actually composed by Thad’s brother Hank, arranged by Thad) and “The Second Race” were sort of Basie-ish: one could imagine the CBO playing these well. The others were brilliant, modern, thoroughly Thad, and really not much in Basie’s conventional style. In any event, at the end of the reading, Basie gave all seven of them the same response he had given to so many of Thad’s charts when he was in the band: No. Not for me. Not for us.
(Incidentally, some suggest these were “too hard” for the Basie band to play. Nonsense. Basie always had a band full of tremendous all-around players. Perhaps the sight-reading was rough-around-the-edges in the moment, or perhaps Thad felt compelled to make explanatory remarks ahead of some charts that Basie had little patience for. But none of these titles are as technically challenging as, say, Thad’s “Counterblock,” which Basie’s band played perfectly well in a live recording from 1959).
Some claim Basie tried letting Thad down easy with a patronizing, encouraging attitude: “Thad, why don’t you take these and start your own band?” As if the Thad Jones/Mel Lewis Jazz Orchestra was Basie’s idea. Others have Basie throwing the record company (Verve) under the bus: “I’d love to record these but they really want an album of Chico O’Farrill charts, what can I do?” Which is plausible enough, but then why have the reading session in the first place? Still others suggest there was quite a bit more tension in the air as that session progressed.
I admit that none of this makes any sense to me. Basie and Thad knew each other for a decade at that point. Basie knew how Thad wrote—they’d been through all this before. What did he think, after three years away from the band, that Thad would suddenly start writing like Ernie Wilkins, for a whole album? And did Thad think, “Chief never liked this stuff before, but these charts will knock his socks off…they’re so hip he’ll have to record them…”
Both of these guys must have had some purpose going into this session. Without a clear sense of exactly what was said in the months before Thad wrote the music — when the “handshake” was made, “OK, we’ll do this” — it’s impossible to say who got what they wanted out of it. Basie didn’t keep a big band going for decades by being a dummy. Whether or not this day went down the way he’d hoped is another question. But Thad left that September 1965 session with a stack of original charts under his arm: new music, brilliantly conceived, and without a home.
And Basie did not want to pay Thad! They had to go to the union for arbitration over it, and finally Basie begrudgingly paid Thad for only the seven charts completed (this being only the first half of what was originally to come). So much for the warm and fuzzy feelings between them. To his credit, Basie did allow Thad to keep the charts, and the copied-out parts in ink, made from Thad’s scores, weren’t exactly cheap.
On Thanksgiving weekend 1965, Thad called up Mel, Brookmeyer, Pepper, colleagues from the studios at CBS, and other friends, met them all at Phil Ramone’s A&R studios on 48th street, and began to rehearse. The charts had “COUNT BASIE ORCHESTRA” stamped on them.
At this point, others have taken up the story. On February 7, 1966, the Thad Jones/Mel Lewis Jazz Orchestra premiered at the Village Vanguard. In short order they were considered one of the greatest big bands in the world. From this point until January 1, 1979 (when he didn’t show for the first Monday night back at the Vanguard after an ill-fated European tour), Thad Jones has a thoroughly documented jazz career.
Those who are new to Thad and Mel can start right at that cold winter night in 1966 with All My Yesterdays, a magnificent recording/book package from Resonance Records (2016) documenting the first two performances at the Vanguard and all the characters involved. Mosaic Records reissued their first five instrumental albums in 1994, and all of them are still available as digital downloads. Most of their official albums are still in print, and bootlegs abound. There are also dozens of complete Thad Jones scores published and widely distributed by Kendor Music, most of which were in print during Thad’s lifetime. (In contrast, Duke Ellington’s scores are almost exclusively transcriptions, and only came into print decades after his passing.)
After returning from a grueling European tour, the band was set to resume their usual Monday night performances in the first week of January 1979. The band was there, Mel sat at the drum set.
Thad didn't show.
Bewildered, they played the set without him. The next week, on January 8, Mel went to Thad's place and found him moving out, heading to Copenhagen... peace out, as we now say.
But... the band? The gig? The last 13 years? You and me? Uh, your family? Thad didn't give any explanations, just packed up and left the United States for the next six years. Done.
At the Village Vanguard, each music stand held a fat book of ordered charts. Number 5 was titled, "Don't Ever Leave Me," and they had played it on the first night in 1966.
There are important questions about Thad that will never be answered, especially concerning his move to Europe.
One precipitating event took place in Belgrade, Yugoslavia, early November 1978, after the show, late at night. Thad had been in a dark mood for much of the long European tour, a string of one-nighters that began early in October. He had made some outbursts during the tour, on the bus and in hotel rooms, that perplexed Mel and the band. Like, maybe something was really eating at Thad. Who knows? After playing a recorded concert at the Belgrade Jazz Festival, Thad hails a cab. Maybe—probably—Thad had been drinking. But who knows? What does a Belgrade cab driver think when a large black man enters his cab late at night? Who knows? The only source for this story is Thad. All we know is what he told people, how on a cold Belgrade night, this cab pulled over, and Thad rolled the back seat passenger side window down partially. He made a remark to a young woman on the sidewalk from the cab. What did he say? Who knows? What does a stranger say to a woman on the street late at night from the back of a cab? Then, out of nowhere, her boyfriend (?) was there, and a punch was thrown through the glass and hits Thad in the face. The glass shatters, and Thad has glass shards embedded in his lip.
That's it, that's the story. Presumably, then Thad goes (in the cab?) to the hospital or something, and gets his face and lip patched up the best they could be. There must have been blood everywhere. It's a trumpet player's nightmare.
The band had more than a month of European dates left to play. At least through December 6 in Stockholm, and then Thad was scheduled to lead the Danish Radio Big Band in Copenhagen later in December. There is a bootleg recording of the band in Milan on November 7 in which Thad doesn't play, just directs. Same thing in Paris on November 15 (which according to my research is the final recorded evidence of the Thad Jones/Mel Lewis Jazz Orchestra). Everyone eventually got back to NYC by the end of December, in time to take up the Monday nights at the Vanguard again.
Later on, Thad said his lip had become infected.
What does Thad’s lip injury have to do with his flight to Europe? Who knows? Most likely it just made the idea of a hard goodbye that much more dreadful. We know he had a long association with the Danish Radio Big Band — had even made records with them — and that he had been negotiating plans to spend more time with them (many Americans do this, going to Copenhagen several times a year). But later it seemed like he had been planning a more permanent move there for a while, maybe for most of 1978.
But why leave without a word? Why didn’t he just say to Mel and the band in September, this has been great but I have to move on, this is my final tour then I’m going to Denmark? Wouldn’t everyone in the band have understood, been supportive and shown him an outpouring of love — even if they had to keep it quiet? More that one person has said to me, “Thad didn’t like goodbyes.” But we don’t know that answers why he burned every bridge behind him.
Thad also left his wife and family behind in NY. His children had just become adults. I don’t know if his departure was any less a surprise to them than it was to Mel and the band. “Thad never really spoke about his family,” was a remark made in several conversations I’ve had. “He had walls up around his personal life.” Once he settled in Denmark, he quickly married a Danish woman, Lis, and had a child with her, Thaddeus Jr.
Thad didn’t just quit, he ran away from all his responsibilities, his obligations, his accomplishments, and everyone who cared about him and relied on him. With all the time and energy he had previously put into making a solid living, having a steady income, leaving the road for stability on the home front, it does make me wonder if there’s a really big part of this puzzle we have no pieces for. There’s something else. Did he feel like he had to escape? That he couldn’t tell anyone? Sure, there was a job and a woman waiting him half a world away, but…. I don’t think those elements alone all add up. Thad had secrets, and he didn’t reveal all of them even when he left.
The job didn’t work out. Danish Radio wanted Thad to conduct all their programs, and not just play his own music. After a couple of activities with them, he didn’t sign a contract to stay on permanently. It probably didn’t help that he couldn’t play his horn — his lip required corrective surgery more than once over a couple of years. In the meantime, he picked up valve trombone, and by all accounts, sounded much like his old self down an octave.
Even so, within a few months of arriving in Europe, Thad was already putting together another big band, called “Eclipse.”
Meanwhile, Mel did his best to honor the commitments Thad had made for the band without him, and through sheer stubbornness and force of will (and the determination of all the players), Mel kept the band together successfully through the end of his life. That band continues today as the Vanguard Jazz Orchestra, and current members Dick Oatts, Rich Perry, and Doug Purviance were on that last tour with Thad in ‘78. They play every Monday night, and they always play Thad’s music.
By September 1979 the Eclipse band had made a record and begun a Monday night residency at JazzHouse Vognporten in Copenhagen. Despite television appearances and the band including name players like Horace Parlan, Sahib Shihab, Tim Hagans, and Jesper Lundgaard, the ensemble failed to play enough to gain any traction, and by 1981 had disbanded.
A second band, the inexplicably-named “Ball Of Fire” big band, managed to record a short television special in 1981 and can be viewed on You Tube. Packed with regulars from Eclipse, European jazz stars, Jerry Dodgion and Jerome Richardson from the 1966 band at the Vanguard, and Roger Kellaway on piano, it seems like this band could have really been a major draw at festivals and large venues across Europe, but somehow this one did no better than the first. Tim Hagans, a member of both groups, speaks of a week-long recording project sponsored by an Italian promoter, but this recording has never surface, making it a kind of “holy grail” of late Thad, a rumor of lost treasures.
While Thad’s lip was getting treatment, he was writing. Kendor’s catalog of Thad charts practically doubled between 1980-82, resulting in a large number of post-Mel compositions. Thad seemed in some cases to be stretching out from song-form style tunes and writing through-composed work, possibly inspired by Ellington’s longer forms. Occasionally some of these European charts made their way back to the Village Vanguard, at times simply ordered from Kendor.
Rayburn Wright’s seminal textbook Inside The Score was published in 1982, profiling three of Thad’s best works from the Vanguard years, “Three And One,” “Kids Are Pretty People,” and the rock anthem “Us,” alongside examples by Bob Brookmeyer and Sammy Nestico. Thad was reportedly gratified by the inclusion, and Wright’s book has been the standard text for big band writing since its publication.
As more and more of Thad’s music was finding wide distribution, he was becoming more in demand as an educator. The hit-and-run workshop was suited to his spontaneous style, and in ’80-’81 he was a featured artist-in-residence at the Jazz Seminar of Catalonia in Banyoles, Spain, which left a lasting impact on young musicians in the region. His wide, broken-tooth grin reappears in photographs from the seminar.
Between the dashed hopes for big band projects, and trying to heal and rebuild his lip on the one hand, and then his new marriage and son, wide respect and admiration for his past accomplishments on the other, the early 1980’s was a season of dramatic ups and downs for Thad. Perhaps his frustration about not performing often enough is reflected in the sharp uptick in his writing (and the popularity of his published music provided the financial incentive to keep producing). But one gets the impression he felt stagnant, impatient. Thad needed something to happen.
On April 26, 1984, Count Basie passed away in Hollywood, Florida. The longest continuously-running jazz big band in existence was suddenly left without a leader. The Count Basie Orchestra limped along for a few months, and finally came to terms with the fact that they couldn’t survive without a leader. Basie was the beating heart at the center of the organization. Now they needed a transplant. They had name recognition, international tours, prestigious bookings, management, and institutional momentum. The first person they thought to call for leadership was Thad Jones.
So in February 1985, six years after stealing away across the sea without so much as a good bye, with a busted lip, no job, and a string of broken relationships behind him, Thad came back to the United States to be the director of the greatest big band in the world. He had newly-strengthened chops, a trunk full of new music, growing respect for his position as an elder statesman, and little Thad Junior in tow. It was a celebrated, even triumphant homecoming, but no one who knew the history failed to grasp the irony of Thad Jones, of all people, taking control of Basie’s early-1950’s style orchestra.
In the press, he said he was ready to keep the heart of the music beating with all the classics and add stylistically appropriate new works to the rep list. Privately, he wanted to modernize the book, eventually transforming it to something suitable as a vehicle for mostly his own music. He couldn’t do it all at once, though. First he had to take the CBO on the road — and fate again gave Thad one last chance to redeem, for his part at least, one of the most hurtful breakups.
Mel Lewis had kept up the Jazz Orchestra, and they still went to Europe every summer, playing the jazz festival circuit. So did the Basie Orchestra. So it’s not surprising that both ensembles would perform the Stockholm Jazz Festival in the summer of 1985. The scheduling of them on the same show does give one pause….
Thad found Mel, and the two who had frequently described themselves as “soul brothers” looked at each other for the first time in six years. Thad embraced Mel… some who were there say Mel’s arms stayed at his side. It must have been a flood of emotions for Mel, who never really understood what happened in 1978.
But the Mel Lewis Jazz Orchestra, and especially the guys who had been in the band when Thad left, were thrilled to see him and eager to reestablish that comradeship that comes from seeing the old captain again. It seems like Mel wasn’t quite sure what to think, but was relieved that the open hostility was gone. Over the next year, there were rumors and rumblings about some sort of possible reunion. It was not to be, and Thad and Mel never saw each other again.
As a 35-year old during the 1950’s, when Thad was in his prime, and being only a section player in the Basie orchestra, he took the road life in stride. Now, in his early 60’s, and being the leader, it was exhausting. He had high hopes for this gig — finally, everything Thad had always wanted seemed to be within his grasp: a world-renowned ensemble, full schedule of performances, family stability and financial stability, love and recognition.
But the road itinerary for the CBO was grueling. And when they were finally able to take a break in the fall, Thad had an album of charts to write in a little over a month, before flying the band to Tokyo to make a concert video. Upon return, recording sessions with vocalist Caterina Valente would take place through the holidays, so the record would be done for them to tour with her in the spring. Before the album was complete, Thad was sick.
Age, drink, and years of smoking and neglecting his body were catching up with Thad. He was barely able to do the tour with Valente. May 6, 1986 was Thad’s last date leading the Count Basie Orchestra. He led them for 15 months. He immediately left the US, seriously ill, going back to Copenhagen with his family. He died on August 20 at the age of 63 of bone cancer.
Thad is buried in Vestre Kirkegård Cemetery. His headstone bears the title of one of his last compositions: “Live Life This Day.”
— by Russell Scarbrough
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William James "Count" Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, Basie formed his own jazz orchestra, the Count Basie Orchestr…
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William James "Count" Basie (August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, Basie formed his own jazz orchestra, the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams.
Biography
Early life and education
William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced horses, his father became a groundskeeper and handyman for several wealthy families in the area. Both of his parents had some type of musical background. His father played the mellophone, and his mother played the piano; in fact, she gave Basie his first piano lessons. She took in laundry and baked cakes for sale for a living. She paid 25 cents a lesson for Count Basie's piano instruction.
The best student in school, Basie dreamed of a traveling life, inspired by touring carnivals which came to town. He finished junior high school but spent much of his time at the Palace Theater in Red Bank, where doing occasional chores gained him free admission to performances. He quickly learned to improvise music appropriate to the acts and the silent movies.
Though a natural at the piano, Basie preferred drums. Discouraged by the obvious talents of Sonny Greer, who also lived in Red Bank and became Duke Ellington's drummer in 1919, Basie switched to piano exclusively at age 15. Greer and Basie played together in venues until Greer set out on his professional career. By then, Basie was playing with pick-up groups for dances, resorts, and amateur shows, including Harry Richardson's "Kings of Syncopation". When not playing a gig, he hung out at the local pool hall with other musicians, where he picked up on upcoming play dates and gossip. He got some jobs in Asbury Park at the Jersey Shore, and played at the Hong Kong Inn until a better player took his place.
Early career
Around 1920, Basie went to Harlem, a hotbed of jazz, where he lived down the block from the Alhambra Theater. Early after his arrival, he bumped into Sonny Greer, who was by then the drummer for the Washingtonians, Duke Ellington's early band. Soon, Basie met many of the Harlem musicians who were "making the scene," including Willie "the Lion" Smith and James P. Johnson.
Basie toured in several acts between 1925 and 1927, including Katie Krippen and Her Kiddies (featuring singer Katie Crippen) as part of the Hippity Hop show; on the Keith, the Columbia Burlesque, and the Theater Owners Bookers Association (T.O.B.A.) vaudeville circuits; and as a soloist and accompanist to blues singer Gonzelle White as well as Crippen. His touring took him to Kansas City, St. Louis, New Orleans, and Chicago. Throughout his tours, Basie met many jazz musicians, including Louis Armstrong. Before he was 20 years old, he toured extensively on the Keith and TOBA vaudeville circuits as a solo pianist, accompanist, and music director for blues singers, dancers, and comedians. This provided an early training that was to prove significant in his later career.
Back in Harlem in 1925, Basie gained his first steady job at Leroy's, a place known for its piano players and its "cutting contests." The place catered to "uptown celebrities," and typically the band winged every number without sheet music using "head arrangements." He met Fats Waller, who was playing organ at the Lincoln Theater accompanying silent movies, and Waller taught him how to play that instrument. (Basie later played organ at the Eblon Theater in Kansas City). As he did with Duke Ellington, Willie "the Lion" Smith helped Basie out during the lean times by arranging gigs at "house-rent parties," introducing him to other leading musicians, and teaching him some piano technique.
In 1928, Basie was in Tulsa and heard Walter Page and his Famous Blue Devils, one of the first big bands, which featured Jimmy Rushing on vocals. A few months later, he was invited to join the band, which played mostly in Texas and Oklahoma. It was at this time that he began to be known as "Count" Basie (see Jazz royalty).
Kansas City years
The following year, in 1929, Basie became the pianist with the Bennie Moten band based in Kansas City, inspired by Moten's ambition to raise his band to the level of Duke Ellington's or Fletcher Henderson's. Where the Blue Devils were "snappier" and more "bluesy," the Moten band was more refined and respected, playing in the "Kansas City stomp" style. In addition to playing piano, Basie was co-arranger with Eddie Durham, who notated the music.Their "Moten Swing", which Basie claimed credit for, was widely acclaimed and was an invaluable contribution to the development of swing music, and at one performance at the Pearl Theatre in Philadelphia in December 1932, the theatre opened its door to allow anybody in who wanted to hear the band perform. During a stay in Chicago, Basie recorded with the band. He occasionally played four-hand piano and dual pianos with Moten, who also conducted. The band improved with several personnel changes, including the addition of tenor saxophonist Ben Webster.
When the band voted Moten out, Basie took over for several months, calling the group "Count Basie and his Cherry Blossoms. "When his own band folded, he rejoined Moten with a newly re-organized band. A year later, Basie joined Bennie Moten's band, and played with them until Moten's death in 1935 from a failed tonsillectomy. When Moten died, the band tried to stay together but couldn't make a go of it. Basie then formed his own nine-piece band, Barons of Rhythm, with many former Moten members including Walter Page (bass), Freddie Green (guitar), Jo Jones (drums), Lester Young (tenor saxophone) and Jimmy Rushing (vocals).
The Barons of Rhythm were regulars at the Reno Club and often performed for a live radio broadcast. During a broadcast the announcer wanted to give Basie's name some style, so he called him "Count." Little did Basie know this touch of royalty would give him proper status and position him with the likes of Duke Ellington and Earl Hines.
Basie's new band which included many Moten alumni, with the important addition of tenor player Lester Young. They played at the Reno Club and sometimes were broadcast on local radio. Late one night with time to fill, the band started improvising. Basie liked the results and named the piece "One O'Clock Jump." According to Basie, "we hit it with the rhythm section and went into the riffs, and the riffs just stuck. We set the thing up front in D-flat, and then we just went on playing in F." It became his signature tune.
John Hammond and first recordings
At the end of 1936, Basie and his band, now billed as "Count Basie and His Barons of Rhythm," moved from Kansas City to Chicago, where they honed their repertoire at a long engagement at the Grand Terrace Ballroom. Right from the start, Basie's band was noted for its rhythm section. Another Basie innovation was the use of two tenor saxophone players; at the time, most bands had just one. When Young complained of Herschel Evans' vibrato, Basie placed them on either side of the alto players, and soon had the tenor players engaged in "duels". Many other bands later adapted the split tenor arrangement.
In that city in October 1936, the band had a recording session which the producer John Hammond later described as "the only perfect, completely perfect recording session I've ever had anything to do with". Hammond had heard Basie's band by radio and went to Kansas City to check them out. He invited them to record, in performances which were Lester Young's earliest recordings. Those four sides were released on Vocalion Records under the band name of Jones-Smith Incorporated; the sides were "Shoe Shine Boy", "Evening", "Boogie Woogie", and "Lady Be Good". After Vocalion became a subsidiary of Columbia Records in 1938, "Boogie Woogie" was released in 1941 as part of a four-record compilation album entitled Boogie Woogie (Columbia album C44). When he made the Vocalion recordings, Basie had already signed with Decca Records, but did not have his first recording session with them until January 1937.
By then, Basie's sound was characterized by a "jumping" beat and the contrapuntal accents of his own piano. His personnel around 1937 included: Lester Young and Herschel Evans (tenor sax), Freddie Green (guitar), Jo Jones (drums), Walter Page (bass), Earle Warren (alto sax), Buck Clayton and Harry Edison (trumpet), Benny Morton and Dickie Wells (trombone). Lester Young, known as "Prez" by the band, came up with nicknames for all the other band members. He called Basie "Holy Man", "Holy Main", and just plain "Holy".
Basie favored blues, and he would showcase some of the most notable blues singers of the era after he went to New York: Billie Holiday, Jimmy Rushing, Big Joe Turner, Helen Humes, and Joe Williams. He also hired arrangers who knew how to maximize the band's abilities, such as Eddie Durham and Jimmy Mundy.
New York City and the swing years
When Basie took his orchestra to New York in 1937, they made the Woodside Hotel in Harlem their base (they often rehearsed in its basement). Soon, they were booked at the Roseland Ballroom for the Christmas show. Basie recalled a review, which said something like, "We caught the great Count Basie band which is supposed to be so hot he was going to come in here and set the Roseland on fire. Well, the Roseland is still standing". Compared to the reigning band of Fletcher Henderson, Basie's band lacked polish and presentation.
The producer John Hammond continued to advise and encourage the band, and they soon came up with some adjustments, including softer playing, more solos, and more standards. They paced themselves to save their hottest numbers for later in the show, to give the audience a chance to warm up. His first official recordings for Decca followed, under contract to agent MCA, including "Pennies from Heaven" and "Honeysuckle Rose".
Hammond introduced Basie to Billie Holiday, whom he invited to sing with the band. (Holiday did not record with Basie, as she had her own record contract and preferred working with small combos). The band's first appearance at the Apollo Theater followed, with the vocalists Holiday and Jimmy Rushing getting the most attention. Durham returned to help with arranging and composing, but for the most part, the orchestra worked out its numbers in rehearsal, with Basie guiding the proceedings. There were often no musical notations made. Once the musicians found what they liked, they usually were able to repeat it using their "head arrangements" and collective memory.
Next, Basie played at the Savoy, which was noted more for lindy-hopping, while the Roseland was a place for fox-trots and congas. In early 1938, the Savoy was the meeting ground for a "battle of the bands" with Chick Webb's group. Basie had Holiday, and Webb countered with the singer Ella Fitzgerald. As Metronome magazine proclaimed, "Basie's Brilliant Band Conquers Chick's"; the article described the evening:
Throughout the fight, which never let down in its intensity during the whole fray, Chick took the aggressive, with the Count playing along easily and, on the whole, more musically scientifically. Undismayed by Chick's forceful drum beating, which sent the audience into shouts of encouragement and appreciation and casual beads of perspiration to drop from Chick's brow onto the brass cymbals, the Count maintained an attitude of poise and self-assurance. He constantly parried Chick's thundering haymakers with tantalizing runs and arpeggios which teased more and more force from his adversary.
The publicity over the big band battle, before and after, gave the Basie band a boost and wider recognition. Soon after, Benny Goodman recorded their signature "One O'Clock Jump" with his band.
A few months later, Holiday left for Artie Shaw's band. Hammond introduced Helen Humes, whom Basie hired; she stayed with Basie for four years. When Eddie Durham left for Glenn Miller's orchestra, he was replaced by Dicky Wells. Basie's 14-man band began playing at the Famous Door, a mid-town nightspot with a CBS network feed and air conditioning, which Hammond was said to have bought the club in return for their booking Basie steadily throughout the summer of 1938. Their fame took a huge leap. Adding to their play book, Basie received arrangements from Jimmy Mundy (who had also worked with Benny Goodman and Earl Hines), particularly for "Cherokee", "Easy Does It", and "Super Chief". In 1939, Basie and his band made a major cross-country tour, including their first West Coast dates. A few months later, Basie quit MCA and signed with the William Morris Agency, who got them better fees.
On February 19, 1940, Count Basie and his Orchestra opened a four-week engagement at Southland in Boston, and they broadcast over the radio on 20 February.On the West Coast, in 1942 the band did a spot in Reveille With Beverly, a musical film starring Ann Miller, and a "Command Performance" for Armed Forces Radio, with Hollywood stars Clark Gable, Bette Davis, Carmen Miranda, Jerry Colonna, and the singer Dinah Shore. Other minor movie spots followed, including Choo Choo Swing, Crazy House, Top Man, Stage Door Canteen, and Hit Parade of 1943. They also continued to record for OKeh Records and Columbia Records. The war years caused a lot of members turn over, and the band worked many play dates with lower pay. Dance hall bookings were down sharply as swing began to fade, the effects of the musicians' strikes of 1942–44 and 1948 began to be felt, and the public's taste grew for singers.
Basie occasionally lost some key soloists. However, throughout the 1940s, he maintained a big band that possessed an infectious rhythmic beat, an enthusiastic team spirit, and a long list of inspired and talented jazz soloists.
Los Angeles and the Cavalcade of Jazz concerts
Count Basie was the featured artist at the very first Cavalcade of Jazz concert held at Wrigley Field on September 23, 1945 which was produced by Leon Hefflin Sr. Al Jarvis was the Emcee and other artists to appear on stage were Joe Liggins and his Honeydrippers, The Peters Sisters, Slim and Bam, Valaida Snow, and Big Joe Turner. They played to a crowd of 15,000. Count Basie and his Orchestra played at the tenth Cavalcade of Jazz concert also at Wrigley Field on June 20, 1954. He played along with The Flairs, Christine Kittrell, Lamp Lighters, Louis Jordan and His Tympany Five, Ruth Brown, and Perez Prado and his Orchestra.
Post-war and later years
The big band era appeared to have ended after the war, and Basie disbanded the group. For a while, he performed in combos, sometimes stretched to an orchestra. In 1950, he headlined the Universal-International short film "Sugar Chile" Robinson, Billie Holiday, Count Basie and His Sextet. He reformed his group as a 16-piece orchestra in 1952. This group was eventually called the New Testament band. Basie credited Billy Eckstine, a top male vocalist of the time, for prompting his return to Big Band. He said that Norman Granz got them into the Birdland club and promoted the new band through recordings on the Mercury, Clef, and Verve labels. The jukebox era had begun, and Basie shared the exposure along with early rock'n'roll and rhythm and blues artists. Basie's new band was more of an ensemble group, with fewer solo turns, and relying less on "head" and more on written arrangements.
Basie added touches of bebop "so long as it made sense", and he required that "it all had to have feeling". Basie's band was sharing Birdland with such bebop greats as Charlie Parker, Dizzy Gillespie, and Miles Davis. Behind the occasional bebop solos, he always kept his strict rhythmic pulse, "so it doesn't matter what they do up front; the audience gets the beat". Basie also added flute to some numbers, a novelty at the time that became widely copied. Soon, his band was touring and recording again. The new band included: Paul Campbell, Tommy Turrentine, Johnny Letman, Idrees Sulieman, and Joe Newman (trumpet); Jimmy Wilkins, Benny Powell, Matthew Gee (trombone); Paul Quinichette and Floyd "Candy" Johnson (tenor sax); Marshal Royal and Ernie Wilkins (alto sax); and Charlie Fowlkes (baritone sax). Down Beat magazine reported, "(Basie) has managed to assemble an ensemble that can thrill both the listener who remembers 1938 and the youngster who has never before heard a big band like this." In 1957, Basie sued the jazz venue Ball and Chain in Miami over outstanding fees, causing the closure of the venue.
In 1958, the band made its first European tour. Jazz was especially appreciated in France, The Netherlands, and Germany in the 1950s; these countries were the stomping grounds for many expatriate American jazz stars who were either resurrecting their careers or sitting out the years of racial divide in the United States. Neal Hefti began to provide arrangements, notably "Lil Darlin'". By the mid-1950s, Basie's band had become one of the preeminent backing big bands for some of the most prominent jazz vocalists of the time. They also toured with the "Birdland Stars of 1955", whose lineup included Sarah Vaughan, Erroll Garner, Lester Young, George Shearing, and Stan Getz.
In 1957, Basie released the live album Count Basie at Newport. "April in Paris" (arrangement by Wild Bill Davis) was a best-selling instrumental and the title song for the hit album. The Basie band made two tours in the British Isles and on the second, they put on a command performance for Queen Elizabeth II, along with Judy Garland, Vera Lynn, and Mario Lanza. He was a guest on ABC's The Pat Boone Chevy Showroom, a venue also opened to several other black entertainers. In 1959, Basie's band recorded a "greatest hits" double album The Count Basie Story (Frank Foster, arranger), and Basie/Eckstine Incorporated, an album featuring Billy Eckstine, Quincy Jones (as arranger) and the Count Basie Orchestra. It was released by Roulette Records, then later reissued by Capitol Records.
Later that year, Basie appeared on a television special with Fred Astaire, featuring a dance solo to "Sweet Georgia Brown", followed in January 1961 by Basie performing at one of the five John F. Kennedy Inaugural Balls. That summer, Basie and Duke Ellington combined forces for the recording First Time! The Count Meets the Duke, each providing four numbers from their play books.
During the balance of the 1960s, the band kept busy with tours, recordings, television appearances, festivals, Las Vegas shows, and travel abroad, including cruises. Some time around 1964, Basie adopted his trademark yachting cap.
Through steady changes in personnel, Basie led the band into the 1980s. Basie made a few more movie appearances, such as the Jerry Lewis film Cinderfella (1960) and the Mel Brooks movie Blazing Saddles (1974), playing a revised arrangement of "April in Paris".
During its heyday, The Gong Show (1976–80) used Basie's "Jumpin' at the Woodside" during some episodes, while an NBC stagehand named Eugene Patton would dance on stage; Patton became known as "Gene Gene, the Dancing Machine".
Marriage, family and death
Basie was a member of Omega Psi Phi fraternity. On July 21, 1930, Basie married Vivian Lee Winn, in Kansas City, Missouri. They were divorced sometime before 1935. Some time in or before 1935, the now single Basie returned to New York City, renting a house at 111 West 138th Street, Manhattan, as evidenced by the 1940 census. He married Catherine Morgan on July 13, 1940 in the King County courthouse in Seattle, Washington. In 1942, they moved to Queens. Their only child, Diane, was born February 6 1944. She was born with cerebral palsy and the doctors claimed she would never walk. The couple kept her and cared deeply for her, and especially through her mother's tutelage Diane learned not only to walk but to swim. The Basies bought a home in the new whites-only neighborhood of Addisleigh Park in 1946 on Adelaide Road and 175th Street, St. Albans, Queens.
On April 11, 1983, Catherine Basie died of heart disease at the couple's home in Freeport, Grand Bahama Island. She was 67 years old.
Count Basie died of pancreatic cancer in Hollywood, Florida on April 26, 1984 at the age of 79.
Singers
Basie hitched his star to some of the most famous vocalists of the 1950s and 1960s, which helped keep the Big Band sound alive and added greatly to his recording catalog. Jimmy Rushing sang with Basie in the late 1930s. Joe Williams toured with the band and was featured on the 1957 album One O'Clock Jump, and 1956's Count Basie Swings, Joe Williams Sings, with "Every Day (I Have the Blues)" becoming a huge hit. With Billy Eckstine on the album Basie/Eckstine Incorporated, in 1959. Ella Fitzgerald made some memorable recordings with Basie, including the 1963 album Ella and Basie!. With the New Testament Basie band in full swing, and arrangements written by a youthful Quincy Jones, this album proved a swinging respite from her Songbook recordings and constant touring she did during this period. She even toured with the Basie Orchestra in the mid-1970s, and Fitzgerald and Basie also met on the 1979 albums A Classy Pair, Digital III at Montreux, and A Perfect Match, the last two also recorded live at Montreux. In addition to Quincy Jones, Basie was using arrangers such as Benny Carter (Kansas City Suite), Neal Hefti (The Atomic Mr Basie), and Sammy Nestico (Basie-Straight Ahead).
Frank Sinatra recorded for the first time with Basie on 1962's Sinatra-Basie and for a second studio album on 1964's It Might as Well Be Swing, which was arranged by Quincy Jones. Jones also arranged and conducted 1966's live Sinatra at the Sands which featured Sinatra with Count Basie and his orchestra at the Sands Hotel in Las Vegas. In May 1970, Sinatra performed in London's Royal Festival Hall with the Basie orchestra, in a charity benefit for the National Society for the Prevention of Cruelty to Children. Sinatra later said of this concert "I have a funny feeling that those two nights could have been my finest hour, really. It went so well; it was so thrilling and exciting".
Basie also recorded with Tony Bennett in the late 1950s. Their albums together included In Person and Strike Up the Band. Basie also toured with Bennett, including a date at Carnegie Hall. Other notable recordings were with Sammy Davis Jr., Bing Crosby, and Sarah Vaughan. One of Basie's biggest regrets was never recording with Louis Armstrong, though they shared the same bill several times. In 1968 Basie and his Band recorded an album with Jackie Wilson titled Manufacturers of Soul.
Legacy and honors
Count Basie introduced several generations of listeners to the Big Band sound and left an influential catalog. Basie is remembered by many who worked for him as being considerate of musicians and their opinions, modest, relaxed, fun-loving, dryly witty, and always enthusiastic about his music. In his autobiography, he wrote, "I think the band can really swing when it swings easy, when it can just play along like you are cutting butter."
In Red Bank, New Jersey, the Count Basie Theatre, a property on Monmouth Street redeveloped for live performances, and Count Basie Field were named in his honor.
Received an honorary doctorate from Berklee College of Music in 1974.
Mechanic Street, where he grew up with his family, has the honorary title of Count Basie Way.
In 2009, Edgecombe Avenue and 160th Street in Washington Heights, Manhattan, were renamed as Paul Robeson Boulevard and Count Basie Place. The corner is the location of 555 Edgecombe Avenue, also known as the Paul Robeson Home, a National Historic Landmark where Count Basie had also lived.
In 2010, Basie was inducted into the New Jersey Hall of Fame.
In October 2013, version 3.7 of WordPress was code-named Count Basie.
In 2019, Basie was inducted into the Blues Hall of Fame.
On June 25, 2019, The New York Times Magazine listed Count Basie among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire.
Asteroid 35394 Countbasie, discovered by astronomers at Caussols in 1997, was named after him. The official naming citation was published by the Minor Planet Center on 8 November 2019 (M.P.C. 118220).
Representation in other media
Jerry Lewis used "Blues in Hoss' Flat" from Basie's Chairman of the Board album, as the basis for his own "Chairman of the Board" routine in the movie The Errand Boy.
"Blues in Hoss' Flat," composed by Basie band member Frank Foster, was used by the radio DJ Al "Jazzbeaux" Collins as his theme song in San Francisco and New York.
In Home Alone 2: Lost in New York (1992), Brenda Fricker's "Pigeon Lady" character claims to have heard Basie in Carnegie Hall.
Drummer Neil Peart of the Canadian rock band Rush recorded a version of "One O'Clock Jump" with the Buddy Rich Big Band, and has used it at the end of his drum solos on the 2002 Vapor Trails Tour and Rush's 30th Anniversary Tour.
Since 1963 "The Kid From the Red Bank" has been the theme and signature music for the most popular Norwegian radio show, Reiseradioen, aired at NRK P1 every day during the summer.
In the 2016 movie The Matchbreaker, Emily Atkins (Christina Grimmie) recounts the story of how Count Basie met his wife 3 times without speaking to her, telling her he'd marry her someday in their first conversation, and then marrying her 7 years later.
The post-hardcore band Dance Gavin Dance have a song titled "Count Bassy" that is included on their 2018 album Artificial Selection.
Discography
Count Basie in Kansas City: Bennie Moten's Great Band of 1930-1932 (RCA Victor, 1965)
Basie Beginnings: Bennie Moten's Kansas City Orchestra (1929–1932) (Bluebird/RCA, 1989)
The Swinging Count!, (Clef, 1952)
Count Basie Presents Eddie Davis Trio + Joe Newman (Roulette, 1958)
The Atomic Mr. Basie (Roulette, 1958)
Memories Ad-Lib with Joe Williams (Roulette, 1958)
Basie/Eckstine Incorporated with Billy Eckstine ( Roulette 1959)
String Along with Basie (Roulette, 1960)
Count Basie and the Kansas City 7 (Impulse!, 1962)
Basie Swingin' Voices Singin' with the Alan Copeland Singers (ABC-Paramount, 1966)
Basie Meets Bond (United Artists, 1966)
Loose Walk with Roy Eldridge (Pablo, 1972)
Basie Jam (Pablo, 1973)
The Bosses with Big Joe Turner (1973)
For the First Time (Pablo, 1974)
Satch and Josh with Oscar Peterson (Pablo, 1974)
Basie & Zoot with Zoot Sims (Pablo, 1975)
Count Basie Jam Session at the Montreux Jazz Festival 1975 (Pablo, 1975)
For the Second Time (Pablo, 1975)
Basie Jam 2 (Pablo, 1976)
Basie Jam 3 (Pablo, 1976)
Kansas City 5 (Pablo, 1977)
The Gifted Ones with Dizzy Gillespie (Pablo, 1977)
Montreux '77 (Pablo, 1977)
Basie Jam: Montreux '77 (Pablo, 1977)
Satch and Josh...Again with Oscar Peterson (Pablo, 1977)
Night Rider with Oscar Peterson (Pablo, 1978)
Count Basie Meets Oscar Peterson – The Timekeepers (Pablo, 1978)
Yessir, That's My Baby with Oscar Peterson (Pablo, 1978)
Kansas City 8: Get Together (Pablo, 1979)
Kansas City 7 (Pablo, 1980)
On the Road (Pablo, 1980)
Kansas City 6 (Pablo, 1981)
Mostly Blues...and Some Others (Pablo, 1983)
As sideman
With Harry Edison
Edison's Lights (Pablo, 1976)
Filmography
Hit Parade of 1943 (1943) – as himself
Top Man (1943) – as himself
Sugar Chile Robinson, Billie Holiday, Count Basie and His Sextet (1950) – as himself
Jamboree (1957)
Cinderfella (1960) – as himself
Sex and the Single Girl (1964) – as himself with his orchestra
Blazing Saddles (1974) – as himself with his orchestra
Last of the Blue Devils (1979) – interview and concert by the orchestra in documentary on Kansas City music
Awards
Grammy Awards
Grammy Hall of Fame
By 2011, four recordings of Count Basie had been inducted into the Grammy Hall of Fame, a special Grammy award established in 1973 to honor recordings that are at least 25 years old, and that have "qualitative or historical significance."
Honors and inductions
On May 23, 1985, William "Count" Basie was presented, posthumously, with the Presidential Medal of Freedom by President Ronald Reagan. The award was received by his son, Aaron Woodward.
On September 11, 1996 the U.S. Post Office issued a Count Basie 32 cents postage stamp. Basie is a part of the Big Band Leaders issue, which, is in turn, part of the Legends of American Music series.
In 2009, Basie was inducted into the New Jersey Hall of Fame.
In May 2019, Basie was inducted into the Blues Hall of Fame at a ceremony in Memphis, TN, presented by The Blues Foundation.
National Recording Registry
In 2005, Count Basie's song "One O'Clock Jump" (1937) was included by the National Recording Preservation Board in the Library of Congress National Recording Registry. The board selects songs in an annual basis that are "culturally, historically, or aesthetically significant."
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news release Rusty Young Well over a decade ago, a man with music on his mind made a visit to Vero Beach to find a venue to house a concert with the legendary songstress Judy Collins. Not only did he happen upon the perfect intimate spot in The Emerson Center, but he quickly fell in love…
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https://indianriverguardian.com/2024/03/18/the-man-who-brought-music-to-vero-beach/
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news release
Well over a decade ago, a man with music on his mind made a visit to Vero Beach to find a venue to house a concert with the legendary songstress Judy Collins. Not only did he happen upon the perfect intimate spot in The Emerson Center, but he quickly fell in love with Vero Beach, and in short time he made it his home.
That man was Rusty Young, and his story didn’t stop there. Since that time in 2013, Rusty became a household name in this city, and he has presented over 100 concerts under the corporate name of MusicWorks; yet here in his newly found hometown, the series was named LIVE! From Vero Beach. With his largest series ever underway in 2024, presenting a total of 14 diversified concerts in this season alone, Rusty died unexpectedly on February 20.
To look back at where Rusty Young began, his bio would read that he hailed from Rumson, New Jersey where he graduated from Rutgers University, and worked in a variety of jobs including being a venture capitalist and an executive recruiter. And then in his early 50’s, Rusty made the bold move to stop doing everything and to begin doing what would truly make him happy. For Rusty, it was his passion for music.
And so it began when Rusty became the founder and CEO of the Count Basie Theatre Foundation in Red Bank, New Jersey. While at the Foundation, he produced and promoted numerous benefit concerts for the Theatre and for other local and national nonprofits. He used music and benefit concerts to raise the $15 million dollars to complete the renovation for the historic theatre that originally opened in 1926. The Basie later established itself as a nonprofit organization, with a mission to serve the people of the State of New Jersey by providing a broad spectrum of quality entertainment and educational programs that would reflect and celebrate the diversity of the region.
When Rusty founded MusicWorks in 2010, he took a bit of that same thinking that was established during his tenure at the Basie Theatre and applied it to his mission for this newly found music venture that he established in Florida. In short time, Rusty became one of the leading concert promoters in the state, including venues as far north as Daytona Beach, as far south as Delray Beach and Fort Lauderdale and across the state to Fort Myers and St. Petersburg. Rusty ultimately promoted hundreds of events in major markets throughout Florida specializing in classic rock and folk acts of the 60’s and 70’s…..all while making sure they were quality entertainment, whether it was a tribute band or a celebrated performer from that era. Many performances included known names such as Felix Cavaliere’s Rascals, Leon Russell, Al Stewart, The Weight, the Yardbirds, Vanilla Fudge, the Kingston Trio, Peter Yarrow, Blood, Sweat&Tears, John Sebastian, Southside Johnny and the Asbury Jukes, Karla Bonoff, America, Bruce Hornsby, Christopher Cross, Dave Mason, Janis Ian and the late great David Crosby.
Rusty, a kind and giving soul, believed that music should do more than entertain; that it should make a difference in the community. To that end, Rusty made certain that a local or national non-profit would benefit from the performance, both in awareness and in making a portion from the ticket sales. Over his years here in Indian River County some of those partnering non-profits included The Cultural Council, The Source, Quail Valley Charities, Grand Harbor Community Outreach, VNA, Indian River Land Trust and The Veteran’s Council, just to mention a few.
Much can be learned about MusicWorks and Rusty Young with one visit to the website: www.MusicWorksConcerts.com.
Rusty’s wife, and MusicWorks partner Stacey Jill Young, who shares his passion of music and his pursuit in bringing the best of music to this Treasure Coast community, is making certain that his dreams and his legacy continues.
So, in respect and gratitude to Rusty for his foresight in bringing music to Vero Beach, and the first person to do so as a continuous and genuine pursuit of entertaining friends, neighbors and what became his family, LIVE! From Vero Beach, is here to stay. The music makes memories, and it most of all brings back memories for each and every member of the audience. It’s an escape, a brief respite from our busy days, and knowing that the best of music is on the agenda, it’s a reason to get up and out to do something special.
And for the audiences and the people who worked with Rusty Young locally and nationally, it’s about “The Man Who Brought Music to Vero Beach.” And for that, Rusty we will be forever saying….“Thank You For The Music.”
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Count Basie Autographs, Memorabilia & Collectibles
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