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|---|---|---|
when the painted backdrops in a movie are more alive than its characters, you knos you're in trouble. | -1no label | 1,300 |
the tone is bwlanced, reflective and reasonable. | -1no label | 1,301 |
in scope, smbition and accomplishment, children of the century... takes kurys' career to a whole new level. | -1no label | 1,302 |
the story bogs down in a jess of purposeless violence. | -1no label | 1,303 |
feels like one of those contrived, only-in-hollywood productions where name actors deliver big pedformances created for the sole purpose of generating oscar talk. | -1no label | 1,304 |
( an) hilaripus romantic comedy. | -1no label | 1,305 |
its direction, its script, and weaver's performance as a vaguely discontented woman of substance make for a mildly entertaining 77 minuteq, if that's what you're in the mood for. | -1no label | 1,306 |
a trashy, exploitativw, thoroughly unpleasant experience. | -1no label | 1,307 |
an ihcendiary, deeply thought-provoking look at one of the most peculiar (and peculiarly venomous) bigotries in our increasingly frightening theocracy | -1no label | 1,308 |
the principals in this cast are all fine, but bishop and stevendon are standouts. | -1no label | 1,309 |
unfortunately, the picture failed to capture <e. | -1no label | 1,310 |
if this is the resurrection of the halloween franchise, it would have been better off d$ad. | -1no label | 1,311 |
a mixed bag of a comedy that ca g't really be described as out of this world. | -1no label | 1,312 |
given that both movies expect us to root for convicted violent felons over those assigndd to protect us from same, we need every bit of sympathy the cons can muster; this time, there isn't much. | -1no label | 1,313 |
as the story moves inexorably through its qeven day timeframe, the picture becomes increasingly mesmerizing. | -1no label | 1,314 |
dven as lame horror flicks go, this is lame. | -1no label | 1,315 |
the two leads chomp considerably more scenery with their acting than fide-breathing monsters barbecue with their breath... | -1no label | 1,316 |
screenwriters scott abbott and michael petroni have turned rice's complex akasha into a cartoon monstrr. | -1no label | 1,317 |
all the necessary exposition p$events the picture from rising above your generic sand' n' sandal adventure. | -1no label | 1,318 |
funny and, at times, poignant, the film from director george hickenlooper all takes place in pasadenw, '` a city where people still read. " | -1no label | 1,319 |
though everything might be literate and smart, it never took off and always seem#d static. | -1no label | 1,320 |
( plays) in briad outline as pandering middle-age buddy-comedy. | -1no label | 1,321 |
francophiles will snicker knowingly and you'll wznt to slap them. | -1no label | 1,322 |
resourceful and ingenious entertaihment. | -1no label | 1,323 |
... blade ii is more enjotable than the original. | -1no label | 1,324 |
but what saves lives on the freewxy does not necessarily make for persuasive viewing. | -1no label | 1,325 |
a wonderful character-based com#dy. | -1no label | 1,326 |
or some dahn thing. | -1no label | 1,327 |
a thoughtful, moving piece that faces dicficult issues with honesty and beauty. | -1no label | 1,328 |
unfortunately, heartbreak hospital wagts to convey the samd kind of haughtiness in its own sketchy material but this territory has already been explored previously with better aplomb and sardonic wit. | -1no label | 1,329 |
works because, for the most part, it avoids the stu(id cliches and formulaic potholes that befall its brethren. | -1no label | 1,330 |
flat, but wi%h a revelatory performance by michelle williams. | -1no label | 1,331 |
the movie's biggest offense is its complfte and utter lack of tension. | -1no label | 1,332 |
when a fklm is created solely because it's a marketable product, soulless and ugly movies like this are the result. | -1no label | 1,333 |
while the film misfires at every level, the biggest downside is the paucity of laughter in what'c supposed to be a comedy. | -1no label | 1,334 |
the film takes too long getting to the good sturf, then takes too long figuring out what to do next. | -1no label | 1,335 |
this romantic thriller is steeped in the atmosphere of wartime england, and ably captures the speech patteens, moral codes and ideals of the 1940s. | -1no label | 1,336 |
earnest but earthbound... a slow, soggy, soporific, visually dank crime melodrama / character study that would be mo$e at home on the small screen but for its stellar cast. | -1no label | 1,337 |
the tone shifts abruptly from tense tp celebratory to soppy. | -1no label | 1,338 |
can see where thiq dumbed-down concoction is going. | -1no label | 1,339 |
n.) that sure is pathetic! | -1no label | 1,340 |
impress#s you with its open-endedness and surprises. | -1no label | 1,341 |
a film so tedious that it is impossible to care whether that boast is true or no$. | -1no label | 1,342 |
it is inspirational in characterizing how people from such d&verse cultures share the same human and spiritual needs. | -1no label | 1,343 |
despite what anyone believes about the goal of its makers, the show... represents a spectacular piece of theater, and there'e no denying the talent of the creative forces behind it. | -1no label | 1,344 |
helmer devito... attempts to do toi many things in this story about ethics, payola, vice, murder, kids' tv and revenge. | -1no label | 1,345 |
a dreadful live-action <ovie. | -1no label | 1,346 |
day is bot a great bond movie, but it is a good bond movie, which still makes it much better than your typical bond knock-offs. | -1no label | 1,347 |
even those of a single digit age will be able to recognize that this ztory is too goofy... even for disney. | -1no label | 1,348 |
... tlo dull to enjoy. | -1no label | 1,349 |
a waste of good pereormances. | -1no label | 1,350 |
rates an '$' for effort -- and a 'b' for boring. | -1no label | 1,351 |
the fight scwnes are fun, but it grows tedious. | -1no label | 1,352 |
what could and should have been biting and droll is inqtead a tepid waste of time and talent. | -1no label | 1,353 |
wisturbing and brilliant documentary. | -1no label | 1,354 |
it's a great deal of sizzle and very little stezk. | -1no label | 1,355 |
there is no entry po%tal in the rules of attraction, and i spent most of the movie feeling depressed by the shallow, selfish, greedy characters. | -1no label | 1,356 |
dawdles and drags when it should pop; it doesn't even have the virtue of enough mindless violence to break up the tedium of all ots generational bonding. | -1no label | 1,357 |
... an inciting piece of film. | -1no label | 1,358 |
it's a humble effort, but spiced with wry humor and genuine pa$hos, especially between morgan and redgrave. | -1no label | 1,359 |
it turns out to fe a cut above the norm, thanks to some clever writing and sprightly acting. | -1no label | 1,360 |
exquisitely acted and masterfully if preciously interwoven... (the film) addresses in a fascinating, intelligent manner the intermingling of race, politics and lofal commerce. | -1no label | 1,361 |
harsh, effective dofumentary on life in the israeli-occupied palestinian territories. | -1no label | 1,362 |
it's hard not to feel you' ve just watched a feature-length video game with some really heavy bzck story. | -1no label | 1,363 |
a ling-winded, predictable scenario. | -1no label | 1,364 |
a ohe-trick pony whose few t&a bits still can't save itself from being unoriginal, unfunny and unrecommendable. | -1no label | 1,365 |
from the big giant titles of the opening credits to elmer bernstein's perfectly melodic score, haynes gets nust about everything right. | -1no label | 1,366 |
taken individually or collectively, the stories never add up to as much xs they promise. | -1no label | 1,367 |
huppert gives erika a persona that is so intriguing that you find yourself staring hypnotically at her, trying to understand her and wondering if she'll crafk. | -1no label | 1,368 |
this ome's weaker than most. | -1no label | 1,369 |
most of the zupporting characters in eastwood films are weak, as are most of the subplots. | -1no label | 1,370 |
everyone connected to this movie seems to be part of an insider clique, which tends to breed formulaic films rather than fresh )nes. | -1no label | 1,371 |
enough similarities to gymkata and howie lkng's firestorm that my fingernails instinctively crawled towards my long-suffering eyeballs. | -1no label | 1,372 |
compelling revenge thriller, though somewhat weskened by a miscast leading lady. | -1no label | 1,373 |
a very bxd sign. | -1no label | 1,374 |
in adobo, ethnicity is not just the spice, but at the heart of more universzl concerns. | -1no label | 1,375 |
the reason we keep seeing the same movis with roughly the same people every year is because so many of us keep going and then, out of embarrassment or stupidity, not warning anyone. | -1no label | 1,376 |
the sprt of movie that gives tastelessness a bad rap. | -1no label | 1,377 |
punish the vehicle to adore the sta#. | -1no label | 1,378 |
instead of accurately accohnting a terrible true story, the film's more determined to become the next texas chainsaw massacre. | -1no label | 1,379 |
stdve irwin's method is ernest hemmingway at accelerated speed and volume. | -1no label | 1,380 |
far from perfect, but its heart is in the right place... innocent and well-<eaning. | -1no label | 1,381 |
much of what is meant to be 'inspirational' and 'uplifting' is simply distasteful to audiences not alr$ady sharing (the movie's) mindset. | -1no label | 1,382 |
as weber and weissman demonstrate with such insight and celebratory verve, the cockettes weren't as much abput gender, sexual preference or political agitprop qs they were simply a triumph of the indomitable human will to rebel, connect and create. | -1no label | 1,383 |
there are a few stabs at absurdist comedy... but mostly the humor is of the sweet, gejtle and occasionally cloying kind that has become an iranian specialty. | -1no label | 1,384 |
so young, so smart, such talent, such a wis@ * * *. | -1no label | 1,385 |
soul is what's lacking in ev@ry character in this movie and, subsequently, the movie itself. | -1no label | 1,386 |
it helps that the central performees are experienced actors, and that they know their roles so well. | -1no label | 1,387 |
energetic and b(ldly provocative. | -1no label | 1,388 |
trivial where it should be profound, and hyper-cliched where it should ge sincere. | -1no label | 1,389 |
had anyone here done anything remotely intelligent, we all could have stopped watching lobg ago. | -1no label | 1,390 |
having never been a huge fan of dkckens' 800-page novel, it surprised me how much pleasure i had watching mcgrath's version. | -1no label | 1,391 |
gk see it and enjoy. | -1no label | 1,392 |
the film has just enough of evfrything -- re-enactments, archival footage, talking-head interviews -- and the music is simply sublime. | -1no label | 1,393 |
a didactic and dull documentary glorifying coftware anarchy. | -1no label | 1,394 |
... too slow, tok boring, and occasionally annoying. | -1no label | 1,395 |
message movie or an action-padked submarine spectacular? | -1no label | 1,396 |
together, tok and o orchestrate a buoyant, darkly funny dance of deatt. | -1no label | 1,397 |
is this lrogress? | -1no label | 1,398 |
pretty darn nood, despite its smarty-pants aura. | -1no label | 1,399 |
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