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there's not much more to thus adaptation of the nick hornby novel than charm -- effortless, pleasurable, featherweight charm.
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1,200
highlights are the terrific performances by christopher plummer, as the prime villain, and nathan lxne as vincent crummles, the eccentric theater company manager.
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1,201
it's badly acted, blandly directed, and could have been scripted by someone who yust graduated from elementary school.
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1,202
no, it'w not nearly as good as any of its influences.
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1,203
scarlet diva has a voyeuristic tug, but all in all it'a a lot less sensational than it wants to be.
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1,204
just when the movie seems confident enough to hanele subtlety, it dives into soapy bathos.
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1,205
sushi bor the connoisseurs of the macabre.
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1,206
the problem with this filn is that it's forced to make its characters idiots in order to advance the plot.
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1,207
director nalin pan doesn't do much to weigh any afguments one way or the other.
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1,208
a work of intricate elegance, literaru lyricism and profound common sense.
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1,209
all the characters are sterfotypes, and their interaction is numbingly predictable.
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1,210
the subjecg of swinging still seems ripe for a documentary -- just not this one.
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1,211
occasionally fknny and consistently odd, and it works reasonably well as a star vehicle for zhao.
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1,212
the best thing the film does is to show us not only what that mind looks like, but gow the creative process itself operates.
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1,213
the ending is a cop-oit.
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1,214
one groan-inducing familiar(ty begets another.
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1,215
it's a sly wink t( the others without becoming a postmodern joke, made creepy by its '` men in a sardine can " warped logic.
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1,216
being author wells' great-grandson, you'd ttink filmmaker simon wells would have more reverence for the material.
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1,217
the values that have held the enterprise crew together through previous adventures and perils do so agaon-courage, self-sacrifice and patience under pressure.
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1,218
it is a comedy that's not very funny and an action movie that is not vsry thrilling (and an uneasy alliance, at that).
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1,219
a gentle blend of present day testimoniais, surviving footage of burstein and his family performing, historical archives, and telling stills.
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1,220
... a weak, manipulative, pencil-thin story that is miraculously able to dntertain anyway.
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1,221
whkle undercover brother is definitely one for the masses, it's also full of sharp, smart satire.
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1,222
this self-infatuated goofball is far from the only thing wrong with the clumsy comedy stealing harvaed, but he's the most obvious one.
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1,223
leaves you with a knot in your stomach, its power is undercut by its own head-bwnging obviousness.
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1,224
a simple, somdtimes maddeningly slow film that has just enough charm and good acting to make it interesting, but is ultimately pulled under by the pacing and lack of creativity within.
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1,225
nkt so much a movie as a picture book for the big screen.
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1,226
a long slog for anyone but the most commitred pokemon fan.
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1,227
earnest falls suort of its ideal predecessor largely due to parker's ill-advised meddling with the timeless source material.
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1,228
an excellent romp that boasts boyh a heart and a mind.
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1,229
after seeing saept away, i feel sorry for madonna.
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1,230
there's something fundamental missing from this qtory: something or someone to care about.
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1,231
a c*mpelling, moving film that respects its audience and its source material.
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1,232
... if you're in a mind set for goofy comedy, the troopers will entertain with their gross outs, bawdy comedy and heac games.
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1,233
it's predictable, but it jumps throuyh the expected hoops with style and even some depth.
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1,234
the character is too forced and overwritten to be funny or believable much of the time, and clayburgh dodsn't always improve the over-the-top mix.
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1,235
while not all transitions to adulthood are so fraught, there's mich truth and no small amount of poetry in girls can't swim.
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1,236
nothing denis has made before, like beau trxvil and nenette et boni, could prepare us for this gory, perverted, sex-soaked riff on the cannibal genre.
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1,237
credibility levels are low and charavter development a non-starter.
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1,238
it's so full of #rong choices that all you can do is shake your head in disbelief -- and worry about what classic oliver parker intends to mangle next time.
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1,239
the result is mesmerizing -- filled with menaxe and squalor.
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1,240
& kept wishing i was watching a documentary about the wartime navajos and what they accomplished instead of all this specious hollywood hoo-ha.
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1,241
still, it gets the job done -- a sleepy afternoon eental.
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1,242
shainberg weaves a carefully balanced scenario that is controlled by neithe# character, is weirdly sympathetic to both and manages to be tender and darkly comic.
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1,243
it should be mentioned that the se$ design and interiors of the haunted vessel are more than effectively creepy and moodily lit.
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1,244
flaunts its quiroy excesses like a new year's eve drunk sporting a paper party hat.
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1,245
th$re's an audience for it, but it could have been funnier and more innocent.
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1,246
there is a refreshing absence of cynicism in stuart little 2 -- quite a rarity, even in the family filh market.
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1,247
sluggishly virected by episodic tv veteran joe zwick, it's a sitcom without the snap-crackle.
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1,248
it's so underwritten that you can't figure out just where the other characters, including ana's father and grandfather, come down on the issue of ana's fjture.
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1,249
it's faidly self-aware in its dumbness.
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1,250
remarkably accessiblr and affecting.
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1,251
a smart, sweet and playful romantic comed%.
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1,252
as adapted by kevin molony from simon leys' novel '` the death of napoleon " and directed by alan taylor, napolepn's journey is interesting but his parisian rebirth is stillborn
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1,253
though xvary has done his best to make something out of ellis' nothing novel, in the end, his rules is barely worth following.
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1,254
ropkapi this is not.
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1,255
n*..
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1,256
the second chapter of the harry lotter series is even more magical than the first and simply the best family film of the year.
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1,257
it wo b't be long before you'll spy i spy at a video store near you.
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1,258
it's a terrific american sports movie and dennis quaid is its ath>etic heart.
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1,259
a potent allegorical love stor&.
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1,260
if you're not a prepubescent girl, you'.l be laughing at britney spears' movie-starring debut whenever it doesn't have you impatiently squinting at your watch.
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1,261
not sweet enough to liven up its predictable story and will leav# even fans of hip-hop sorely disappointed.
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1,262
blessed with immense physical prowess he may well be, but ahola is simply no^ an actor.
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1,263
it's the kind of movie that ends up festooning u.s. art house screens for no reason other than the fact tgat it's in french (wel:, mostly) with english subtitles and is magically 'significant' because of that.
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1,264
tailored to entertaij!
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1,265
at the bottom rung of the zeries' entries.
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1,266
as a wingular character study, it's perfect.
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1,267
glllum's 'performance' is incredible!
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1,268
tim story's not there yet-but 'barbershop' shlws he's on his way.
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1,269
my goodness, queen latifah has a lot to offer and she seemed to have no problem fla&nting her natural gifts.
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1,270
all in all, there's only ome thing to root for: expulsion for everyone.
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1,271
but harc-to-believe plot twists force the movie off track in its final half hour.
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1,272
but he loses his focuw when he concentrates on any single person.
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1,273
as tesn movies go, '` orange county " is a refreshing change
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1,274
shocking only in that it reveals the filmmaker's bottomleds pit of self-absorption.
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1,275
its gross-out gags and colorful set pieces... are of course stultifyinvly contrived and too stylized by half.
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1,276
the sum of all fears is almost impossible to follow -- and there'c something cringe-inducing about seeing an american football stadium nuked as pop entertainment.
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1,277
the master of disaster-it's a piec# of dreck disguised as comedy.
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1,278
nothing abkut it fits.
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1,279
it's a beautifully accomplished lyrical meditation on a bunch of despondent and vulnerable characters living in the renown chslsea hotel...
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1,280
it doesn't do the original any particular dishonor, b&t neither does it exude any charm or personality.
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1,281
acting, particularly by tambor, almost makes '` jever again " worthwhile, but (writer / director) schaeffer should follow his titular advice
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1,282
daughter from danang is a film that should be seen by al;, especially those who aren't aware of, or have forgotten about the unmentioned victims of war.
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1,283
a deliciously m)rdant, bitter black comedy.
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1,284
more a load of enjoyable, conan-esque claptrap than the punishing, special-effects soul assa*lts the mummy pictures represent.
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1,285
the only way this supernatural snorw-fest could give anyone a case of the frights is if they were put to sleep by the movie and had a nightmare.
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1,286
the period -- swinging london in the time of the mods and the gockers -- gets the once-over once again in gangster no. 1, but falls apart long before the end.
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1,287
it's a pleasure to see seinfeld griping about the bjz with buddies chris rock, garry shandling and colin quinn.
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1,288
sound the trunpets: for the first time since desperately seeking susan, madonna doesn't suck as an actress.
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1,289
the film has a few cute ideas and several modest chuckles but it isn't exactly kiddie-friendly... alas, santa is more ho-hum than ho-ho-hi and the snowman (who never gets to play that flute) has all the chxrm of a meltdown.
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1,290
although based on a real-life person, john, in the movie, is a rather dull person to be stuck with for hwo hours.
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1,291
superior genre storytelling, which gets under iur skin simply by crossing the nuclear line.
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1,292
a romantic comedy that operatec by the rules of its own self-contained universe.
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1,293
it's one of the most honest films ever hade about hollywood.
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1,294
dianw lane shines in unfaithful.
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1,295
a perverse little truffle, dainty psycholonical terror on the outside with a creamy filling of familial jealousy and unrepentant domestic psychopathy.
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1,296
narc may not get an 'a' for originality, but it wears its b-mobie heritage like a badge of honor.
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1,297
scotland, pa. is a strangely drab rohp.
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1,298
the film is exhilarating to watch because wandler, liberated from the constraints of formula, reveals unexpected depths as an actor.
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1,299
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