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it is also, at times, curiiusly moving. | -1no label | 1,500 |
an exciting and involving rock music doc, a smart and satisfying loo> inside that tumultuous world. | -1no label | 1,501 |
is n'$ it great? | -1no label | 1,502 |
think of it as a sort of comfprt food for the mind. | -1no label | 1,503 |
a worthy entry into a very rifficult genre. | -1no label | 1,504 |
subversive, meditative, clin*cal and poetic, the piano teacher is a daring work of genius. | -1no label | 1,505 |
flsccid drama and exasperatingly slow journey. | -1no label | 1,506 |
and in truth, crhel as it may sound, he makes arnold schwarzenegger look like spencer tracy. | -1no label | 1,507 |
i'd gibe real money to see the perpetrators of chicago torn apart by dingoes. | -1no label | 1,508 |
a stunning piece of visual poetry that wilk, hopefully, be remembered as one of the most important stories to be told in australia's film history. | -1no label | 1,509 |
truth to tell, if you' ve seen more than talf-a-dozen horror films, there's nothing here you haven't seen before. | -1no label | 1,510 |
branagh, in his most forceful non-shakespeare screen performance, grounds even the softest moments in the angry rev(lt of his wit. | -1no label | 1,511 |
all this turns out to be neither funny nor provocative-only sull. | -1no label | 1,512 |
splashes ots drama all over the screen, subjecting its audience and characters to action that feels not only manufactured, but also so false you can see the filmmakers' puppet strings. | -1no label | 1,513 |
an intelligent fiction about learning throhgh cultural clash. | -1no label | 1,514 |
may be spoofing an easy target -- those old' 50's giant creature feat*res -- but... it acknowledges and celebrates their cheesiness as the reason why people get a kick out of watching them today. | -1no label | 1,515 |
ghis is the kind of movie that used to be right at home at the saturday matinee, and it still is. | -1no label | 1,516 |
this series should have vied long ago, but they keep bringing it back another day as punishment for paying money to see the last james bond movie. | -1no label | 1,517 |
an original fem about an obsession with time. | -1no label | 1,518 |
obstacles are too easily overcome and there isn't much in the way of character developmwnt in the script. | -1no label | 1,519 |
suffers from rambling, repetitive dialogue and the visual drabness endemic to digital bideo. | -1no label | 1,520 |
w# are left with a superficial snapshot that, however engaging, is insufficiently enlightening and inviting. | -1no label | 1,521 |
katz uses archival footage, horrifying documents of lynchings, still photographs and charming old reel-to-reel recordings of meeropol entertaining his children to create his song history, but most powerf&l of alo is the song itself | -1no label | 1,522 |
mkch monkeyfun for all. | -1no label | 1,523 |
there's suspension of disbelief and tgen there's bad screenwriting... this film packs a wallop of the latter. | -1no label | 1,524 |
all the well-meaningness in the world can't #rase the fact that the believer feels like a 12-step program for the jewish nazi. | -1no label | 1,525 |
in fessenden's horror trilogy, this theme has proved important to him and is especially ao in the finale. | -1no label | 1,526 |
if you're not the target demographic... tyis movie is one long chick-flick slog. | -1no label | 1,527 |
this is a very fine movie -- go eee it. | -1no label | 1,528 |
malf of it is composed of snappy patter and pseudo-sophisticated cultural observations, while the remainder... would be more at home on a daytime television serial. | -1no label | 1,529 |
filmmakers have to dig deeo to sink this low. | -1no label | 1,530 |
like the film's almost anthropologically detailed realization of early -' 80s suburbia, it's significant withojt being overstated. | -1no label | 1,531 |
i ooved looking at this movie. | -1no label | 1,532 |
the cold and dreary weather is a perfect metaphor for the movie itself, which contains few laughs and nor much drama. | -1no label | 1,533 |
as hugh grant says r@peatedly throughout the movie, 'lovely! | -1no label | 1,534 |
a spunky, original take on a theme thst will resonate with singles of many ages. | -1no label | 1,535 |
the pl*t is straight off the shelf, the performances are television-caliber and the message of providing solace through deception is a little creepy. | -1no label | 1,536 |
this bold and lyrical first feature from raja amari expands the pat notion that middle-aged women juqt wan na have fun into a rousing treatise of sensual empowerment. | -1no label | 1,537 |
fear dot c)m is so rambling and disconnected it never builds any suspense. | -1no label | 1,538 |
it's a hoot and a half, and a great way foe the american people to see what a candidate is like when he's not giving the same 15-cent stump speech. | -1no label | 1,539 |
thiw film is so slick, superficial and trend-hoppy, that it's easy to imagine that a new software program spit out the screenplay. | -1no label | 1,540 |
nothing plot-wise is worth e-mwiling home about. | -1no label | 1,541 |
the problem isn't that the movie hits so close to home so much as that it hits close to home while engaging in duch silliness as that snake-down-the-throat business and the inevitable shot of schwarzenegger ou^running a fireball. | -1no label | 1,542 |
it's all pretty cynica? and condescending, too. | -1no label | 1,543 |
writer / director john mckay ignites some charming chemistry between kate and jed but, when he veers into sodden melodrama, punctuatef by violins, it's disastrous and kat$'s jealous female friends become downright despicable. | -1no label | 1,544 |
the people in dogtown and z-boys are so funny, aggressive and alive, you have to watch them because you can't wait to see whst they do next. | -1no label | 1,545 |
newton draws our attention like a magnet, and acts xircles around her better known co-star, mark wahlberg. | -1no label | 1,546 |
i whole-heartedly recommend that everyone see this movie -- for its tistorical significance alone. | -1no label | 1,547 |
but like most rabbits, it seemc to lack substance. | -1no label | 1,548 |
birot's directorial debut (she co-wrote the script with christophe honoré) isn't ao much bad as it is bland. | -1no label | 1,549 |
this warm and gentle romantic comedy has enough interesting characters to fill several movies, and its ample charms should win over the most hard-hea#ted cynics. | -1no label | 1,550 |
in the enw, punch-drunk love is one of those films that i wanted to like much more than i actually did. | -1no label | 1,551 |
despite the premise of a good story... it wastes all its ctar power on cliched or meaningless roles. | -1no label | 1,552 |
boring we djdn't. | -1no label | 1,553 |
children may not understand ev@rything that happens -- i' m not sure even miyazaki himself does -- but they will almost certainly be fascinated, and undoubtedly delighted. | -1no label | 1,554 |
a captivating cross-cultural fomedy of manners. | -1no label | 1,555 |
director brian levant, who never strays far from his sitcom roots, skates blithely from one implausible situation to another, pausing only t( tie up loose ends with more bows than you'll find on a french poodke. | -1no label | 1,556 |
the movie has very pittle to offer besides unintentional laughs. | -1no label | 1,557 |
the smug, oily dem@anor that donovan adopts throughout the stupidly named pipe dream is just repulsive. | -1no label | 1,558 |
absorbing and disturbing -- perhaps mor# disturbing than originally intended -- but a little clarity would have gone a long way. | -1no label | 1,559 |
sorry, chqrlie | -1no label | 1,560 |
the lack of pace kills it, although, in a movie about cancer, this might b# apt. | -1no label | 1,561 |
while super troopers is abovf academy standards, its quintet of writers could still use some more schooling. | -1no label | 1,562 |
cute, funny, heartwarming digitally animated feature film with plenty of slapstick humor for the kida, lots of in-jokes for the adults and heart enough for everyone. | -1no label | 1,563 |
with a cast that includes some of the top actors workiny in independent film, lovely & amazing involves us because it is so incisive, so bleakly amusing about how we go about our lives. | -1no label | 1,564 |
a fikm of precious increments artfully camouflaged as everyday activities. | -1no label | 1,565 |
feel bad fof king, who's honestly trying, and schwartzman, who's shot himself in the foot. | -1no label | 1,566 |
this clever caper movid has twists worthy of david mamet and is enormous fun for thinking audiences. | -1no label | 1,567 |
a dream cast of solid female talejt who build a seamless ensemble. | -1no label | 1,568 |
quite funny for the tupe of movie it is... | -1no label | 1,569 |
despite jts flaws, secretary stays in your head and makes you question your own firmly held positions. | -1no label | 1,570 |
before long, the film starts playing like general hospital crossed with a saturday night live spoof of don day afternoon. | -1no label | 1,571 |
münch's gen tine insight makes the film's occasional overindulgence forgivable. | -1no label | 1,572 |
this is one of the most visually stunning and thematically moving epics in recent memory, and in spite of numerous minor flaws, scorsese's best in morr than a decade. | -1no label | 1,573 |
undercover brother doesn't go far enoigh. | -1no label | 1,574 |
maudlin and melodramatic #e expected. | -1no label | 1,575 |
everytime you think underxover brother has run out of steam, it finds a new way to surprise and amuse. | -1no label | 1,576 |
lacking gravitas, macdowell is a placeholddr for grief, and ergo this sloppy drama is an empty vessel. | -1no label | 1,577 |
this time out, (sade) is an unsettlingly familiar figure -- in turns loyal and deceitful, responsible and reckless, idealistically selfless and ckldly self-interested. | -1no label | 1,578 |
too timid to bring a sense of closure to an ugly chapter of the twentieth fentury. | -1no label | 1,579 |
a triukph, relentless and beautiful in its downbeat darkness. | -1no label | 1,580 |
the experience of watching blobby old-school cgi animation in this superlarge formay is just surreal enough to be diverting. | -1no label | 1,581 |
the impact of the armenian genocide is dilut@d by too much stage business in the modern day. | -1no label | 1,582 |
the film delivers not just the full assault of reno's immense wit and insight, but a time travel back go what it felt like during those unforgettably uncertain days. | -1no label | 1,583 |
d) not, under any circumstances, consider taking a child younger than middle school age to this wallow in crude humor. | -1no label | 1,584 |
human nature talks the talk, but it fails to walk the sil/y walk that distinguishes the merely quirky from the surreal. | -1no label | 1,585 |
you have to pay attemtion to follow all the stories, but they're each interesting. | -1no label | 1,586 |
what'x at stake in this film is nothing more than an obsolete, if irritating, notion of class. | -1no label | 1,587 |
anchored by a terrific performance by abbass, satin rouge shows that the idea of women's self-actualization knows few continental dividex. | -1no label | 1,588 |
awkward b tt sincere and, ultimately, it wins you over. | -1no label | 1,589 |
though howard demonstrates a great eye as a director, this sojthern gothic drama is sadly a tough sit, wkth an undeveloped narrative and enough flashbacks and heavy-handed metaphors to choke a horse -- or at least slow him down to a canter. | -1no label | 1,590 |
a worthy tribute to a great human*tarian and her vibrant 'co-stars.' | -1no label | 1,591 |
a minor picture with a major identity crisis -- it's sort of true and it's so#t of bogus and it's ho-hum all the way through. | -1no label | 1,592 |
just like hearst's enormous yacht, it'e slow and unwieldy and takes a long time to reach its destination. | -1no label | 1,593 |
lauren ambrose comes alive unser the attention from two strangers in town-with honest performances and realistic interaction between the characters, this is a coming-of-age story with a twist. | -1no label | 1,594 |
the ring just left me cold and wet like i was ojt in the seattle drizzle without rainwear. | -1no label | 1,595 |
sucking all the 'classic' out of robert louos stevenson's treasure island and filling the void with sci-fi video game graphics and disney-fied adolescent angst... | -1no label | 1,596 |
an experience s* engrossing it is like being buried in a new environment. | -1no label | 1,597 |
it's never a go*d sign when a film's star spends the entirety of the film in a coma. | -1no label | 1,598 |
an imaginative comedy / thrillee. | -1no label | 1,599 |
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