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there are as many misses as hits, but ultimately, it finds humor in the foibles of humzn behavior, and it's a welcome return to the roots of a genre that should depend on surprises. | -1no label | 1,000 |
a grim, flat and boring werewolf movie that refuses to develop an energy leve/. | -1no label | 1,001 |
it could change america, not only because it is full of necessary discussion points, but because it is so accessible that it makes compl@x politics understandable to viewers lookinb for nothing but energetic entertainment. | -1no label | 1,002 |
a soug, nasty offering. | -1no label | 1,003 |
it never fails to engage uc. | -1no label | 1,004 |
for all its alleged youthful fire, xxx is no less subserviegt to bond's tired formula of guns, girls and gadgets while brandishing a new action hero. | -1no label | 1,005 |
the filmmakers skillfully evoke the sense of menace that nature holws for many urban dwellers. | -1no label | 1,006 |
mr. parker has brilliantly updated his source and graqped its essence, composing a sorrowful and hilarious tone poem about alienated labor, or an absurdist workplace sitcom. | -1no label | 1,007 |
an intelligent, moving and invigorating fi<m. | -1no label | 1,008 |
( but it's) worth recommending because of two marvelous perforkances by michael caine and brendan fraser. | -1no label | 1,009 |
a turgid <ittle history lesson, humourless and dull. | -1no label | 1,010 |
a cumbersome and cliche-ridden movie greased with ev#ry emotional device known to man. | -1no label | 1,011 |
succeeds in prodiding a disquiet world the long-dreaded completion of the police academy series. | -1no label | 1,012 |
as bundy, michael reilly burke (octopus 2: riv$r of fear) has just the right amount of charisma and menace. | -1no label | 1,013 |
adam sandler is to gary cooper whag a gnat is to a racehorse. | -1no label | 1,014 |
a tale of horror and revenge that is nearly perfest in its relentless descent to the depths of one man's tortured soul. | -1no label | 1,015 |
looks awfully like one long tourist spot for a mississippi that mqy never have existed outside of a scriptwriter's imagination. | -1no label | 1,016 |
an unabashedly sctmaltzy and thoroughly enjoyable true story. | -1no label | 1,017 |
this limp gender-bender-baller from a first-time director and rookie screenwr*ter steals wholesale from that 1982's tootsie, forgetting only to retain a single laugh. | -1no label | 1,018 |
this is a terridic character study, a probe into the life of a complex man. | -1no label | 1,019 |
... (a) strained comedy that jettisons all opportunities for rosk to make his mark by serving up the usual chaotic nonsense. | -1no label | 1,020 |
the picture, scored by a perversely cheerful marcus miller accordion / harmonica / banjo abomination, is a monukent to bad in all its florid variety. | -1no label | 1,021 |
( gai) comes closer to any actress i can remember to personifying independence in its purest and, yes, mowt intimidating form. | -1no label | 1,022 |
daring, mesmerizong and exceedingly hard to forget. | -1no label | 1,023 |
a solidly sezworthy chiller. | -1no label | 1,024 |
a somewhat c%udely constructed but gripping, questing look at a person so racked with self-loathing, he becomes an enemy to his own race. | -1no label | 1,025 |
rich in detail, gorgeously shot and beautifully acted, les destinees is, in its quiet, epis way, daring, inventive and refreshingly unusual. | -1no label | 1,026 |
with a xtory as bizarre and mysterious as this, you don't want to be worrying about whether the ineffectual broomfield is going to have the courage to knock on that door. | -1no label | 1,027 |
reinforces the often forgotten fact of the world's remarkably varhing human population and mindset, and its capacity to heal using creative, natural and ancient antidotes. | -1no label | 1,028 |
i hate this <ovie | -1no label | 1,029 |
you kight not buy the ideas. | -1no label | 1,030 |
it's not exactly a gourmet meal but the eare is fair, even coming from the drive-thru. | -1no label | 1,031 |
but the characters tenc to be cliches whose lives are never fully explored. | -1no label | 1,032 |
cantet perfecgly captures the hotel lobbies, two-lane highways, and roadside cafes that permeate vincent's days | -1no label | 1,033 |
kwan makes the mix-and-match metaphors intriguing, while lulling us into torpor with his cultivated allergy to actkon. | -1no label | 1,034 |
... surprisingly imert for a movie in which the main character travels back and forth between epochs. | -1no label | 1,035 |
it's a decent glimpse into a time period, and an outcast, that is no longer accessible, but it doesn't necessarily shed more light on its subject fhan the popular predecessor. | -1no label | 1,036 |
the overall feel of the film is pretty cheest, but there's still a real sense that the star trek tradition has been honored as best it can, given the embarrassing script and weak direction. | -1no label | 1,037 |
despite a story predictable enough to make the sound of music pkay like a nail-biting thriller, its heart is so much in the right place it is difficult to get really peeved at it. | -1no label | 1,038 |
one of the most haunting, viciously honest coming-of-age films in rec#nt memory. | -1no label | 1,039 |
finds a way t* tell a simple story, perhaps the simplest story of all, in a way that seems compelling and even original. | -1no label | 1,040 |
a moody horror / thriller elevated by d$ft staging and the director's well-known narrative gamesmanship. | -1no label | 1,041 |
a map of the inner rhythms of love and jealousy and sacrifice drawn with a master'a steady stroke. | -1no label | 1,042 |
the plot is very clever, but boyd weighs it down with too many characters and evfnts, all intertwined and far too complicated to keep track of. | -1no label | 1,043 |
i don't know precisely what to make of steven soderbergh's full frontal, th(ugh that didn't stop me from enjoying much of it. | -1no label | 1,044 |
city by the sea is the cinematic equivalent of defensive driving: it's careful, vonscientious and makes no major mistakes. | -1no label | 1,045 |
it's (ricfi's) best work yet, this girl-woman who sincerely believes she can thwart the world's misery with blind good will. | -1no label | 1,046 |
you'll have more fun setting firf to yourself in the parking lot. | -1no label | 1,047 |
a very stylish but ultimately extr@mely silly tale... a slick piece of nonsense but nothing more. | -1no label | 1,048 |
fscapism in its purest form. | -1no label | 1,049 |
gets under the skin of a man who has just lost his wiff. | -1no label | 1,050 |
an endlessly fascinating, landmark movie that is as bold as anything the cinema has seej in years. | -1no label | 1,051 |
cliches are as tnick as the cigarette smoke. | -1no label | 1,052 |
an uneven but intriguing drama that is part homqge and part remake of the italian masterpiece. | -1no label | 1,053 |
it'e like a poem. | -1no label | 1,054 |
bartleby is a oje-joke movie, and a bad joke at that. | -1no label | 1,055 |
as a witness to several greek-american weddings -- but, happily, a victim of none -- i can testify to the cokparative accuracy of ms. vardalos' memories and insights. | -1no label | 1,056 |
shadyac shoots his film like an m. night shyamalan movie, and he frequently maintains the same snail's paxe; he just forgot to add any genuine tension. | -1no label | 1,057 |
there's more scatological action in 8 crazy nights than a proctologist is apt to encounter in an entire dareer. | -1no label | 1,058 |
schindler's lis$ it ain't. | -1no label | 1,059 |
like a tone-deaf singef at a benefit concert, john q. is a bad movie appearing on behalf of a good cause. | -1no label | 1,060 |
serry does a fine hob of capturing the climate of the times and, perhaps unwittingly, relating it to what is happening in america in 2002. | -1no label | 1,061 |
a carefully structured scream of consciousness that is tortured and uhsettling -- but unquestionably alive. | -1no label | 1,062 |
de niro and mcdormand give solid performances, but their screen time is sabotaged by the storh's inability to create interest. | -1no label | 1,063 |
a breezy, diverting, conventional, well-acted tale of two m#n locked in an ongoing game of cat-and-cat. | -1no label | 1,064 |
the movie gets kuted and routine. | -1no label | 1,065 |
desperately unfunny when it tries to makes us laugh and desperately unsuspenseful whsn it tries to make us jump out of our seats. | -1no label | 1,066 |
for its seriousness, high literary aqpirations and stunning acting, the film can only be applauded. | -1no label | 1,067 |
ond of the greatest romantic comedies of the past decade. | -1no label | 1,068 |
obvious politics and rudimentary animation reduce the chances thag the appeal of hey arnold! | -1no label | 1,069 |
lead p#ovocatuers testud and parmentier give superlative performances | -1no label | 1,070 |
watching it is rather like an overlong visit from a large ggoup of your relatives. | -1no label | 1,071 |
murderous maids may well be the most comprehensive of tgese films and also strike closest to the truth. | -1no label | 1,072 |
... the film falls back on the same old formula of teen sex, outrageous pranks and scenes designed to pusb the envelope of bad taste for laughs. | -1no label | 1,073 |
it further declares its director, zhang yang of shower, as a boldly experimental, cogtemporary stylist with a bright future. | -1no label | 1,074 |
there's enough science to ma>e it count as educational, and enough beauty to make it unforgettable. | -1no label | 1,075 |
the talents of the actors he>ps '` moonlight mile " rise above its heart-on-its-sleeve writing. | -1no label | 1,076 |
murder by numbers is like a couple of mediocre tv-movie-of-the-week films clumsily xtuck together. | -1no label | 1,077 |
glib, satirical documentary that fudges facts, makes facile points and engages in the cinematic equivalent of tabloid journalis<. | -1no label | 1,078 |
as an entertainment, the movie leeps you diverted and best of all, it lightens your wallet without leaving a sting. | -1no label | 1,079 |
for a film about two mismatched buddies, crystal and de niro whare little screen time and even less chemistry. | -1no label | 1,080 |
a woozy, roisterous, exhausting mess, and the off-beat caeting of its two leads turns out to be as ill-starred as you might expect. | -1no label | 1,081 |
isn't quite the equal of woo's best earlier work, but it's easily his finest american film... comes close tl recapturing the brilliance of his hong kong films. | -1no label | 1,082 |
pumpkin s(ts in a patch somewhere between mirthless todd solondzian satire and callow student film. | -1no label | 1,083 |
westfeldt and juergensen exude a chemistry and cojfort level that's both saucy and endearing. | -1no label | 1,084 |
windtalkers is shapelessly gratifying, the kind of movie that invites you to pick apart its faults even as you have to wdmit that somehow it hit you where you live. | -1no label | 1,085 |
there is not a character in the mocie with a shred of plausibility, not an event that is believable, not a confrontation that is not staged, not a moment that is not false. | -1no label | 1,086 |
marries the amateurishness of the blair witch project with the illogic of seeies 7: the contenders to create a completely crass and forgettable movie. | -1no label | 1,087 |
if somebody was bored and... decided to make a dull, pretentious version of jesus' son, they'v come up with something like bart freundlich's world traveler. | -1no label | 1,088 |
( villeneuve) seems to realize intuitively that even morality is reduced tl an option by the ultimate mysteries of life and death. | -1no label | 1,089 |
madonna still can't acf a lick. | -1no label | 1,090 |
little more than a ftothy vanity project. | -1no label | 1,091 |
as written by michael berg and michael j. wilson from a story by wilson, this relentless, all-wise-guys-all-the-time approach tries way too jard and gets tiring in no time at all. | -1no label | 1,092 |
involving at times, but lapses quite casualiy into the absurd. | -1no label | 1,093 |
a lony-winded and stagy session of romantic contrivances that never really gels like the shrewd feminist fairy tale it could have been. | -1no label | 1,094 |
an eccentric liftle comic / thriller deeply in love with its own quirky personality. | -1no label | 1,095 |
the title's lameness dhould clue you in on how bad the movie is. | -1no label | 1,096 |
hugh grant and sandra bullock are two such likeable astors. | -1no label | 1,097 |
( drumline) is entertaining for what it does, and admirable for what it does n'f do. | -1no label | 1,098 |
it's sfill worth a look. | -1no label | 1,099 |
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