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6847
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dbpedia
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https://vyballet.com/director/
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en
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Viktor Yeliohin International Ballet Academy
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Viktor Yeliohin International Ballet Academy
|
https://vyballet.com/director
|
Viktor Yeliohin, former soloist with the Donetsk Ballet of Ukraine is a Ballet Master, Professor of Choreography and Studio Director with a career spanning more than twenty years. Born in Tashkent, Uzbekistan, Viktor began his ballet studies in 1967, graduating from the Tashkent State Higher School of National Dance and Choreography of Uzbekistan. He holds the degree of Professor of Choreography from the prestigious Ukrainian Academy of Dance in Kiev, Ukraine, which was presented in May, 1995.
Viktor began his professional career in Samarkand, Uzbekistan, continuing in 1976, in Donetsk, Ukraine, where he performed as a soloist with the Donetsk Ballet of Ukraine. During the 1979-1980 season he was the recipient of the First Soloist Award for the company. His major classical ballet credits include: Swan Lake, Giselle, Sleeping Beauty, Nutcracker, Don Quixote, Fountain of Bakhchisaray, La Bayadere, Spartacus and Romeo and Juliette, and many other full length ballets.
Since 1992 he has been teaching ballet, choreographing and staging dance in the United States, primarily teaching in studios in New Jersey, Pennsylvania and Maryland. His affiliation with the Donetsk Ballet and the Vadim Pisarev School of Choreographic Mastery continues as he stages and choreographs children’s parts for their multi-state annual US tour of Nutcracker co-produced by US Intron and the Viktor Yeliohin International Ballet Academy.
Mr. Yeliohin’s students have participated in Youth America Grand Prix dance competition and he has former students dancing in companies such as the Joffrey Ballet, Martha Graham, the Broadway production of The Lion King, and other regional ballet companies. Students of Mr. Yeliohin have gone on to train at the Kirov Academy in Washington, DC, and the Bolshoi Ballet School in Moscow, Russia. His students have also danced with international companies including the Donetsk Ballet of Ukraine. Through his ongoing relationship with the Donetsk Ballet and Vadim Pisarev, Artistic Director, he teaches ballet internationally as well as teaching summer courses throughout the United States.
The dream of owning his own studio became a reality in 2010, when the Viktor Yeliohin International Ballet Academy opened in Lancaster, Pennsylvania. Ballet classes are taught primarily in the Vaganova Syllabus in the Russian pedagogy. Along with directing his ballet academy and sponsoring the annual Nutcracker performances held in Lancaster with his former company, Viktor began sponsoring an America-Ukraine Summer Ballet Camp in July, 2015. Dancers from the United States and Ukraine attend this multicultural camp where they have classes with teachers from America and Ukraine.
|
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https://www.instagram.com/p/BsH0qbSiZWV/%3Futm_source%3Dig_embed%26ig_mid%3DCBD03A6D-0CA5-47C7-BEFA-6307E51AB5E3
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Instagram
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6847
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dbpedia
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| 6 |
http://www.granddanceacademy.com/en/jury
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en
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Jury
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Jury Festival
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YURI GRIGOROVICH
Russia
Chairman of the International Jury,President of International Federation of Ballet Competitions,People’s Artist of the USSR,President of the International Union of Choreographers,Ballet master and choreographer at the Bolshoi Theatre,Professor at the Bolshoi Ballet Academy,Yuri Grigorovich has repeatedly transferred his own and classical ballets to the stages of other theaters in Russia and in the world. In each new production, whether his own performance is transferred, or a performance of ballet classics, Grigorovich never repeats himself, but finds new creative approaches and techniques in the implementation of his artistic ideas as a choreographer, stage director, librettist. In every performance, staged by the renowned choreographer, the hand of the Great Master of the Art of Ballet is clearly visible.
MARINA LEONOVA
Russia
Prof. Marina Leonova . Rector of the Bolshoi Ballet Academy (the Moscow State Academy of Choreography, Russia). Master teacher of Classical Dance. Prof. Leonova began her ballet career when she graduated the Bolshoi Ballet Academy. She was invited to join the famous Bolshoi Ballet Theatre and was soon promoted to prima ballerina. She became a rector of the Bolshoi Ballet Academy in 2002. Awarded numerous prestigious national and international prizes, including the highest honorary title of People’s Artist of Russia. Laureate of the Russian Federation Government Award.
VLADIMIR MALAKHOV
Germany
The ballet critique has given him the title "Dancer of the Century". He is one of the prominent alumni of the Moscow State Academy of Choreography. After graduation in 1986 Vladimir Malakhov was accepted as a leading soloist in the Moscow Classical Ballet. Numerous awards from international ballet competitions are won in Varna, Moscow, Paris, Jackson (USA), Venice, Monte Carlo. In 1992 Malakhov made his debut in Vienna State Opera, in 1994 - the National Ballet of Canada and in 1995 - The American Ballet Theater. He performed on the famous stages of Bolshoi and Mariinskiy Theater, in Stuttgart, Berlin and Japan. In 2002 Malakhov became a director of the Staatsoper Berlin. Sice 2004 he is appointed as an artistic director of the joined ballet troupes of the Staatsoper Berlin and Deutsche Opera
ELENA ANDRIENKO
Russia
Prima ballerina of Bolshoi Theatre and honored People’s Artist of Russia. She was born in Kiev (Ukraine). She studied at the Bolshoi Ballet Academy (Moscow State Academy of Choreography), where she trained in Sophia Golovkina's graduates’ class. In 1991, having completed her studies, she joined the Bolshoi Theatre and became prima ballerina. She has performed in numerous leading and solo roles in spectacles: Swan Lake, Don Qiuxote, Nutcracker, Giselle and many others. She is a prize winner at the international Ballet Dancers Competition of Moscow (1993) and at the First International Serge Lifar Ballet Dancers Competition in Kiev (1994). Docent in Department of Choreography BalletMaster faculty of Russian Academy of Theater Arts
SARA-NORA KRASTEVA
Bulgaria
In 1996 has graduated the National School for Dance Art in Bulgaria. The same year she was awarded for the best participant in the International Ballet Competition in Osaka, Japan and in 1997 she was a finalist in the International Ballet Competition in Moscow. After her graduation she was accepted in the ballet troupe of the National Opera in Sofia, Bulgaria and in 2003 she became a leading soloist. In 2009 - Director of the Ballet of Sofia Opera and Ballet Theatre.
MASHA ILIEVA
Bulgaria
Prima ballerina of the Bulgarian National Opera and Ballet. She graduated the Ballet Academy “Vaganova” in Saint Petersburg, Russia. In 1986 she was a laureate of the International Ballet Competition in Varna and in 1988 Juriy Grigorovich has given her a role in his spectacle in Sofia – “The Nutcracker”. Maria Ilieva has been a director of the Bulgarian National Ballet during the period 2001 – 2003. She set up a private ballet school for children in Sofia. Maria Ilieva has a Master Degree in Ballet choreography and pedagogy and has received a Doctoral Degree as well. She is ballet master in folk and traditional dance, and classical repertoire in the Music Academy “Pancho Vladigerov” in Sofia, Bulgaria.
NOBUHIRO TЕRADA
Ukraine
People’s Artist of Ukraine. Art Director of Kiev School Ballet. In 1995 he became a soloist of the National Opera of Ukraine. In the same year he became also a prize-winner in the International Ballet Competition in Japan. In 1999 he graduated Dance Academy and became a prize-winner at the International Serge Lifar Ballet Dancers Competition.
Mr. Tеrada is a Director of “Grand Prix Kiev” International Ballet Festival and a sponsor of “World Ballet Stars” International Festival.
TAKANE YAMAMOTO
Japan
TAKANE is choreographer, he choreographs any dancers from children to pro dancers in all genre of dance, and their dance style is new unseen fusion.
He is pursuing the meaning, the role, and the new possibility of DANCE from the international vision, and challenging international activities.
2005 founded“ DANCE WORLD made in TAKANE”
2005 Gold Medal as a dancer , The 5th Japan International Ballet & Modern Dance Competition, in Nagoya
2007＆08 Gold Medal, International Dance Festival TANZOLYMP in Berlin (Choreography)
2008 Choreograph the opening ceremony of at Beijing Paralympics 2008 China .
2011 Grand Prix, “World Ballet Stars 2011”in Donetsk Ukraine. (Choreography)
2013 Special Prize, at 10th Anniversary GALA of International Dance Festival TANZOLYMP in Berlin
2014 Vladimir Vasiliev Prize , The XIII Russian Open Ballet Competition “Arabesque‐2014”
2017 Grand Prix, Grand Dance Academy in Varna, Bulgaria
2018 Vladimir Vasiliev Prize , The XV Russian Open Ballet Competition “Arabesque‐2018”
2018 VARNA international ballet competition 2018 Super GALA Concert“Meeting of Generations”
And works choreographed by TAKANE was awarded 1st prize at dance competition in Tokyo, Kobe, Kyoto, Nakano and Okinawa in Japan.
Now about 1500,000 or more people in the world are viewing TAKANE's program 『Little Swan』on YouTube.
SERGEY USANOV
Russia
General Director of International Federation of Ballet Competitions,First Vice-President of the International Union of Choreographers,From 1998 until 2002 was the Director of the Central Special Music School of the Moscow Conservatory named after P.I.Tchaikovsky.In 1998 Sergey Usanov was elected First Vice-President of the International Union of Choreographers.From 1981 is engaged in preparatory work and carrying out the International Ballet Competition and Contest of Choreographers in Moscow. In 2007 he was elected General Director on the General Assembly of the International Federation of Ballet Competitions. (President of the International Federation of Ballet Competitions is an eminent choreographer of the Bolshoi Theatre Yury Grigorovich).He was member of the Jury of many International and National Ballet and Music Competitions in the Soviet Union, Russia and other countries.
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dbpedia
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| 95 |
https://www.mississippifreepress.org/person-of-the-day-ryo-sasaki-japanese-dancer-scores-generational-gold-at-usa-ibc-in-jackson/
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en
|
Ryo Sasaki: Japanese Dancer Scores Generational Gold
|
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2023-08-16T22:01:09+00:00
|
USA International Ballet Competition gold medalist Ryo Sasaki repeated a feat his father accomplished 29 years prior in the prestigious Jackson event.
|
en
|
Mississippi Free Press
|
https://www.mississippifreepress.org/person-of-the-day-ryo-sasaki-japanese-dancer-scores-generational-gold-at-usa-ibc-in-jackson/
|
As the final Round I matinee of the USA International Ballet Competition in Jackson, Miss., progressed a couple months ago, the dark, cool comfort of Thalia Mara Hall threatened to lull its audience into complacent appreciation of the dancers on stage. They shone, but by this point in the elimination round for 99 competitors, performance after performance of the same set of classical works became so repetitious, watchers had to refrain from humming along.
Then, Ryo Sasaki and Sayako Toku of Japan took the stage. Crackling with energy, they blazed through the fiery “Don Quixote” pas de deux, and a bolt of electricity shot straight through the house. Their flashy rapport, charged with saucy looks and smiles alongside stunning leaps, spins and balance made them instant crowd favorites. The two kept up the momentum through Rounds 2 and 3 of the USA IBC, and they capped the competition in Jackson on June 23 with the senior men’s and the senior women’s gold medals, plus the Best Senior Couple award.
“I couldn’t believe it,” Sasaki told the Mississippi Free Press via email from his home in Osaka, Japan. “It’s still the same feeling now.”
The win represented a full-circle family achievement for Sasaki. His parents, father Dai Sasaki and mother Saori Sugihara, competed in the 1994 USA IBC in Jackson, and his father took home the senior men’s gold.
USA IBC Jury Chairman John Meehan ranked 2023’s competitive field in Jackson at “a pretty high level,” he said. “Right from the first round, we were aware there were many good dancers in the competition, and that was borne out by a really wonderful third round.”
Sasaki was among the standouts. “He was a very fine dancer. He had a beautiful presence onstage, and he was an excellent partner,” Meehan said. “You could look at him as part of a duet, and it was very satisfying. And you could look at him as a soloist, and it was very satisfying. He had beautiful technique, and something extra—a very elegant way of presenting himself … and I think that really stood out.”
“They had the extra something that just left you saying, ‘Omigosh, they were perfect,’” USA IBC Executive Director Mona Nicholas recalled of the Japanese pair. “Just the extra spice, the extra personality.”
Sasaki and Toku began dancing together this past January. The classical pas de deux they danced in competition—”Don Quixote” and “Le Corsaire”—were the same ones his parents performed in Jackson 29 years ago. “After we looked at the list of repertoires and chose what suited me and my partner Sayako, I ended up with those two pas de deux,” Sasaki said. “It happened by chance.”
“I had my father teach us a lot about pas de deux and how we should manage international competitions,” Sasaki said. “He taught me that whoever has fun, the results will come with it.”
Such legacy success is not unheard of in this sport. “The first one that comes to mind is Daniil Simkin,” Meehan said. “His father was a multiple medal winner, as was Daniil.” In the 2006 USA IBC, Daniil Simkin, representing Germany, won gold in the senior men’s division. That win joined a collection that also included the 2005 Grand Prix at Helsinki’s IBC and first prize and gold at Varna’s IBC in 2004. His dad Dmitrij Simkin had accomplished the same in Varna in 1988, as well as top prizes at competitions in Moscow and Paris.
Alexei Orohovsky of Hattiesburg, Miss., who won the junior men’s gold at this year’s USA IBC, also enjoys a medalist heritage. His father, Arkadiy Orohovsky, won the bronze medal in the Serge Lifar International Ballet Competition in Kyiv in 1994.
Generational participation in the USA IBC has cropped up several times, too, most notably in 2010 when 1986 gold medalist Vadim Pisarev’s son, Andrey Pisarev—a multiple-time winner at the international level)—competed and in 2014 when John Wey Ling, a 1982 competitor who defected from China during the event, returned as a coach for his daughter, Alexandra, a junior competitor that year.
In Sasaki’s case, the win represented a rare symmetry, and a Jackson connection that reaches halfway around the world. Sasaki said, “I was honored to be able to dance all the repertoires” at the USA IBC in June, the 12th iteration of the competition held in Jackson since the event’s start in 1979. “I feel like these three weeks have been years worth of experience.
“It was such a competition that I could understand the meaning of my life and the meaning of dancing,” he said.
Sasaki singled out the hospitality that is a hallmark of the USA IBC. “All the staff in the dorm and theater, and the audience, were all warm and really kind and friendly,” he said. “That is my favorite part.”
The performer is now working with his grandmother’s company, Sasaki Michiko Ballet Company in Osaka, and is dancing on many stages in Japan as a guest artist. His win in Jackson sparked an offer from a ballet company that he is considering, he said, adding that he would like to dance again in the United States.
Know someone with Mississippi ties you believe deserves some public recognition? Nominate them for a potential Person of the Day article at mfp.ms/pod.
|
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6847
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dbpedia
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https://www.balletcoforum.com/topic/22915-remembering-russian-dancers/
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en
|
Remembering Russian Dancers
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2020-08-04T21:57:33+00:00
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A former Principal of Bolshoi Ballet Gennady Ledyakh died on 3 July at 92. He was a virtuoso dancer, a king of pirouettes. All ballerinas wanted to dance with him because of his partnering skills. I don't know if he visited UK with his company but a friend told me that he saw him here with a mixe...
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BalletcoForum
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https://www.balletcoforum.com/topic/22915-remembering-russian-dancers/
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A former Principal of Bolshoi Ballet Gennady Ledyakh died on 3 July at 92. He was a virtuoso dancer, a king of pirouettes. All ballerinas wanted to dance with him because of his partnering skills.
I don't know if he visited UK with his company but a friend told me that he saw him here with a mixed group of Russian performers at the Albert Hall and at the Davis Theatre in Croydon - his partner was Irina Tikhomirnova.
He was an excellent Prince to Raisa Struchkova's Cinderella in the old film “The Crystal Slipper" (1960). The young Ekaterina Maximova is dancing the Spring here:
Thank you Amelia. The film certainly shows his dancing and partnership skills- I doubt if any Western dancer was capable of some of those lifts, at that time, although he's not as elegant a dancer as Fadeyechev.
And it was wonderful to see Struchkova dance again, nowadays she tends to be forgotten compared to Ulanova and Plisteskaya although in her day she was as well known as Plisetskaya. Her technique is very strong but it's above all her joyous personality that colours her dance, today Nela has a similar quality. I was amused at her plaits, worthy of Graduation Ball. I think the hair's a wig; I have a book about Struchkova, published in 1956, which has a photo of her in Cinderella with long dark plaits.
It's good to see this version of Cinderella, the stepmother and sister are (slightly) less annoying than in more recent versions, and the scenes where the prince tours the world is a return to the original.
21 hours ago, SheilaC said:
... The film certainly shows his dancing and partnership skills- I doubt if any Western dancer was capable of some of those lifts, at that time, although he's not as elegant a dancer as Fadeyechev.
... I have a book about Struchkova, published in 1956, which has a photo of her in Cinderella with long dark plaits.
Yes, Sheila, in theatre Struchkova’s Cinderella was with dark-haired plaits. In real life she was also dark-haired. I saw her first time in this role in 1948 when she danced with Asaf Messerer. “The Crystal Slipper” film was made in 1960 when she was already 35 and the blond hair made her look younger.
Back to Ledyakh. If you only knew his story! Yes, he was not so elegant as N.Fadeyechev but he was a very powerful dancer. In my view, he was born to dance in Grigorovich’s ballets. However, when the latter came to Bolshoi, Ledyakh, 36, was already an established Principal and Grigorovich was giving preference to much younger dancers. By the way, N.Fadeyechev who was 5 years younger than Ledyakh also didn’t dance in Grigorovich’s ballets. The master was building his own command out of the new generation.
Ledyakh was especially famous for his outstanding turns and tours. He could do pirouettes easily in dozens. Ballerinas were waiting in a queue to dance with him as a partner.
Once during a concert with Irina Tikhomirnova at some provincial house of culture, a dog jumped to the stage. At that moment Ledyakh was holding Irina with one arm in a high lift, so called “chair”, and the dog started running around the dancer’s feet. Irina high above his head started giggling but Ledyakh, while trying to avoid and push away the dog, was holding up well and the piece was performed as if nothing had happened. You can imagine the success with the audience.
In 1969, when already retired, a pensioner by ballet standards, Ledyakh was asked by Ulanova’s pupil, Malika Sabirova, to partner her at the Moscow International Competition. Sabirova won Gold and Ledyakh who did not compete of course won a special prize for partnering skills. Their performance of Don Q. pdd is worth watching for a number of reasons:
2 hours ago, SheilaC said:
I was slightly disappointed in Sabirova, she doesn't equal Ulanova's earlier protegee, Maximova..... but then, who could!
Of course Malika Sabirova could not match Maximova’s personality. And as you rightly wrote who could? But she demonstrated excellent schooling.
As a 9-y-o girl she travelled from her native Tajikistan to Vaganova Academy in Leningrad. After graduation she danced in Dushanbe Opera and Ballet Theatre for 21 years and also toured a lot. She could not work with Ulanova permanently but Ulanova liked her very much and was coaching her for Moscow and Varna competitions.
Sadly, Malika died of lung cancer at the age of 39 and was buried in a costume of Giselle. Some photos and clips of her can be seen here: https://www.asiaplustj.info/ru/news/tajikistan/society/20190522/malika-sabirova-legenda-na-stsene-i-za-kulisami
Tributes are pouring in from colleagues saddened by the death of Vladimir Nikonov who was universally loved as a dancer, a teacher and a person.
Alexei Ratmansky: Sad news from Moscow: Vladimir NIKONOV, beloved Bolshoi dancer and teacher passed away this morning. He was a true gentleman and a great professional. I will always remember his support and his kind heart. RIP dear Vladimir Leonidovich
Alexei Ratmansky: When I asked Baryshnikov who was the dancer he admired the most among his colleagues in Russia, Misha said: Nikonov! Vladimir Leonidovich was very pleased to hear that. Here are too films of him dancing, one from 1965 (Class-concert) and the other from 1971 (Blue bird). Hard to believe he is gone. Just last November we worked together on Giselle at the Bolshoi. Such a decent, courteous and benevolent man.
https://www.facebook.com/alexei.ratmansky?redirect=false
And his latest very talented charge - David Motta Soares - on his Instagram.
davidmottasoares: There is no word to express the loss of a beloved person... my mentor my friend my everything, who I’m as a dancer as a person it’s all because every morning all day long he was ready to teach me something new. To be never forgotten 🖤
Edited August 26, 2020 by Amelia
Added Soares
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https://www.wbgpnorway.com/jury/coaches-2023/svetlana-bednenko/
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Svetlana Bednenko – World Ballet Grand Prix Norway
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At age 11, Slawomir began his studies on scholarship at the State School of Ballet in Warsaw, Poland. While at the school, he performed in many productions in the national opera house. In 2005,...
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Sedona Chamber Ballet
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https://law.justia.com/cases/federal/district-courts/FSupp/781/339/1411450/
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Kershentsev v. Mascotte Productions, Inc., 781 F. Supp. 339 (E.D. Pa. 1991)
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Kershentsev v. Mascotte Productions, Inc., 781 F. Supp. 339 (E.D. Pa. 1991) case opinion from the U.S. District Court for the Eastern District of Pennsylvania
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781 F. Supp. 339 (1991) Alexander KERSHENTSEV, Yury Bredikhin, Valery Goncharov, Valery Popov, Vladimir Shumeikin, Galina Shumeikina, Alexander Boitsov, Irina Boitsova, Alexi Sharov, Natalia Sharova, Timur Burtasenkov, Vlada Sheveryako, Gennady Sheveryako, Inga Luberenko, Alexey Koryagin, Svetlana Krilova, Marina Belavina, Ella Rybalko, Vita Yanchuk, Tatyana Gritsovnik, Victor Yyelkin, Vladimir Kovalenko, Alexi Borovik, Natalia Akhumarova, and Vadim Pisarev
v.
MASCOTTE PRODUCTIONS, INC., Carl Kusnell, Gary Green and Alexander Greenspan and Alden Park Manor. Civ. A. No. 91-6300.
United States District Court, E.D. Pennsylvania.
December 4, 1991.
*340 *341 Richard D. Malmed, Philadelphia, Pa., for plaintiffs.
Sidney J. Smolinsky, Philadelphia, Pa., for defendants.
MEMORANDUM DECISION AND ORDER
VAN ANTWERPEN, District Judge.
From November 4, 1991 through November 9, 1991, a hearing was held on Plaintiffs' request for a permanent injunction and Defendants' motion for a preliminary injunction in the above-captioned matter, a self-styled complaint in equity. Plaintiffs ask this court to order that the Exclusive Booking Agreement (the "Booking Agreement") and Exclusive Agent Agreement (the "Agent Agreement") signed by Mascotte Productions, Inc. and Plaintiff Vadim Pisarev are null and void, that Defendants not interfere with Plaintiffs' work or lodging arrangements, that Defendants render an accounting for all funds they have received or expended on Plaintiffs' behalf, and that Defendants pay over to Plaintiffs all funds received on Plaintiffs' behalf which have not been properly expended.[1] Defendants ask for an injunction enjoining Plaintiff Vadim Pisarev ("Pisarev") from breaching the Booking Agreement and Agent Agreement. At issue in this case is not only the validity and meaning of those agreements, and whether either signatory breached one or both of them, but also the relationship between the other named plaintiffs and the defendants whether there is a contract between them, an agency relationship or a fiduciary relationship. After reviewing the testimony and exhibits presented at trial, we make the following findings of fact and state the following conclusions of law, pursuant to Fed. R.Civ.P. 52(a).
FINDINGS OF FACT
1. All Plaintiffs are citizens of the U.S.S.R. and all Defendants are citizens of either Pennsylvania or Ohio and the amount in controversy in this action exceeds $50,000.
2. All Plaintiffs except Natalia Akhumarova and Alexi Borovik are members of a Ukrainian ballet troupe known as the *342 Donetsk Ballet Company (the "Company"). Akhumarova and Borovik are Russian ballet dancers who have affiliated themselves with the Company as guest dancers.
3. The Donetsk Ballet Company was established approximately fifty years ago in the city of Donetsk, Ukraine, U.S.S.R. It is now world famous, thanks in large part to the efforts of its artistic director, Plaintiff Vladimir Shumeikin, who has been instrumental in selecting young dancers fresh out of ballet school, training them in the traditional Russian style of ballet, and molding them into a distinctive company. The type of classical repertoire in which the Company specializes, including such works as Don Quixote, Swan Lake, and Walpurgis Night, requires that the members of the Company work together for many years to perfect their performances. (11/4/91 Tr. at 48-49, 88-89, Pisarev Direct.)
4. Plaintiff Vadim Pisarev has been the principal performer of the Company for eight years, since he left school. At the age of twenty-six, Pisarev is one of the world's leading ballet dancers, having won many gold medals in international ballet competitions, and having been named Best Male Dancer in the USSR in 1990. He has trained for the ballet for the past twenty years, and has no training and little experience in dealing with the business side of the arts and entertainment world. Indeed, until Glasnost freed him to make his own contracts with Westerners, he danced solely as an employee of the Soviet government. (11/4/91 Tr. at 45, 48, Pisarev Direct.)
5. Plaintiff Alexander Kershentsev, a Ukrainian businessman, is both Vadim Pisarev's and the Company's business manager. Mr. Kershentsev, through his company, Kalmius, has a contract with the Donetsk Theater of Opera and Ballet (the "Theater"), the employer of the members of the Company, pursuant to which he pays the Theater 15,000 rubles per month for the services of the dancers of the Company and for the use of the Company's sets, costumes and equipment. (Pls.'s Ex. 10 and 11/5/91 Tr. at 59-63, Kershentsev Direct; 11/8/91 Tr. at 97-99, Pozigun Direct.) He also has a separate contract with Vadim Pisarev which provides that in exchange for a percentage of profits, Kershentsev would provide services, both in the U.S.S.R. and abroad, including commercials, showing of commercial films starring Pisarev, other media exposure, organizing tours and performances, and foreign and Soviet negotiations. (Pl.s' Ex. 3, a copy of the contract, dated October 21, 1990, and an English translation stipulated to be accurate. (11/4/91 Tr. at 59, Pisarev Direct.)
6. Defendant Mascotte Productions, Inc. is a Pennsylvania corporation with its principal place of business in Pennsylvania. It was formed in April of 1991 to assist and arrange tours throughout the world for the Donetsk Ballet Company.[2] Although Mascotte's articles of incorporation were filed with the Secretary of State of the Commonwealth of Pennsylvania, no formal first meeting of incorporators or directors was held, no board of directors was ever created, and thus no officers were ever formally appointed. (11/6/91 Tr. at 59-71, Kusnell Direct.)
7. Defendant Carl Kusnell is a citizen of Pennsylvania. Mr. Kusnell owns a company called Communications Facilities Management Corporation ("CFMC"), which owns and maintains hotel telephone systems. He has appeared several times as a performer in minor roles in classical musical productions, but had never worked as *343 an agent or booking agent or producer in the arts or entertainment businesses. (11/5/91 Tr. at 105-06, Robb Direct.) Mr. Kusnell has acted as the president of Mascotte since May, 1991, with the consent of Alexander Greenspan and Gary Green.
8. Defendant Gary Green, Esq. is a Pennsylvania citizen and licensed attorney. Green has represented Carl Kusnell and Defendant Alexander Greenspan in a variety of business ventures, but had little or no experience in the field of entertainment law, or in the arts or entertainment businesses in general, before becoming involved with Mascotte. Green had also represented and become friends with a man named James Robb, and knew that Robb was involved in the arts. (11/6/91 Tr. at 147-58, Green Direct.) Robb is a cultural program director for the City of Philadelphia, and has worked as the president and executive director of the Performing Arts Society in Philadelphia. He is familiar with presenting classical musical and dance performances and other cultural events. (11/6/91 Tr. at 101-02, Robb Direct.)
9. Defendant Alexander Greenspan is a citizen of Ohio who emigrated from the Soviet Union in the early 1970's and now has numerous contacts in the Soviet and Russian governments. He is a principal in a company called the Federal Institute of Negotiation, also known by its acronym "FIN," which brokers business deals between American companies and Soviet companies or government entities. Mr. Greenspan had no significant experience in the arts or entertainment businesses before he became involved with Mascotte. (11/6/91 Tr. at 153, Green Direct.)
10. In April, 1991, the members of the Donetsk Ballet Company, including Vadim Pisarev and Alexander Kershentsev, came to the United States to stage a performance in Baltimore. Because he wished to establish a base of operations in the United States and obtain sponsorship for the Company, Pisarev arranged to meet with Alexander Greenspan, who had expressed interest in helping to publicize the Company when he and Pisarev first met in Russia. (11/4/91 Tr. at 70-71, Pisarev Direct.) The meeting was to take place at the offices of Greenspan's attorney, Gary Green, of the Philadelphia law firm Sidkoff, Pincus & Green.
11. Pisarev believed at the time that Greenspan's company was connected to the American government, not only because Greenspan often negotiated with high level Soviet officials in business deals, but also because the name of Greenspan's company Federal Institute of Negotiation, contained the word federal, which translates into Russian as "gos" state. Just as the name of his own ballet theater, "Donetsk State Ballet," signified control by the Ukrainian government, Pisarev believed that "Federal" signified that FIN was controlled by the American government. (11/4/91 Tr. at 71-72, Pisarev Direct.)
12. On April 26, 1991, Kershentsev, Pisarev and Kershentsev's assistant and translator, Helen Pozigun, went to Philadelphia to meet with Greenspan. They did not bring an attorney with them, fearing that if they did, it would imply that they didn't trust Greenspan and Green. (11/4/91 Tr. at 72-73, Pisarev Direct.) Greenspan had told Pisarev over the telephone not to worry about bringing a lawyer because "we have a lawyer ... everything would be according to the law ... Gary Green would be our lawyer."[3] (Id. at 127).
13. Green arranged for two other men, Carl Kusnell and James Robb, to come to the meeting. (11/4/91 Tr. at 126, Pisarev *344 Direct.) Since Pisarev and Kershentsev spoke very little English, and the other parties to the meeting, with the exception of Greenspan, spoke no Russian or Ukrainian, Helen Pozigun translated most of the discussions between the Ukrainians and the Americans. At many points during the meeting, however, Greenspan conversed directly with Pisarev or Kershentsev in Russian, outside the presence of Helen Pozigun. The meeting lasted from about three o'clock in the afternoon until about eleven o'clock in the evening. (Id. at 125.)
14. The various parties had very different expectations going into the meeting, and very different understandings of the roles each participant in the venture would play. Pisarev and Kershentsev hoped to obtain a sponsor for the ballet company someone to finance productions by investing money in the ballet. (11/4/91 Tr. at 71, Pisarev Direct.) Pisarev wanted someone to help find U.S. engagements for the Company finance productions. He did not want to abandon his friends, the members of the Donetsk Ballet Company, and strike out on his own to establish a solo career. (11/8/91 Tr. at 91, Pozigun Direct.) Greenspan and Kusnell, on the other hand, expected to make lots of money by promoting Pisarev as an individual star, and turning him into a "personality" who could make movies, endorse products, and dance alone or with a few supporting dancers in high capacity arenas or sports stadiums. (11/6/91 Tr. at 166-67, Green Direct; 11/5/91 Tr. at 121, Robb Direct.)
15. At this April 26th meeting, the parties discussed a deal in which a corporation called Mascotte Productions, Inc. would be formed to help promote Pisarev's career and obtain bookings for Pisarev and the other members of the Donetsk Company. The deal was to be structured to facilitate Pisarev's accumulating funds in the United States so the funds would not be expatriated to the Soviet Union, and also to provide that those who worked in the venture would be compensated for their services out of any profits. To this end, it was proposed that Pisarev and his wife would own some shares in the corporation, and the rest of the shares would be divided among the other participants in the venture, as compensation for the work they did in the venture. The exact allocation of shares would be determined after Alexander Greenspan determined whether the law of the Soviet Union would permit Pisarev to keep in the United States any profits earned from a share of Mascotte, and after Defendants determined exactly whose services would be needed to carry out the plan to promote Pisarev and the Troupe and obtain performances and other engagements for them. (11/6/91 Tr. at 62, 71, Kusnell Direct.)
16. During the meeting, Kershentsev had a conversation with Greenspan in Russian in which he explained to Greenspan that Kershentsev had a contract with Pisarev to represent him and act as his business manager. He showed Greenspan a copy of his written contract with Pisarev, (Pls.' Ex. 3), but Greenspan put the document aside and told him that that kind of contract wasn't valid in the United States. (11/4/91 Tr. at 134, Pisarev's Cross.)
17. Pisarev and Kershentsev also showed Defendants two written performance agreements with BACI Management, Inc. (Pls.' Ex. 1 and 2.) Under these agreements, the Donetsk Ballet Company, through Kershentsev and Pisarev, as the Company's "General Manager" and "Director," respectively, agreed to perform two tours, one in the spring of 1991 and one in the fall of 1991. In exchange, Baci Management agreed to pay $4500 per performance, $30 per diem to each Company member, lodging and tax, transportation while on tour, one meal per day when the Company was performing, and half the round trip airfare from the U.S.S.R. to the U.S.
18. During this April 26th meeting, Alexander Greenspan suggested that Kershentsev and Pisarev write out a list of proposals for a contract. At a second *345 meeting, on May 1st, Kershentsev and Pisarev did present a written list of proposed terms. (11/5/91 Tr. at 95, Kershentsev Cross; Pls.' Ex. 4.) At this point, Kershentsev, Pisarev's business manager and advisor, was asked to leave the room so that Green and Greenspan could discuss the contract with Pisarev privately. They talked for an hour or two, and then allowed Kershentsev and Helen Pozigun to rejoin them. Pisarev was very pleased with the result of the private conversation with Greenspan and Green, and believed that the venture would turn out very well.
19. Since Alexander Greenspan did not testify at the hearing, and Gary Green did not understand the Russian language discussions between Greenspan and Pisarev, and so could only testify about those conversations based on what Greenspan told him, we must give more weight to Vadim Pisarev's version of that private discussion than to the Defendants' version. It is clear that Pisarev believed that substantially all of his and Kershentsev's proposals had been accepted, and that the contracts Gary Green was drawing up would enact the deal they had discussed. (11/4/91 Tr. at 74-78, Pisarev Direct.) After more discussions, Green presented a draft contract and, since Defendants did not have a written Russian translation of the contract, they arranged to have it read to Pisarev aloud in Russian. Helen Pozigun translated it with the help of a Russian lawyer associated with Green's law firm.
20. Despite hours of such oral translation, Pisarev failed to grasp some of the fundamental elements of the contract. He did not understand the translation of "power of attorney," and did not realize that the terms of the contract granted Mascotte the power to sign his name to contracts. He did not understand what a corporation was. Based on his discussions with Defendants, he thought it was some sort of trust arrangement, like a savings account, into which his performance fees would be deposited, and from which he could withdraw them at will. He didn't understand that if he signed the contract, he forfeited the right to use his own name in performances not arranged by Mascotte. He also didn't understand the commission structure which the two contracts set up, under which Mascotte is entitled to 20% of any fees as an agent's commission, and 15% of any fees as a booking agent's commission.[4] Pisarev had never paid as much as 35% as a commission to any agent. Pisarev was not interested in the details of the document, and preferred to rely on the oral reassurances given him by Defendants that the deal would work out well. (11/4/91 Tr. at 74-78, Pisarev Direct.)
21. After many hours of listening to extended translations, questions, explanations, hypothetical situations and examples translated from English to Russian and back again, Pisarev gave up trying to understand the contracts Green had drafted and decided to call it a night. Green insisted, however, that the contracts be signed that night, even though it was quite late and everybody was very tired. Against Kershentsev's advice, and despite not fully understanding the written agreements, Pisarev capitulated and signed the English version of the contract, with the understanding that a written Russian translation would be provided as soon as possible. That translation was not provided until July, more than two months later. (11/4/91 Tr. at 141-45, 11/5/91 Tr. at 36, Pisarev Cross.)
22. Pisarev signed the Agent Agreement in his own name, and the Booking Agreement both for himself and for the "Troupe." "Troupe" is defined elsewhere in the Booking Agreement as "any group of dancers with which [Pisarev] is affiliated." We find that the Troupe with which Pisarev was affiliated, both at the time of contracting and at all times relevant to this decision, was the Donetsk Ballet Company. Not only did Pisarev testify that that was his intent, but Carl Kusnell states that the Donetsk Ballet Company is a party to the contract in his June 20, 1991 *346 letter to the Immigration and Naturalization Service. (Pls.' Ex. 16 at 216.) The other party to the contracts, Mascotte Productions, Inc., purportedly signed by Carl Kusnell as its president.
23. In its final form, the Booking Agreement essentially provides that Mascotte shall act as Pisarev's and the Troupe's exclusive agent in procuring performances, and shall perform "all services customarily performed by an Agent." It grants Mascotte an irrevocable power of attorney in fact. The agreement states that Mascotte receives 15% of any fees payable to Pisarev or the Troupe for any live dance performances, and 65% of any fees payable to Pisarev or the Troupe for anything other than live performances, such as books, movies, or television shows. The contract provides that Pisarev agrees to perform to the best of his abilities in any opportunities procured by Mascotte, and to use his best efforts to cause the Troupe to appear. Mascotte agrees to use reasonable efforts to obtain performance opportunities for Pisarev and the Troupe and to assist in negotiating agreements and earning money as a dancer or celebrity. Any sums advanced to or any expenses incurred on behalf of Pisarev are to be deemed loans to him, to be repaid out of the first gross sums paid to Pisarev from any third party.
24. The Agent Agreement contains many of the same terms as the Booking Agreement, but confines itself to Pisarev and Mascotte, not referring to the Troupe at all. The other main difference between the two writings is that the Agent Agreement sets the commission due Mascotte at 20%, rather than 15% or 65%. No mention is made of the interaction between the Booking and Agent commissions, and it was not clear from the testimony whether the parties intended that the commissions under the two agreements be cumulative or not. Under the Agent Agreement, Mascotte agrees to use reasonable efforts to counsel and advise Pisarev in matters relating to his career, and to assist Pisarev in negotiating agreements and earning sums as a dancer or celebrity.
25. It was the intent of the parties at the time of contracting that Vadim Pisarev have artistic control over the dancers and performances he had the exclusive right to select the company of dancers with which he wished to dance, and it was his responsibility and right to provide a prepared and rehearsed troupe of dancers, as well as all equipment, scenery, music, personnel, and anything else required to make the performances of excellent quality. (Pls.' Ex. 5 at section III.) Pisarev had the exclusive right to designate the ballet company which would be the "Troupe" under the Booking Agreement, and he exercised that right by affiliating himself with the Donetsk Ballet Company. (11/8/91 Tr. at 102, 110, Helen Pozigun Direct.)
26. It was an implied condition of the Booking and Agent Agreements that the corporate formalities be carried out shares in Mascotte would be issued, a board of directors selected, and officers appointed. Since one of the essential reasons for the contracts was facilitating Pisarev's keeping funds earned through performing outside the U.S.S.R., it was important to the parties, especially to Pisarev, that Alexander Greenspan fulfill his promise to determine the effect of Soviet law on the venture and that Defendants restructure the corporate form of the venture if necessary to achieve that goal. Pisarev would not have agreed to the terms expressed in the written agreements if it became necessary to change the proposed allocation of shares.
27. As Defendants' counsel conceded at trial in his closing argument, the friction between Defendants and Kershentsev soon accelerated into an all out war between them, complete with espionage, defections, disinformation and sabotage. (11/9/91 Tr. at 37.) The Company's Artistic Director was drawn into the fight, and so were Vadim Pisarev, Helen Pozigun, and eventually the whole Company. The facts as we recount them below show that the trust relationship between Plaintiffs and Defendants is irretrievably destroyed. They will never be able to work together in a productive fashion again.
*347 Mismanagement of Funds and Failure to Account
28. Before entering the Mascotte venture, Pisarev and the Company had already arranged to perform during the summer of 1991 in both Jackson, Mississippi and Genoa, Italy.[5] Both of these performances generated more conflicts between Plaintiffs and Defendants, both in disputes over disposition of the performance fees and in disputes over the artistic control of the Company.
29. The Company was to receive $17,929 for the Jackson performance. (the "Jackson fee") (11/6/91 Tr. at 34.) Because Alexander Kershentsev did not have a bank account in Philadelphia in which to deposit the checks sent to him from Jackson, Carl Kusnell arranged for the funds to be wired to Sidkoff, Pincus & Green's escrow account at Continental Bank. (11/6/91 Tr. at 50, Kusnell Direct.) Gary Green, a partner in Sidkoff, Pincus & Green, instructed his bookkeeper, Adrian Hassinger, to do whatever Carl Kusnell wanted done with those funds, because the firm was merely a holding agent for the money. (11/8/91 Tr. at 31, Hassinger direct.) In addition, Green specifically instructed Hassinger not to obtain a receipt when she disbursed the funds. (11/8/91 Tr. at 37, Hassinger direct.)
30. Plaintiffs stipulate that they have received $5000 of that Jackson fee. (11/5/91 Tr. at 78, Kershentsev's Cross.) $2,929 of the fee remained in the Sidkoff account until June 17th and July 12th, when it was transferred to a separate Mascotte Productions, Inc. account, under the control of Carl Kusnell. (11/8/91 Tr. at 43-44, Hassinger direct.) The remaining $10,000 is missing. Carl Kusnell authorized Sidkoff, Pincus & Green to make the $10,000 available for pickup by James Robb. (11/6/91 Tr. at 55, Kusnell Direct.) The law firm withdrew the $10,000 in cash from its escrow account in two separate $5000 transactions, but James Robb did not receive the money.
31. Neither Sidkoff, Pincus & Green nor Carl Kusnell have produced any signed receipts showing the disposition of those funds. Defendants rely completely on the testimony of two employees of the law firm, a bookkeeper and a receptionist, who testified that they delivered the missing cash to James Robb on two different occasions at the Sidkoff offices, and that they believed he was going to give the money to Alexander Kershentsev. However, there is other evidence which suggests that the cash was intended to go to Carl Kusnell, not to Kershentsev. The bookkeeper, Adrian Hassinger, testified that she delivered $5000 to Robb on June 7, saying "here's the envelope I'm supposed to give ... you with the money to take back to Mr. Kusnell's office." (11/8/91 Tr. at 39, Hassinger direct.)
32. James Robb's testimony was very credible. He picked up one envelope at the Sidkoff offices and delivered it to Alexander Kershentsev, not knowing what it contained. As it turns out, it contained $5000 in cash the part of the Jackson fee which Plaintiffs stipulate they received. (11/8/91 Tr. at 219, Robb's examination by the Court.)
33. The Sidkoff, Pincus & Green bookkeeper and receptionist who testified, on the other hand, were not overly familiar with Robb's appearance at the time of the alleged deliveries, and it is quite likely that they are mistaken in their belief that he picked up the envelopes in question. Adrian Hassinger, the bookkeeper, believes that she only met Robb three times. (11/8/91 Tr. at 48, Hassinger direct.) One of those three was apparently after the alleged delivery of cash, when Robb came to her office to pick up a checkbook and deposit slips to deliver to Kusnell. (11/8/91 Tr. at 43, Hassinger direct.) One, presumably, was the time of the alleged delivery, and thus she could only have met him once *348 before the occasion when she claims to remember handing him cash. Hassinger's in-court identification of James Robb could easily have been based on this more recent encounter with him.
34. Sharyn Davies, Sidkoff Pincus & Green's receptionist, stated that she handed an envelope to a man identifying himself as James Robb on two separate occasions in late spring or early summer of this year. She did not testify that she recognized the man at the time of the alleged delivery to be James Robb. She did not tell the man that the envelope contained money. She did not obtain a receipt, and in fact she was specifically instructed by her superior not to obtain a receipt. She was not sure how many times she had met Robb before, and she couldn't remember what the man to whom she gave the envelopes was wearing, or even if he was wearing a suit or a tie.
35. Based on these facts, we cannot make a determination of where the missing money is, apart from the fact that it was delivered to Sidkoff, Pincus & Green, with the knowledge and consent of partner Gary Green, that Gary Green knew that the money was payment to Plaintiffs for their work in Jackson, and that Green placed the money under the control of Carl Kusnell.
36. In addition to misplacing part of the Jackson performance fee, Carl Kusnell used sloppy accounting practices in dealing with the fee the Company received from their performances in Genoa, Italy and routinely lied about the amounts of various expenditures he claimed to be making on Plaintiffs' behalf. Kusnell refused initial requests of Alexander Kershentsev, made on behalf of Vadim Pisarev, for an accounting for monies received and disbursed by Kusnell on the Company's behalf. (11/5/91 Tr. at 24, Pisarev Cross.)
37. Kusnell received at least $32,528 as the Company's fee for the Genoa performances, as he admitted in Plaintiffs' Exhibit 15 ("P-15"). P-15 is a two page typewritten document prepared by Kusnell after this suit was filed and entitled "Mascotte Productions Statement of Income and Expenses May 15, 1991 to September 5, 1991." It lists amounts of money received and expended in broad categories, such as "American furniture rental," "Italy concert expenses," "printing," "reimburse J. Robb," and "Phila. tour." The largest category is "Cash Payments to Dancers," $47,960. No receipts are attached, although some receipts are provided, without explanation, in the bound volume produced in discovery, admitted into evidence as P-16.
38. P-15 also lists what purport to be "Expenses still owing," including "Medical Bills," "LaSalle Housing," "Lasalle Meal Plan," "American Express for ballet related travel to Paris" and "Mascotte Agency Fee (20% × $65,457)". There was insufficient evidence at the hearing to find that Mascotte Productions or Carl Kusnell are personally liable for these bills. The medical bills are in the names of the individual patients, and Mascotte is not mentioned, although Kusnell's company, CFMC, is listed on some papers as "guarantor." The LaSalle bills are addressed to "Donetsk Ballet Company c/o Carl Kusnell," at CFMC's address, not to Mascotte or Kusnell personally. The letter LaSalle sent to Kusnell in May confirming the housing arrangements make no mention of Mascotte, and specifically state that the accommodations are to be provided to the Donetsk Ballet Company. Defendants have not produced a bill from American Express. Most troubling is the "Mascotte Agency Fee" listing, since the amount stated as the basis for the fee, $65,457, is the amount paid into Mascotte (or to Kusnell personally) for the performances of the whole Company, not just Vadim Pisarev, and the Company never agreed to pay Mascotte 20% of their fees.
39. Neither P-15 nor P-16, the bound volume of documents produced by Defendants in discovery, is an intelligible accounting of Mascotte's or Kusnell's expenditures of Plaintiffs' money. Many of the papers reproduced are handwritten by Kusnell, and none are accompanied by any explanation.
40. Not only did Kusnell fail to account properly, he misled members of the Company about the amounts of expenditures, exaggerating *349 the costs of housing, medical insurance and the services of an immigration lawyer so the Company would not ask where their money was. He told Alexander Kershentsev that he had spent $100,000 to get visas for the Company, when in fact the immigration lawyer Kusnell hired charged only $3231.96. (11/5/91 Tr. at 53, Kershentsev Direct; Pls.' Ex. 16 at 209 (Attorney Steven Barsamian's bill.)[6] Kusnell told James Robb that the LaSalle housing cost $200,000 to $450,000, and he told Alexander Kershentsev that medical insurance for the Company would cost $250,000. (11/5/91 Tr. at 125, 56, Robb and Kershentsev Direct.) Kusnell told Pisarev that the Company's housing at Alden Park Manor in Philadelphia cost $20,000 per month, when in fact it cost $7000 per month. (11/4/91 Tr. at 95, Pisarev Direct.) Kusnell told Pisarev and others in the summer of 1991 that he had spent $600,000 of his own money thus far, when in fact that was false. (11/5/91 Tr. at 40, Pisarev Direct.)
Failure to Follow Instructions and Interference with Artistic Control of the Company
41. Almost from the beginning of their relationship, Carl Kusnell tried to interfere with Pisarev's artistic control of the Company. Rather than advising Pisarev and acting as his agent, Kusnell tried to assume a controlling role, giving orders to the Pisarev and the Company, restricting their movements and attempting to alter the internal structure of the Company. Kusnell testified that he did not believe that he was working for Pisarev. (11/6/91 Tr. at 90, Kusnell Direct.) He told Pisarev that there was only one voice and one way his own. (11/4/91 Tr. at 82, Pisarev Direct.) He disregarded Pisarev's wishes by trying to remove the internationally recognized Vladimir Shumeikin as Artistic Director of the Company and replace him with James Robb, a man who freely admits that it would be preposterous for him to even attempt to perform that job. (11/4/91 Tr. at 89-91, Pisarev Direct.) Kusnell also tried to remove Alexander Kershentsev from his job as business manager of the company, against Pisarev's wishes, and threatened to have both Shumeikin and Kershentsev deported if they did not obey him. (11/5/91 Tr. at 67, 127, Kershentsev Direct, Robb Direct; 11/4/91 Tr. at 87, Pisarev Direct.)
42. Kusnell had the locks on all the Company members' apartments in Philadelphia changed, and tried to evict Kershentsev and Shumeikin from their apartments because they wouldn't obey him, all against Pisarev's wishes. (11/5/91 Tr. at 65-69, Kershentsev Direct.)[7] If Kusnell had been successful in his attempts to seize total control of the dance company, the Company would have fallen apart. Shumeikin, especially, was essential to the functioning of the Company he was its artistic soul, and his direction and choreography were responsible for raising the Company to its present level of international recognition.
43. Kusnell tried to restrict the movements and activities of the dancers in the Company. While they were living at LaSalle, he forbade them from leaving without translator Helen Pozigun, and tried to prevent several Company members from returning to the Soviet Union by telling them that, as Russian citizens, they were not allowed to leave the security zone around LaSalle. (11/4/91 Tr. at 85-86, Pisarev Direct.) Kusnell also tried to prevent James Robb from visiting the dancers *350 after Robb resigned from his role in Mascotte, telling Robb that the dancers had no right to see him, that he had no right to visit them, and that he was going to "call the police and have [Robb] arrested. These people are foreigners, you're not allowed to see them." (11/5/91 Tr. at 141, Robb Direct.)
44. As the tensions between Defendants and Pisarev and Kershentsev grew, Kusnell tried to lure members of the Company away to work for him. As early as June, Helen Pozigun, the Kershentsev's translator and assistant, was taking orders from Kusnell instead of Kershentsev. By September, Kusnell was discussing forming his own company with any dancers who wanted to go with him instead of staying with Pisarev, telling the dancers that if Pisarev disobeyed Kusnell the troupe would fall apart, and if the dancers didn't join Kusnell their visas would be revoked and they would be sent back to the Soviet Union. He told the dancers that the troupe owed him $600,000, including $100,000 for their visas. (11/9/91 Tr. at 8-9, Sharova Direct.)
45. Further evidence of Defendants' intent to disrupt Pisarev's control of the Company is the repeated assertions of Carl Kusnell and Gary Green during the summer of 1991 that they "own this ballet company.," (11/6/91 Tr. at 16, Robb Cross,) and Alexander Greenspan's representations to visiting Russian officials that the Company belonged to him. (11/5/91 Tr. at 37, Pisarev Redirect.)
46. These activities in which Kusnell engaged are not "services customarily performed by an Agent." Plaintiffs' evidence showed that agents for classical musicians and dancers do not customarily interfere in the artistic judgment or day to day management of the company. (11/5/91 Tr. at 129, Robb Direct.) Rather, they usually devote their primary efforts to finding bookings and engagements, preparing promotional materials and providing public relations services. (Id. at 117.)
Failure to use Reasonable Efforts to Obtain Bookings
47. Carl Kusnell had no idea how to obtain work for a classical ballet company, and he refused to follow the advice of the only person involved with Mascotte who had any experience in the area, James Robb. Kusnell tried to arrange performances in high capacity stadiums, rather than theaters with the requisite type of stage and lighting. (11/5/91 Tr. at 121, Robb Direct.) Even when he considered a standard theater, he insisted that the Company put on performances only in high capacity theaters like the Mann Music Center in Philadelphia, which requires an enormous amount of publicity in order to make a profit. He ignored the dancers' protestations that the Company had no money to promote and stage such an expensive production. (11/9/91 Tr. at 14, Sharova Direct.) Kusnell never secured any money-making performances for Pisarev or the Company. He didn't even line up a Nutcracker performance for them, although the Nutcracker is inevitably the biggest profit-maker of any ballet company's yearly schedule. Id. at 109.
48. Not only did Kusnell fail to procure any paying engagements for Pisarev and the Company, he terminated two lucrative contracts which Pisarev had already made before coming to the United States in the spring of 1991. Under the agreements between Baci Management, Inc. and the Donetsk Ballet Company, (Pls.' Ex. 1 and 2) the Company could have made up to $288,000 for two tours, one in the spring and one in the winter of 1991, and gained significant exposure to American audiences. Kusnell turned the Company's friendly relationship with Nicholas Litrenta, president of Baci Management and a good source of future engagements, into a hostile one by threatening him and trying to intimidate him, and received only $15,000 from Litrenta for the Company. (11/5/91 Tr. at 130-32, Robb Direct.)
49. Carl Kusnell never prepared any professional-quality promotional materials for Pisarev or the Company. The only literature he had printed was a brochure full of inaccuracies and misspellings. (11/5/91 Tr. at 125, Robb Direct.)
*351 Failure to Complete Corporate Formalities for Mascotte
50. Kusnell has acted since May 1, 1991 as the president of Mascotte, but it is evident from the testimony and exhibits at trial that he was never appointed by a board of directors. Defendants filed articles of incorporation for Mascotte Productions, Inc., but never took any further steps in establishing the corporation. No Board of Directors was constituted and no first meeting of incorporators or directors was held. In fact, the shares in Mascotte were never formally issued, or even allocated, and Defendants admit that they were waiting to determine the effect of Soviet law on their arrangement before doing that. There was no vote about who would be the president of Mascotte, rather, somebody asked Kusnell if he wanted to be president, and he agreed. In Carl Kusnell's own words, it was a fluid situation. (11/6/91 Tr. at 59-62, 86-89 Kusnell Direct.)
51. While Defendants claim that the handwritten notes reproduced in Defendants' Exhibit 7, entitled "Memo of Shares," was produced at one of the first two meetings of the parties and was meant to be an allocation, Vadim Pisarev did not know that he was supposed to be the owner of 200 shares, as the memo states, James Robb had no idea that he was supposed to have an interest in the corporation, and Carl Kusnell admits that the allocation of shares was meant to be compensation for services rendered to Mascotte, and would depend on who worked and what new people needed to be brought into the venture. (11/4/91 Tr. at 77, Pisarev Direct; 11/5/91 Tr. at 115-16, Robb Direct; 11/6/91 Tr. at 86-88, Kusnell Direct.) Pisarev's translator at the meetings at which share allocation was allegedly discussed, Helen Pozigun, never translated any discussion of share allocation to Pisarev. (11/8/91 Tr. at 166, Pozigun Cross.) Gary Green, who now claims that he owns no shares, told James Robb that he owned 50% of Mascotte's stock and controlled the company. (11/5/91 Tr. at 115, Robb Direct.)
Plaintiffs' Current Financial Situation
52. As of the week of the hearing, November 4-9, 1991, Plaintiffs had not had a money-making performance in months and their financial situation was desperate. They were living on donations from sympathetic Americans like James Robb and a small amount of money that Vadim Pisarev had accumulated in a savings account.
53. Carl Kusnell has ceased all attempts to find bookings for the Company, claiming that he couldn't negotiate with others while he was having a dispute with Plaintiffs because Plaintiffs might refuse to carry out any performance contract he procured. (11/6/91 Tr. at 78, Kusnell Direct.) Defendants have interfered in the past with Plaintiffs' efforts to book engagements for themselves by warning potential venues that the venues may be liable for allowing Plaintiffs' to dance in violation of Defendants' exclusive contracts. Absent a court order to the contrary, Defendants will probably interfere in the future with Plaintiffs' efforts to find work.
CONCLUSIONS OF LAW
1. This court has jurisdiction over this matter under 28 U.S.C. § 1332, because all plaintiffs are citizens of the U.S.S.R. and all defendants are citizens of the either Pennsylvania or Ohio and the amount in controversy exceeds $50,000.[8]
*352 2. The law of Pennsylvania provides the rules of decision in this case, as stipulated by the parties. (11/9/91 Tr. at 33).
3. Plaintiffs set out three separate arguments for relieving them of any contractual duties to Defendants. First, they argue that Mascotte Productions, Inc. was never properly incorporated, and so could not make a contract with plaintiffs. Second, they argue that the written Booking and Agent Agreements were induced by fraudulent misrepresentations by Defendants. Third, they argue that even if any contracts were formed, they were materially breached by Defendants. For the reasons set out below, we agree with Plaintiffs' third contention any contracts between Plaintiffs and Defendants relating to representing Plaintiffs in any capacity, whether as agent or booking agent, have been materially breached by Defendants. We will not reach the issue of fraudulent misrepresentation because it is not necessary to do so in order to grant the equitable relief which is the subject of this decision.[9] The clear evidence of Defendants' breach is sufficient to discharge plaintiffs of any liability to defendants under the purported contracts, and to deny Defendants' request that this Court order Plaintiff Vadim Pisarev to perform what they contend are his duties under the purported contracts. In the first section of this discussion, we set out the grounds for finding material breach, and in the next section we will discuss the basis for ordering Defendants Kusnell and Green to restore to Plaintiffs $10,000 held in trust on their behalf.
4. Under Pennsylvania law,
When performance of a duty under a contract was due, any nonperformance is a breach.... If a breach constitutes a material failure of performance, then the non-breaching party is discharged from all liability under the contract.... In determining whether a failure of performance is material, we consider the following factors:
a) the extent to which the injured party will be deprived of the benefit which he reasonably expected;
b) the extent to which the injured party can be adequately compensated for that part of that benefit of which he will be deprived;
c) the extent to which the party failing to perform or to offer to perform will suffer forfeiture;
d) the likelihood that the party failing to perform or to offer to perform will cure his failure, taking account of all the circumstances including any reasonable assurances;
e) the extent to which the behavior of the party failing to perform or offer to perform comports with standards of good faith and fair dealing.
Oak Ridge Construction Co. v. Tolley, 351 Pa.Super. 32, 504 A.2d 1343, 1348 (1985) (citing Restatement (Second) of Contracts § 235(2), 237 and 241); see also Tyro Industries, Inc. v. Trevose Construction Co., Inc., 737 F. Supp. 856, 865 (E.D.Pa.1990).
5. If the contracts expressed in the Booking and Agent Agreements were properly formed if no fraudulent misrepresentations caused Vadim Pisarev to sign the documents, and if Mascotte was capable of making a contract, and if Carl Kusnell was capable of acting as Mascotte's agent in making the contract, then we must find Mascotte had certain duties under the contracts. We must infer as a condition of those contracts that Mascotte, as an agent, had a duty to safeguard its' principal's property and make a proper accounting for that property. See Restatement (Second) of Agency §§ 13, 382.[10] The facts demonstrate *353 that Mascotte breached that duty by its president Kusnell's failure to keep adequate records, refusal to render a proper accounting, and repeated lying about the amounts he was expending on his principals' behalf.
Kusnell also had a duty to follow his principal's instructions, especially with regard to matters relating to the artistic control of any productions and relating to the dance company's internal structure. See Restatement (Second) of Agency § 14, "A principal has the right to control the conduct of the agent with respect to matters entrusted to him." Instead of following Pisarev's wishes, Kusnell tried to control Pisarev and the Company, to the point where the fifty year old Company was ready to fall apart. This conduct completely deprived Pisarev and the Company of the essential benefit they were seeking to derive from their relationship with Defendants, and, if allowed to continue, would result in disaster for the Company's reputation and future contract negotiations.
6. Under the Pennsylvania Associations Code, the filing of articles of incorporation with the Department of State begins the existence of a corporation. 15 Pa.Cons. Stat.Ann. § 1309. The Code also requires, however an organization meeting of the initial directors, or, if the directors are not named in the articles, the incorporators. The directors of the corporation are supposed to be elected at this meeting, and all powers of the corporation are supposed to be exercised under the management of this board of directors, including the power to appoint officers of the corporation and enter into contracts. §§ 1309, 1502, 1721. Because articles of incorporation were filed, Mascotte is a valid corporation, but no board of directors was ever elected to carry out Mascotte's powers, despite the parties' agreement at their first two meetings in April and May that these formalities would be carried out.
7. Defendants' failure to carry out the parties' intention to formalize Mascotte's existence and to issue shares was a material breach of any agreements between Plaintiffs and Defendants. It was essential to the contracts as Defendants would have the court construe them that Pisarev was an owner of Mascotte, and that this ownership was both the reason for the unusually high commission rate of 35% and an excuse for Mascotte's refusal to obey Pisarev's instructions. Pisarev could not realize the benefit of this arrangement if he was never issued any shares of Mascotte or given an opportunity to vote for a board of directors.
8. Part of the parties' understanding in their initial negotiations was that Defendants would find someone with sufficient expertise and contacts in the ballet world to secure bookings for Pisarev and the Company. Defendants never did that, and never managed to secure a single money-making performance for Plaintiffs. The only engagements for the Company between May and the week of the hearing were the concerts in Jackson and Genoa which Plaintiffs arranged for themselves before becoming involved with Mascotte, a free concert at LaSalle University put on to impress Alexander Greenspan's business associates visiting from Russia, and a concert in October arranged by James Robb which Defendants tried to prevent. The only individuals who ever tried to fulfill Mascotte's duties to find bookings were Carl Kusnell and James Robb. Robb left the venture in August due to conflicts with Kusnell, including Kusnell's refusal to take his advice in artistic matters. Kusnell knows nothing about ballet and has no experience booking engagements in arts or entertainment.[11]
*354 9. In addition to discharging them of any contract liability and freeing them to pursue their own negotiations, Plaintiffs ask the court to exercise its equity powers to order Defendants to return to Plaintiffs any money they hold which belongs to Plaintiffs and has not been properly expended on their behalf. It is a basic tenet of agency law that an agent may be compelled to return to his principal any amounts held for the principal when the agent either
intentionally or negligently destroys it or causes its loss; ... unreasonably refuses to surrender it on demand; ... [or] makes delivery of it to a person to whom he is not authorized to deliver it;
Restatement (Second) of Agency § 399, 402. See also Dubern v. Girard Trust Bank, 454 F.2d at 570, n. 3.
10. Plaintiffs have shown by a preponderance of the evidence that Defendants Kusnell and Green have misplaced $10,000 from Plaintiffs' Jackson, Mississippi performance, and that Kusnell and Green were acting as Plaintiffs' agents in receiving those and other funds and expending them on Plaintiffs' behalf. We were persuaded by the testimony of Alexander Kershentsev and Vadim Pisarev that they never received that money, and we are also convinced that James Robb has no knowledge of its' whereabouts. Even if we were inclined to believe that the $10,000 was delivered to James Robb in an envelope at Sidkoff's offices, we would still be compelled to find that Defendants delivered Plaintiffs' money to a third party without authorization from the owners of the money and failed to obtain any receipt acknowledging delivery, and so breached their fiduciary duty in that way. Accordingly, we will order Kusnell and Green to return that $10,000 to Plaintiffs.
11. Plaintiffs have not sufficiently demonstrated Defendants' breach of their fiduciary duty in the disbursement of the rest of the money entrusted to Defendants. Counsel agreed at the conclusion of the hearing on this matter that, aside from the $10,000 discussed above, approximately $4000 is still in dispute, and requested an accounting for that money. Since we are convinced that Defendants are unable to produce any further documentation regarding the disbursement of those funds, and because we are satisfied from Defendants' evidence that the money was most likely properly expended on Plaintiffs' behalf, we will not order a further accounting for those funds.
12. In order to issue an injunction, the court must find both that irreparable injury will occur without the injunction and that plaintiffs have no adequate remedy at law, and the court must balance the competing claims of injury and the public interest. Public Interest Research Group, Inc. v. Powell Duffryn Terminals, Inc., 913 F.2d 64, 82 (3d Cir. 1990), cert. denied, ___ U.S. ___, 111 S. Ct. 1018, 112 L. Ed. 2d 1100 (1991); Natural Resources Defense Council, Inc. v. Texaco Refining and Marketing, Inc., 906 F.2d 934, 941 (3d Cir.1990). As stated in the findings of fact, unless this court terminates all contractual duties Plaintiffs may owe Defendants, Plaintiffs will be unable to work in this country and the Donetsk Ballet Company will disintegrate, its members dispersing throughout the world. Time is of the essence because the most active season of the year for a ballet company is fast approaching, and the Company must procure a venue to perform the Nutcracker if it is to survive in the coming year. A claim for breach of contract damages will not help preserve the Company because the members will be forced to find other work before such a claim could be recovered.
13. Under the circumstances, equity requires that the court order that Plaintiffs are discharged from all contractual duties to Defendants and that Defendants refrain from interfering in Plaintiffs' lives and contract negotiations in the future. An appropriate order follows.
NOTES
[1] In their Amended Complaint Plaintiffs also seek damages but the hearing during the week of November 4th was agreed to be a final hearing on the injunction issues only.
[2] We note Plaintiffs' Exhibit 16, p. 216, a letter from Carl Kusnell, purporting to be the president of Mascotte, to the U.S. Department of State, Immigration and Naturalization Service. Mr. Kusnell's testimony at trial apparently contradicted several statements in this letter. Either Mr. Kusnell was incorrect at trial, or he made false statements in this letter, which would be a violation of 18 U.S.C. § 1001, which provides for a penalty of up to five years imprisonment and a fine of $10,000 for making false statements to an agency of the United States. The letter is consistent with the trial testimony of Vadim Pisarev and others discussed infra, who said that Mascotte represented the Donetsk Ballet Company.
[3] While there is insufficient evidence to make a finding of fact in this regard, we note that there is some indication that Gary Green himself was not in strict compliance with the ethical requirement that, in dealing with a person who is not represented by counsel, an attorney should not imply that the lawyer is disinterested, or give advice to the unrepresented party whose interests are or have a reasonable possibility of being in conflict with the interests of the attorney's client. In addition, when an attorney knows that the unrepresented person misunderstands the attorney's role in the matter, the attorney should make reasonable efforts to correct the misunderstanding. Rule 4.3, Pennsylvania Rules of Professional Conduct.
[4] It is not even entirely clear to the court how the Booking and Agent Agreements are supposed to interact in determining Mascotte's commission when Mascotte lines up a performance for Pisarev and the Donetsk Company.
[5] While the Booking and Agent Agreements are unclear about whether Mascotte would be entitled to a commission under their terms for these performances arranged before the contracts were signed, Defendant Kusnell has agreed that Mascotte will not take a commission for those engagements. (11/6/91 Tr. at 123.)
[6] Kusnell also exaggerated the attorney fees for the visas to James Robb, telling him they were from $150,000 to $250,000. Robb only learned the true amount of the fee when he called Steven Barsamian on August 20, 1991 to inquire for the dancers about the status of the application and the lawyer corrected him about the amount of the fee. (11/5/91 Tr. at 125, Robb Direct.) Interestingly, Barsamian then felt compelled to ask Kusnell not to discuss the fee arrangement with anybody else. (Pls.' Ex. 16 at 210, Letter from Barsamian to Kusnell.)
[7] We also note that despite Kusnell's belief that the apartments at Alden Park Manor were his property, the rent on these apartments at Alden Park Manor was paid by checks drawn on a bank account in the name of Mascotte Productions, Inc. The only money in this account was the proceeds of the Company's performances in Genoa, Italy, part of which was the property of Shumeikin and Kershentsev. (11/6/91 Tr. at 112-13, Kusnell Direct.)
[8] We note that Plaintiffs do not allege the requisite citizenship of the parties in either their original complaint or in their amended complaint, alleging rather the residences of all parties who are natural persons. Residence is not synonymous with citizenship, and only diversity of citizenship, not diversity of residence, will confer jurisdiction on a federal court. Whitelock v. Leatherman, 460 F.2d 507, 514 (10th Cir.1972). Since we find as a matter of fact that there is diversity of citizenship under section 1332, in that all plaintiffs are citizens of the U.S.S.R., and all defendants are citizens of either Ohio or Pennsylvania, we will treat the complaint as amended to conform to the proof at the November 4-9 hearing. See Kelleam v. Maryland Casualty Co., 112 F.2d 940, 943 (10th Cir.1940), rev'd on other grounds, 312 U.S. 377, 61 S. Ct. 595, 85 L. Ed. 899 (1941).
[9] The expedited hearing held the week of November 4th was agreed to be for the purpose of deciding the issues relating to the parties' requests for equitable relief. Neither side has indicated in their closings or otherwise an intention to pursue claims for damages for breach of contract in this action, and, considering the evidence presented at the hearing, it seems unlikely that any such damages could be proven with any degree of certainty. Not only the amount, but the very existence of breach of contract damages appears quite speculative.
[10] Restatement Section 13 states: "An agent is a fiduciary with respect to matters within the scope of his agency." Section 382 states: "Unless otherwise agreed, an agent is subject to a duty to keep, and render to his principal, an account of money or other things which he has received or paid out on behalf of the principal." The Restatement's articulation of these basic principals of agency law would be recognized by the courts of Pennsylvania. See Dubern v. Girard Trust Bank, 454 F.2d 565, 570 (3d Cir. 1972); Pearl Assurance Co. v. National Ins. Agency, 151 Pa.Super. 146, 30 A.2d 333 (1943).
[11] We also note that Kusnell claims he is so busy running his other business concerns that he could not even comply with a reasonable discovery subpoena in this lawsuit. (11/8/91 Tr. at 241-242, Kusnell Cross.) It is difficult to see how he would be able to find the time to act as Plaintiffs' booking agent.
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http://splash.aswandancers.org/alla.htm
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The Arabian Knights Band and Aswan Dancers, San Francisco
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ALLA KUSHNIR
***
DIANA AND AMINA
PRESENT
ALLA KUSHNIR
in San Francisco -
Gala Show Friday October 9 at the MCCLA -
Workshops Saturday and Sunday October 10-11 at Dance Mission
ALLA KUSHNIR all the way from Ukraine!!!
Alla Kushnir teaches in the US and we would like to invite you to take part in some of the activities we have planned around her visit on October 9 to 11.
Winner of The Belly Dancer .'Al Rakesa' is the world's 1st international belly dancing competition on Egypt's tv channel Al Kahera Wal Nas crowned by Dina.
ALLA KUSHNIR INVITES EVERYONE TO JOIN THE EXCITING AND MYSTERIOUS WORLD OF THE EAST IN HER STUDIO OF EAST DANCE. ACCORDING TO ALLA, EAST DANCE NOT ONLY REFLECTS LIFE, IT HELPS TO REVEAL THE INNER WORLD OF A DANCER, HER ATTITUDE TO LIFE. IN THE EAST THERE IS AN ANCIENT PROVERB THAT OPENS THE WHOLE ESSENCE OF EAST DANCES: «THE WOMAN DANCES LIKE SHE LOVES, AND LOVES LIKE SHE DANCES».
YOU COME ALSO TO ALLA KUSHNIR'S STUDIO, LOVE, LIVE, DANCE!
Friday Show Oct. 9 at the MCCLA 7:30 pm
Mission Cultural Center for Latino Arts 2868 Misssion St.between 24th and 25th St. SF
~~~~
Workshops at Dance Mission Oct. 10-11
Dance Mission 3316 24th St at Mission St. SF
Alla's workshops are for ALL levels
Saturday at Dance Mission Iraqi Qaweliya Gypsy Style 3-6 pm
Sunday at Dance Mission Drum Solo with Susu live drumming - 12noon - 3 pm
Early bird price ends July 4th:
Weekend package: Show/ Saturday and Sunday workshops $240
$140 one workshop
$220 both Saturday and Sunday
Late bird price (July 5- September 6) $160 one workshop, $280 both. Does not include show
After Sept 7th - $170 one workshop, $300 both.
($190 - one workshop plus show and $310 both wokshops and show)
To register send check to: The Aswan Dancers 829 Elizabeth St. San Francisco, CA 94114
Paypal please add $5 to cover paypal fees. Paypal to [email protected]
Important, please note what workshop you want to reserve either on check or in paypal note.
Registration fees are not refundable but transferable.
Show only - Friday Oct. 9 at 7:30 at the MCCLA:
Starring Alla Kushnir
with Susu and The Cairo Cats
Diana
Atlantis, Rebecca and Nathalie
***
Send $30 (each) to the Aswan Dancers or if paypal $33 (each) to [email protected]
Party with Alla at Pachamama Saturday Oct. 10 at 8 pm
Live music with Georges Lammam and Band
plus Irina Eshta and other dancers.
$20 to the Aswan Dancers, or $23 paypal to [email protected]
Pachamama 1830 Powell St. St.
For questions you can contact Amina Goodyear [email protected]
or at Alla's event phone number 650 204 1016 with Diana [email protected]
Alla Kushnir
is a famous and acclaimed Ukrainian belly dancer, Choreographer, Festival and Performance organizer. She is characterized as a very explosive and spectacular dancer who has been finalist of Ukraine TV-show Ukraine gots Talent, LBC Belly Dance World Championship Hezzi Ya Nawaim and many time in diverse world championships of belly dance.
Alla Kushnir is engaged in dances since the childhood. She studied at specialized school of applied arts and crafts. At the beginning of dancing career Alla did not experience the predilection for any certain direction in dance, therefore is engaged in ball and folk, and variety dances, and took active part in various competitions of amateur performance.
After leaving school she entered the Law Academy and decided not to link her life with dance. However, on the second year Alla casually saw the belly dance on TV. This programme changed all her life. She decided to be engaged in the east dances and as for that time in Nikolayev there were no teachers, Alla began to study belly dance by herself. She visited numerous seminars in different cities of Russia and Ukraine.
For today Alla Kushnir is the finalist and the prize-winner of such prestigious competitions as: the Open championship of St.-Petersburg, the World championship in Moscow, a bronze prize-winner of the Lebanese TV project "Hezzi Ya Nawaim" 2008, the winner of the Berlin festival on east dance «Oriental Bazar". At the first all-Ukrainian festival of east dance "Bastet" Alla received the offer from the well-known ballet master Vadim Pisarev to participate in his production of «A Thousand and One nights». Vivid and arresting to all the Ukrainians finalist of TV show Ukraine gots Talent The presenter of TV program "East dances with Alla Kushnir" on Maxxi TV.
Alla Kushnir invites everyone to join the exciting and mysterious world of the East in her studio of east dance. According to Alla, east dance not only reflects life, it helps to reveal the inner world of a dancer, her attitude to life. In the East there is an ancient proverb that opens the wholel essence of east dances: «the Woman dances like she loves, and loves like dances».
You come also to Alla Kushnir's studio, love, live, dance!
Alla Kushnir-WINNER of Al Rakesa show the bellydancer 2015
click photo
Friday Show at the MCCLA 7:30 pm
Saturday at Dance Mission Iraqi Qaweliya Gypsy Style 3-6 pm
Sunday at Dance Mission Drum Solo with Susu - 12noon - 3 pm
Checks made out to The Aswan Dancers 829 Elizabeth St. San Franidsco CA 94114
Paypal add $5 to whatever you want for paypal fees- email to [email protected]
email Amina
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https://penntoday.upenn.edu/1998-11-12/latest-news/east-meets-west-penn-twist
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East meets West with a Penn twist
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1998-11-12T00:00:00
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Out of the ruins of a 1991 tour, a partnership has arisen between one of the Ukraine's top ballet companies and a ballet academy in Germantown. The fruits of that partnership will be on display Nov. 28 and 29 when the Donetsk Ballet of Ukraine performs "The Nutcracker" in the Annenberg Center's Zellerbach Theatre.
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/sites/default/files/favicon-96x96_1.jpg
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Penn Today
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https://penntoday.upenn.edu/1998-11-12/latest-news/east-meets-west-penn-twist
|
Out of the ruins of a 1991 tour, a partnership has arisen between one of the Ukraine's top ballet companies and a ballet academy in Germantown. The fruits of that partnership will be on display Nov. 28 and 29 when the Donetsk Ballet of Ukraine performs "The Nutcracker" in the Annenberg Center's Zellerbach Theatre.
Members of the Donetsk company, led by award-winning principal dancers Vadim Pisarev and Inna Dorofeyeva, will dance the adult roles, and 60 students from the International Ballet Exchange, a partnership between the Donetsk Ballet and the Wissahickon Dance Academy, will dance the children's roles. The children include four Penn faculty and staff offspring - (from left to right) Molly Rose, daughter of Career Services Director Patricia Rose; John Gluckman, son of Dr. Stephen Gluckman, director of clinical services in the Division of Infectious Diseases at the Medical Center; Jessica Hershberg, daughter of Professor of Public Policy and History Ted Hershberg; and Alexandra Ewing, daughter of Thomas Ewing, associate director for design and construction in Facilities Services - all training under Ballet Master Viktor Yeliohin, a former Donetsk soloist.
"THE NUTCRACKER": 3 and 7:30 p.m. Saturday, Nov. 28 and 3 p.m. at the Zellerbach Theatre, Annenberg Center, 3680 Walnut St. Tickets $21-25, Penn faculty/staff $19, students/seniors $17. Tickets/info: 898-6791.
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https://mayathebee.fandom.com/wiki/Maya_the_Honey_Bee
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Maya the Honey Bee
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2024-07-29T22:27:06+00:00
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Maya the Honey Bee (みつばちマーヤの冒険 Mitsubachi Māya no Bōken) is an anime television series produced by Nippon Animation in Japan, the German Zweites Deutsches Fernsehen (ZDF) and Austrian Österreichischer Rundfunk. The series consists of 52 episodes and was originally broadcast from April 1 1975 to...
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https://static.wikia.nocookie.net/mayathebee/images/4/4a/Site-favicon.ico/revision/latest?cb=20240209151126
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Maya the Bee Wiki
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https://mayathebee.fandom.com/wiki/Maya_the_Honey_Bee
|
Number of episodes Title Released Overall In season 1 1 Maya is Born April 1 1975 An uproar in the bee-hive. Miss Cassandra returns home and after a long discussion, Cassandra is allowed to enter the hive, just in time to witness the birth of the new bees. One bee after the other hatches out of the combs, only one doesn’t: Maya, the exception. The first episode shows Maya's birth, her first escape and her great longing to see the world.[1] 2 2 Maya Learns How to Fly May 8 1975 Summer time. It is hot, which means danger for the bee hive. The wax is threatening to melt. So everyone must keep together and restore the correct temperature by beating their wings faster. Maya and Willy are amazed, but they've got lots more to learn. At school Cassandra tells them all they must know about bad weather, wasps, flies and flowers and they also have flying lessons. 3 3 Maya and the Dragonfly Shnuck May 15 1975 Maya would like to be free to fly around. So she contrives everything possible to secretly run away from the hive. At first of all she lands in the penal comb and lazy little Willy comes to her aid. Then she discovers flowers, grass and most important of all Sirena, the dragonfly who deeply impresses Maya by her skilful flying and her glittering wings. 4 4 Maya and the Ants May 22 1975 Maya's wish is to be the captain of an ant army for just one day. After all, she did help the ants to reach land on her floating leaf. This wish is fulfilled. MAYA turns out to be a trusty captain. Despite the fact that she leads the ants through water and has difficulties climbing up a tree but she is the one who finally helps the ants with the feared ant-lion. 5 5 Maya and the Housefly Puck May 29 1975 Maya persuades Pucka to show her a humans house. When they enter a house Maya finds this all very entertaining. She enjoys being in a house, although she is forced to realise that it can also be dangerous in there. But everything turns out well. Humans willingly give back freedom to a little bee who busily collects honey. 6 6 Maya and the Spider Thekla June 5 1975 During an excursion with Willy a lady beetle is caught by a fat spider in its web. The spider has been waiting for this opportunity for a long time. Maya does not yet know how unpleasantly sticky a spider’s web can be, and so she volunteers to take the place of the lady beetle. But now she recognices how sticky it is. Who can help her? Maybe Willy and Flip? 7 7 The Forest Fire June 12 1975 Danger in the garden. A fire has broken out. The insects are at their wits end. Only the violin snider is glad about the fire, for she welcomes anything which distracts the insects’ attention. Perhaps someone will wander into her web by mistake. The agitation grows and grows. The fire spreads and spreads. The first floor of a plant house is already in flames. The insects need help. 8 8 Willi with the Ants June 19 1975 Maya, Willy and the fly are playing In the middle of a horse’s back when a heavy lash of the horse tail let Willie fall to the ground unconscious. Of course the ants clear him off the area: anything lying around is promptly disposed of. At the very last moment Willy regains consciousness and discovers himself surrounded by ants. Aha, says Willy, that means I am an ant. 9 9 Maya and the Earthworm Max June 26 1975 Max, the earthworm, tends to depressions. Continuous rain is the cause. So Maya and Willy try to cheer him up, but the games which they play with Max are more to their taste than his and so he wants nothing to do with the others anymore and runs off. At the end it remains for a human who places Max in his garden to give him the feeling that he is useful. 10 10 Green Frog July 3 1975 Maya and Willy meet a frog, a small, green frog whom they think quite cute. But this frog is everything but cute. He’s got only one thing in his head: to eat Maya and Willy for breakfast. Luckily for them, this frog is not very clever and so lands at the end of our story in a dark well. Even so, Maya and Willy help him. 11 11 Shelter From the Rain July 10 1975 It’s raining. It's been raining the whole day. At the beginning it’s all very entertaining. The insects crowd together for shelter under a toadstool and relate their experiences to one another. But after a while the water starts rising. Things look menacing. The little group is in danger. 12 12 Expedition Into Underground July 17 1975 For the first time in their lives, Maya and Willy are confronted with the illuminating power of the glow worm and of course Maya promptly gets an idea. She always wanted to take a peep into the mysterious, subterranean world of the mole cricket. Everything is strange under the earth and Wily doesn’t feel happy about the whole thing altogether. And where is the exit? 13 13 Old Lady Grasshopper July 24 1975 One day Maya and Willy discover an unknown old lady locust. She has been left behind by the large group of wandering locusts and is now sitting rather dejected and dissatisfied with herself in the garden. Maya and Willy feel sorry for her, so build her a stretcher on which to carry her behind the wandering locusts. But suddenly the old lady reveals herself as being very robust and determined. 14 14 Jumping Competition July 31 1975 Big leaping competition. Of course Flip boasts terribly and considers himself to be the best, the fastest, the longest and in particular the most elegant leaper. But even Flip must learn that sometimes there are better hoppers, like a flea for example. 15 15 Stray Baby August 7 1975 Maya and Willy have found a small caterpillar who they think is homeless. So they take the caterpillar with them and look after it. They lovingly care for it and develop a fond affection for it. But one day they witness how their little caterpillar first of all turns into a monster, then into a beautiful butterfly. 16 16 Earwig Family Comes August 14 1975 Maya has promised a beetle couple to look after their young. Poor Willy! If he had known how difficult it is to look after a wild band of little beetles, he would have most certainly not even bothered to get out of bed. 17 17 Centipede August 21 1975 Maya meets a sick centepede. But the centepede doesn't right know what really is the matter with him. One of his many legs won't work properly, the problem is, that he is due to appear as a one- man band. Maya has an idea and in the end things work out well. 18 18 Flip Falls Into a Venus August 28 1975 Flip is having troubles. While training for the grasshopper long hop championship he has got trapped in the grips of a carnivorous plant. Poor Flip! His end seems to have drawn near. He depicts it in the worst possible way. But it can’t be as bad as Flip imagines, so with help of a leaf cutter caterpillar, Maya and Willy release their friend. 19 19 Maya Helps Kurt September 4 1975 Willy has discovered a new game. He uses a liana as a trampoline. Maya learns this game very quickly from Willy, but as is so often the case with her she overdoes it and lands in the web of the brown spider. Kurt, the fat beetle, just manages to help Maya in time. But then Kurt is lying flat on his back and must be turned over. 20 20 Shelter From the Wind September 11 1975 In the insects’ garden utter chaos reigns. A storm is blowing. Maya and Willy seek shelter in a cave and so make the acquaintance of the stinkbug. In the same cave of all places where Maya and Willy have sought shelter with their friends lurks a praying mantis. The situation becomes perilous, but even a stinkbug has its good points. 21 21 Cicada September 18 1975 For the first time in their lives Maya and Willy hear that cicadas grow up deep under the earth. Of course they would like to meet a cicade. Is it surprising then that Maya and Willy get into trouble right from the beginning? This time it is a land slide which has blocked the exit of the cicade nest. What can be done about it? 22 22 Jama the Ant September 25 1975 Maya learns a lot about the life of the ants which she also comes to love. Here there is always something going on and Maya feels happy in their kingdom. Of course, Willy is anything but in agreement but on the other hand he does not want to be without friend, Maya. Will he find a solution to the problem? 23 23 Cricket October 2 1975 One day Maya discovers a small cage on a window in which a cricket is sitting sadly drooping its wings. Today the crickets are supposed to be holding a dance and she cannot participate. So Maya decides to do something. She calls her friends together and the four of them try freeing the cricket. 24 24 Where is the Wood October 9 1975 Maya and Willy get lost in the fog. Everything is gloomy, sinister and strange. Flying is out of the question because you can not even see your hand before your eyes and walking is too much trouble. No matter whom they ask no one knows the direction. Does Flip know the answer this time? 25 25 Tiger Longicorn Beetle October 16 1975 Maya makes a strange discovery. Some leaves are no leaves at all, but butterflies. Some branches are no branches and there is a wasp who is not a wasp at all. The world appears completely changed to Maya. She can’t cease to be amazed and must learn that even a “distorted world” can have its practical sides, that even the wrong wasp can help her in a threatening situation. 26 26 Cousin Franz October 23 1975 Locusts invade the area. They eat and nibble until within a few minutes everything is bare. The paradise of our insects is threatened. Masses of locusts eat the food of the others and thus encourage humans with their insecticides. Flip has to think up of something and he has an idea. But the question remains whether this idea is really the right one. 27 27 Flower Sprite October 30 1975 Maya is even staying outside at night and this is the night during which the flower elf will be awakened to life. The flower elf is cheerful and quite adventurous. He shows Maya a human for the first time. Not the human who chases flies, but the human who is friendly, beautiful and loveable. 28 28 Hiccup November 6 1975 A moment of carelessness and Maya and Willy and a hornet is seeking their lives. For the first time Maya knows what it is like to be terrified. But at the very last minute they are ably assisted by Max the earthworm. Even so, Max is stung by the hornet and his condition becomes quite alarming. Finally, it is a pill-monger who turns up with a suggestion. 29 29 What Kind of House November 13 1975 Maya and Willy have discovered a new friend: a small caterpillar who has forgotten what its cocoon looks like in which it should soon pupate. The little caterpillar is getting very desperate. But this is the very problem for Maya to handle. She thinks of numerous possibilities for a “house” for a caterpillar, but none of these is suitable for our caterpillar. 30 30 Colonel Weaver November 20 1975 Maya discovers a bottle of delicious raspberry sirup. Willy and Maya climb into the bottle and sip the sweet sirup with relish. Unfortunately, the bottle rolls into the stream and is carried away by the current. Maya and Willy are trapped in the glass bottle like in a submarine. Once again Willy is horrified that Maya’s adventurous spirit has involved them in such a precarious situation. 31 31 Harold the Hawk November 27 1975 Maya has found a small starling which has fallen out of its nest. Now Maya has plans to raise this bird and gently looks after it, defends it, nurses it and loves it, but a starling just cannot help eating insects, and insects are Maya’s friends. How this situation can be solved presents even Flip with a problem. 32 32 Maya Wishes To Be a Bird-Sized Bee December 4 1975 Maya has a dream: she sees herself as a super bee, at least as large as a fat bird. Maya revels in this dream and hopes that the whole insect world will tremble before her. But even in her dreams Maya can not change her character, she is not the terrifying giant bee, but a kind one who helps where she can. 33 33 Pursuit by a Sparrow and a Frog December 11 1975 Maya cannot get used to the fact that frogs who look so funny are her enemies and so this time she nearly lands in a frog’s stomach. But help comes from unexpected quarters in the form of a small boy walking through the field who catches the frog and puts it into his pocket. Now this becomes a critical situation in which our usually pert Maya for the first time becomes subdued. 34 34 Willard the Strong December 18 1975 With their friends Maya and Willy play their favourite game: hide-and-seek. In the middle of the game Willard the strongest beetle in the meadow wants to join in the game. But he is rather dimwitted and he just can't find Maya and Willy. But then a bark-beetle is locked in its bark and only strong Willard can help. 35 35 Twin Flap December 25 1975 Flip’s twin brother turns up which puts an end to Flip’s peace of mind. Maya tangles up the precious silver thread of a silk worm and the fly has lost her glasses, without which she can not read a word, Willy has got locked inside a flower. The blame for all these misdeeds is placed on Flip who has trouble making it clear to the others that he is not the culprit, but his twin brother. 36 36 Kitty the Flea January 1 1976 The first cold day has caught our insects unprepared. Flip sits shivering on a branch wrapped in a large, yellow leaf and the little lady-birds are having difficulties moving about at all. Maya discovers a new friend, a little shivering flea called Kitti. The flea is already completely exhausted as she has not eaten a thing for a long time. So what else remains for Maya than to pamper her. 37 37 Maya in the Snow January 8 1976 First snow falls and Willy is frozen and shivering like a leaf, but Maya still has no thoughts of hibernating. Her motto is movement, walking, gymnastics to keen warm. But in the end even Maya is powerless against the cold and snow and must be thankful for finding a warm bed for herself and Willy in the guest room of the cockchafer. 38 38 Spring has Come January 15 1976 Maya and Willy spend the winter deep and sound asleep in the guest room of the cockchafer until one day spring arrives. Buds, melting water and blue sky. Maya and Willy fly off into the warm air can hardly believe that everything is awakening to life again. Nothing has changed. Willie is starving hungry and there's no stopping Maya’s spirit of adventure. 39 39 Chipper the Moth January 22 1976 Maya and Willy make the aquaintance of an odd character: sometimes arrogant, than full of fighting spirit, sometimes flying elegantly, sometimes clumsily. He is not a butterfly, although he claims to be and he certainly does not resemble the cockchafers. Flip solves the secret: the fat chap is a moth. 40 40 Duel At Ant’s Ranch January 29 1976 Maya und Willy watch how a parasite lays its eggs in the hole of a wasp in the ground. Willy is horrified. Not being a great friend of work anyway, he just can not comprehend how somebody could so disrespect the work of another. So he and Maya resolve to play this parasite a joke. 41 41 Fake Holes February 5 1976 Maya und Willy watch how a parasite lays its eggs in the hole of a wasp in the ground. Willie is horrified. Not being a great friend of work anyway, he just can not comprehend how somebody could so disrespect the work of another. So he and Maya resolve to play this parasite a joke. 42 42 Clide the Cockroach February 12 1976 Maya and Willy meet a cockroach, who tells them about his adventures with human beings. Meanwhile, in his careless way the son of a daddy long legs is climbing about on the shoulder of a human being without being aware of the danger he is in. Maya and Willy try to drum up other insects to start a rescue operation. 43 43 New Friends February 19 1976 Maya comes just in time to help a bee who was caught by the ant-lion and is going to be drawn into his burrow. Maya asks a stink-bug to help her and together they rescue the lady-bee. But all insects tremble at the thought of the ant-lion, even the termites. Maya finds it hard to get help, but she has an excellent idea. 44 44 The Lonely Champion February 26 1976 One day Maya and Willy meet a strange creature that all of a sudden peeps out of a hole in the ground. They learn that it is a mole-cricket. A sad mole-cricket, who lives lonely without friends somewhere underground. Maya and Willy promise to come to see her the next day. But for two little bees this is a very difficult undertaking. 45 45 A Problem with Eggs March 4, 1976 Eggs, Eggs, and Still More Eggs. 46 46 Burt the Honey Bee March 11 1976 Today everything is going wrong for the fat lady bee, a friend of Maya’s and Willy's. She stumbles over sticks, drops everything and is very angry, Maya is of the opinion that only dancing can dispel bad humour. So the lady-bee asks the June-bug to dance with her. But in the midst of the nice party the insects are disturbed by a bumblebee. 47 47 Anthony the Ant March 18 1976 Tony the ant has disappeared. She has left the ant hill, as one morning it dawned her that she is waisting her life by only working the whole day. Now she only want’s to enjoy life at last. Maya sets out to look for Tony and comes just in time to make good the silly tricks of the cheeky little ant. 48 48 Thekla and the Violin Contest March 25 1976 Maya and Willy make the acquaintance of Kurt, who becomes their new friend. But Kurt presents them with quite a few problems. He is extremely lazy and does not like to attend the violin lessons at school. It takes quite a long time until Maya and Willy find out about Kurt various excuses. 49 49 Beauty Contest April 1 1976 The Insects get the idea of organising a beauty contest. The beautiful lady butterfly has the best chances, but from sheer vanity she only has eyes for herself and she neither takes attention to what is going on around her. So at the very least moment Maya can save the butterfly from beeing devoured by the frog. 50 50 Maya on the Sea April 8 1976 Maya discovers a lake and persuades Willy to take a trip on a boat. The two friends get on a leaf and paddle cheerfully to the middle of the lake. A carp comes near them and represents a danger for the little leaf-boat with Maya and Willy in it. The little boat rocks and waves beat against it. Fortunately a swim-bug watches the two bees and asks the turtle Lisa Sumpfstiel for help. 51 51 Maya in a Big Pinch April 15 1976 Now Willy has to face the music. He has hardly entered the bee-hive, when Cassandra starts to give him a lecture for not having brought Maya with him. And on top of it, it’s not even his fault. Once again Maya has flown off on her own and without Willy knowing it, got caught by the hornets. There Maya meets many of her old friends, the bug, the glowworm and many beetles.[2] 52 52 Welcome Home Maya April 20 1976[3] Warning: this episode description has spoilers
Maya flies home as quickly as she can to warn her hive of the threatening attack of the hornets. Cassandra is overjoyed to have her pupil back, but at the same time she is very worried. The hornets are the worst enemies of the bees and a war against the hornets means greatest danger. But Maya’s warning comes too late; the hornets invade the bee-hive. However, the Bees ultimately win the war and Maya is now known as a Heroine.
Number of episodes Title Released Overall In season 53 1 Maya meets Alexander the Great September 1 1979 Spring has come again and Maya and her friends awake out of hibernation. When Maya goes to wake her friend Flip, she learns that he has not been seen since he saved the Rednose family during a fire. Maya and Willy go off to look for him and find him with a little, grey mouse named Alexander the Great.[4] 54 2 The Weight-lifting Competition[5] September 8 1979 Mother ladybird’s son Herrmann has become fat and arrogant as a result of eating special large vegetables. She is in the depths of despair. Alexander wants to help her and hits on the idea of someone challenging Hermann to a weight lifting contest. Willy wins the contest and Herrmann learns that he isn’t in fact as strong as he feels. 55 3 The Outdoor Concert September 15 1979 Thekla the spider is practising for the annual open air concert. Alexander promises Thekla to find her a first class soprano for the concert, namely Clothilde the cricket. At the rehearsal everyone admires Clothilde’s voice, but Thekla is annoyed because she won’t reap all the praise at the concert. So she manages to make Clothilde completely hoarse. 56 4 Home Sweet Home September 22 1979 One hot summer’s day, Alexander takes Maya to see an uncle who lives in a cool, most manly villa. Meanwhile Willy and Flip have decided, together with all the insects in the meadow, to follow Maya and Alexander into the villa because the heat is intolerable. They are welcomed by the well behaving inhabitants of the villa and all are invited to a party. 57 5 The Mysterious Cheese Thief September 29 1979 One day Alexander brought home a horrible, stinking cheese and explained that it would be ripe in a week’s time when it would stink even more. But a week later Alexander came to the others in a rage and said someone had stolen his cheese. At least they find out that Alexander the Great himself has eaten the cheese whilst sleep walking. 58 6 Fleas in the Wild October 6 1979 Two acrobatic fleas are performing their tricks and all the meadow creatures are standing around and clapping applause. All the creatures, Maya and Willy as well want to have a try and see if they can hop like the fleas. Several days pass. Maya is worried about Willy who doesn’t work any more but just sits around with the fleas and the other children and spends the whole day doing nothing. 59 7 The Marathon October 13 1979 At the annual thanksgiving celebration Alexander suggests organising a game with the winner receiving a medal and all agree in a marathon. After the thanksgiving ceremony the marathon begins and after a thrilling run, Thekla the spider comes in first. Maya and Flip follow, but Flip suddenly disappears before the finish. He has fallen into a hole. 60 8 Panic in the Meadow October 20 1979 One morning the inhabitants of the forest glade discover footprints. They are afraid that there are humans in their forest who will crush and destroy everything as they did once before. So each family packs in a great hurry and flees from its home. But soon they come back home to have a look and see where the footprints have come from. 61 9 Queen Maya October 27 1979 Maya and Willy are looking at clouds moving across the sky and thinking up stories. Alexander comes and tells them about Queen Cleopatra; the honey bee who lived on the Nile in Egypt. Another cloud sails by and Maya dreams: in Egypt on the Nile lives the fabulously beautiful Queen Maya... 62 10 The Mouse in the Bottle November 3 1979 Alexander follows a sweet smell and comes upon a bottle of strawberry ‘pop’ in front of which a long queue of ants are waiting patiently for a sip. As usual Alexander pushes in front, crawls into the bottle and drinks almost the lot. After he has finished he finds he can’t get out - he has become too fat. The ants try to pull him out by the tail, but in vain. Willy suddenly has an idea... 63 11 City-Slickers November 10 1979 After Alexander had floated over the waterfall he had drifted a mosquito, a harvest spider and a wood-louse saved him from being eaten by a water rat. To show his thanks he had invited them to the poppy meadow and now they wanted to come from the city and visit him. However, the three guests are unable to find any pleasure in what's offered to them. Their city life is quite different. 64 12 Willy Stands Guard November 17 1979 Honey has been stolen from the bee’s store house. In order to stop this happening again the guards have to be increased. Willy volunteers for service. The next day Willy is found asleep and the remaining honey has been stolen. Willy is chased away with abuse and shame. But while he is wandering around, feeling unfairly treated, Willy finds out who are the honey thieves. 65 13 The Guest from Outer Space November 24 1979 Willy appears and talks frightened about a monster. When Maya and Alexander go to look at this monster they find an extraordinary, glittering, green animal. They are both convinced that this is a being from another planet. They approach carefully and ask it to do them no harm. 66 14 Doctor Snail December 1 1979 Whilst visiting Dr. Schnecke, Maya and Willy see something fall from the sky. It is Freda the fly who has been sprayed with insecticide. But Freda has other reasons for being unhappy. She finds life as a fly unpleasant because nobody likes flies. Maya asks Puck the fly to cheer up Freda. 67 15 The Flying Mouse December 8 1979 Maya, Willy and Flip are together with Alexander again and Alexander starts philosophising about flying. Willy challenges him to have a go at it himself. With the aid of a leaf, Alexander does manage to fly a little. Willy challenges him more and more until finally Alexander is ready to dare to fly from a high tree... 68 16 Big Fight in the Air December 22 1979 Maya and Willy have hidden the princess of the cow flies at home. She has run away from her father because he is bad and all the world hates him. Ketty feels very happy amongst the inhabitants of the poppy meadow and has no desire to return to her father’s castle. But Ketty’s father is very annoyed about the high handed actions of his daughter. 69 17 Brother Melvin January 5 1980 Alexander receives a visit from his brother Melvin who lives in a pig sty on a farm. Alexander is, however, not overly enthusiastic about this visit. Melvin laughs a lot and is rather coarse. He doesn’t exactly make friends for himself at a party organised by the meadow inhabitants especially for him, as he makes loud jokes and smacks his lips noisily. But he doesn’t seem to be worried. 70 18 The Army Ants are Coming January 12 1980 There is a rumour that the robber ants are approaching. Then Flip brings the news: “They’re coming”. In despair he asks the giant beetle to help. But it transpires that the beetle with a high pitched voice is not nearly as strong as he appears. But suddenly the robber ants arrive and to everyone’s great surprise, the giant beetle fights so bravely that even the robber ants show respect. 71 19 Hooray for Soccer January 19 1980 Kurt is trying to explain to his son Williebald how one rolls a hall of dung correctly. Unfortunately Williebald is not interested in this work and prefers to play with the ball. Suddenly Alexander has an idea: one could organise a football match with the dung ball! 72 20 A Windy Adventure January 26 1980 One stormy day, Alexander and Flip promise mother Ladybird to look after her children during their midday nap. It’s a demanding job and after the children have finally gone to sleep, Flip and Alexander can have a rest at last. But not for long. Suddenly an excited millipede appears and announces that the Ladybird children have been whisked away on their leaf by the wind! 73 21 A Rainy Day February 2 1980 It has been raining for days and just doesn’t seem to want to stop. Maya, Willy, Flip and Alexander decide to put on a play. After a long debate they agree that the plot should show how the poppy meadow was cultivated many, many years ago. Alexander is the producer and Willie is to be the leading actor. 74 22 The Great Flying Contest February 9 1980 Maya and Willy are having a flying competition for fun. This gives Alexander an idea; a flying competition is to be organised for all the insects in the meadow. Everything with wings can compete. Puck is the first to start. But something is not quite right... 75 23 Lucky Beetle February 16 1980 After it has rained for two weeks without interruption, the meadow inhabitants organise a great picnic on the first fine day. After the meal Maya and Willy play football with the ladybird children. They disturb a golden beetle who has been hit on the head by the ball accidentally. His name is Hans and he claims that he brings luck to everyone he meets. 76 24 Little Green Creatures February 23 1980 After a whirlwind has flung them far away, Maya and Alexander find themselves on another planet; well, that’s what Alexander thinks. All around them nothing but sand. So they both set off to look for water and food. At last they find green plants which Alexander uses to make a sun-hat. Suddenly they are surrounded by little, green men; extraterrestrial beings? 77 25 Ugly Emil March 1 1980 Whilst seeking cover during a downpour, Wily, Alexander, Flip and Mays discover an ant bear. He is called Emil and is very unhappy because he has to live underground and everyone runs away from him because he is so ugly. Maya feels sorry for him and asks him to come along to the poppy meadow. 78 26 The Uninvited Guest March 8 1980 It is carneval time in the poppy meadow. Everywhere the preparations are in full swing. A stranger appears in the meadow, a long-nose locust called Emil. He is the object of jokes and Mays arrives to take him to the carneval where marvellous things are being offered. 79 27 Who Am I? March 15 1980 While Maya, Willy and Alexander watch as Flip trains for a competition a storm with hail arises. Alexander is hit on the head by a hailstone and loses his memory. All Maya's attempts at explaining to him who he is, are to no avail. On the contrary, when she tells him he is a grass-hopper, he feels like a grass-hopper and when she tells him he is an ant, he behaves like an ant. Maya is desperate. 80 28 An Accident at a Picnic March 22 1980 On the way to a picnic in a recently discovered flower garden, Maya, Willy, Flip and Alexander meet a bee called Barney. Barney claims to be a globe-trotter and bores everyone with highly exaggerated stories of his travels. Willie is angry because Barney keeps wanting to stop for a rest and also fortifies himself with the honey which was meant for the picnic. 81 29 Willy In Captivity March 29 1980 Returning from a picnic Maya, Flip and Alexander meet a very frightened Mrs Ladybird. A human has been in the meadow and scared everyone. When they return to the meadow they discover that the human has picked all the roses, including the one in which Willy had been asleep. As Willy is nowhere to be found, Maya, Flip and Alexander go to search for him. 82 30 The Alexandrophone April 5 1980 One day after heavy rainfalls the meadow is flooded and the inhabitants just manage to save themselves because Puck provides them with a timely warning. This gives Alexander an idea. He organises the laying of reeds across the whole meadow so that whoever speaks at one end can be heard a long way away at the other end. Alexander proudly calls his invention the Alexandrophone. 83 31 Where can Flip and Willy be? April 12 1980 Red ants have started to build an ant-hill in Mrs. Butterfly’s garden. Madame Butterfly is quite shocked, she calls all the meadow inhabitants together and it is decided to start a joint operation against the red ants. Then Maya discovers that Willy, Flip and Mrs. Ladybird together with her children, have not been seen by anybody for two days... 84 32 Professor Alexander April 19 1980 Maya suggests to Alexander that with his cleverness and inventiveness he ought to transmit his knowledge by teaching the meadow inhabitants. Alexander feels very flattered and agrees. But Alexander finds there is a lack of earnestness. They are all asleep! So Maya persuades him to continue by performing experiments. And this is of interest to all, even to Willy. 85 33 Willy in a Pinch April 26 1980 The annual honey festival is soon to take place. All the bees are busy collecting and each keeps the source of its honey a closely guarded secret. On returning to his secret garden Willy is trapped by a carnivorous plant. A green-fly prophesies him a cruel death. Meanwhile Maya and Alexander are very worried because Willy has not returned. 86 34 Princess Beatrice May 3 1980 Maya’s friend Beatrice is to be crowned queen. She shows Maya around the castle and complains about her many duties and the monotonous life of a princess. Maya suggests she should fly and visit the poppy meadow and although it's not really allowed, she does fly off there. She meets the other meadow inhabitants and sees and hears many things she had never known before. 87 35 Mr. Know-It-All May 10 1980 Maya meets a rather weak looking beetle by the brook. She helps him over the bridge and because she feels sorry for him Maya takes him with her to the meadow to make him acquainted with the other inhabitants. However Grandfather soon makes himself unpleasantly conspicuous with his know-all attitude and he sets everyone right. 88 36 Marvin, the Mole May 17 1980 During the vegetable harvest Alexander meets his old friend Marvin the mole. Many years ago Marvin had saved his life. Now at long last Alexander has the chance to repay him and invites him to his house. But if he had known the quatities of food a mole gets through daily he would certainly have reconsidered his offer. So it doesn't take long and food starts to become scarce in the meadow. 89 37 The Wrong Bridegroom May 24 1980 One day, the grasshopper girl Patty turns up on the meadow. She is looking for Flap, her bridegroom, who had disappeared just before their wedding. Maya and her friends immediately think of Flip. When Patty sees Flip she is convinced that he is her bridegroom and covers him with her love while poor Flip doesn’t even get the chance to open his mouth. 90 38 The Tarantula May 31 1980 One day during bathing an extraordinary creature appears in the meadow. Mutual comprehension is only possible after Alexander has looked in his dictionary and discovered that the creature is a tarantula coming from latin America. He names it Maxi-girl. Maxi-girl really wants to go home and can’t understand that it's not possible to simply run over the ocean. Because it is so terribly hot Maya and her friends want to have a refreshing swim in the brook. But the brook is completely dry. Maya, Willie and Alexander try to find out the cause and they discover a beaver who has built a dam for his wife and himself. This has dammed up the water. 92 40 Hoodlums of the Meadow June 14 1980 Alexander wants to alter a balloon, found by Maya and her friends, in such a way that they can ascend into the air. The ladybird children are allowed to come along too. Then, all of a sudden a squall tears off the balloon and quickly blows it away, while Alexander and the ladybird children are helplessly caught in the basket. 93 41 Good Manners, Bad Manners June 21 1980 Everywhere on the meadow there is a lot of scolding and quarrelling going on. One day, a family of flies with very good manners stops at the meadow. Both their children have lame wings and, therefore, Maya and Alexander ask the parents to stay on the meadow until their children can fly again. This way, the other insects can take a good example by the good manners of the family of flies. 94 42 The Queens Visit June 28 1980 Liebetraut III, Queen of the bees, has announced her visit to the poppy meadow. Maya is named president of the reception committee and she immediately starts to assign everyone his share in the preparatory work. They are all very eager to do their job and Maya is highly satisfied with the progress of the preparations. Yet things don’t always run as well as they should... 95 43 Kidnapping in the Mist July 12 1980 On an excursion with Alexander and Flip, Maya gets lost as there is a heavy fog. While she errs through the fog, she suddenly finds herself seized and carried away to a castle. When she regains consciousness, a queen-bee tells her that she is a princess who had been kidnapped right after her birth. Nobody wants to believe Maya that she is not the princess they are looking for. 96 44 The Great Grass Skiing Competition July 19 1980 The inhabitant of the meadow are seized by a deep autumnal melancholy and they all withdraw themselves completely. Maya asks doctor Snail what could be done against this phenomenon and he answers that practising a little more sport would help them to regain more joy of living. He suggests to organise a skiing race on the grass. 97 45 Bon Voyage July 26 1980 Alexander has the idea to build a ship. His plan is received with great enthusiasm and all the insects help him with the construction of his boat.Then comes the moment of lowering the boat onto the water and everything works well. But then an accident happens: they run aground and the ship breaks apart. Fortunatly they can save themselves just in time on a stone. 98 46 Willy’s Gigantic Statue August 2 1980 When Maya finds Alexander in front of a sculpture which he has just finished, she thinks up the idea that in fact all the others also could have a go at moulding with clay. The proposal is received with enthusiasm and soon all sorts of works of art have been completed. Suddenly Puck arrives and reports excitedly that a horde of wild bees is intending to attack the poppy meadow. 99 47 Fantasy in the Sky August 9 1980 Maya and the other insects find a nice place for a picnic and start to dish up the food when suddenly rain sets in and forces the insects to seek shelter in an empty tin. They are all very disappointed but Mays has the idea to have a look through Alexanders new telescope when the rain stops. 100 48 From the Meadow With Love August 16 1980 It’s broodingly hot. Everyone is looking for a small place in the shadow. Even the crickets on top of the hill come down to the brook. At first, there are only a few crickets coming down, but then they are coming in hundreds, dancing and chirping by day and night. When Flip goes to ask them if they couldn’t keep quiet at night he feels in love with one of the cricket girls... 101 49 You Need Exercise August 23 1980 The inhabitants of the poppy meadow obviously suffer from their first symptoms of old age. Thekla thinks that her sense of hearing weakens, Puck becomes more and more near-sighted, Flip can’t hop as fast anymore as he used to. Yet even doctor Snail worries about the poor state of health of the insects and prescribes for them all to do physical exercises three times a day. 102 50 Lovely, Lovely Ice August 30 1980 A huge ice cube has got lost on the meadow. For the inhabitants of the meadow this is great fun. They are ice-skating and nibble at it to see how it tastes. After a while they all get cold feet and go home, except for Willy who can’t stop nibbling. Finally he lies down on the ice to take a sun bath and falls asleep. A little later Flip discovers him, frozen into the ice... 103 51 Jacob’s Paradise September 6 1980 Winter is coming and the food is getting scarce, when a bee called Jacob appears on the meadow. Jacob and his family live at a place where there is honey in abundance. But since he prefers to stay in the open air, he decides to change his place of residence. The inhabitants of the meadow have become curious and want to see the paradise Jacob comes from. 104 52 The Flower Festival September 13 1980 Maya is ordered to fly to the castle. She has to take over Miss Cassandra’s position as a president of the school board. Maya’s friends are revolted at the idea that she will not come back and nobody wants to work for the flower festival anymore. Maya herself is not happy in the castle. At last, the Queen shows understanding for her situation and lets Maya return to the meadow.
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Maya The Bee Continues To Spin Her Magic 106 Years After She Was Created
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2018-05-02T09:04:01+00:00
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This sequel challenges Maya’s world view as she tries to discover the right balance between being herself and learning the importance of hearing other people’s points of view in order to grow and b…
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en
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The Writing Studio
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https://writingstudio.co.za/maya-the-bee-continues-to-spin-her-magic-106-years-after-she-was-created/
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This sequel challenges Maya’s world view as she tries to discover the right balance between being herself and learning the importance of hearing other people’s points of view in order to grow and become a better self.
Maya the Bee – The Honey Games explores another heart-warming story of Maya. In this new adventure, following the success of her first feature Maya the Bee – First Flight in 2014, and overenthusiastic Maya accidentally embarrasses the Empress of Buzztropolis and is forced to unite with a team of misfit bugs and compete in the Honey Games for a chance to save her hive.
Maya is a classic character; her adventures take place in nature and convey positive stories full of hope, friendship and tolerance.
Maya the Bee – the Honey Games addresses the issue of how important teamwork is, collaborative thinking, friendship and the insight that it is okay not to know the answer to everything. The themes are clearly presented, while the story is told with heart, humour, colour and fun. Additionally, a story revolving around a female lead character has an important position, considering that the majority of animated films highlight male protagonists. Maya can be a strong role model and promote values such as equality and diversity.
Maya the Bee is based on a German children’s novel, which was published in 1912. The book has been translated into many languages and enjoyed by children all over the world. The sharing of this iconic German story is rather unique. But Maya has a strong universal appeal, and as a character she exudes a unique charisma which is not often accessible to the younger audiences of today. Her spirit of friendship and a lack of fear for the unknown makes her an integral part of the cultural fabric in Germany, Australia and abroad. The sharing of culture is a thing that Australians value, being a very multi-cultural society. That is one of the reasons, why Maya the Bee has found a special home in down-under.
Maya’s first feature Maya the Bee – First Flight initially hit the theatres in 2014 and since then has been conquering cinemas in more than 170 countries around the world. The first movie won the Bavarian Movie Award for „Best Animated Movie 2014”. Regarding international admissions it is still among the Top Ten of European children’s and family movies since 2004. According to German Film it is still the most successful German animation film regarding the international box office. It gained a total box office of 32 million US$.
But the first Maya movie was not only a great economic success; it proofed that the continuation and further development of Maya, a character now over 100 years old, has been successful. Thus, the strategy has been accomplished to produce Maya not only for an existing audience, but also for a new one. That is also realized in the fact that Maya the Bee is travelling now to places she had never visited before and has captivated audiences around the world. The success of the first film is unprecedented when considering the history of German/Australian co-productions – and, indeed, by any independent film standard.
The German-Australian partnership for Maya’s first theatrical feature offered a chance for creative leaders in both countries to produce a film of great quality. The sequel Maya the Bee – The Honey Games, in particular offers a rare chance to even improve on the story techniques, technical abilities, design, animation, lighting and even music of the first film – and of course it allows a further development of the characters:
Where the first movie’s thematic journey focused on the importance of Maya being herself, the vision for the sequel was to expand on Maya’s physical and emotional landscape. It was important, right from early concept development that there needed to be opportunities for Maya to travel and grow as a character. The first film saw Maya challenge the world to be accepted for who she was. This sequel challenges Maya’s world view as she tries to discover the right balance between being herself and learning the importance of hearing other people’s points of view in order to grow and become a better self.
Maya’s opportunity to travel and grow as a character comes with the Honey Games: Maya visits a special part of the world she has never been before, a grand and regimented hive city – Buzztropolis.
Maya soon feels lost in the teeming mega-hive, filled with big city sights and experiences and surrounded by bees that see her and Willi as silly little country folk. There Maya has to experience the typical challenges of children of her age: rivalry, rejection, exclusion and even disqualification. Maya needs to overcome her urge to solve problems on her own, but trust her friends and her team to archive great things.
Dealing with these emotional conflicts while finding her way in the elite society of Buzztropolis creates a vulnerability and opportunity for self-reflection and discovery.
The audience finds Maya struggling with trials she has not met before and thus sees a Maya it has not known before. But of course Maya never loses her true self and her core qualities like her compassion for all other insects, her affection and good-hearted nature.
Director Noel Cleary
Noel Cleary is a director, story artist and character animator with extensive experience in film and TV series work. He is very passionate about all aspects of his profession and strives to produce emotive, compelling stories and characters. Amongst other projects he was Co-Director for Blinky Bill – The Movie and Episodic Director for TV series Tashi for 26 of the series’ episodes. Before that he worked as character animator and story artist for The Legend of the Guardians for Animal Logic and in story on BBC’s Walking with Dinosaurs and on the short film The Polar Bears. He spent many years working for Walt Disney Studios in Sydney as supervising animator on 12 films and several TV series.
Director Sergio Delfino
Sergio Delfino has 18 years’ experience working in the animation industry, spending the majority of his time at the renowned claymation studio, Aardman Animations. During this time Sergio worked as a model maker and stop frame animator for commercials and films, including the Oscar winning animated short film, A Close Shave featuring Wallace and Gromit (1994), and Chicken Run (1999).
Sergio was the Creator/Director for the hit series Chop Socky Chooks, which was produced by Aardman for Cartoon Network. The series was nominated for a BAFTA.
In 2010 Sergio left Aardman and the UK for Australia. Since then he has been living and working in Sydney as a senior animator and animation lead on feature films Legend of the Guardians, Happy Feet 2, and The LEGO Batman Movie.
He then joined the team at Flying Bark productions as Animation Director on the fantasy adventure series Tashi, and Head of Script Development on buddy comedy adventure series The Wild Adventures of Blinky Bill.
Sergio has now moved to Studio B to share the Director role on Maya the Bee – The Honey Games.
Co-Director Alexs Stadermann
Alexs Stadermann is an accomplished feature film and television Director. He spent many years working for Walt Disney Studios in Sydney. During his years at Disney, Alexs was the Unit Director for Bambi II and Tarzan II, Award winning Supervising Animator on Lion King 1½ and Senior Character Animator /SFX Supervisor on many other Disney titles. Following his years at Disney, he directed two seasons of the animated comedy show Planet Sketch for Aardman Animations (known for Wallace and Gromit). He later joined Zack Snyder on Legend of the Guardians as Head of Story, part of the director’s unit at Animal Logic. Alexs then moved to Flying Bark Productions to direct The Woodlies,. Following this, he was the ideal choice to direct Maya the Bee Movie, Flying Bark’s first ever 3D animated feature film. Since wrapping production on Maya, Alexs has taken on the role of Creative Director for Flying Bark, overseeing development on all feature film, television and digital media projects. Alexs was also the Co-Director on the highly anticipated upcoming animated feature film, The Blinky Bill Movie and is currently working as director on Flying Bark’s latest production 100% Wolf.
Writer Fin Edquist
Fin Edquist is the recipient of several feature film development grants from the AFC and Film Victoria. His writing credits include Maya the Bee Movie, McLeods Daughters and Home and Away, as well as Blinky Bill The Movie. Additionally, Fin story-produced and wrote the third series of Rescue Special Ops, and script-produced Tashi. His short film Mendel’s Tree premiered at Palm Springs International Short Film Festival in 2009. His previous short film Toxicman premiered at the Melbourne International Film Festival, 2009. He was one of twelve directors invited to participate in the Frontieres international film market at the Fantasia Film Festival (Montreal, 2012). Current projects include 100% Wolf.
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https://open.spotify.com/artist/2hMLlEmFVPTsBh803qCfoC
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en
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Nick Jr.
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https://i.scdn.co/image/ab6761610000e5eb034af3b171f0671364d85957
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https://i.scdn.co/image/ab6761610000e5eb034af3b171f0671364d85957
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[] |
[] |
[] |
[
""
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[] | null |
Listen to Nick Jr. on Spotify. Artist · 78.1K monthly listeners.
|
en
|
Spotify
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https://open.spotify.com/artist/2hMLlEmFVPTsBh803qCfoC
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9033
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dbpedia
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0
| 43 |
https://www.ranker.com/list/best-nick-jr-cartoons/ranker-tv
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en
|
30+ Nick Jr. Cartoons That'll Make You Wish You Were 7 Again
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https://imgix.ranker.com/list_img_v2/6600/2086600/original/25-nick-jr-cartoons-that-ll-make-you-wish-you-were-7-again-u1
|
https://imgix.ranker.com/list_img_v2/6600/2086600/original/25-nick-jr-cartoons-that-ll-make-you-wish-you-were-7-again-u1
|
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[] |
[] |
[
""
] | null |
[
"Ranker TV"
] |
2015-06-10T00:00:00
|
Over 2K TV viewers have voted on the 30+ Nick Jr. Cartoons That'll Make You Wish You Were 7 Again. Current Top 3: Blue's Clues, Little Bear, Franklin
|
en
|
/img/icons/touch-icon-iphone.png
|
Ranker
|
https://www.ranker.com/list/best-nick-jr-cartoons/ranker-tv
|
Remember those adorable weekday mornings you'd spend watching Nick Jr. cartoons? How could you forget? Nick Jr. provided us with educational and entertaining cartoons that probably kept us busy while our parents were at work (or locked themselves in their bedrooms for a few minutes of piece and quiet). So we've created you a list of the best cartoons that ever aired on Nick Jr. Now all you have to do is vote up your favorites!
So which Nick Jr. TV series are you hoping to find on this list? Of course, Olivia made our list. Olivia is one of the best clean Nick Jr. cartoons for kids of all time (sorry, Dora). It was based on Ian Falconer's book series of the same name. This great Nick Jr. show premiered in 2009 and unfortunately only ran until 2011. Olivia even won a silver Parents' Choice Award for its positivity (so cute), solidifying its status as one of the top Nick Jr. cartoon shows.
Where do your favorite Nick Jr. cartoon shows fall on this list? Be sure to vote it to the top and don't be ashamed if your Nick Jr. Netflix binge begins tonight!
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9033
|
dbpedia
|
0
| 55 |
https://www.commonsensemedia.org/lists/tv-that-inspires-compassion
|
en
|
TV That Inspires Compassion
|
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[] |
[
""
] | null |
[] | null |
Common Sense Media editors help you choose TV That Inspires Compassion. Help kids learn the value of caring about others and behaving toward them with affection, generosity, and concern.
|
en
|
/themes/custom/common_sense/images/favicons/favicon-16x16.png
|
Common Sense Media
|
https://www.commonsensemedia.org/lists/tv-that-inspires-compassion
|
Developing character strengths and life skills is essential to kids' overall growth and success. These TV shows help kids learn the value of caring about others and behaving toward them with affection, generosity, and concern. The character strength of compassion surfaces in these titles by being intrinsic to the story and being repeated several times in the actions of a lead character, and it "wins" over character flaws such as intolerance. (See even more movies and TV shows that inspire compassion.)
|
||||
9033
|
dbpedia
|
3
| 57 |
https://www.bluestacks.com/apps/entertainment/nick-jr-watch-kids-tv-shows-on-pc.html
|
en
|
Watch Kids TV Shows on PC & Mac (Emulator)
|
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[
""
] | null |
[
"BlueStacks"
] |
2021-10-04T11:56:17+00:00
|
Install BlueStacks and run Nick Jr - Watch Kids TV Shows on your PC or laptop. Enjoy better performance and a larger screen for your favorite mobile apps.
|
en
|
Bluestacks - The Best Android Emulator on PC as Rated by You
|
https://www.bluestacks.com/apps/entertainment/nick-jr-watch-kids-tv-shows-on-pc.html
|
Nick Jr – Watch Kids TV Shows is an Entertainment app developed by Nickelodeon. BlueStacks app player is the best platform to play this Android game on your PC or Mac for an immersive gaming experience.
Welcome to Nick Jr., the ultimate destination for family-friendly shows designed for preschoolers. Get ready to embark on exciting adventures with beloved characters from shows like Blues Clues & You!, PAW Patrol, Bubble Guppies, Baby Shark’s Big Show, Peppa Pig, Blaze and the Monster Machines, and many more!
With the Nick Jr. app, you can instantly watch the newest full episodes on demand. If you’re a Nick Jr. channel subscriber, simply sign in with your TV provider, including Xfinity, to gain access to hundreds of full episodes. Dive into the world of Baby Shark’s Big Show, join the thrilling missions of PAW Patrol, or sing and dance with Blues Clues & You! There’s a wide range of shows available to entertain and engage your little ones.
But that’s not all! The Nick Jr. app also offers a collection of original videos for free. Discover educational clips and exclusive content that will captivate your child’s imagination while they learn and laugh.
Make sure to visit the app regularly to stay up-to-date with the latest clips and episodes. You can log in via various TV providers such as AT&T U-verse, Spectrum, Cox, Direct TV, Dish, Hulu, and more. Enjoy this app with BlueStacks today!
Do you want to enjoy the convenience of a larger screen without buying a separate device? Then, look no further than BlueStacks!
BlueStacks is a free Android emulator software that allows you to run Android applications on your computer or laptop. With BlueStacks, you can access thousands of Android apps and games without a mobile device.
One of the most significant advantages of BlueStacks is its compatibility with both Windows and Mac operating systems. So whether using a PC or a Mac, you can enjoy your favorite mobile apps and games on a larger screen with BlueStacks.
BlueStacks’ advanced Keymapping feature is perfect for gamers with more precision and speed. This feature allows you to assign controls to your mouse, keyboard, or gamepad for more accurate gameplay. So whether you’re playing action-packed or strategy games, you can customize controls to suit your preferences and play like a pro.
With BlueStacks, you can also easily record input sequences and execute them with a single button click using the Macro functionality. This feature makes it easier to perform repetitive tasks or complex maneuvers in games, helping you to level up faster and play more efficiently.
BlueStacks’ Multiple Instances feature is another game-changer. It lets you run multiple apps or games simultaneously on a single machine, allowing you to get more done in less time. This is particularly useful for multitasking and productivity apps.
BlueStacks 5, the latest software version, is faster and lighter than ever. Its sleek and modern interface is designed to provide a seamless mobile experience on a larger screen. In addition, key features like Advanced Keymapping and the Instance Manager are more intuitive and user-friendly than ever before.
In conclusion, BlueStacks is the ultimate solution for anyone who wants to enjoy Android applications on their computer or laptop. Whether you’re a gamer, a social media enthusiast, or a productivity-focused user, BlueStacks offers a range of features and updates that make your mobile experience on a larger screen even better.
BlueStacks requires a PC or Mac with at least 4GB of RAM. Now supports simultaneous 32- and 64-bit apps.
|
|||||
9033
|
dbpedia
|
0
| 96 |
https://www.netflix.com/browse/genre/2496491
|
en
|
TV Shows
|
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Retro TV
H2O: Just Add Water
The New Adventures of Lucky Luke
Bibi & Tina
The Fairly OddParents
The Powerpuff Girls
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Justice League
Johnny Test
Bibi Blocksberg
Laura's Star
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Danger Mouse: Classic Collection
Willy Fog: Viaje al centro de la tierra el largometraje
Willy Fog 20.000 leguas de viaje submarino el largometraje
Academia de gladiadores la película
Ruy, el pequeño Cid: el caballero de la espada de madera
The Princess and the Pirate: Sandokan the TV Movie
Fantaghirò, en busca del Kuorum
Jumpstart Your Day TV for Kids
Teletubbies
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Tayo The Little Bus
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Laura's Star
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True: Tricky Treat Day
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Arpo
True: Rainbow Rescue
True and the Rainbow Kingdom
Ever After High
Oddballs
The Magic School Bus Rides Again
|
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https://www.instagram.com/maya_higa/%3Fhl%3Den
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Instagram
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https://en.wikipedia.org/wiki/Maya_the_Bee
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Maya the Bee
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2004-03-07T04:23:20+00:00
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en
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/static/apple-touch/wikipedia.png
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https://en.wikipedia.org/wiki/Maya_the_Bee
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1912 novel by Waldemar Bonsels
This article is about the novel and character. For the Japanese anime series, see Maya the Honey Bee. For the German CGI series, see Maya the Bee (TV series). For the first CGI film, see Maya the Bee (film).
"Die Biene Maja" redirects here. For the song, see Die Biene Maja (song).
Maya the BeeCreated byWaldemar BonselsOriginal workBooksPrint publicationsBook(s)The Adventures of Maya the BeeFilms and televisionFilm(s)Television seriesGamesVideo game(s)
Maya the Bee & Her Friends (1999)
Maya the Bee – Garden Adventures (2000)[1]
Maya the Bee and Friends (2006)[2]
Maya the Bee: The Great Adventure (2002)[3]
Maya the Bee: Sweet Gold (2005)[4]
The Bee Game (2007)[5][6][7]
Maya (2013)
Maya the Bee: The Nutty Race (2019)
Maya the Bee (German: Die Biene Maja) is the main character in The Adventures of Maya the Bee, a German book written by Waldemar Bonsels and published in 1912. The book has been published in many other languages and adapted into different media. The first American edition was published in 1922 by Thomas Seltzer and illustrated by Homer Boss. The latter's wife Adele Szold-Seltzer (1876-1940), the daughter of Benjamin Szold and younger sister of Henrietta Szold, was the translator.[8]
The stories revolve around a little bee named Maya and her friends among bees, other insects and other creatures. The book depicts Maya's development from an adventurous youngster to a responsible adult member of bee society.
Plot
[edit]
Bonsels' original book contains fewer than 200 pages. The storyline is centered on the relation of Maya and her many adventures.
Maya is a bee born in a bee hive during internal unrest: the hive is dividing itself into two new colonies. Maya is raised by her teacher, Miss Cassandra. Despite Miss Cassandra's warnings, Maya wants to explore the wide world and commits the unforgivable crime of leaving the hive. During her adventures, Maya, now in exile, befriends other insects and braves dangers with them. In the climax of the book, Maya is taken prisoner by hornets, the bees' sworn enemies.
Prisoner of the hornets, Maya learns of a hornet plan to attack her native hive. Maya is faced with the decision to either return to hive and suffer her due punishment, saving the hive, or leaving the plan unannounced, saving herself but destroying the hive. After severe pondering, she makes the decision to return. In the hive, she announces the coming attack and is unexpectedly pardoned. The forewarned bees triumph over the hornet attack force. Maya, now a heroine of the hive, becomes a teacher like Miss Cassandra and shares her experiences and wisdom with the future generation.
Analysis of the book
[edit]
Sulevi Riukulehto suggested that the book may have carried a political message. This view depicts the beehive as a well-organised militarist society and Maya as an ideal citizen. Elements of nationalism also appear when Maya gets angry at a grasshopper for failing to distinguish between bees and wasps (whom she calls "a useless gang of bandits" [Räubergeschlecht] that have no "home or faith" [Heimat und Glauben]) and at a insulting fly, whom Maya threatens to teach "respect for bees" and with her stinger. Riukulehto interprets this to mean that respect is based on the threat of violence. Collectivism versus individualism is also a theme. Maya's independence and departure from the beehive is seen as reproachable, but it is atoned by her warning of the hornets' attack. This show of loyalty restores her position in the society. In the hornet attack part of the story, the bees' will to defend the hive and the heroic deaths of bee officers are glorified, often in overtly militarist tones.[9]
After World War II, adaptations toned down the militarist element considerably, reduced the hornets' role. The 1975 anime added the character of Willy, a lazy and quite un-warlike drone bee. In the cartoon series, the briskly marching, but ridiculously incompetent ant armies provide a parody of militarism.
Main characters
[edit]
Maya – Bee. The series main protagonist. She loves freedom and living in the meadow by herself, unlike other bees who live in the hive. She is good, fair, happy and willing to help everybody.
Miss Cassandra – Bee, Teacher at the Bee-School.
The following characters only appear in the animated series and films:
Willy – Bee. Lazy, clumsy, and cowardly, sometimes a showoff, but generally good-natured – not featured in the original Bonsels story, but a major character in all adaptations other than the 1926 film. His relationship to Maya is depicted inconsistently: in most adaptations, he's her best friend, who is secretly in love with her, prone to jealousy when Maya's attentions turn to others. Often reluctantly dragged into adventures by Maya.
Flip (or Philip) – Grasshopper. A wise friend of Maya and Willy. Introduced first in the animated series. Whether he is meant to be identical with the unnamed grasshopper of the book is unclear.
Alexander (or Aleksander) – Mouse. Intellectual, whose level of respect among the other creatures, and close friendship with Maya, often sends Willy into jealous rages. Appears only in the second season of the older animated series (1978).
Films, anime and television
[edit]
Crew Television series Feature films Maya the Honey Bee Maya the Bee Maya the Bee Movie Maya the Bee:
The Honey Games Maya the Bee: The Golden Orb 1975–1980 2012–2017 2014 2018 2021 Director(s) Seiji Endô and Hiroshi Saitô Daniel Duda and Jérôme Muschadet Alexs Stadermann Noel Cleary and Sergio Delfino Noel Cleary Producer(s) — Barbara Stephen and Thorsten Wegener Tracy Lennon, Brian Rosen and Thorsten Wegener Tracy Lenon and Benjamin Ey Executive Producer(s) — Katell France Jim Ballantine and Patrick Elemendorff Barbara Stephen and Hans-Ulrich Stoef Martin Krieger, Barbara Stephen and Thorsten Wegener Writer(s) Various Fin Edquist and Marcus Sauermann Story by:
Noel Cleary, Fin Edquist and Alexs Stadermann Adrian Bickenbach and Fin Edquist Composer Karel Svoboda Fabrice Aboulker Ute Engelhardt Editor Marty Murphy Johanna Goldschmidt Adam Rainford Production company Nippon Animation Studio 100 Animation
ZDF
TF1
Studio 100 Animation
Studio B Productions
Screen Australia
Studio 100 Animation U.S. Distribution Nickelodeon Sprout Shout! Factory Released April 1, 1975 ( ) – September 13, 1980 (1980-09-13) September 5, 2012 ( ) – August 23, 2017 (2017-08-23) March 8, 2015 ( ) May 1, 2018 ( ) January 7, 2021 ( )
1926 film
[edit]
German director Wolfram Junghans made a 1926 silent version ("starring" real insects). The film was lost for a decade until the only original copy of the film was found in Finland.[10] The material was restored in 2005 with a new musical score and released on DVD in 2012, in collaboration with the KAVI and the Bundesarchiv-Filmarchiv, and the film was screened in both Hamburg and Helsinki.[11][10]
1975 anime
[edit]
Perhaps the most popular and widely known adaptation of the story is the Japanese anime Maya the Honey Bee (みつばちマーヤの冒険, Mitsubachi Māya no Bōken, "The Adventures of Maya the Honeybee"). Originally aired on Japanese TV in 1975, the anime has been dubbed into 42 languages[12][unreliable source?] and screened on television in various territories. The Japanese TV series was preceded by Tokyo Kodomo Club's musical play based on the short story, presented as Mitsubachi Māya ("Maya the Honeybee"), distributed on an LP album.
The original theme was composed by Karel Svoboda and sung by Karel Gott in the German, Czech and Slovak versions; Zbigniew Wodecki in the Polish version.[13][14]
2012 TV series
[edit]
In 2012 Studio 100 Animation produced a 78-episode, 13-minute TV series.[15] The series was rendered in CGI animation.[16] A second 52 episode season aired in 2017.
Film series
[edit]
A 2014 film adaptation based upon the 2012 series was released.[17] In 2018, a sequel to the 2014 film, titled Maya the Bee: The Honey Games, released on March 1, 2018, in Germany and May 1, 2018, in United States.
In 2021, third film, titled Maya the Bee: The Golden Orb was released on January 7, 2021, in Australia. It was delayed from its original 2020 release date due to the COVID-19 pandemic.
Stage performances
[edit]
Opera
[edit]
Maya the Bee also served as the basis for a children's opera written by the Croatian composer Bruno Bjelinski in 1963. In 2008 it was staged in Villach, Austria, as part of their Carinthian Summer Music Festival.[18] This performance was distinguished by having the "bees" played by children and not professional opera singers as it is usually the case.[19]
Puppet musical
[edit]
Singer-songwriter Nancy Harrow created a jazz-musical version of the story, called The Adventures of Maya the Bee, that featured puppets by Zofia Czechlewska. Harrow's adaptation was produced in New York City by The Culture Project in 2000,[20] and was revived in 2012.[21]
Musical
[edit]
On October 10, 2016, Belgian company Studio 100 (the current owners of the series) created a Flemish stage musical called "Maya en de Pollenbollen" based on the 2012 series that has the people dressed in costumes for the characters from the show. The show contains songs made by Studio 100 with a few news songs created exclusively for the show. The musical centers around Maya alongside Flip and Beatrice celebrating Willy's birthday. The musical later returned in the Spring of 2017.
Since 2016, live actors from the original stage show make numerous appearances at numerous stage shows and special events held by Studio 100. Notably Studio 100's annual "De Grote Sinterklaasshow" held from late November till early December featuring Sinterklaas and Zwarte Pieten watching various Studio 100 Characters such as Kabouter Plop, and Piet Piraat (including Maya and friends) perform musical numbers on stage. The same actress that portrayed Maya in the musical is also the official Flemish voice of the character and reprised her role for Studio 100's "De Liedjestuin" where Maya is singing various Dutch children's songs and nursery rhymes. In The French and Walloon version "Le Jardin des Refrains", Maya is played by a different actress.
Amusement parks
[edit]
After Studio 100's acquisition of the franchise, Plopsa began expanding the franchise to its own theme parks. Plopsaland De Panne opened an indoor children's area called "Mayaland" on July 3, 2011, before the CGI incarnation's begun airing on numerous television stations across Europe. Maya alongside Flip, and Willy would also appear at other Plopsa owned parks such as Plopsa Coo and Plopsa Indoor Hasselt. In Poland, Plopsa opened an indoor theme park called "Majaland Kownaty" which opened to the public on September 28, 2018, which is mostly themed to Maya the Bee but features other Studio 100's IPs (such as Bumba and Piet Piraat).
A year after Mayaland opened in Plopsaland, Holiday Park, Germany, opened a similar Maya the Bee children's area called "Majaland" which opened March 31, 2012.
Video games
[edit]
Video game background
[edit]
The origins of the Maya the Bee video games originated from a South Park video game for the Game Boy Color developed by Crawfish Interactive in development in 1998.[22] But was eventually cancelled due to South Park creators Matt Stone and Trey Parker stating that the game would not be fitting on the Game Boy Color as that console was marketed towards children. A year later in 1999, the unreleased game's engine and assets were reused for two additional Game Boy Color titles from Crawfish and Acclaim - Maya the Bee & Her Friends, based on the Maya the Bee franchise which was released in Europe, and The New Adventures of Mary-Kate and Ashley, based on Mary-Kate and Ashley Olsen and was released in North America,[23] being the first of the various video games based on the duo.
Games released
[edit]
Maya the Bee & Her Friends (Game Boy Color – 1999)
Developed by Crawfish, published by Acclaim.
Maya the Bee: Garden Adventures (Game Boy Color – 2000)[24]
Developed by Neon Studios and Kiloo, published by Acclaim and Plan-B Media.
Maya the Bee: What a Thunderstorm (PC – 2001)
Developed by Junior Interactive, published by Tivola.
Maya the Bee: The Great Adventure (Game Boy Advance – 2002)[25]
Developed by Shin'en Multimedia, published by Acclaim.
Maya the Bee: A Wonderful Surprise! (PC – 2004)
Developed by The Web Production, published by Tivola.
Maya the Bee: Sweet Gold (Game Boy Advance – 2005)[26]
Developed by Shin'en Multimedia, published by Midway.
Maya the Bee and Friends (mobile – 2006)[27]
Developed by Kiloo and co-published by Plan-B Media.
The Bee Game (Game Boy Advance,[28] Nintendo DS[29] – 2007)[30]
The Bee Game is an adventure video game released for Nintendo DS and Game Boy Advance, developed by German studio Independent Arts Software. The game lets players experience the adventures of Maya the Bee and her friend Willie as they search for their friends, lost from a strong storm that has blown through Corn Poppy Meadow.[31]
Maya (Nintendo DS – 2013)
Developed by Studio 100 and Engine Software, published by Bandai Namco Games Europe.
Maya the Bee: The Nutty Race (iOS and Android – 2019)
Mobile racing game. Developed by Midnight Pigeon in cooperation with Studio 100.
Merchandising
[edit]
Many companies contributed worldwide to the success of the character by producing and selling merchandising. Most of them were drawn between 1976 and 1986 by the French licensed characters specialist André Roche.[32] His works have included motifs for textiles, porcelain, books, comics and games, including a campaign for Kinder Surprise Eggs.
References
[edit]
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https://socalcitykids.com/maya-the-bee-2-the-honey-games/
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Maya The Bee 2: The Honey Games
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2018-06-07T03:26:20+00:00
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After a slow harvest season, the very survival of the hive is threatened. Maya, and her sidekick, Willy, go to Buzztropolis, where the Empress invites them to participate in the Honey Games. But if…
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SoCal City Kids
|
https://socalcitykids.com/maya-the-bee-2-the-honey-games/
|
After a slow harvest season, the very survival of the hive is threatened. Maya, and her sidekick, Willy, go to Buzztropolis, where the Empress invites them to participate in the Honey Games. But if they lose, the hive will have to give the Empress all of their summer honey! Needless to say, Maya and Willy’s teammates are neither enthusiastic nor athletic, but Maya remains positive and exclaims that “every bug has a talent!” Can Maya and Team Poppy win and secure her hive’s future? Only if Maya is able to gain new friends and learn about teamwork, responsibility, and overcoming their differences! Bonus features: The Making of Maya the Bee 2; Original teaser and trailers. KIDS FIRST! Film Critic Jolleen M. comments, “I really enjoyed watching this! This animated film has many underlying messages without becoming confusing.” Raquel Y. adds, “This is definitely a charming DVD for the younger set. My favorite part about this engaging film is the colorful, expressive animation. The voice actors certainly give their all to their whimsical and distinctive roles. Adult juror Tina B. wraps it up with, “The visual appeal of this DVD is appropriate and interesting enough for the youth it was designed for. The DVD is animated and colorful and lively in action to keep the interests of the intended audiences.” See their full reviews below.
Maya The Bee 2: The Honey Games
By Jolleen Mejia, KIDS FIRST! Film Critic, age 13
I really enjoyed watching this! This animated film has many underlying messages without becoming confusing. Each of the characters have their own strong personalities which makes their interactions interesting. The plotline is intriguing also.
The main character, Maya is a bee who dreams of competing in The Honey Games. One day she has a chance to make her dream comes true, but it will put her entire city at risk. The Empress demands Maya’s city to give up half of their honey to contribute to The Honey Games. They aren’t allowed to participate, but are forced to give up their honey. Maya believes that this is outrageous and challenges the Empress. If Maya wins, she doesn’t have to give up any honey. But if she loses, they have to give up all of their honey and her city will starve.
Maya (Coco Jack Gillies) is a well developed character. Coco Jack Gillies makes her voice distinctly sound differently which is good for Maya who goes through a lot of emotions. Gillies can sound distressed, guilty, ecstatic and hopeful.
The animation is done really well. The quality is great and all of the little details contribute to make it seem very realistic. The music also is very suitable for the film and sets the mood in the various scenes.
My favorite part is when Maya’s best friend Willy realizes that Violet, a bee who is a bully, is trying to sabotage them. Willy has a slight crush on Violet, which blinds him of all the mean things she is doing to Maya. Finally Willy realizes what is happening and stands up for Maya. Even through all these hardships, Maya and Willy find it in their hearts to forgive Violet for everything that she has done. That is one of the messages in this film.
Other messages address how everyone has their own special talent, how you should believe in yourself and that no matter how small you are, you can still make a difference. These messages are really important and give kids a lot of self confidence. I love how they incorporate all of these wonderful messages into the story without making the film trivial.
I give this DVD 5 out of 5 stars and recommend it for ages 3 to 10. This DVD is available now so, be sure to check it out.
Maya the Bee 2: The Honey Games
By Raquel Y., KIDS FIRST! Film Critic, age 14
This is definitely a charming DVD for the younger set. My favorite part about this engaging film is the colorful, expressive animation. The voice actors certainly give their all to their whimsical and distinctive roles. Bugs and bees are endowed with wonderfully human traits which make this a charming film for families.
Maya (Coco Jack Gilles) is brave, determined and smart. She wants to help all the inhabitants of Poppy Meadow. The bee kingdom’s most royal leader, Empress of the Bees (Marney McQueen) has ordered the bees of Poppy Meadow to “contribute” half their summer honey harvest to her hive in Buzztropolis.
Maya The Bee 2: The Honey Games is the follow-up to the television series Maya the Bee and one previous film called, Maya the Bee Movie. Young Maya is the heroine, supported by her best friend Willy. She is optimistic, brave and loves helping others. Each of Maya’s adventures results in the little bee learning important life lessons and sharing those lessons with others.
It is filled with positive messages, beautifully incorporated into the storyline. Maya isn’t always the best team player, but she takes responsibility for her mistakes. The many featured characters shine as they learn something about their own uniqueness, about self-confidence and trying new things. Honesty counts most of all. Even Violet, the potential bully, and the arrogant and smug Empress are touched by Maya’s contagiously optimistic spirit, love of freedom and passion for fairness. Young viewers who are comfortable with mild cartoon action and suspense will enjoy this. This is a cannot miss film that kids everywhere and anywhere will enjoy.
I give this DVD 5 out of 5 stars and recommend it for ages 5 to 8. You can catch this film on DVD and Blu-Ray now so, look for it.
Maya the Bee 2, The Honey Games
By Tina Bunche, KIDS FIRST! Adult Juror
My six-year-old granddaughter really enjoyed this DVD. The storyline is quite interesting in showing the life of bees and how they gather honey and support the Queen and all the other bees in the colony. The story line continues with the Queen Bee of Poppy Meadow and her bees gathering honey for the winter. She realizes that they may not have enough honey for the hive to last the winter when she gets word that the Empress, her estranged sister, has declared that the Queen’s colony has been selected for The Honey Games. The Hive of Poppy Meadow is required to honor the Empress to donate 50% of their honey. They don’t have enough honey for their own hive to survive the winter, so the request is a difficult one to abide by. Maya and her best friend Willie go the Empress and please their case.
The story line is easy to follow and suitable for the target audience. The vocabulary and concepts are also right on target. There is a lot of teamwork shown and sometimes Maya tries things on her own but soon realizes that is a mistake and relies on her friends to help. There are some consequences and they are repaired by the characters in a nice way. Each becomes more respectful of the others as time passes.
The visual appeal of this DVD is appropriate and interesting enough for the youth it was designed for. The DVD is animated and colorful and lively in action to keep the interests of the intended audiences. I feel that the storyline of this is quite entertaining for youth and the pictures of the bees are so cute! The characters on the cover are so interesting you wonder what kind of trouble are they about to get into!
In terms of the message of this story, as the story develops, we discover that the Empress and the Queen are actually sisters that do not get along. Towards the end they make up and realize they love each other and miss being together. Forgiveness becomes the overall theme as we see the sisters resolve their differences. Also, during the competition games the contestants learn a few lessons about fairness and love. I give this DVD 4 out of 5 stars and recommend it for ages 5 to 9.
Credit: KIDS FIRST!
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https://www.themoviedb.org/tv/10620-maya-the-honey-bee%3Flanguage%3Den-US
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en
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Die Biene Maja
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Die Zeichentrickserie nach den Erzählungen des deutschen Schriftstellers Waldemar Bonsels lässt dessen kleine Honigbiene für das Fernsehen lebendig werden. Zusammen mit ihrem Schulfreund Willi, dem Grashüpfer Flip und dem Regenwurm Max erlebt Maja viele spannende Abenteuer und zeigt Kindern ihre bunte Wald- und Wiesenwelt aus der Sicht der Insekten.
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The Movie Database
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https://www.themoviedb.org/tv/10620-maya-the-honey-bee
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You need to be logged in to continue. Click here to login or here to sign up.
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https://sflix.to/tv/free-the-adventures-of-maya-the-honey-bee-hd-35446
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Watch The Adventures of Maya the Honey Bee full HD on SFlix Free
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Watch all seasons of The Adventures of Maya the Honey Bee in full HD online, free The Adventures of Maya the Honey Bee streaming with English subtitle
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https://sflix.to/tv/free-the-adventures-of-maya-the-honey-bee-hd-35446
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The Adventures of Maya the Honey Bee
HD
IMDB: N/A
25 min
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http://www.skooldays.com/categories/saturday/sa1614.htm
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en
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Maya the Bee: Old Memories
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Maya the Bee
Synopsis of Saturday Morning Show
“Who’s a friendly little bee, playing oh-so happily?”
Waldemar Bonsal’s The Adventures of Maya the Bee stories taught lessons on friendship and caring, as experienced by a group of insect friends. Australian animation company Apollo Film brought Maya and friends to animated life in a series of Maya the Bee cartoons, broadcast stateside on Nickelodeon in the early 1990’s.
Maya was a plucky female bee with a protective instinct. Predators sometimes threatened, but Maya was always there for her insect friends, including trouble-prone Willi the bee and musician Flip the grasshopper. Bonsal’s life lessons remained intact, making the show a hit with kids and parents alike.
Fifty-five episodes of Maya the Bee were produced by Apollo Film, all of which aired over the show’s two-year run on Nick.
“See her flying through the air, buzzing here and buzzing there.
Saying catch me if you dare, busy buzzing everywhere.
Maaaaaya…Maya the Bee…”
Release History
1/1/90 - 12/31/92 Nickelodeon
TV Sub Categories
animated
TV Studio
Apollo Film, Saban
Television Cast
Maya Pauline Little
Willi Richard Dumont
Flip R.J. Henderson
Grimelda Anna MacCormack
Cassandra Jane Woods
Other Saturday Morning Links
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https://variety.com/2015/film/reviews/maya-the-bee-movie-review-1201485545/
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en
|
Film Review: ‘Maya the Bee Movie’
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2015-05-01T09:30:46+00:00
|
Bee yourself — a simple message for Studio 100’s simple-minded “Maya the Bee Movie,” being the latest adaptation of Waldemar Bonsels’ beloved apian adventures, in which an anthropomorphized honeybee explores the meadow around her hive, befriending all the creatures she meets there.
|
en
|
Variety
|
https://variety.com/2015/film/reviews/maya-the-bee-movie-review-1201485545/
|
Bee yourself — a simple message for Studio 100’s simple-minded “Maya the Bee Movie,” being the latest adaptation of Waldemar Bonsels’ beloved apian adventures, in which an anthropomorphized honeybee explores the meadow around her hive, befriending all the creatures she meets there. The kidlit classic has been adapted many times in its 100-year history, from German director Wolfram Junghans’ 1924 silent version (“starring” real bees) to a mid-’70s Japanese anime series that eventually found its way to Nickelodeon. This Teuton toon — supported by Australian coin, and boasting a quality English-language dub from its Down Under cast — derives from Maya’s most recent TV incarnation, also produced by Studio 100, and represents only a negligible improvement in quality (mainly, the addition of 3D) over what kids in the narrow 5-to-7 age range have already been enjoying on the smallscreen.
Compared with DreamWorks Animation’s big-budget “Bee Movie” — or indeed any of the many insect-centric toons to hit megaplexes since the rise of computer animation — “Maya” simply doesn’t aim very high. But then, that may come as a relief to parents exhausted by the overly antic quality of all those other bug stories. This one has jokes, but not the nonstop barrage of shrill voices and pop-culture comedy that often accompanies blockbuster toons.
Over the course of a century, the “Maya the Bee” property has drifted from its literary roots and crystallized around the group of round-headed, googly-eyed characters featured in the Japanese series, and it is that ensemble — as popular as Babar or the Smurfs in some corners of the world — that appears here: newly hatched baby bee Maya (voiced by Coco Jack Willies), best friend Willy (Kodi Smit-McPhee), grasshopper Flip (Richard Roxburgh), etc. Design-wise, they’re rudimentary at best, with a lack of dynamism and detail you might expect from a breakfast cereal commercial, not a bigscreen feature. (Come to think of it, even that Honey Nut Cheerios bee has more personality.)
Popular on Variety
As in Bonsels’ book, there is rebellion among the bees, giving rise to a new villain, Buzzlina Von Beena (Jacki Weaver, Oscar nominated in scheming mode for “Animal Kingdom,” but sounding rather run-of-the-mill here), and her bespectacled stooge Crawley (Noah Taylor). In her scheme to be queen, Buzzlina steals the royal jelly and banishes Maya from the hive, forcing the inexperienced young bee into the colorful corn poppy fields beyond.
“Where do I belong?” Maya wonders, dissatisfied with the way bees are numbered and assigned to a specific lot at birth. Yawn. As kidpic crises go, this one barely resonates with the target audience, who will be more interested to see how Maya gets along with the critters she meets in the outside world. There are run-ins with dung beetles, a pair of Aardman-esque ants and a young hornet named Sting (Joel Franco), who gives Maya a chance to repair a longstanding feud with that rival black-and-yellow-striped species.
All told, in giving parents nothing to object to, director Alexs Stadermann (who got his start making straight-to-video sequels for Disney) has also given them little to get excited about, apart from the idea of sharing Maya with another generation of preschoolers. The film, which has already pulled in $6 million in Germany and more than $1 million in half a dozen other territories, won’t earn anywhere near that for U.S. distrib Shout! Factory in theaters, but as a catalog title, it should do far better bzzness.
|
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https://en.wikipedia.org/wiki/Maya_the_Bee
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Maya the Bee
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2004-03-07T04:23:20+00:00
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https://en.wikipedia.org/wiki/Maya_the_Bee
|
1912 novel by Waldemar Bonsels
This article is about the novel and character. For the Japanese anime series, see Maya the Honey Bee. For the German CGI series, see Maya the Bee (TV series). For the first CGI film, see Maya the Bee (film).
"Die Biene Maja" redirects here. For the song, see Die Biene Maja (song).
Maya the BeeCreated byWaldemar BonselsOriginal workBooksPrint publicationsBook(s)The Adventures of Maya the BeeFilms and televisionFilm(s)Television seriesGamesVideo game(s)
Maya the Bee & Her Friends (1999)
Maya the Bee – Garden Adventures (2000)[1]
Maya the Bee and Friends (2006)[2]
Maya the Bee: The Great Adventure (2002)[3]
Maya the Bee: Sweet Gold (2005)[4]
The Bee Game (2007)[5][6][7]
Maya (2013)
Maya the Bee: The Nutty Race (2019)
Maya the Bee (German: Die Biene Maja) is the main character in The Adventures of Maya the Bee, a German book written by Waldemar Bonsels and published in 1912. The book has been published in many other languages and adapted into different media. The first American edition was published in 1922 by Thomas Seltzer and illustrated by Homer Boss. The latter's wife Adele Szold-Seltzer (1876-1940), the daughter of Benjamin Szold and younger sister of Henrietta Szold, was the translator.[8]
The stories revolve around a little bee named Maya and her friends among bees, other insects and other creatures. The book depicts Maya's development from an adventurous youngster to a responsible adult member of bee society.
Plot
[edit]
Bonsels' original book contains fewer than 200 pages. The storyline is centered on the relation of Maya and her many adventures.
Maya is a bee born in a bee hive during internal unrest: the hive is dividing itself into two new colonies. Maya is raised by her teacher, Miss Cassandra. Despite Miss Cassandra's warnings, Maya wants to explore the wide world and commits the unforgivable crime of leaving the hive. During her adventures, Maya, now in exile, befriends other insects and braves dangers with them. In the climax of the book, Maya is taken prisoner by hornets, the bees' sworn enemies.
Prisoner of the hornets, Maya learns of a hornet plan to attack her native hive. Maya is faced with the decision to either return to hive and suffer her due punishment, saving the hive, or leaving the plan unannounced, saving herself but destroying the hive. After severe pondering, she makes the decision to return. In the hive, she announces the coming attack and is unexpectedly pardoned. The forewarned bees triumph over the hornet attack force. Maya, now a heroine of the hive, becomes a teacher like Miss Cassandra and shares her experiences and wisdom with the future generation.
Analysis of the book
[edit]
Sulevi Riukulehto suggested that the book may have carried a political message. This view depicts the beehive as a well-organised militarist society and Maya as an ideal citizen. Elements of nationalism also appear when Maya gets angry at a grasshopper for failing to distinguish between bees and wasps (whom she calls "a useless gang of bandits" [Räubergeschlecht] that have no "home or faith" [Heimat und Glauben]) and at a insulting fly, whom Maya threatens to teach "respect for bees" and with her stinger. Riukulehto interprets this to mean that respect is based on the threat of violence. Collectivism versus individualism is also a theme. Maya's independence and departure from the beehive is seen as reproachable, but it is atoned by her warning of the hornets' attack. This show of loyalty restores her position in the society. In the hornet attack part of the story, the bees' will to defend the hive and the heroic deaths of bee officers are glorified, often in overtly militarist tones.[9]
After World War II, adaptations toned down the militarist element considerably, reduced the hornets' role. The 1975 anime added the character of Willy, a lazy and quite un-warlike drone bee. In the cartoon series, the briskly marching, but ridiculously incompetent ant armies provide a parody of militarism.
Main characters
[edit]
Maya – Bee. The series main protagonist. She loves freedom and living in the meadow by herself, unlike other bees who live in the hive. She is good, fair, happy and willing to help everybody.
Miss Cassandra – Bee, Teacher at the Bee-School.
The following characters only appear in the animated series and films:
Willy – Bee. Lazy, clumsy, and cowardly, sometimes a showoff, but generally good-natured – not featured in the original Bonsels story, but a major character in all adaptations other than the 1926 film. His relationship to Maya is depicted inconsistently: in most adaptations, he's her best friend, who is secretly in love with her, prone to jealousy when Maya's attentions turn to others. Often reluctantly dragged into adventures by Maya.
Flip (or Philip) – Grasshopper. A wise friend of Maya and Willy. Introduced first in the animated series. Whether he is meant to be identical with the unnamed grasshopper of the book is unclear.
Alexander (or Aleksander) – Mouse. Intellectual, whose level of respect among the other creatures, and close friendship with Maya, often sends Willy into jealous rages. Appears only in the second season of the older animated series (1978).
Films, anime and television
[edit]
Crew Television series Feature films Maya the Honey Bee Maya the Bee Maya the Bee Movie Maya the Bee:
The Honey Games Maya the Bee: The Golden Orb 1975–1980 2012–2017 2014 2018 2021 Director(s) Seiji Endô and Hiroshi Saitô Daniel Duda and Jérôme Muschadet Alexs Stadermann Noel Cleary and Sergio Delfino Noel Cleary Producer(s) — Barbara Stephen and Thorsten Wegener Tracy Lennon, Brian Rosen and Thorsten Wegener Tracy Lenon and Benjamin Ey Executive Producer(s) — Katell France Jim Ballantine and Patrick Elemendorff Barbara Stephen and Hans-Ulrich Stoef Martin Krieger, Barbara Stephen and Thorsten Wegener Writer(s) Various Fin Edquist and Marcus Sauermann Story by:
Noel Cleary, Fin Edquist and Alexs Stadermann Adrian Bickenbach and Fin Edquist Composer Karel Svoboda Fabrice Aboulker Ute Engelhardt Editor Marty Murphy Johanna Goldschmidt Adam Rainford Production company Nippon Animation Studio 100 Animation
ZDF
TF1
Studio 100 Animation
Studio B Productions
Screen Australia
Studio 100 Animation U.S. Distribution Nickelodeon Sprout Shout! Factory Released April 1, 1975 ( ) – September 13, 1980 (1980-09-13) September 5, 2012 ( ) – August 23, 2017 (2017-08-23) March 8, 2015 ( ) May 1, 2018 ( ) January 7, 2021 ( )
1926 film
[edit]
German director Wolfram Junghans made a 1926 silent version ("starring" real insects). The film was lost for a decade until the only original copy of the film was found in Finland.[10] The material was restored in 2005 with a new musical score and released on DVD in 2012, in collaboration with the KAVI and the Bundesarchiv-Filmarchiv, and the film was screened in both Hamburg and Helsinki.[11][10]
1975 anime
[edit]
Perhaps the most popular and widely known adaptation of the story is the Japanese anime Maya the Honey Bee (みつばちマーヤの冒険, Mitsubachi Māya no Bōken, "The Adventures of Maya the Honeybee"). Originally aired on Japanese TV in 1975, the anime has been dubbed into 42 languages[12][unreliable source?] and screened on television in various territories. The Japanese TV series was preceded by Tokyo Kodomo Club's musical play based on the short story, presented as Mitsubachi Māya ("Maya the Honeybee"), distributed on an LP album.
The original theme was composed by Karel Svoboda and sung by Karel Gott in the German, Czech and Slovak versions; Zbigniew Wodecki in the Polish version.[13][14]
2012 TV series
[edit]
In 2012 Studio 100 Animation produced a 78-episode, 13-minute TV series.[15] The series was rendered in CGI animation.[16] A second 52 episode season aired in 2017.
Film series
[edit]
A 2014 film adaptation based upon the 2012 series was released.[17] In 2018, a sequel to the 2014 film, titled Maya the Bee: The Honey Games, released on March 1, 2018, in Germany and May 1, 2018, in United States.
In 2021, third film, titled Maya the Bee: The Golden Orb was released on January 7, 2021, in Australia. It was delayed from its original 2020 release date due to the COVID-19 pandemic.
Stage performances
[edit]
Opera
[edit]
Maya the Bee also served as the basis for a children's opera written by the Croatian composer Bruno Bjelinski in 1963. In 2008 it was staged in Villach, Austria, as part of their Carinthian Summer Music Festival.[18] This performance was distinguished by having the "bees" played by children and not professional opera singers as it is usually the case.[19]
Puppet musical
[edit]
Singer-songwriter Nancy Harrow created a jazz-musical version of the story, called The Adventures of Maya the Bee, that featured puppets by Zofia Czechlewska. Harrow's adaptation was produced in New York City by The Culture Project in 2000,[20] and was revived in 2012.[21]
Musical
[edit]
On October 10, 2016, Belgian company Studio 100 (the current owners of the series) created a Flemish stage musical called "Maya en de Pollenbollen" based on the 2012 series that has the people dressed in costumes for the characters from the show. The show contains songs made by Studio 100 with a few news songs created exclusively for the show. The musical centers around Maya alongside Flip and Beatrice celebrating Willy's birthday. The musical later returned in the Spring of 2017.
Since 2016, live actors from the original stage show make numerous appearances at numerous stage shows and special events held by Studio 100. Notably Studio 100's annual "De Grote Sinterklaasshow" held from late November till early December featuring Sinterklaas and Zwarte Pieten watching various Studio 100 Characters such as Kabouter Plop, and Piet Piraat (including Maya and friends) perform musical numbers on stage. The same actress that portrayed Maya in the musical is also the official Flemish voice of the character and reprised her role for Studio 100's "De Liedjestuin" where Maya is singing various Dutch children's songs and nursery rhymes. In The French and Walloon version "Le Jardin des Refrains", Maya is played by a different actress.
Amusement parks
[edit]
After Studio 100's acquisition of the franchise, Plopsa began expanding the franchise to its own theme parks. Plopsaland De Panne opened an indoor children's area called "Mayaland" on July 3, 2011, before the CGI incarnation's begun airing on numerous television stations across Europe. Maya alongside Flip, and Willy would also appear at other Plopsa owned parks such as Plopsa Coo and Plopsa Indoor Hasselt. In Poland, Plopsa opened an indoor theme park called "Majaland Kownaty" which opened to the public on September 28, 2018, which is mostly themed to Maya the Bee but features other Studio 100's IPs (such as Bumba and Piet Piraat).
A year after Mayaland opened in Plopsaland, Holiday Park, Germany, opened a similar Maya the Bee children's area called "Majaland" which opened March 31, 2012.
Video games
[edit]
Video game background
[edit]
The origins of the Maya the Bee video games originated from a South Park video game for the Game Boy Color developed by Crawfish Interactive in development in 1998.[22] But was eventually cancelled due to South Park creators Matt Stone and Trey Parker stating that the game would not be fitting on the Game Boy Color as that console was marketed towards children. A year later in 1999, the unreleased game's engine and assets were reused for two additional Game Boy Color titles from Crawfish and Acclaim - Maya the Bee & Her Friends, based on the Maya the Bee franchise which was released in Europe, and The New Adventures of Mary-Kate and Ashley, based on Mary-Kate and Ashley Olsen and was released in North America,[23] being the first of the various video games based on the duo.
Games released
[edit]
Maya the Bee & Her Friends (Game Boy Color – 1999)
Developed by Crawfish, published by Acclaim.
Maya the Bee: Garden Adventures (Game Boy Color – 2000)[24]
Developed by Neon Studios and Kiloo, published by Acclaim and Plan-B Media.
Maya the Bee: What a Thunderstorm (PC – 2001)
Developed by Junior Interactive, published by Tivola.
Maya the Bee: The Great Adventure (Game Boy Advance – 2002)[25]
Developed by Shin'en Multimedia, published by Acclaim.
Maya the Bee: A Wonderful Surprise! (PC – 2004)
Developed by The Web Production, published by Tivola.
Maya the Bee: Sweet Gold (Game Boy Advance – 2005)[26]
Developed by Shin'en Multimedia, published by Midway.
Maya the Bee and Friends (mobile – 2006)[27]
Developed by Kiloo and co-published by Plan-B Media.
The Bee Game (Game Boy Advance,[28] Nintendo DS[29] – 2007)[30]
The Bee Game is an adventure video game released for Nintendo DS and Game Boy Advance, developed by German studio Independent Arts Software. The game lets players experience the adventures of Maya the Bee and her friend Willie as they search for their friends, lost from a strong storm that has blown through Corn Poppy Meadow.[31]
Maya (Nintendo DS – 2013)
Developed by Studio 100 and Engine Software, published by Bandai Namco Games Europe.
Maya the Bee: The Nutty Race (iOS and Android – 2019)
Mobile racing game. Developed by Midnight Pigeon in cooperation with Studio 100.
Merchandising
[edit]
Many companies contributed worldwide to the success of the character by producing and selling merchandising. Most of them were drawn between 1976 and 1986 by the French licensed characters specialist André Roche.[32] His works have included motifs for textiles, porcelain, books, comics and games, including a campaign for Kinder Surprise Eggs.
References
[edit]
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https://puppetsinreview.home.blog/2018/12/08/the-adventures-of-maya-the-bee/
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The Culture Project- The Adventures of Maya the Bee
|
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"Donald Devet"
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2018-12-08T00:00:00
|
In spite of the amusing characters and a few comedic turns this is a dark story, especially for children.
|
en
|
Puppets in Review
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https://puppetsinreview.home.blog/2018/12/08/the-adventures-of-maya-the-bee/
|
The Salon at 45 Bleecker
New York, NY
June 24, 2000
review by Donald Devet
In spite of the amusing characters and a few comedic turns this is a dark story, especially for children.
Does this story sound familiar? A “youthful character” sets out on a journey to discover his true talents and his role in society. Through a series of adventures he ends up learning who he is by saving his society from destruction. The “youthful character” also happens to be an insect. Is it “A Bug’s Life” or “Antz?” No, it’s “The Adventures of Maya the Bee,” a 1912 European children’s classic by Waldemar Bonsel that has been transformed into a puppet show deftly directed by Will Pomerantz. What makes this particular story unusual is the fact that the “youthful character” is female.. Another refreshing twist is that it has been adapted by Nancy Harrow as a jazz musical.
Ms. Harrow is an experienced jazz singer/composer with twelve CDs to her credit. But this is her first attempt at writing for children’s theater. Maybe that’s why this show has a very adult feel. The twenty or more songs take their time and are witty in an adult sort of way, maybe too witty for the toddler set. In this particular performance, the adults were enjoying the clever lyrics, but the youngest children were occasionally squirming or talking. The marriage of jazz and puppets is a great idea. And introducing jazz to children at an early age is even better. But the pacing of the songs and the story line itself might be a source of a few problems.
Maya is one small cog in a giant hive. She learns from the beginning that she was born to serve the Queen Bee. In the big scheme of things her life means very little. But Maya is too independent and curious to swallow this philosophy. She leaves the protection of the hive to go on a Wizard of Oz type journey. Along the way she meets a slew of eclectic characters- Peter the Rose Beetle, Bobbie the Dung Beetle, Miss Loveydear the Dragonfly, Thomas the Centipede, Effie the Cricket, Thekla the Spider and more. Each bug is given a moment to shine with a song. Here’s where the show started to lose momentum and become predictable. Every song has similar pacing. The staging and blocking were inventive but not enough to distract us from the “another character, another song” routine.
From these characters Maya quickly learns that this is a “bug eat bug world.” To reinforce this truth she is soon captured by a scary spider and nearly ends up bee du jour. Fortunately, a resourceful Dung Beetle comes to her rescue. The children in the audience clapped. But this was not the end of her adventures. Maya is also captured by the militaristic hornets. She manages to escape and return to the hive in time to warn the Queen of an impending hornet invasion. The bees defend themselves, vanquishing the hornets.The hive (society) is saved and Maya is recognized as a hero (heroine?).
The songs are prerecorded but the speaking voices are “live.” Two actors with scripts in hand perform over twenty character voices. They sit behind the audience and watch the rod puppets being manipulated by three puppeteers on rolling stools. Even though the actors were miked and their voices projected from speakers on either side of the stage, it was disconcerting to also hear the characters’ voices coming from behind. The lights illuminating the actors’ scripts were another distraction especially when the lighting on stage was low. The bright lights from the back of the house caused some of the audience to miss action on stage in favor of watching the actors do voice characterizations.
The puppets designed and constructed by Zofia Czechlewska are full of eye popping character and attitude. The scale of their bodies and the choice of textures and costume make these bugs unique. The mechanics of eyes blinking, wings fluttering and centipede legs dancing are an added delight. The puppeteers work in perfect harmony to bring all this wire and fabric to life.
There’s more to “Maya the Bee” than meets the eye. In spite of the amusing characters and a few comedic turns this is a dark story, especially for children. The message is clear. The world is harsh. There is much beauty but there is also much danger. Life is short, so make the most of it.
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https://www.postmagazine.com/Publications/Newsletters/2007/Editing-October-2007/EDIT-THIS-BEE-MOVIE.aspx
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EDIT THIS!: 'BEE MOVIE'
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Post Magazine is dedicated to serving the most intensely dynamic segment of the entertainment industry: Post Production. Post magazine has over 25 years of experience covering this business.
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https://www.postmagazine.com/Publications/Newsletters/2007/Editing-October-2007/EDIT-THIS-BEE-MOVIE.aspx
|
GLENDALE, CA — Two different worlds. At least for other CG-animated DreamWorks Animation films they only had to create one fantastic world. In the new Bee Movie, created by Jerry Seinfeld, there's the imaginatively realized world of honey bees complete with traffic intersections, a gym, shops, suburbs, an airport and their own factory — Honex.
Then there's the human world: a Seinfeldian view of Manhattan and environs like Central Park executed and brought to the screen by the DreamWorks team. Seinfeld himself voices Barry, the film's leading bee.
Bee Movie is directed by Simon J. Smith and Steve Hickner, and they worked in conjunction with producer Christina Steinberg and Seinfeld as a team. Hickner is a longtime animation director and Smith is a DreamWorks veteran who last directed Shrek 4-D, a stereoscopic, 11-minute theme-park ride for Universal. Smith had also overseen a stereo Imax version of the original Shrek, so he is in good stead to work on future DreamWorks films, after Bee Movie, since all are planned to release in stereo.
LIKE A LIVE-ACTION MOVIE
Layout, virtual camera placement and blocking, "was the most important," early on, Smith says. "That was the template." Attention to scale — between a bee and the human world, especially — was critical. Smith and company relied heavily on CG previsualization and CG design, as well as digital storyboards. "It's a lot crisper, quicker way of experimenting with storytelling." Storyboard artists would draw with pen-and-tablet and those images would be fed straight into an Avid and incorporated into the boards.
Smith viewed Bee Movie less as a cartoon and more as a film in three dimensions. "It feels and cuts like a live-action film," he says. "It's a little more sophisticated in terms of conversations because we recorded both the artists at the same time — like Jerry and Renee [Zellwegger], and Jerry and Matthew [Broderick] — so you have these lovely ad-libbed sections where it feels like you have these people in the same room acting on camera together. That lends itself more to live-action style cutting; these lovely, happy accidents happen.
"In terms of shooting, it was the same thing. You'd have establishing set-ups, which we'd shoot long, and occasionally, if we didn't have something in the boards, Nick [Fletcher, the film's editor] would draw something in the Avid. It was mostly putting Barry in a shot that he wasn't in and changes in expression or eye direction."
After recording the actors' principal dialogue, Seinfeld began a couple of years of working remotely with the production team from his office in New York via Halo, a sophisticated videoconferencing system by HP that DreamWorks has been using to connect its production hubs in Northern and Southern California. "He could see us on one screen and the Avid on the other and we could communicate with each other," Smith says. The team also had smaller screens in each others' offices on which they could draw on the picture like with a Telestrator.
There's lots of coverage in Bee Movie for an animated film. The camera whips around, revealing new points of view and Smith tried never to "miss a beat." Smith conceived of Barry's introduction to our world as a spectacle of 360-degree flying-camera motion, perspective tricks and roller-coaster-style action as the bee, in the company of macho "pollen jocks," is swept out of the hive and into the air and Central Park.
Nol Meyer, Bee Movie's head of layout, was "phenomenal" in maintaining a believable perspective in conversations between the little bee and humans such as Zellwegger's Vanessa. "Barry is only an inch high in our world," Smith says, "and he's only about an inch away from the [virtual] lens. If you move the camera more than an inch, Barry falls out of frame. It's not like greenscreen; it's all in-camera." If Barry the bee had to be composited into every shot, the additional lighting time would have been a budget-buster.
"We had to have scalable characters," Smith says, "so that Barry would remain visible when he'd fly away from camera and everybody did an amazing job. There were incredibly complex facial, hair and clothing systems and fur on Barry, but as you scale it up, what happens to those systems? The character TDs were constantly rewriting stuff for us on the fly."
EDITING ANIMATION
Veteran DreamWorks Animation editor Nick Fletcher was busy with Bee from pre-pro through the audio mix — it's what he does. It's almost as if, Fletcher says, "we're more involved at the beginning than we are later on, to save animators [from] having to do stuff that's going to be cut out of the movie, given the huge cost-per-frame. We try to do a kind of pre-edit using storyboards to figure out the timing and the pace of the story."
Fletcher started with a storyboard digitized into his Avid and cut it together with dialogue to develop the show's timing. CG films like Bee Movie take roughly three years, he says, and this storyboard-refining process goes on for about one year.
"When you're generally happy, a scene feels really solid, maybe we've got the real dialogue recorded by then, those are the scenes that would go into production first."
Those solid scenes then go into Meyer's layout department. The layout stage, Fletcher says, still allows "us plenty of room for playing around, too."
Of course, during storyboarding and layout the work of art direction, character design, model construction and more is also under way.
By the time scenes move from layout to animation "you've got a really clear idea of what's happening" but the team still entertained creative new ideas. Editing animation is critical at the beginning, but it never really stops. "Little challenges that come up throughout the production keep you going full time. Then, when we get to the end, we're doing the final touches, the fine cutting and working with the sound people."
HERE'S JERRY
Jeffrey Katzenberg saw to it that Seinfeld got his HP Halo videoconferencing system set up in Manhattan, but where to install it for the Bee team?
"The best place where we thought it might be useful was in my editing room," says Fletcher. This decision meant that for nearly three years, "for three or four hours a day, Jerry would be online, in my room with me and the producer and the two directors. We would look at scenes played off the Avid and then we'd switch over to the laptop and Jerry would be sort of rewriting scenes. He was very collaborative so we were all able to join in there and it really became a special job for me." Fletcher found himself right in the middle of creative brainstorming sessions. This did cause him to fall behind on his editing duties, "but it was totally worth it for me — it was like a new world!" This included rewriting dialogue. If Seinfeld's Barry the bee needed to say something new, Seinfeld could "grab a mic in New York and record a couple of lines. It was a fantastic thing; it was like Jerry was in the room with us. For an editor, it was great to be a part of that!" Many believe that Seinfeld would not have committed to Bee Movie if it had meant his moving to LA for three years.
Fletcher says Avid has also had a big effect on his work since the early '90s. "Before Avid, an animation editor's job wasn't quite so fulfilling. Avid gave you the opportunity to dump all the [storyboard] drawings with the editor and say, 'Okay, cut this together.' Everything changed at that point for me."
LITTLE BEE,BIG FILM
VFX supervisor Doug Cooper oversaw Shark Tale's effects before moving to Bee Movie. "Every film we tackle is very different," he says. "As different as Shark Tale is from Spirit, Bee Movie is from Shark Tale. Bee Movie's challenge was to push design in "a stylized direction that we hadn't really done before." Trees in Central Park, for instance, have a simple, elegant form that marries graphic design with the richness of 3D animation. Cooper describes the result as a "fantastical design" where foliage resembles cotton candy yet with highly detailed branches and leaves.
Bee Movie consumed 25 million hours of render time, much of it on newly upgraded HP systems. The show's scale was a huge technological hurdle, Cooper says, and it had two components: "There's the scope — the number of locations and the detail and richness of each one. We came up with a lot of changes in our process that allowed us to tackle much larger amounts of material for the film, and do it more efficiently while maintaining the quality of the film. The key there is focusing on the right things at the right time and really put the effort into making the hero [any subject of a given shot] look gorgeous."
DreamWorks Animation uses a proprietary toolset for character setup, animation, lighting and rendering. They also use third-party tools, such as Autodesk's Maya, primarily for effects and character effects.
The film's other big challenge was scale in the relationship of a bee and a human being, Cooper says. "The story is between Vanessa and Barry. How are you going to shoot a movie like this? Where do you put the camera and how do you compose a shot for two characters that are that different in size?" In Shark Tale, the "magic ratio" of Will Smith's character to the sharks was 6:1. "In Bee Movie, the scale is hundreds-to-one," Cooper shudders. The production team had to cheat Barry's size or, when Barry flies to another spot in Vanessa's room, he would disappear. "But it was really important that the audience didn't feel we were doing that. By using our scaling, we actually made him bigger as he flew away. He still gets smaller onscreen — he just doesn't get as small as fast.
"One of the new technologies we developed is we made all our character rigs for all the bees fully scalable. That's more complicated than you'd think." To accomplish this, all the deformations — skin, face, everything — have to be handled correctly to change a CG character's size. Barry's hair, for instance, had to shrink in size with his body, "or he's got this giant 'fro! All sorts of lighting and shading issues, like translucency, come up as well," says Cooper. "It's been a wild ride," he adds, "and it just keeps getting more interesting."
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Maya the Bee Similar TV Shows • FlixPatrol
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https://flixpatrol.com/title/maya-the-bee/ogimage/
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https://flixpatrol.com/title/maya-the-bee/ogimage/
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Find similar TV Shows like Maya the Bee which are popular on Netflix, iTunes, Amazon, Disney+ right now.
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en
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/static/img/favicons/favicon.svg
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FlixPatrol
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https://flixpatrol.com/title/maya-the-bee/similar-tv-shows/
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The Adventures of Maya the Honey Bee
TV Show | Japan | 05/01/1975 | Animation | For babies
Maya the Bee is an anime television series produced by Zuiyo Enterprise in Japan. The series consisted of 52 episodes and was originally telecast across Japan from April 1975 to April 1976 on the TV Asahi network. Based on the classic children's book Maya the Bee by Waldemar Bonsels, the anime series has become extremely popular in Europe and has been rebroadcast in countries and languages all around the world since its premiere. Two English-dubbed versions of the series exist, a British version, using a translated version of the original theme tune, and featuring British accents for the characters; and a United States version with an entirely new theme tune, produced by Saban Entertainment, which was broadcast from January 1, 1990 to December 31, 1992 on the children's television channel Nickelodeon. Maya the Bee aired alongside other juvenile-targeted anime such as Adventures of the Little Koala, Noozles and The Littl' Bits as part of Nickelodeon's Nick Jr. block of programming for young children. A second Maya the Bee series, Shin Mitsubachi Maya no Boken, was a co-production made in 1979 by Wako Productions and Austrian/German Apollo Film, Wien. The second series first premiered in Germany from September 1979 to September 1980. The very different and cartoon-like second series, which lasted for 52 episodes, wasn't very popular and did not premiere in Japan until October 1982, on TV Osaka, and aired through September 1983. Ten episodes from this series were added to 45 from the original for the U.S. broadcast run, bringing the total of Maya episodes aired on Nickelodeon in the U.S. to 55.
4.4/10
Sharkdog
TV Show | United States | 09/03/2021 | Netflix | Animation | For babies
10 year old Max and his best friend Sharkdog - half shark, half dog, all appetite. Blissfully unaware of his own strength, stealth and general sharkiness, Sharkdog often leaves a trail of chaos in his wake.
6.0/10
100%
2,497
Adventure Time
TV Show | United States | 04/05/2010 | Animation | For babies
Adventure Time is an American animated television series created by Pendleton Ward for Cartoon Network. The series follows the adventures of Finn, a human boy, and his best friend and adoptive brother Jake, a dog with magical powers to change shape and grow and shrink at will. Finn and Jake live in the post-apocalyptic Land of Ooo. Along the way, they interact with the other main characters of the show: Princess Bubblegum, The Ice King, and Marceline the Vampire Queen.
8.6/10
100%
12,134
Mickey Mouse Clubhouse
TV Show | United States | 05/06/2006 | Animation | For babies
Mickey Mouse Clubhouse is an American animated television series, that premiered in prime time on Disney Channel on May 5, 2006. The program was originally part of the Playhouse Disney daily block intended for preschoolers. On February 14, 2011, it was moved to the Disney Junior block, serving as Playhouse Disney's replacement. It is the only Mickey Mouse program to be aimed at preschoolers. The series was co-developed by Bobs Gannaway, who is also responsible for Jake and the Never Land Pirates. Production of the show was put on a four-month suspension in the spring of 2009, due to the death of voice artist Wayne Allwine, the longtime voice of Mickey Mouse. Production resumed when Bret Iwan has been cast as the fourth performer of Mickey's voice. On June 23, 2013, Bill Farmer, the voice actor for Goofy and Pluto, confirmed on his official Twitter account that Mickey Mouse Clubhouse would cease production after 7 years of episodes. However, reruns will still continue on the Disney Junior 24/7 service.
5.8/10
174,185
The Penguins of Madagascar
TV Show | United States | 04/10/2009 | Animation | For babies
The Penguins of Madagascar is an American CGI animated television series airing on Nickelodeon. It stars nine characters from the DreamWorks Animation animated film Madagascar: The penguins Skipper, Kowalski, Private, and Rico; the lemurs King Julien, Maurice, and Mort; and Mason and Phil the chimpanzees. Characters new to the series include Marlene the otter and a zookeeper named Alice. It is the first Nicktoon produced with DreamWorks Animation. A pilot episode, "Gone in a Flash"
7.6/10
90
Chip 'n Dale Rescue Rangers
TV Show | United States | 03/05/1989 | Animation | For babies
Chip 'n Dale: Rescue Rangers is an animated series produced by Walt Disney Television Animation. Created by Tad Stones and Alan Zaslove, it featured the established Disney characters Chip 'n' Dale in a new setting. The series premiered on the Disney Channel on March 4, 1989, after a preview episode was aired on August 27, 1988. The series premiered with a two-hour movie special, Rescue Rangers: To the Rescue, which was later broken up into five parts to air as part of the weekday run. The final episode aired on November 19, 1990. On September 18, 1989, the series entered national syndication. From 1998 to 1999, reruns of the show were aired as a part of the Disney Afternoon line up.
7.6/10
150
Bob the Builder
TV Show | United Kingdom | 04/12/1999 | Animation | For babies
Bob the Builder is a British children's animated television show created by Keith Chapman. In the original series Bob appears as a building contractor specializing in masonry in a stop motion animated programme with his colleague Wendy, various neighbours and friends, and their gang of anthropomorphised work-vehicles and equipment. The show is broadcast in many countries, but originates from the United Kingdom where Bob is voiced by English actor Neil Morrissey. The show was later created using CGI animation starting with the spin-off series Ready, Steady, Build!. In each episode, Bob and his group help with renovations, construction, and repairs and with other projects as needed. The show emphasizes conflict resolution, co-operation, socialization and various learning skills. Bob's catchphrase is "Can we fix it?"
5.6/10
5
The Fungies!
TV Show | United States | 08/20/2020 | Animation | For babies
Long ago on prehistoric Earth lived a bustling town of colorful mushroom folk - The Fungies! Seth, a science-minded 10-year-old Fungie kid, is fascinated by how the world works and wants to tell Fungietown all about it. With a little help from his artistic older brother, Pascal, Seth stirs up trouble for Fungietown, leading him to hilarious and heartwarming emotional discoveries. The Fungies have their own unique biology - they can pop their limbs off and on, trade limbs, and even combine their bodies! Like any kid, Seth goes to fungie school and hangs out with his fungie friends. Whether it’s planning an epic show-and-tell presentation, trying to find his dinosaur friend Pam a job, or replacing his arm with a snake so he can be better at sports, Seth is always excited for something new!
6.4/10
1,169
Grizzy & the Lemmings
TV Show | France | 11/07/2016 | Animation | For babies
The forest ranger's house is the only area of human civilization in the middle of untamed wilderness in a vast natural reserve in Canada. When the ranger is away, a bear named Grizzy feels that the ranger's house is his territory, given that bears sit at the top of the food chain. After making his way inside the home, Grizzy takes advantage of all the modern conveniences there, including a comfortable sofa, air conditioning and fully equipped kitchen. He's not alone, though, because a group of small creatures called lemmings also populate the ranger's house when he is away. Because Grizzy and the lemmings are not civilized enough to live together in peace, it becomes an atmosphere of madness when the two sides try to outdo each other with tricks.
7.2/10
11,189
Paw Patrol
TV Show | United States | 08/12/2013 | Animation | For babies
A group of six rescue dogs, led by a tech-savvy boy named Ryder, has adventures in PAW Patrol. The heroic pups, who believe no job is too big, no pup is too small, work together to protect the community. Among the members of the group are firedog Marshall, police pup Chase, and fearless Skye. All of the animals have special skills, gadgets and vehicles that help them on their rescue missions. Whether rescuing a kitten or saving a train from a rockslide, the PAW Patrol is always up for the challenge while also making sure there's time for a game or a laugh.
6.1/10
113,402
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https://www.awn.com/news/nickelodeon-greenlights-baby-sharks-big-show-animated-preschool-series
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Nickelodeon Greenlights ‘Baby Shark’s Big Show!’ Animated Preschool Series
|
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Produced with SmartStudy and based on the YouTube sensation, ‘Baby Shark,’ show will debut in December with an all-new holiday special.
|
en
|
https://www.awn.com/favicon.ico
|
Animation World Network
|
https://www.awn.com/news/nickelodeon-greenlights-baby-sharks-big-show-animated-preschool-series
|
BURBANK -- Nickelodeon is expanding the underwater world of Baby Shark with the greenlight of a new animated preschool series, Baby Shark’s Big Show! (working title), based on the world-famous pop culture phenomenon. Co-produced by Nickelodeon Animation Studio and SmartStudy, the 2D-animated series (26 half-hour episodes) will follow Baby Shark and his best friend William as they journey on fun-filled comedic adventures in their community of Carnivore Cove, meet new friends and sing original catchy tunes along the way.
“Having the opportunity to dive deeper into this incredible world and create all-new storylines has been extremely exciting, and our head of preschool Eryk Casemiro and his team can’t wait to help grow the Baby Shark universe and fanbase with an amazing new series that captures the heart and spirit of this beloved property,” commented Nickelodeon executive vice president, animation production and development, Ramsey Naito.
Baby Shark’s Big Show! will debut with an all-new original holiday special this December, with premieres rolling out across Nickelodeon’s preschool platforms in spring 2021. Following the U.S. launch, the series will roll out on Nickelodeon and Nick Jr. channels internationally. ViacomCBS Consumer Products (VCP) is managing consumer products licensing for the series worldwide, excluding China, Korea, and Southeast Asia.
Baby Shark launched on YouTube in November 2015 and amassed 5.7 billion views, becoming the second most-watched video in the platform’s history. With music, characters, story and dance all combined, the song recorded a 20-week-streak on the Billboard Hot 100 and spawned a viral phenomenon #BabySharkChallenge, generating over one million cover videos around the globe.
Baby Shark’s Big Show! is executive produced by Gary “Doodles” DiRaffaele (Breadwinners) and Tommy Sica (Breadwinners), with Whitney Ralls (My Little Pony: Equestria Girls) serving as co-executive producer. The production will be overseen by Nickelodeon Preschool senior VP, Eryk Casemiro.
The series is the latest to join Nickelodeon’s preschool lineup which includes Ryan’s Mystery Playdate, Bubble Guppies and Blaze, and the Monster Machines. It is part of Nick’s strategy to be home to the most popular franchises for kids and their families, expanding their growing portfolio of properties that already includes SpongeBob SquarePants, PAW Patrol, Teenage Mutant Ninja Turtles, Blue’s Clues & You!, the first-ever SpongeBob spinoff, Kamp Koral, The Smurfs and an all-new animated Star Trek series.
Source: Nickelodeon
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https://www.imdb.com/list/ls024058680/
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Nick Jr. Cartoons
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[
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[] | null |
Nick Jr. Cartoons
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en
|
IMDb
|
https://www.imdb.com/list/ls024058680/
|
It's Time for Adventure! The Very First Collection From The New Hit Series Where Madcap Adventures Happen Quickety Tickety! Set in an extraordinary world behind the Tickety Toc Clock, Chime Time Adventures follows comedic heroes Tommy and Tallulah as they race to chime the time...but, as every hour passes and the clock springs to life, things don't always run so smoothly! In these six exciting episodes, the twins and their adorable friends will embark on wild storybook shenanigans, daring circus acts and amazing magic tricks. There's also a giant game of Tickety-Tag and a marvelously messy photo day! With the help of their Tickety Town friends, Pufferty, McCoggins, Tooteroo, Madame Au Lait, Battersby, Chikidee and Hopparoo, your own preschoolers will learn the importance of teamwork, community and social responsibility. In this very first Tickety Toc collection, every second counts! *Dove approved for the whole family*
Olivia is an imaginative, and creative pig. She does everything with her best friends, Julian and Francine. Olivia is always up for fun, if it's at school, at home, or at a friends house.
|
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https://channelstore.roku.com/browse/kids-and-family
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en
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Roku
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
Roku provides the simplest way to stream entertainment to your TV. On your terms. With thousands of available channels to choose from.
|
de
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Roku
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https://channelstore.roku.com/de-de/browse/kids-and-family
| ||||||
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dbpedia
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https://nickelodeon.fandom.com/wiki/List_of_programs_broadcast_by_the_Nick_Jr._Channel
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en
|
List of programs broadcast by the Nick Jr. Channel
|
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The following is a list of programs broadcast by the Nick Jr. Channel. It was launched on September 28, 2009 as a spin-off of Nickelodeon's long-running preschool programming block of the same name, which had aired since 1988. The channel features original series and reruns of programming from...
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https://static.wikia.nocookie.net/nickelodeon/images/4/4a/Site-favicon.ico/revision/latest?cb=20230623213501
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Nickelodeon
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https://nickelodeon.fandom.com/wiki/List_of_programs_broadcast_by_the_Nick_Jr._Channel
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This article uses content from Nick Jr. Wiki.
Please visit the Nick Jr. Wiki's article on List of programs broadcast by Nick Jr. for more information.
For a list of Noggin shows, see List of programs broadcast by Noggin.
This article is about a list of programs broadcast by the Nick Jr. Channel. For a list of programs broadcast by the Nickelodeon programming block, see List of programs broadcast by Nick Jr. (block).
The following is a list of programs broadcast by the Nick Jr. Channel. It was launched on September 28, 2009 as a spin-off of Nickelodeon's long-running preschool programming block of the same name, which had aired since 1988. The channel features original series and reruns of programming from Nickelodeon's weekday morning lineup. A late-night programming block aimed at parents, NickMom, aired on the Nick Jr. Channel from October 1, 2012 to September 28, 2015.[1][2]
The channel replaced Noggin, which was relaunched as a streaming service in 2015 and acts as a separate sister brand. Noggin's programming is distinct from the Nick Jr. Channel's; it mainly carried pre-teen-oriented programs at its launch,[3] and its 2015 streaming service features a variety of exclusive series.
Current programming[]
Original programming[]
An asterisk (*) indicates that the program has or had new episodes aired on the Nick Jr. Channel.
The following is a list of original shows (created and owned by Nickelodeon) that aired on the Nick Jr. Channel. Included are the shows' logos, titles, first and last air dates, and notes about their broadcast.
Animated series[]
Image Title Premiere date PAW Patrol August 12, 2013 Currently airs on the Nick Jr. Channel. Blaze and the Monster Machines October 19, 2014[4] Currently airs on the Nick Jr. Channel. Baby Shark's Big Show![note 1] December 12, 2020[5][6][7][8][9] Currently airs on the Nick Jr. Channel. Face's Music Party June 6, 2022[10] Currently airs on the Nick Jr. Channel. Rubble & Crew February 3, 2023 Currently airs on the Nick Jr. Channel. Bossy Bear March 6, 2023 Currently airs on the Nick Jr. Channel.
Live-action series[]
Image Title Premiere date Blue's Clues & You! November 11, 2019[11] Currently airs on the Nick Jr. Channel. The Tiny Chef Show September 9, 2022[12][13][14] Currently airs on the Nick Jr. Channel, new episodes will air on Nickelodeon starting April 8, 2024.
Acquired programming[]
Animated series[]
Image Title Premiere date Max & Ruby*[15] September 28, 2009 Peppa Pig[note 2] February 5, 2011[16] Hey Duggee July 11, 2016[17] The Adventures of Paddington*[note 2] December 22, 2019[18] JoJo & Gran Gran July 2, 2021 Kiri & Lou* June 13, 2022[19] Ended but still airing reruns on the Nick Jr. Channel.
Programming on Pluto TV[]
Pluto TV, a streaming service purchased by ViacomCBS in 2019, includes a channel dedicated to Nick Jr. programming, along with a Latino feed. The lineup consists of discontinued series from the Nick Jr. block and the TV channel.[20][21]
1 Latino feed only. This is the feed for Pluto US and not to be confused with the Latin America version.
2 English feed only.
Title Premiere date Ben and Holly's Little Kingdom1 October 15, 2019 Blue's Clues May 1, 2019 Butterbean's Café May 2021 Corn & Peg May 2021 Dora the Explorer May 1, 2019 Dora and Friends: Into the City! October 15, 2019 Franklin and Friends2 May 19, 2019 The Fresh Beat Band2 May 1, 2019 Fresh Beat Band of Spies1 October 15, 2019 Go, Diego, Go! May 1, 2019 Max & Ruby May 1, 2019 Peter Rabbit May 1, 2019 Ricky Zoom 2020 Robot and Monster2 May 1, 2019 Rusty Rivets May 2021 Wallykazam!2 May 1, 2019 Wonder Pets! May 1, 2019 Zoofari October 15, 2019
Interstitial programming[]
Title Premiere date Crafty Characters October 2015 Crafty Creatures November 2014
Special events[]
Title Premiere date Worldwide Day of Play 2010
Upcoming programming[]
Original programming[]
Animated series[]
Title Premiere date HexVet 2024 Super Duper Bunny League 2024
Acquired programming[]
Animated series[]
Title Premiere date Hamsters of Hamsterdale 2024[14]
Former programming[]
Original programming[]
Animated series[]
Image Title First air date Last air date Rugrats July 12, 2014 July 28, 2014 Reruns briefly aired on the Nick Jr. Channel until 2014. Currently shown in reruns on Nick Pluto TV. Little Bill September 28, 2009[note 3] February 21, 2014 Reruns aired on the Nick Jr. Channel until 2014. Dora the Explorer September 28, 2009[note 3] February 11, 2024 Four episodes from the 8th and final season premiered on the Nick Jr. Channel rather than on Nickelodeon from July-August of 2019. Reruns continued to air on the Nick Jr. Channel until February 2024. Currently shown in reruns on the Nick Jr. Pluto TV channel. Oswald[note 4] September 28, 2009[note 3] December 11, 2014 Reruns of the series were aired on the Nick Jr. Channel until December 2014. The Backyardigans* September 28, 2009[note 3] August 30, 2018[22] Four episodes from the fourth and final season never aired on the main network and instead premiered on the Nick Jr. Channel from 2012 to 2013. Two episodes were left unaired on Nickelodeon and the Nick Jr. Channel. Reruns were aired until August 2018. Go, Diego, Go! September 28, 2009[note 3] August 31, 2018 The last premiere was on September 16, 2011, but the show continued to air on the Nick Jr. Channel until August 2018. Currently shown in reruns on the Nick Jr. Pluto TV channel. Wonder Pets!* September 28, 2009[note 3] August 30, 2018 Six episodes from the third and final season never aired on the main network and instead premiered on the Nick Jr. Channel from 2011 to 2016. Reruns were aired until August 2018. Currently shown in reruns on the Nick Jr. Pluto TV channel. Ni Hao, Kai-Lan* September 28, 2009[note 3] September 30, 2016 One episode, "Journey to Monkey King Castle," was left unaired on the main Nickelodeon network. It premiered on the Nick Jr. Channel on August 21, 2011. The show stopped rerunning regularly on February 24, 2015, but it returned for 3 weeks starting September 12, 2016. Team Umizoomi January 31, 2010[23] August 1, 2024 The last premiere was on April 24, 2015, but reruns continued to air on the Nick Jr. Channel until August 2024. Bubble Guppies January 30, 2011[24] August 1, 2024 The show ended in 2023, but reruns continued to air on the Nick Jr. Channel until August 2024. Kung Fu Panda: Legends of Awesomeness May 15, 2016[25] Only two episodes aired on the Nick Jr. Channel for an unknown reason on May 15, 2016 Teenage Mutant Ninja Turtles (2012)[note 5] July 31, 2016 Wallykazam!* February 3, 2014 March 31, 2022 Many episodes were left unaired on the main network. They aired on the Nick Jr. Channel from May 2016 to September 2017. Currently shown in reruns on the Nick Jr. Pluto TV channel. The show stopped rerunning regularly in 2020, but it returned with one airing on March 31, 2022. Dora and Friends: Into the City!* October 4, 2014[27][28][29] October 18, 2021 The show moved to the separate Nick Jr. Channel in February 2016, leaving many episodes unaired on the main network. Fresh Beat Band of Spies* June 15, 2015[30] October 29, 2021[31] According to The Futon Critic, many other episodes were scheduled to air on the main network but were pulled. Only four episodes aired on Nickelodeon before the show moved to the Nick Jr. Channel. Currently shown in reruns on the Nick Jr. Pluto TV channel. Shimmer and Shine* August 24, 2015 October 29, 2021[31] Many episodes were left unaired on the main network. They aired on the Nick Jr. Channel from March 2018 to February 2020. Reruns stopped in 2021. Winx Club*[note 6] August 3, 2015 August 23, 2016 Some episodes from season 6 and all of season 7 aired exclusively on the Nick Jr. Channel from August 2015 to April 2016. Reruns aired until August 2016. Harvey Beaks May 1, 2016[34] Only two episodes aired on the Nick Jr. Channel for an unknown reason on May 1, 2016. The Loud House May 7, 2016[34] May 8, 2016[35] Only four episodes aired on the Nick Jr. Channel for an unknown reason on May 7, 2016 to May 8, 2016. Nella the Princess Knight* February 6, 2017 December 15, 2019 The first 23 episodes were shown on the main network. Premieres aired on the separate Nick Jr. Channel from February 2018 to December 2019. Three episodes from the second and final season never aired on the Nick Jr. Channel and instead premiered on Paramount+ in July 2021. Sunny Day* July 7, 2017 December 15, 2019 The first 27 episodes were shown on the main network. Premieres aired on the separate Nick Jr. Channel from October 2018 to December 2019. 11 episodes never aired on the network and instead premiered on Amazon Prime Video in 2020. Butterbean's Café* November 13, 2018[36] August 13, 2021[37] Many episodes were left unaired on the main network. They premiered on the Nick Jr. Channel from August 2019 to August 2020. Reruns aired until August 2021. Santiago of the Seas October 10, 2020[38][39][40] February 11, 2024 Many episodes were left unaired on the main network and premiered on the Nick Jr. Channel in July 2023. Kinderwood December 3, 2021 June 4, 2021 Reruns briefly aired on the Nick Jr. Channel until 2021. The BeatBuds, Let's Jam! June 7, 2021[41] July 16, 2021[42] Reruns briefly aired on the Nick Jr. Channel until 2021. Kinderwood December 3, 2020 June 11, 2021 Reruns briefly aired on the Nick Jr. Channel until 2021. Kamp Koral: SpongeBob's Under Years November 13, 2022 A 2-hour marathon of aired on the Nick Jr. Channel despite the show being a Nicktoon on November 13, 2022. PAW Patrol was next after the marathon. It's possible that it was originally scheduled but Kamp Koral was accidentally aired instead.
Live-action series[]
Image Title First air date Last air date Gullah Gullah Island September 28, 2009[note 3] December 5, 2014 The show stopped rerunning regularly in 2013, but it returned for a winter-themed event with one airing on December 5, 2014. Blue's Clues September 28, 2009[note 3] July 1, 2019[43] Reruns aired on the Nick Jr. Channel until 2019. Currently shown in reruns on the Nick Jr. Pluto TV channel. Oobi September 28, 2009[note 3] March 11, 2013 Reruns aired on the Nick Jr. Channel until 2013. Blue's Room September 28, 2009[note 3] February 13, 2011[44] Reruns briefly aired on the Nick Jr. Channel until 2011. Jack's Big Music Show September 28, 2009[note 3] December 26, 2014 Reruns were shown from the channel's launch to 2013. The show stopped rerunning regularly in 2013, but it returned for a winter-themed event on December 26, 2014. The Upside Down Show[note 7] September 28, 2009[note 3] March 1, 2012 Reruns aired on the Nick Jr. Channel until 2012. The Fresh Beat Band* September 28, 2009[note 3] July 2, 2016 Five episodes were left unaired on the main network. They aired on the Nick Jr. Channel from August 2012 to December 2013. Reruns stopped in 2016. Currently shown in reruns on the Nick Jr. Pluto TV channel. Zoofari* February 5, 2018 October 19, 2018 The show aired nine times on the Nick Jr. block before moving to the separate Nick Jr. Channel, where premieres aired from March to October 2018. Noggin Knows* May 28, 2021 July 30, 2021 The last premiere was on June 25, 2021, but the show continued to air on the Nick Jr. Channel until July 2021.
Acquired programming[]
Title First air date Last air date 44 Cats May 25, 2019 January 3, 2020 Abby Hatcher*[note 2] January 1, 2019[45] April 2, 2022[46] ALVINNN!!! and the Chipmunks April 23, 2018 August 31, 2018 Becca's Bunch[note 2] September 24, 2018 May 10, 2019 Ben & Holly's Little Kingdom[note 2] October 5, 2015 December 28, 2018 Cleo & Cuquin January 22, 2018 January 18, 2019 Corn & Peg*[note 2] March 4, 2019 October 9, 2020 Deer Squad[note 2] January 25, 2021[47] January 19, 2022[48] Digby Dragon[note 2] January 23, 2017 June 8, 2018 Dino Dan*[note 2] October 17, 2010 March 9, 2017 Franklin September 28, 2009[note 3] June 14, 2013 Franklin and Friends[note 2] March 1, 2012 March 29, 2019 Julius Jr. September 29, 2013 August 9, 2015[49] Kuu Kuu Harajuku February 3, 2017 February 2, 2018 Lalaloopsy*[note 2] March 29, 2013 October 2, 2016[50] LazyTown[note 2] September 28, 2009[note 3] July 19, 2010 Lego City Adventures[note 2] July 15, 2019[51] October 26, 2020[52] Little Bear[note 2] September 28, 2009[note 3] August 31, 2018 Little Charmers[note 2] January 12, 2015 August 30, 2018[53] Maggie and the Ferocious Beast September 28, 2009[note 3] November 1, 2010 Mia and Me May 3, 2014 December 25, 2016 Miffy's Adventures Big and Small October 3, 2016 June 16, 2019[54] Mike the Knight March 1, 2012 November 30, 2018[55] Miss Spider's Sunny Patch Friends[note 2] September 28, 2009[note 3] December 12, 2014[56] Mysticons September 23, 2017 April 2, 2018 Olivia[note 2] September 28, 2009[note 3] October 30, 2015[57] Peter Rabbit[note 2] December 14, 2012 June 10, 2019[58] Pinky Dinky Doo[note 2] September 28, 2009[note 3] April 8, 2011 Pocoyo July 23, 2011 December 27, 2014 Rainbow Rangers November 5, 2018[59] October 29, 2021[31] Regal Academy November 5, 2017 May 27, 2018[60] Ricky Zoom* September 14, 2019[61] March 31, 2021[62] Rusty Rivets*[note 2] November 8, 2016[63] January 1, 2021 Ryan's Mystery Playdate June 10, 2019[64] April 16, 2023 The Smurfs February 28, 2022[65] July 17, 2023 Teletubbies May 30, 2016 August 17, 2018[66] Thomas & Friends* December 15, 2017 December 27, 2019[67] Tickety Toc*[note 2] September 10, 2012 August 30, 2018 Toot & Puddle[note 2] September 28, 2009[note 3] November 30, 2012 Top Wing*[note 2] November 6, 2017 July 2, 2020[68] Trulli Tales October 5, 2019 May 14, 2020[69] Wow! Wow! Wubbzy!*[70][note 2] September 28, 2009[note 3] April 14, 2014[71] Yo Gabba Gabba!*[72][note 2] September 28, 2009[note 3] October 24, 2016[73] Zack & Quack April 5, 2014 September 21, 2018[74]
Former interstitials[]
All Together Now (2012–2015)
Art Alive (2009–2010)
Arts and Crafts (2009–2012)
Bedtime Business (2009–2015)
The Big Green Help (2009–2010)
Canticos (2018)
Chickiepoo and Fluff: Barnyard Detectives (2009–2012)
Count It Up (2012–2015)
Critter Corner (2009–2012)
Field Trip (2009–2012)
Get A Move On (2012–2015)
Get Creative (2012–2015)
Getting Going (2009–2012)
Moose and Zee (mascots; 2009 – March 1, 2012)
Move to the Music (2009–2012)
Nickelodeon Music (2012–2015)
Nick Jr. Presents (2009–2012)
The Olive Branch (2010–2012)
Peppa Pig (shorts; 2009 – February 4, 2011)
Pocoyo (shorts; 2010 – July 22, 2011)
Nick Jr. Show and Tell
Say it 2 Ways (2009–2015)
Show and Tell (2009–2010)
Story Time (2009–2015)
SuperSonic Science (2012–2015)
Word of the Day (2012–2015)
Word Play (2012–2015)
WorldWide (2012–2015)
NickMom[]
Original Series[]
NickMom acquired series[]
Parenthood was acquired and exclusive to NickMom. Other series were acquired via Nick at Nite.
Title First air date Last air date Parenthood April 3, 2015 September 27, 2015 The New Adventures of Old Christine September 9, 2013 2015 Hangin' with Mr. Cooper October 15, 2014 That 70's Show 2015 Yes, Dear February 3, 2013 2015
Repeats of ViacomCBS Series[]
Image Title First air date Last air date See Dad Run January 1, 2013 September 27, 2015 MFF: Mom Friends Forever September 21, 2014 September 27, 2015 Run's House October 2014 September 27, 2015 The Exes 2015 September 27, 2015 Hot in Cleveland 2015 September 27, 2015 The Soul Man 2015 September 27, 2015 Younger 2015 September 27, 2015
Notes[]
See also[]
List of programs broadcast by Nickelodeon
List of programs broadcast by Nick at Nite
List of programs broadcast by Nicktoons
List of programs broadcast by TeenNick
List of films aired on Nickelodeon
List of films aired on NickToons
List of films aired on TeenNick
List of films aired on the Nick Jr. Channel
References[]
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9033
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dbpedia
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0
| 63 |
https://petiteanglaise.com/2009/01/26/tadpolecast-maya-labeille/
|
en
|
tadpolecast – maya l’abeille
|
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[
""
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2009-01-26T00:00:00
|
I think of all the things I've posted on this blog, the Tadpole sings category affords me the most retrospective amusement. Listening to her 'performance' of Twinkle Twinkle Little Star, in French and English, aged two, makes me realise what a long way we've come (and just how long I've been blogging). Playing the song…
|
en
|
petite anglaise
|
https://petiteanglaise.com/2009/01/26/tadpolecast-maya-labeille/
|
I think of all the things I’ve posted on this blog, the Tadpole sings category affords me the most retrospective amusement.
Listening to her ‘performance’ of Twinkle Twinkle Little Star, in French and English, aged two, makes me realise what a long way we’ve come (and just how long I’ve been blogging).
Playing the song she invented, aged four, about falling down and ripping open her top lip on a jagged manhole cover simultaneously brings tears to my eyes and makes me laugh out loud.
I’m not one for taking a lot of photos, and almost never think to film anything, but I’ll definitely be hanging on to these audio clips for posterity.
Todays podcast features Tadpole’s rendition of the theme tune to a cartoon which was enormously popular in France in the late 70’s and early 80’s, Maya l’Abeille (Maya the Bee). Correct me if I’m wrong, but I don’t think Maya ever aired in the UK, even if the Austro-Japanese production seems to have enjoyed success elsewhere around the world.
So I have Mr Frog and his fondness for showing Tadpole clips of favourite children’s programmes from his youth on YouTube* to thank.
https://petiteanglaise.com/wp-content/uploads/2009/01/maya.mp3
And the funny noises are, um, kisses. I believe there are three. Tadpole was in an affectionate mood…
*original version of the Maya theme tune. Extremely high pitched singing alert. Play at your own risk.
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9033
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dbpedia
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3
| 36 |
https://www.commonsensemedia.org/lists/educational-tv-shows-for-kids
|
en
|
Educational TV Shows for Kids
|
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Common Sense Media editors help you choose Educational TV Shows for Kids. In moderation, TV can be a great teaching tool.
|
en
|
/themes/custom/common_sense/images/favicons/favicon-16x16.png
|
Common Sense Media
|
https://www.commonsensemedia.org/lists/educational-tv-shows-for-kids
|
If you like your kids to learn a thing or two during their time in front of the TV, then be sure to check out our favorite educational TV shows. From preschool programs to improve reading readiness to shows for your avid STEM fan, this list is full of age-appropriate options that help make TV time count. With classics like Sesame Street to newer favorites like Sid the Science Kid, there's no shortage of smart -- and fun -- shows out there for kids. And great shows like Breakthrough and First Life provide plenty to watch for tweens and teens. So check out these picks, and learn a few things while you're at it.
|
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9033
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dbpedia
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3
| 37 |
https://www.listchallenges.com/nick-jr-old-shows
|
en
|
Nick Jr Old Shows
|
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[] | null |
These shows were all on when I was growing up. I think a few are still on now! How many have you watched?
|
/favicon.png
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List Challenges
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https://www.listchallenges.com/nick-jr-old-shows
|
These shows were all on when I was growing up. I think a few are still on now! How many have you watched?
|
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| 94 |
https://www.dailymotion.com/video/x6gm18w
|
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Dailymotion
|
[] |
[] |
[] |
[
""
] | null |
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en
|
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|
https://www.dailymotion.com/video/x6gm18w
| |||||||
9033
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0
| 62 |
https://www.tiktok.com/discover/maya-the-bee-the-movie
|
en
|
Make Your Day
|
[] |
[] |
[] |
[
""
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en
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1
| 79 |
https://dove.org/review/12659-maya-the-bee-2-the-honey-games/
|
en
|
Maya the Bee 2: The Honey Games
|
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[] |
[] |
[
""
] | null |
[] |
2021-06-18T00:00:00+00:00
|
When a tribute announcement demanding half the hive’s honey threatens the very survival of the hive, Maya, and her sidekick Willy, defy the queen’s orders and go to Buzztropolis to confront the Empress. The Empress invites them to participate in the Honey Games, however she explains that if they win, all is forgiven, but if they lose she will take all of the summer honey. Maya and Willy’s teammates are neither enthusiastic nor athletic, but Maya remains positive and exclaims that “every bug has a talent!” While securing her hive’s future and gaining new friends, Maya learns about teamwork, account ability, and overcoming preconceived notions.
|
en
|
Dove.org
|
https://dove.org/review/12659-maya-the-bee-2-the-honey-games/
|
Continuing the story of Maya and her hive of friends, Maya the Bee 2: The Honey Games explores and instructs on themes of teamwork and individual gifts. After all, “Every bug has a talent!” is Maya’s motto that she brings along with her throughout the film. This positive momentum is what she brings to her team, and is so contagious that she can help others discover their gifts.
That doesn’t mean Maya doesn’t have her own faults. Her positivity can be so self-focused that she forgets how to work for the greater good of her hive. She speaks out against her elders and allows rash actions to get in her way. However, these are trials seen by Maya to overcome and strengthen, and the film’s use of bright and cheery animation only welcomes younger audiences to take on these traits in their own lives. What Maya Maya the Bee 2 stand out is how Maya is not simply a platform for self-betterment, but instead hones her skills and builds others up along the way. As an audience, it is most encouraging to see how others can reach out and help, and the film captures this idea beautifully. Dove is proud to award Maya the Bee 2: The Honey Games with approval for All Ages.
|
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3
| 3 |
https://www.nick.com/nick-jr/nick-jr
|
en
|
Nick.de: Offizielle deutsche Nickelodeon Startseite
|
https://images.paramount.tech/uri/mgid:arc:imageassetref:shared.nick.us:bb6a3a26-1aee-4519-b794-c997a6e836fc?format=jpg&width=1200&height=630&crop=true
|
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] |
[] |
[] |
[
""
] | null |
[] | null |
Auf der offiziellen deutschen Nickelodeon-Webseite kannst du deine liebsten Kinderserien und TV Programme schauen.
|
de
|
/favicon.ico
|
Nickelodeon
|
https://www.nick.de
|
©2024 Viacom International Inc. All Rights Reserved. Nickelodeon and all related titles and logos are trademarks of Viacom International Inc.
|
||
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| 21 |
https://www.nickatnite.com/
|
en
|
Nick.de: Offizielle deutsche Nickelodeon Startseite
|
https://images.paramount.tech/uri/mgid:arc:imageassetref:shared.nick.us:bb6a3a26-1aee-4519-b794-c997a6e836fc?format=jpg&width=1200&height=630&crop=true
|
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|
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] |
[] |
[] |
[
""
] | null |
[] | null |
Auf der offiziellen deutschen Nickelodeon-Webseite kannst du deine liebsten Kinderserien und TV Programme schauen.
|
de
|
/favicon.ico
|
Nickelodeon
|
https://www.nick.de
|
©2024 Viacom International Inc. All Rights Reserved. Nickelodeon and all related titles and logos are trademarks of Viacom International Inc.
|
||
9033
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|
0
| 74 |
https://www.wikiwand.com/en/Nick_Jr.
|
en
|
Nick Jr.
|
[
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] |
[] |
[] |
[
""
] | null |
[] | null |
Nick Jr. is an American morning programming block that airs on Nickelodeon every weekday. It was launched on January 4, 1988. Nick Jr. features a lineup of shows aimed at children aged 2 through 6.
|
en
|
Wikiwand
|
https://www.wikiwand.com/en/Nick_Jr.
|
This article is about the American morning block on Nickelodeon. For the 24/7 channel, see Nick Jr. Channel. For other uses, see Nick Jr. (disambiguation).
Nick Jr. (sometimes disambiguated as Nick Jr. on Nickelodeon or Nick Jr. on Nick, and sometimes referred to as Nick, Jr.) is an American morning programming block that airs on Nickelodeon every weekday. It was launched on January 4, 1988. Nick Jr. features a lineup of shows aimed at children aged 2 through 6.
|
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9033
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0
| 8 |
https://rachelsreviews.net/2015/05/30/maya-the-bee-review/
|
en
|
Maya the Bee Review
|
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] |
[] |
[
""
] | null |
[
"Rachel's Reviews"
] |
2015-05-30T00:00:00
|
All right gather your toddlers because I have a movie for them- Maya the Bee. This is based on the 1991 anime series that used to air on Nick Jr here in the states. I have a fondness for the original series so when I saw this on vuduu I had to give it a…
|
en
|
Rachel's Reviews
|
https://rachelsreviews.net/2015/05/30/maya-the-bee-review/
|
All right gather your toddlers because I have a movie for them- Maya the Bee. This is based on the 1991 anime series that used to air on Nick Jr here in the states. I have a fondness for the original series so when I saw this on vuduu I had to give it a rental. The original show only aired for 2 years but was about a bee named Maya and her attempts to shake up the robot-like bees at her hive.
The episodes are extremely simple usually with Maya trying to cheer a grumpy bee up and help make everyone happy. When I rewatched much of the first season I thought of Dora the Explorer. They have a very similar demographic. Cheerful, happy, sweet and no attempt to be cheeky or entertain grown ups, which I think is great.
The movie is pretty much the same with some plot thrown in. We get all the main characters of Maya, Willy (Maya’s friend), Flip (friendly grasshopper) and Miss Cassandra (Maya’s teacher). It’s bright and colorful and I thought looked much better than I expected it too.
The story is nothing new in Maya the Bee. Basically Maya doesn’t fit in with the hive. She wants to do everything differently- even when she is born is different than the rest. This is a challenge for Miss Cassandra who is her teacher and guardian. That part is straight from the original TV show.
It annoys the bad girl in the movie Buzzlina vonBeena (great name!) voiced by the great Jacki Weaver.
Buzzlina develops a scheme she is going to hide the prized royal jelly the queen needs to live and blame their enemies the hornets. This will be her chance to usurp power and take control. The hive falls hook line and sinker except of course for Maya who is banished and her friend Willy comes along.
She goes to the meadow to try and get bugs to help her and find Flip the grasshopper who promised if he could do anything he would. Flip is a musical grasshopper and has a song and dance number at the meadow that is forgettable but little tikes might enjoy.
Along the way they meet a little hornet who is lost from his father and Willy is initially scared but Maya wants to give him a chance. Just because he is a hornet doesn’t mean he’s a bad person after all 🙂
There are also a band of ants sent by Miss Cassandra to find Willy and Maya led by 2 numskulls that were amusing idiots.
Eventually the hornets confront the bees and Maya exposes Buzzlina’s dastardly plot and we end with a big party that includes the all of the bugs from the movie.
It’s very easy to eviscerate a movie like Maya the Bee. The story is trite and something we’ve seen a million times, the voice casting is sub-par and the message is very corny.
There is no attempt like The Lego Movie to appeal to a broad audience but I actually think that is a strength. It is made for little children (2 to 4). There is nothing scary and the message is digestible for that age. Something like ‘be unique’ and ‘don’t be afraid to stand out’ may be better told in the Lego Movie but I think it probably gets lost on the very young audience. Lego is a better movie for sure but all the in jokes (Star Wars rave for instance), the batman schtick, and the live action scene are probably not compelling for toddlers.
This is what Dreamwork’s Home got wrong. It is bright and colorful and trying to appeal to very small children but then it gets muddled and the premise of all the humans getting abducted and a girl on her own is too much for the small tikes. Home didn’t know what it was trying to be and so it failed- even in the characters which were inconsistent and frustrating. Maya the Bee is certainly much better than Home.
Maya the Bee is just a sweet simple movie made for little one’s and it should appeal equally to boys and girls which is a little unusual in that demographic. It is one the parents may want to put on and go do the dishes but I wasn’t miserable watching it and I don’t have kids.
For the target demographic, I do think it is a little bit too long. It really should be more like the 2011 Winnie the Pooh, which is 63 minutes. (I still hold that Winnie the Pooh to be one of the best movies for 2-3 year olds ever made from the music, animation, pacing, time everything is perfect for that group). There are definitely segments that could have been cut out like the song.
They perhaps could have tried a little harder to do something original with the story or gotten better voice talent because the animation is lovely but for what it is I liked it. I thought they did an ok job.
You parents out there- what do you think of Maya the Bee? Look like something worth checking out? If you do let me know what you think and if your kids like it.
Overall Grade- C+
Here’s the trailer if that helps give you more of an idea on the film.
|
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9033
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1
| 14 |
https://www.amazon.com/Maya-the-Bee/dp/B078JYRCYK
|
en
|
Amazon.com
|
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en
| null |
Enter the characters you see below
Sorry, we just need to make sure you're not a robot. For best results, please make sure your browser is accepting cookies.
|
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0
| 58 |
https://www.animenewsnetwork.com/encyclopedia/anime.php%3Fid%3D1415
|
en
|
Maya the Bee (TV)
|
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[
""
] | null |
[
"manga novels"
] |
2024-08-19T09:15:00-04:00
|
en
|
/meta/favicon.ico
|
https://www.animenewsnetwork.com/encyclopedia/anime.php?id=1415
|
Japanese staff Japanese cast
Series Director: Hiroshi Saitō
Director: Masaharu Endō
Series Composition: Niisan Takahashi
Script:
Hikaru Sasa (eps 1, 4, 7)
Ichi Kanazawa (eps 3, 5-6)
Niisan Takahashi (eps 2, 8-52)
Storyboard:
Fumio Ikeno (21 episodes
eps 3, 9, 11-12, 14-20 even, 23-24, 26, 29, 31, 33, 37, 40, 43, 45, 48-49, 51
)
Hikaru Sasa (eps 1, 8)
Mitsuo Kobayashi (eps 2, 7, 10)
Motosuke Takahashi (13 episodes
eps 19, 22, 28, 30, 35, 39, 41-42, 44, 46-47, 50, 52
)
Osamu Murayama (ep 27)
Shûji Yamazaki (7 episodes
eps 4-6, 15, 17, 21, 25
)
Tameo Kohanawa (ep 13)
Music: Takashi Ogaki
Original story: Waldemar Bonsels
Character Design:
Hayao Nobe
Susumu Shiraume
Art Director: Masahiro Ioka
Animation Director:
Hayao Nobe (eps 1-52)
Takao Ogawa (18 episodes
eps 14, 16, 19, 22, 25-26, 28-29, 31, 33, 39, 42-52 even, 3537
)
Director of Photography: Keishichi Kuroki
Executive producer: Kōichi Motohashi
Animation:
Akio Sakai (ep 9)
Eisuke Kondo (eps 4, 7, 13)
Hayao Nobe
Hidemi Kubo (ep 5)
Hiroshi Oikawa (ep 6)
Kazuhiko Udagawa (eps 2, 10, 12)
Keiichirō Mochizuki (ep 4)
Nobuhiro Okasako (eps 2, 9, 12)
Seiichi Nodate (ep 3)
Takao Ogawa (eps 1, 8, 11)
Takashi Yoshihashi (ep 8)
Takumi Noda (ep 1)
Toyoo Ashida (eps 3, 10)
Yasushi Hirakawa (ep 5)
Yôichi Mieno (eps 7, 13)
Yoshinori Kanemori (ep 6)
Yūji Yatabe (ep 11)
Finish Check: Kaoru Uno
Production Assistant:
Manabu Tamura
Nobuaki Hosoda
Production Desk: Shigeo Endo
Recording Director: Yasuo Uragami
Sound Adjustment: Tsuguo Nakatogawa
Sound Effects: Shōji Katō
Theme Song Arrangement: Yasuhiro Koyama
Theme Song Composition:
Koba Hayashi (ED)
Seizo Ise
Theme Song Lyrics: Seizo Ise
Japanese companies English staff English cast
ADR Director: Scott Page-Pagter
Script: Tim Reid
Art Card: Kevin Murphy
Artistic Direction: Andrea Wagner
Associate producer:
Eric S. Rollman
Editing Supervisor:
Stacy Gale
Tony Rastatter
Executive in Charge of Music: Ron Kenan
Music Coordination: Lesa M. Scharnett
Music Editing: Chris Chilly
Music Engineer: Barron Abaamovitch
Music Supervision: Andrew Dimitroff
Original screenplay: Marty Murphy
Post Production Director: Claudine Carpentier
Post-Production Coordinator: Julie Pelletier
Production Supervision: Paul Campbell
Re-recording: Andre Perreault
Sound Editor: Rene Berudry
Sound Effects:
Mario Roorigue
Steve Weiner
Studio Supervisor: Barbara Parker
Supervising Producer: Winston Richard
Title Design: Sam Johnson
Voice Direction:
Kathleen Fee
Tim Reid
Voice Recording:
Luc Hebert
Linda Stewart as Maya the Bee (Sonovision)
Pauline Little as Maya
Richard Dumont as Willi
Carolyn Steyn as Madame Butterfly (Sonovision)
A.J. Henderson as Flip
Anna MacCormack as Grimelda
Jane Woods as Cassandra
English companies French cast French staff
Didier Rousset as Willi
Nadine Delanoë as Maya
Catherine Lafond as
Cassandre
La Fourmi
Claude Rollet as Colonel des Fourmis
Elisabeth Chouvalidzé as Willy (Quebec)
Elisabeth Margoni as La Coccinelle
Erik Colin as
Jean le Taon
Jérôme le mille-pattes
Jacques Lavallée as Flip (Quebec)
Jean-Pierre Rambal as Max le ver de terre
Luc Durand as Alexandre (Quebec)
Marcelle Lajeunesse as
L'Ephémère
Rick
Marie-Françoise Sillière as Melle Papillon
Maurice Baquet as Flip
Pierre Plessis as Le Bourdon
French companies Spanish staff Spanish cast
ADR Director: Ruben Arvizu
Dubbing Director: Fernando Mateo (Spain dub)
Producer: Ruben Arvizu
Theme Song Lyrics: Alfredo Garrido García (Spain dub)
Theme Song Performance: Rachelle Cano (OP & ED)
Elisa Beuter as Maia (Catalan dub)
Elvia Gaitan as Maya
Mari Pe Castro as Willi (Spain dub)
Maria Josep Guasch as Billy (Catalan dub)
Matilde Vilariño as Maya (Spain dub)
Ruben Arvizu as Willy
Aleix Estadella as Kurt (Catalan dub)
Antoni Forteza as Sentinella (Catalan dub)
Jaume Villanueva as Alexandre el Gran (Catalan dub)
Jordi Vilaseca as Flip (Catalan dub)
Josep Maria Ullod as Hermann (Catalan dub)
Lourdes López as Aranya Tecla (Catalan dub)
Teresa Manresa as Cassandra (Catalan dub)
Alberto Vidaurri as Paul
Alfonso Cornejo as Paul
Ana Díaz Plana as Araña Tekla (Spain dub)
Bertha Shutte as Tekla
Claudi García as Pregadeu (Catalan dub)
Eduardo Calvo as Escarabajo Kurt
Elisabet Bargalló as Gustau (Catalan dub)
Fernando Mateo as Flip (Spain dub)
Francesc Figuerola as
Jeroni (Catalan dub)
Sr. Termy (Catalan dub)
Ignacio Campero as Capitán Hormiga
José Antequera as Max (Catalan dub)
Jose Luis Gil as Raton Alejandro (Spain dub)
Lourdes López as Abella Reina (Catalan dub)
Marga López as Tecla (Majorcan dub)
Maria Lluïsa Magaña as Sra. Corb (Catalan dub)
Mercedes Barranco as Sra. Abejorro (Spain dub)
Miquel Ruiz as Max (Majorcan dub)
Roberto Achinelli as Max
Ruben Arvizu as Flip
Santi Lorenz as Jimmy (Catalan dub)
Teófilo Martínez as Mosca Puck (Spain dub)
Willy Brand as Puck
Albert Socias (Catalan dub)
Carme Abril (Catalan dub)
Enric Isasi-Isasmendi (Catalan dub)
Gemma Ibáñez (Catalan dub)
Geni Rey (Catalan dub)
Miquel Ruiz (Majorcan dub)
Pep Torrents (Catalan dub)
Spanish companies
Distributor: Planeta Junior (Spain)
Dubbing Studio:
Intersound, Inc. (Los Angeles, CA)
Magna (Madrid, Spain)
DVD Distribution: Planeta Junior (Spain)
Internet Streaming:
ATRESplayer (Spain)
YouTube (Spain)
Italian staff Italian companies
Dubbing Director: Rino Mencuccini
Theme Song Performance: Katia Svizzero
Broadcaster:
Boing (from 2008)
Canale 5 (from 1981)
DeA Kids (from 1 October 2008)
Hiro (from October 2009)
Italia 1 (from 16 March 2004)
Italia1 (since March 2004)
Junior TV
Rai 2
RaiDue (since February 1980)
RaiUno
Dubbing: EDI Film
Italian cast
Antonella Baldini as Maia
Fabio Boccanera as Willi
Gino Pagnani as Flip
Sandro Pellegrini as Alessandro
Anna Teresa Eugeni as Libellula
Diego Michelotti as Capo delle formiche guerriere
Francesca Palopoli as
Ape Nutrice
Tecla
Franco Latini as Guardia Alta Dell'Alveare
Massimo Dapporto as Guardia Bassa Dell'Alveare
German staff German cast
(none)
Eberhard Storeck as Willi
Scarlet Cavadenti as Maja
Alice Franz as Schneckenmutter
Berno von Cramm as Ameisenoberst
Bruno W. Pantel as Puck
Christa Häussler as
Kleinste Ameise
Nick
Fee von Reichlin as Schnuck
Gusti Kreissel as Hummel
Harald Baerow as Wächter
Helga Anders as Harald
Horst Sommer as Ameisenoberst
Inge Schulz as Rüsselkäferfrau
Lorley Katz as Kassandra
Manfred Lichtenfeld as Flip
Michael Rüth as Max
Mogens von Gadow as Johann
Tilly Breidenbach as Thekla (also cred. as Tilly Lauenstein)
Willi Friedrichs as Alter Mann
German companies Arabic staff Arabic cast
Fonts: Essam Shmeisani (Arabica)
Music Engineer: Shafik Nahas
Production Assistant: Deniz Al-Khoury
Sound Engineer: Melad Haddad
Sound Engineer Supervision: Eskandar Chahwan
Supervision: Wiam Al-Saidi
Theme Song Arranged: Kefah Fakhoury
Theme Song Lyrics: Marwan Najjar
Theme Song Performance:
Eveline Stephan (OP/ED)
Layla Stephan (OP/ED)
Rita Salama (ED)
Elvira Younes as Zeina
Elvira Younis as Zena
Giselle Nasr as Nahool
Wahid Jalal as Farfor
Antoinette Mallohi as Salma
Awni Al-Masry as Various Characters
Emad Farid as Various Characters
Hind Taher as Various Characters
Ismail Nanoua as Various Characters
Janah Fakhoury as Various Characters
Maurice Moussally as Various Characters
Samara Nohra as Various Characters
Samir Chamas as Various Characters
Shafik Hassan as Various Characters
Sobhi Ait as Various Characters
Wafa Tarabih as Various Characters
Alfera Yonis as Zaina
Jezail Naser as Nahool
Waheed Jalal as Furfoor
Arabic companies
Broadcaster:
Abu Dhabi TV (1980)
Dubai TV (1983)
Kuwait Television (From August 1981)
Qatar TV (From 01/01/1981)
Saudi TV (1983)
Distributor: Filmley Corporation (Lebanon)
Dubbing: Baalbek Studios (Lebanon)
Dutch staff Dutch companies
Theme Song Performance: Peter Blanker
Dutch cast
Etha Coster as Maja de bij
Hans Hoekman as Willy de bij
Henk Uterwijk as Flip de sprinkhaan
Liesbeth Struppert as Juffrouw Cassandra
Tagalog staff Tagalog companies
(none)
Broadcaster: TV5
Tagalog cast
(none)
Polish staff Polish cast
Dubbing Director:
Izabella Falewiczowa (eps 40-73)
Maria Olejniczak
Maria Piotrowska (eps 74-97)
Zofia Dybowska (eps 98-104)
Dialogues:
Elżbieta Kowalska (11 episodes
eps 76-77, 84, 92-94, 96-97, 99-101
)
Grażyna Dyksińska-Rogalska (14 episodes
eps 57-64, 69, 82-83, 89-91
)
Halina Wodiczko
Joanna Klimkiewicz (20 episodes
eps 40-43, 46-56, 65, 67-68, 71-72
)
Krystyna Albrecht (ep 98)
Krystyna Skibińska-Subocz (16 episodes
eps 66, 70, 73-75, 78-81, 85-88, 102-104
)
Maria Etienne (eps 44-45, 95)
Montage:
Anna Szatkowska (ep 47)
Dorota Bochenek (eps 48, 85-90)
Gabriela Turant-Wiśniewska (29 episodes
eps 40-46, 59-75, 100-104
)
Halina Ryszowiecka (eps 49-57, 76-84)
Jolanta Nowaczewska (eps 47, 95-99)
Stanisław Uszyński (ep 58)
Urszula Sierosławska (eps 91-94)
Organization Of Production:
Adam Wieluński (eps 46-50)
Andrzej Staśkiel (19 episodes
eps 65-73, 95-104
)
Jan Szatkowski (eps 61-64, 74-94)
Mieczysława Kucharska (eps 57-60)
Waldemar Szczepański (eps 40-45)
Wojciech Rakowski (eps 51-56)
Song Lyrics: Henryk Rostworowski
Sound:
Alina Hojnacka-Przeździak (39 episodes
eps 40-56, 65-66, 68-87
)
Jerzy Januszewski (eps 95-104)
Roman Błocki (14 episodes
eps 57-64, 67, 88-92
)
Stanisław Uszyński (eps 93-94)
Theme Song Performance: Zbigniew Wodecki
Polish companies Portuguese staff Portuguese companies
Dubbing Director:
Cláudia Cadima (Portugal)
Rui De Sá (Portugal)
DVD Distribution:
Pris Audiovisuais (2nd Version)
RBA (3rd Version)
Internet Streaming: Filmin (Portugal)
Portuguese cast
(none)
Chinese (Taiwan) staff Chinese (Taiwan) companies
(none)
Licensed by: Power International Multimedia Inc.
Chinese (Taiwan) cast
|
||||||
9033
|
dbpedia
|
2
| 41 |
https://www.justwatch.com/us/tv-show/the-adventures-of-maya-the-honey-bee
|
en
|
The Adventures of Maya the Honey Bee
|
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[] |
[
"The Adventures of Maya the Honey Bee",
"みつばちマーヤの冒険",
"1975",
"streaming",
"online",
"download",
"watch",
"movie"
] | null |
[] |
1975-04-01T00:00:00
|
Is Netflix, Amazon, Hulu, etc. streaming The Adventures of Maya the Honey Bee? Find it online now!
|
en
|
/appassets/favicon.ico
|
JustWatch
|
https://www.justwatch.com/us/tv-show/the-adventures-of-maya-the-honey-bee
|
The adventures of a young and happy bee who is sent by her queen to search for pollen, and in doing so she finds a new world that surrounds her, making friends with various forest creatures.
|
||||
9033
|
dbpedia
|
2
| 57 |
http://www.shesfantastic.com/2014/10/the-ladies-of-maya-bee.html
|
en
|
She's Fantastic: The Ladies of MAYA THE BEE!
|
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A Female Action Figure Blog devoted to the Powerful Women of Pop Culture - Toys, Photos, Reviews, Plastic.
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https://mayathebee.fandom.com/wiki/Maya_the_Honey_Bee
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Maya the Honey Bee
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2024-07-29T22:27:06+00:00
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Maya the Honey Bee (みつばちマーヤの冒険 Mitsubachi Māya no Bōken) is an anime television series produced by Nippon Animation in Japan, the German Zweites Deutsches Fernsehen (ZDF) and Austrian Österreichischer Rundfunk. The series consists of 52 episodes and was originally broadcast from April 1 1975 to...
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Maya the Bee Wiki
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Number of episodes Title Released Overall In season 1 1 Maya is Born April 1 1975 An uproar in the bee-hive. Miss Cassandra returns home and after a long discussion, Cassandra is allowed to enter the hive, just in time to witness the birth of the new bees. One bee after the other hatches out of the combs, only one doesn’t: Maya, the exception. The first episode shows Maya's birth, her first escape and her great longing to see the world.[1] 2 2 Maya Learns How to Fly May 8 1975 Summer time. It is hot, which means danger for the bee hive. The wax is threatening to melt. So everyone must keep together and restore the correct temperature by beating their wings faster. Maya and Willy are amazed, but they've got lots more to learn. At school Cassandra tells them all they must know about bad weather, wasps, flies and flowers and they also have flying lessons. 3 3 Maya and the Dragonfly Shnuck May 15 1975 Maya would like to be free to fly around. So she contrives everything possible to secretly run away from the hive. At first of all she lands in the penal comb and lazy little Willy comes to her aid. Then she discovers flowers, grass and most important of all Sirena, the dragonfly who deeply impresses Maya by her skilful flying and her glittering wings. 4 4 Maya and the Ants May 22 1975 Maya's wish is to be the captain of an ant army for just one day. After all, she did help the ants to reach land on her floating leaf. This wish is fulfilled. MAYA turns out to be a trusty captain. Despite the fact that she leads the ants through water and has difficulties climbing up a tree but she is the one who finally helps the ants with the feared ant-lion. 5 5 Maya and the Housefly Puck May 29 1975 Maya persuades Pucka to show her a humans house. When they enter a house Maya finds this all very entertaining. She enjoys being in a house, although she is forced to realise that it can also be dangerous in there. But everything turns out well. Humans willingly give back freedom to a little bee who busily collects honey. 6 6 Maya and the Spider Thekla June 5 1975 During an excursion with Willy a lady beetle is caught by a fat spider in its web. The spider has been waiting for this opportunity for a long time. Maya does not yet know how unpleasantly sticky a spider’s web can be, and so she volunteers to take the place of the lady beetle. But now she recognices how sticky it is. Who can help her? Maybe Willy and Flip? 7 7 The Forest Fire June 12 1975 Danger in the garden. A fire has broken out. The insects are at their wits end. Only the violin snider is glad about the fire, for she welcomes anything which distracts the insects’ attention. Perhaps someone will wander into her web by mistake. The agitation grows and grows. The fire spreads and spreads. The first floor of a plant house is already in flames. The insects need help. 8 8 Willi with the Ants June 19 1975 Maya, Willy and the fly are playing In the middle of a horse’s back when a heavy lash of the horse tail let Willie fall to the ground unconscious. Of course the ants clear him off the area: anything lying around is promptly disposed of. At the very last moment Willy regains consciousness and discovers himself surrounded by ants. Aha, says Willy, that means I am an ant. 9 9 Maya and the Earthworm Max June 26 1975 Max, the earthworm, tends to depressions. Continuous rain is the cause. So Maya and Willy try to cheer him up, but the games which they play with Max are more to their taste than his and so he wants nothing to do with the others anymore and runs off. At the end it remains for a human who places Max in his garden to give him the feeling that he is useful. 10 10 Green Frog July 3 1975 Maya and Willy meet a frog, a small, green frog whom they think quite cute. But this frog is everything but cute. He’s got only one thing in his head: to eat Maya and Willy for breakfast. Luckily for them, this frog is not very clever and so lands at the end of our story in a dark well. Even so, Maya and Willy help him. 11 11 Shelter From the Rain July 10 1975 It’s raining. It's been raining the whole day. At the beginning it’s all very entertaining. The insects crowd together for shelter under a toadstool and relate their experiences to one another. But after a while the water starts rising. Things look menacing. The little group is in danger. 12 12 Expedition Into Underground July 17 1975 For the first time in their lives, Maya and Willy are confronted with the illuminating power of the glow worm and of course Maya promptly gets an idea. She always wanted to take a peep into the mysterious, subterranean world of the mole cricket. Everything is strange under the earth and Wily doesn’t feel happy about the whole thing altogether. And where is the exit? 13 13 Old Lady Grasshopper July 24 1975 One day Maya and Willy discover an unknown old lady locust. She has been left behind by the large group of wandering locusts and is now sitting rather dejected and dissatisfied with herself in the garden. Maya and Willy feel sorry for her, so build her a stretcher on which to carry her behind the wandering locusts. But suddenly the old lady reveals herself as being very robust and determined. 14 14 Jumping Competition July 31 1975 Big leaping competition. Of course Flip boasts terribly and considers himself to be the best, the fastest, the longest and in particular the most elegant leaper. But even Flip must learn that sometimes there are better hoppers, like a flea for example. 15 15 Stray Baby August 7 1975 Maya and Willy have found a small caterpillar who they think is homeless. So they take the caterpillar with them and look after it. They lovingly care for it and develop a fond affection for it. But one day they witness how their little caterpillar first of all turns into a monster, then into a beautiful butterfly. 16 16 Earwig Family Comes August 14 1975 Maya has promised a beetle couple to look after their young. Poor Willy! If he had known how difficult it is to look after a wild band of little beetles, he would have most certainly not even bothered to get out of bed. 17 17 Centipede August 21 1975 Maya meets a sick centepede. But the centepede doesn't right know what really is the matter with him. One of his many legs won't work properly, the problem is, that he is due to appear as a one- man band. Maya has an idea and in the end things work out well. 18 18 Flip Falls Into a Venus August 28 1975 Flip is having troubles. While training for the grasshopper long hop championship he has got trapped in the grips of a carnivorous plant. Poor Flip! His end seems to have drawn near. He depicts it in the worst possible way. But it can’t be as bad as Flip imagines, so with help of a leaf cutter caterpillar, Maya and Willy release their friend. 19 19 Maya Helps Kurt September 4 1975 Willy has discovered a new game. He uses a liana as a trampoline. Maya learns this game very quickly from Willy, but as is so often the case with her she overdoes it and lands in the web of the brown spider. Kurt, the fat beetle, just manages to help Maya in time. But then Kurt is lying flat on his back and must be turned over. 20 20 Shelter From the Wind September 11 1975 In the insects’ garden utter chaos reigns. A storm is blowing. Maya and Willy seek shelter in a cave and so make the acquaintance of the stinkbug. In the same cave of all places where Maya and Willy have sought shelter with their friends lurks a praying mantis. The situation becomes perilous, but even a stinkbug has its good points. 21 21 Cicada September 18 1975 For the first time in their lives Maya and Willy hear that cicadas grow up deep under the earth. Of course they would like to meet a cicade. Is it surprising then that Maya and Willy get into trouble right from the beginning? This time it is a land slide which has blocked the exit of the cicade nest. What can be done about it? 22 22 Jama the Ant September 25 1975 Maya learns a lot about the life of the ants which she also comes to love. Here there is always something going on and Maya feels happy in their kingdom. Of course, Willy is anything but in agreement but on the other hand he does not want to be without friend, Maya. Will he find a solution to the problem? 23 23 Cricket October 2 1975 One day Maya discovers a small cage on a window in which a cricket is sitting sadly drooping its wings. Today the crickets are supposed to be holding a dance and she cannot participate. So Maya decides to do something. She calls her friends together and the four of them try freeing the cricket. 24 24 Where is the Wood October 9 1975 Maya and Willy get lost in the fog. Everything is gloomy, sinister and strange. Flying is out of the question because you can not even see your hand before your eyes and walking is too much trouble. No matter whom they ask no one knows the direction. Does Flip know the answer this time? 25 25 Tiger Longicorn Beetle October 16 1975 Maya makes a strange discovery. Some leaves are no leaves at all, but butterflies. Some branches are no branches and there is a wasp who is not a wasp at all. The world appears completely changed to Maya. She can’t cease to be amazed and must learn that even a “distorted world” can have its practical sides, that even the wrong wasp can help her in a threatening situation. 26 26 Cousin Franz October 23 1975 Locusts invade the area. They eat and nibble until within a few minutes everything is bare. The paradise of our insects is threatened. Masses of locusts eat the food of the others and thus encourage humans with their insecticides. Flip has to think up of something and he has an idea. But the question remains whether this idea is really the right one. 27 27 Flower Sprite October 30 1975 Maya is even staying outside at night and this is the night during which the flower elf will be awakened to life. The flower elf is cheerful and quite adventurous. He shows Maya a human for the first time. Not the human who chases flies, but the human who is friendly, beautiful and loveable. 28 28 Hiccup November 6 1975 A moment of carelessness and Maya and Willy and a hornet is seeking their lives. For the first time Maya knows what it is like to be terrified. But at the very last minute they are ably assisted by Max the earthworm. Even so, Max is stung by the hornet and his condition becomes quite alarming. Finally, it is a pill-monger who turns up with a suggestion. 29 29 What Kind of House November 13 1975 Maya and Willy have discovered a new friend: a small caterpillar who has forgotten what its cocoon looks like in which it should soon pupate. The little caterpillar is getting very desperate. But this is the very problem for Maya to handle. She thinks of numerous possibilities for a “house” for a caterpillar, but none of these is suitable for our caterpillar. 30 30 Colonel Weaver November 20 1975 Maya discovers a bottle of delicious raspberry sirup. Willy and Maya climb into the bottle and sip the sweet sirup with relish. Unfortunately, the bottle rolls into the stream and is carried away by the current. Maya and Willy are trapped in the glass bottle like in a submarine. Once again Willy is horrified that Maya’s adventurous spirit has involved them in such a precarious situation. 31 31 Harold the Hawk November 27 1975 Maya has found a small starling which has fallen out of its nest. Now Maya has plans to raise this bird and gently looks after it, defends it, nurses it and loves it, but a starling just cannot help eating insects, and insects are Maya’s friends. How this situation can be solved presents even Flip with a problem. 32 32 Maya Wishes To Be a Bird-Sized Bee December 4 1975 Maya has a dream: she sees herself as a super bee, at least as large as a fat bird. Maya revels in this dream and hopes that the whole insect world will tremble before her. But even in her dreams Maya can not change her character, she is not the terrifying giant bee, but a kind one who helps where she can. 33 33 Pursuit by a Sparrow and a Frog December 11 1975 Maya cannot get used to the fact that frogs who look so funny are her enemies and so this time she nearly lands in a frog’s stomach. But help comes from unexpected quarters in the form of a small boy walking through the field who catches the frog and puts it into his pocket. Now this becomes a critical situation in which our usually pert Maya for the first time becomes subdued. 34 34 Willard the Strong December 18 1975 With their friends Maya and Willy play their favourite game: hide-and-seek. In the middle of the game Willard the strongest beetle in the meadow wants to join in the game. But he is rather dimwitted and he just can't find Maya and Willy. But then a bark-beetle is locked in its bark and only strong Willard can help. 35 35 Twin Flap December 25 1975 Flip’s twin brother turns up which puts an end to Flip’s peace of mind. Maya tangles up the precious silver thread of a silk worm and the fly has lost her glasses, without which she can not read a word, Willy has got locked inside a flower. The blame for all these misdeeds is placed on Flip who has trouble making it clear to the others that he is not the culprit, but his twin brother. 36 36 Kitty the Flea January 1 1976 The first cold day has caught our insects unprepared. Flip sits shivering on a branch wrapped in a large, yellow leaf and the little lady-birds are having difficulties moving about at all. Maya discovers a new friend, a little shivering flea called Kitti. The flea is already completely exhausted as she has not eaten a thing for a long time. So what else remains for Maya than to pamper her. 37 37 Maya in the Snow January 8 1976 First snow falls and Willy is frozen and shivering like a leaf, but Maya still has no thoughts of hibernating. Her motto is movement, walking, gymnastics to keen warm. But in the end even Maya is powerless against the cold and snow and must be thankful for finding a warm bed for herself and Willy in the guest room of the cockchafer. 38 38 Spring has Come January 15 1976 Maya and Willy spend the winter deep and sound asleep in the guest room of the cockchafer until one day spring arrives. Buds, melting water and blue sky. Maya and Willy fly off into the warm air can hardly believe that everything is awakening to life again. Nothing has changed. Willie is starving hungry and there's no stopping Maya’s spirit of adventure. 39 39 Chipper the Moth January 22 1976 Maya and Willy make the aquaintance of an odd character: sometimes arrogant, than full of fighting spirit, sometimes flying elegantly, sometimes clumsily. He is not a butterfly, although he claims to be and he certainly does not resemble the cockchafers. Flip solves the secret: the fat chap is a moth. 40 40 Duel At Ant’s Ranch January 29 1976 Maya und Willy watch how a parasite lays its eggs in the hole of a wasp in the ground. Willy is horrified. Not being a great friend of work anyway, he just can not comprehend how somebody could so disrespect the work of another. So he and Maya resolve to play this parasite a joke. 41 41 Fake Holes February 5 1976 Maya und Willy watch how a parasite lays its eggs in the hole of a wasp in the ground. Willie is horrified. Not being a great friend of work anyway, he just can not comprehend how somebody could so disrespect the work of another. So he and Maya resolve to play this parasite a joke. 42 42 Clide the Cockroach February 12 1976 Maya and Willy meet a cockroach, who tells them about his adventures with human beings. Meanwhile, in his careless way the son of a daddy long legs is climbing about on the shoulder of a human being without being aware of the danger he is in. Maya and Willy try to drum up other insects to start a rescue operation. 43 43 New Friends February 19 1976 Maya comes just in time to help a bee who was caught by the ant-lion and is going to be drawn into his burrow. Maya asks a stink-bug to help her and together they rescue the lady-bee. But all insects tremble at the thought of the ant-lion, even the termites. Maya finds it hard to get help, but she has an excellent idea. 44 44 The Lonely Champion February 26 1976 One day Maya and Willy meet a strange creature that all of a sudden peeps out of a hole in the ground. They learn that it is a mole-cricket. A sad mole-cricket, who lives lonely without friends somewhere underground. Maya and Willy promise to come to see her the next day. But for two little bees this is a very difficult undertaking. 45 45 A Problem with Eggs March 4, 1976 Eggs, Eggs, and Still More Eggs. 46 46 Burt the Honey Bee March 11 1976 Today everything is going wrong for the fat lady bee, a friend of Maya’s and Willy's. She stumbles over sticks, drops everything and is very angry, Maya is of the opinion that only dancing can dispel bad humour. So the lady-bee asks the June-bug to dance with her. But in the midst of the nice party the insects are disturbed by a bumblebee. 47 47 Anthony the Ant March 18 1976 Tony the ant has disappeared. She has left the ant hill, as one morning it dawned her that she is waisting her life by only working the whole day. Now she only want’s to enjoy life at last. Maya sets out to look for Tony and comes just in time to make good the silly tricks of the cheeky little ant. 48 48 Thekla and the Violin Contest March 25 1976 Maya and Willy make the acquaintance of Kurt, who becomes their new friend. But Kurt presents them with quite a few problems. He is extremely lazy and does not like to attend the violin lessons at school. It takes quite a long time until Maya and Willy find out about Kurt various excuses. 49 49 Beauty Contest April 1 1976 The Insects get the idea of organising a beauty contest. The beautiful lady butterfly has the best chances, but from sheer vanity she only has eyes for herself and she neither takes attention to what is going on around her. So at the very least moment Maya can save the butterfly from beeing devoured by the frog. 50 50 Maya on the Sea April 8 1976 Maya discovers a lake and persuades Willy to take a trip on a boat. The two friends get on a leaf and paddle cheerfully to the middle of the lake. A carp comes near them and represents a danger for the little leaf-boat with Maya and Willy in it. The little boat rocks and waves beat against it. Fortunately a swim-bug watches the two bees and asks the turtle Lisa Sumpfstiel for help. 51 51 Maya in a Big Pinch April 15 1976 Now Willy has to face the music. He has hardly entered the bee-hive, when Cassandra starts to give him a lecture for not having brought Maya with him. And on top of it, it’s not even his fault. Once again Maya has flown off on her own and without Willy knowing it, got caught by the hornets. There Maya meets many of her old friends, the bug, the glowworm and many beetles.[2] 52 52 Welcome Home Maya April 20 1976[3] Warning: this episode description has spoilers
Maya flies home as quickly as she can to warn her hive of the threatening attack of the hornets. Cassandra is overjoyed to have her pupil back, but at the same time she is very worried. The hornets are the worst enemies of the bees and a war against the hornets means greatest danger. But Maya’s warning comes too late; the hornets invade the bee-hive. However, the Bees ultimately win the war and Maya is now known as a Heroine.
Number of episodes Title Released Overall In season 53 1 Maya meets Alexander the Great September 1 1979 Spring has come again and Maya and her friends awake out of hibernation. When Maya goes to wake her friend Flip, she learns that he has not been seen since he saved the Rednose family during a fire. Maya and Willy go off to look for him and find him with a little, grey mouse named Alexander the Great.[4] 54 2 The Weight-lifting Competition[5] September 8 1979 Mother ladybird’s son Herrmann has become fat and arrogant as a result of eating special large vegetables. She is in the depths of despair. Alexander wants to help her and hits on the idea of someone challenging Hermann to a weight lifting contest. Willy wins the contest and Herrmann learns that he isn’t in fact as strong as he feels. 55 3 The Outdoor Concert September 15 1979 Thekla the spider is practising for the annual open air concert. Alexander promises Thekla to find her a first class soprano for the concert, namely Clothilde the cricket. At the rehearsal everyone admires Clothilde’s voice, but Thekla is annoyed because she won’t reap all the praise at the concert. So she manages to make Clothilde completely hoarse. 56 4 Home Sweet Home September 22 1979 One hot summer’s day, Alexander takes Maya to see an uncle who lives in a cool, most manly villa. Meanwhile Willy and Flip have decided, together with all the insects in the meadow, to follow Maya and Alexander into the villa because the heat is intolerable. They are welcomed by the well behaving inhabitants of the villa and all are invited to a party. 57 5 The Mysterious Cheese Thief September 29 1979 One day Alexander brought home a horrible, stinking cheese and explained that it would be ripe in a week’s time when it would stink even more. But a week later Alexander came to the others in a rage and said someone had stolen his cheese. At least they find out that Alexander the Great himself has eaten the cheese whilst sleep walking. 58 6 Fleas in the Wild October 6 1979 Two acrobatic fleas are performing their tricks and all the meadow creatures are standing around and clapping applause. All the creatures, Maya and Willy as well want to have a try and see if they can hop like the fleas. Several days pass. Maya is worried about Willy who doesn’t work any more but just sits around with the fleas and the other children and spends the whole day doing nothing. 59 7 The Marathon October 13 1979 At the annual thanksgiving celebration Alexander suggests organising a game with the winner receiving a medal and all agree in a marathon. After the thanksgiving ceremony the marathon begins and after a thrilling run, Thekla the spider comes in first. Maya and Flip follow, but Flip suddenly disappears before the finish. He has fallen into a hole. 60 8 Panic in the Meadow October 20 1979 One morning the inhabitants of the forest glade discover footprints. They are afraid that there are humans in their forest who will crush and destroy everything as they did once before. So each family packs in a great hurry and flees from its home. But soon they come back home to have a look and see where the footprints have come from. 61 9 Queen Maya October 27 1979 Maya and Willy are looking at clouds moving across the sky and thinking up stories. Alexander comes and tells them about Queen Cleopatra; the honey bee who lived on the Nile in Egypt. Another cloud sails by and Maya dreams: in Egypt on the Nile lives the fabulously beautiful Queen Maya... 62 10 The Mouse in the Bottle November 3 1979 Alexander follows a sweet smell and comes upon a bottle of strawberry ‘pop’ in front of which a long queue of ants are waiting patiently for a sip. As usual Alexander pushes in front, crawls into the bottle and drinks almost the lot. After he has finished he finds he can’t get out - he has become too fat. The ants try to pull him out by the tail, but in vain. Willy suddenly has an idea... 63 11 City-Slickers November 10 1979 After Alexander had floated over the waterfall he had drifted a mosquito, a harvest spider and a wood-louse saved him from being eaten by a water rat. To show his thanks he had invited them to the poppy meadow and now they wanted to come from the city and visit him. However, the three guests are unable to find any pleasure in what's offered to them. Their city life is quite different. 64 12 Willy Stands Guard November 17 1979 Honey has been stolen from the bee’s store house. In order to stop this happening again the guards have to be increased. Willy volunteers for service. The next day Willy is found asleep and the remaining honey has been stolen. Willy is chased away with abuse and shame. But while he is wandering around, feeling unfairly treated, Willy finds out who are the honey thieves. 65 13 The Guest from Outer Space November 24 1979 Willy appears and talks frightened about a monster. When Maya and Alexander go to look at this monster they find an extraordinary, glittering, green animal. They are both convinced that this is a being from another planet. They approach carefully and ask it to do them no harm. 66 14 Doctor Snail December 1 1979 Whilst visiting Dr. Schnecke, Maya and Willy see something fall from the sky. It is Freda the fly who has been sprayed with insecticide. But Freda has other reasons for being unhappy. She finds life as a fly unpleasant because nobody likes flies. Maya asks Puck the fly to cheer up Freda. 67 15 The Flying Mouse December 8 1979 Maya, Willy and Flip are together with Alexander again and Alexander starts philosophising about flying. Willy challenges him to have a go at it himself. With the aid of a leaf, Alexander does manage to fly a little. Willy challenges him more and more until finally Alexander is ready to dare to fly from a high tree... 68 16 Big Fight in the Air December 22 1979 Maya and Willy have hidden the princess of the cow flies at home. She has run away from her father because he is bad and all the world hates him. Ketty feels very happy amongst the inhabitants of the poppy meadow and has no desire to return to her father’s castle. But Ketty’s father is very annoyed about the high handed actions of his daughter. 69 17 Brother Melvin January 5 1980 Alexander receives a visit from his brother Melvin who lives in a pig sty on a farm. Alexander is, however, not overly enthusiastic about this visit. Melvin laughs a lot and is rather coarse. He doesn’t exactly make friends for himself at a party organised by the meadow inhabitants especially for him, as he makes loud jokes and smacks his lips noisily. But he doesn’t seem to be worried. 70 18 The Army Ants are Coming January 12 1980 There is a rumour that the robber ants are approaching. Then Flip brings the news: “They’re coming”. In despair he asks the giant beetle to help. But it transpires that the beetle with a high pitched voice is not nearly as strong as he appears. But suddenly the robber ants arrive and to everyone’s great surprise, the giant beetle fights so bravely that even the robber ants show respect. 71 19 Hooray for Soccer January 19 1980 Kurt is trying to explain to his son Williebald how one rolls a hall of dung correctly. Unfortunately Williebald is not interested in this work and prefers to play with the ball. Suddenly Alexander has an idea: one could organise a football match with the dung ball! 72 20 A Windy Adventure January 26 1980 One stormy day, Alexander and Flip promise mother Ladybird to look after her children during their midday nap. It’s a demanding job and after the children have finally gone to sleep, Flip and Alexander can have a rest at last. But not for long. Suddenly an excited millipede appears and announces that the Ladybird children have been whisked away on their leaf by the wind! 73 21 A Rainy Day February 2 1980 It has been raining for days and just doesn’t seem to want to stop. Maya, Willy, Flip and Alexander decide to put on a play. After a long debate they agree that the plot should show how the poppy meadow was cultivated many, many years ago. Alexander is the producer and Willie is to be the leading actor. 74 22 The Great Flying Contest February 9 1980 Maya and Willy are having a flying competition for fun. This gives Alexander an idea; a flying competition is to be organised for all the insects in the meadow. Everything with wings can compete. Puck is the first to start. But something is not quite right... 75 23 Lucky Beetle February 16 1980 After it has rained for two weeks without interruption, the meadow inhabitants organise a great picnic on the first fine day. After the meal Maya and Willy play football with the ladybird children. They disturb a golden beetle who has been hit on the head by the ball accidentally. His name is Hans and he claims that he brings luck to everyone he meets. 76 24 Little Green Creatures February 23 1980 After a whirlwind has flung them far away, Maya and Alexander find themselves on another planet; well, that’s what Alexander thinks. All around them nothing but sand. So they both set off to look for water and food. At last they find green plants which Alexander uses to make a sun-hat. Suddenly they are surrounded by little, green men; extraterrestrial beings? 77 25 Ugly Emil March 1 1980 Whilst seeking cover during a downpour, Wily, Alexander, Flip and Mays discover an ant bear. He is called Emil and is very unhappy because he has to live underground and everyone runs away from him because he is so ugly. Maya feels sorry for him and asks him to come along to the poppy meadow. 78 26 The Uninvited Guest March 8 1980 It is carneval time in the poppy meadow. Everywhere the preparations are in full swing. A stranger appears in the meadow, a long-nose locust called Emil. He is the object of jokes and Mays arrives to take him to the carneval where marvellous things are being offered. 79 27 Who Am I? March 15 1980 While Maya, Willy and Alexander watch as Flip trains for a competition a storm with hail arises. Alexander is hit on the head by a hailstone and loses his memory. All Maya's attempts at explaining to him who he is, are to no avail. On the contrary, when she tells him he is a grass-hopper, he feels like a grass-hopper and when she tells him he is an ant, he behaves like an ant. Maya is desperate. 80 28 An Accident at a Picnic March 22 1980 On the way to a picnic in a recently discovered flower garden, Maya, Willy, Flip and Alexander meet a bee called Barney. Barney claims to be a globe-trotter and bores everyone with highly exaggerated stories of his travels. Willie is angry because Barney keeps wanting to stop for a rest and also fortifies himself with the honey which was meant for the picnic. 81 29 Willy In Captivity March 29 1980 Returning from a picnic Maya, Flip and Alexander meet a very frightened Mrs Ladybird. A human has been in the meadow and scared everyone. When they return to the meadow they discover that the human has picked all the roses, including the one in which Willy had been asleep. As Willy is nowhere to be found, Maya, Flip and Alexander go to search for him. 82 30 The Alexandrophone April 5 1980 One day after heavy rainfalls the meadow is flooded and the inhabitants just manage to save themselves because Puck provides them with a timely warning. This gives Alexander an idea. He organises the laying of reeds across the whole meadow so that whoever speaks at one end can be heard a long way away at the other end. Alexander proudly calls his invention the Alexandrophone. 83 31 Where can Flip and Willy be? April 12 1980 Red ants have started to build an ant-hill in Mrs. Butterfly’s garden. Madame Butterfly is quite shocked, she calls all the meadow inhabitants together and it is decided to start a joint operation against the red ants. Then Maya discovers that Willy, Flip and Mrs. Ladybird together with her children, have not been seen by anybody for two days... 84 32 Professor Alexander April 19 1980 Maya suggests to Alexander that with his cleverness and inventiveness he ought to transmit his knowledge by teaching the meadow inhabitants. Alexander feels very flattered and agrees. But Alexander finds there is a lack of earnestness. They are all asleep! So Maya persuades him to continue by performing experiments. And this is of interest to all, even to Willy. 85 33 Willy in a Pinch April 26 1980 The annual honey festival is soon to take place. All the bees are busy collecting and each keeps the source of its honey a closely guarded secret. On returning to his secret garden Willy is trapped by a carnivorous plant. A green-fly prophesies him a cruel death. Meanwhile Maya and Alexander are very worried because Willy has not returned. 86 34 Princess Beatrice May 3 1980 Maya’s friend Beatrice is to be crowned queen. She shows Maya around the castle and complains about her many duties and the monotonous life of a princess. Maya suggests she should fly and visit the poppy meadow and although it's not really allowed, she does fly off there. She meets the other meadow inhabitants and sees and hears many things she had never known before. 87 35 Mr. Know-It-All May 10 1980 Maya meets a rather weak looking beetle by the brook. She helps him over the bridge and because she feels sorry for him Maya takes him with her to the meadow to make him acquainted with the other inhabitants. However Grandfather soon makes himself unpleasantly conspicuous with his know-all attitude and he sets everyone right. 88 36 Marvin, the Mole May 17 1980 During the vegetable harvest Alexander meets his old friend Marvin the mole. Many years ago Marvin had saved his life. Now at long last Alexander has the chance to repay him and invites him to his house. But if he had known the quatities of food a mole gets through daily he would certainly have reconsidered his offer. So it doesn't take long and food starts to become scarce in the meadow. 89 37 The Wrong Bridegroom May 24 1980 One day, the grasshopper girl Patty turns up on the meadow. She is looking for Flap, her bridegroom, who had disappeared just before their wedding. Maya and her friends immediately think of Flip. When Patty sees Flip she is convinced that he is her bridegroom and covers him with her love while poor Flip doesn’t even get the chance to open his mouth. 90 38 The Tarantula May 31 1980 One day during bathing an extraordinary creature appears in the meadow. Mutual comprehension is only possible after Alexander has looked in his dictionary and discovered that the creature is a tarantula coming from latin America. He names it Maxi-girl. Maxi-girl really wants to go home and can’t understand that it's not possible to simply run over the ocean. Because it is so terribly hot Maya and her friends want to have a refreshing swim in the brook. But the brook is completely dry. Maya, Willie and Alexander try to find out the cause and they discover a beaver who has built a dam for his wife and himself. This has dammed up the water. 92 40 Hoodlums of the Meadow June 14 1980 Alexander wants to alter a balloon, found by Maya and her friends, in such a way that they can ascend into the air. The ladybird children are allowed to come along too. Then, all of a sudden a squall tears off the balloon and quickly blows it away, while Alexander and the ladybird children are helplessly caught in the basket. 93 41 Good Manners, Bad Manners June 21 1980 Everywhere on the meadow there is a lot of scolding and quarrelling going on. One day, a family of flies with very good manners stops at the meadow. Both their children have lame wings and, therefore, Maya and Alexander ask the parents to stay on the meadow until their children can fly again. This way, the other insects can take a good example by the good manners of the family of flies. 94 42 The Queens Visit June 28 1980 Liebetraut III, Queen of the bees, has announced her visit to the poppy meadow. Maya is named president of the reception committee and she immediately starts to assign everyone his share in the preparatory work. They are all very eager to do their job and Maya is highly satisfied with the progress of the preparations. Yet things don’t always run as well as they should... 95 43 Kidnapping in the Mist July 12 1980 On an excursion with Alexander and Flip, Maya gets lost as there is a heavy fog. While she errs through the fog, she suddenly finds herself seized and carried away to a castle. When she regains consciousness, a queen-bee tells her that she is a princess who had been kidnapped right after her birth. Nobody wants to believe Maya that she is not the princess they are looking for. 96 44 The Great Grass Skiing Competition July 19 1980 The inhabitant of the meadow are seized by a deep autumnal melancholy and they all withdraw themselves completely. Maya asks doctor Snail what could be done against this phenomenon and he answers that practising a little more sport would help them to regain more joy of living. He suggests to organise a skiing race on the grass. 97 45 Bon Voyage July 26 1980 Alexander has the idea to build a ship. His plan is received with great enthusiasm and all the insects help him with the construction of his boat.Then comes the moment of lowering the boat onto the water and everything works well. But then an accident happens: they run aground and the ship breaks apart. Fortunatly they can save themselves just in time on a stone. 98 46 Willy’s Gigantic Statue August 2 1980 When Maya finds Alexander in front of a sculpture which he has just finished, she thinks up the idea that in fact all the others also could have a go at moulding with clay. The proposal is received with enthusiasm and soon all sorts of works of art have been completed. Suddenly Puck arrives and reports excitedly that a horde of wild bees is intending to attack the poppy meadow. 99 47 Fantasy in the Sky August 9 1980 Maya and the other insects find a nice place for a picnic and start to dish up the food when suddenly rain sets in and forces the insects to seek shelter in an empty tin. They are all very disappointed but Mays has the idea to have a look through Alexanders new telescope when the rain stops. 100 48 From the Meadow With Love August 16 1980 It’s broodingly hot. Everyone is looking for a small place in the shadow. Even the crickets on top of the hill come down to the brook. At first, there are only a few crickets coming down, but then they are coming in hundreds, dancing and chirping by day and night. When Flip goes to ask them if they couldn’t keep quiet at night he feels in love with one of the cricket girls... 101 49 You Need Exercise August 23 1980 The inhabitants of the poppy meadow obviously suffer from their first symptoms of old age. Thekla thinks that her sense of hearing weakens, Puck becomes more and more near-sighted, Flip can’t hop as fast anymore as he used to. Yet even doctor Snail worries about the poor state of health of the insects and prescribes for them all to do physical exercises three times a day. 102 50 Lovely, Lovely Ice August 30 1980 A huge ice cube has got lost on the meadow. For the inhabitants of the meadow this is great fun. They are ice-skating and nibble at it to see how it tastes. After a while they all get cold feet and go home, except for Willy who can’t stop nibbling. Finally he lies down on the ice to take a sun bath and falls asleep. A little later Flip discovers him, frozen into the ice... 103 51 Jacob’s Paradise September 6 1980 Winter is coming and the food is getting scarce, when a bee called Jacob appears on the meadow. Jacob and his family live at a place where there is honey in abundance. But since he prefers to stay in the open air, he decides to change his place of residence. The inhabitants of the meadow have become curious and want to see the paradise Jacob comes from. 104 52 The Flower Festival September 13 1980 Maya is ordered to fly to the castle. She has to take over Miss Cassandra’s position as a president of the school board. Maya’s friends are revolted at the idea that she will not come back and nobody wants to work for the flower festival anymore. Maya herself is not happy in the castle. At last, the Queen shows understanding for her situation and lets Maya return to the meadow.
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https://www.nytimes.com/2024/07/20/opinion/trump-republican-party.html
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en
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Opinion | Trump’s Transformation of the Republican Party Is Complete
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[
"https://static01.nyt.com/images/2024/07/21/multimedia/20Lind-thqf/20Lind-thqf-articleLarge.jpg?quality=75&auto=webp&disable=upscale"
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[] |
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[
""
] | null |
[
"Michael Lind",
"www.nytimes.com",
"michael-lind"
] |
2024-07-20T00:00:00
|
With JD Vance at his back, the former president has cemented his legacy.
|
en
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/vi-assets/static-assets/favicon-d2483f10ef688e6f89e23806b9700298.ico
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https://www.nytimes.com/2024/07/20/opinion/trump-republican-party.html
|
Can Trumpism outlast Donald Trump? The selection of Senator JD Vance of Ohio as his running mate suggests that the answer is yes.
Even the most successful political parties are coalitions of odd bedfellows and competing interests. But parties risk decline if they cannot attract new voters or if they suppress internal debates. The Republican Party Mr. Trump inherited in 2016 had been defined by free market ideology and neoconservative foreign policy for a generation: From Ronald Reagan through both Bushes to Mitt Romney, mainstream conservatism pursued a narrow agenda of tax and entitlement cuts at home and wars of regime change abroad. Mr. Trump’s election was a clear if unexpected breaking of that mold. The only question was whether his legacy would dissipate whenever he eventually left politics or give birth to a true and lasting political movement.
Now we know the answer. The Republican Party we saw in Milwaukee this past week has been fundamentally changed. With Mr. Vance at his back, leading a new counterestablishment that Mr. Vance helped shape, Mr. Trump has cemented his legacy — and transformed the Republican Party.
Until recently, there was no counterestablishment in the Republican Party. There was merely a populist counterculture.
A counterestablishment is a government in waiting. Its goal is to win power through elections and then to staff government agencies with political appointees or career civil servants who have the expertise, discipline and bureaucratic skill to carry out a shared policy agenda.
Countercultures, whether of the right or the left, prefer performance to power. For some countercultural purists, protest is an end in itself. Working within the existing system is often seen as a betrayal of principle.
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3
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https://animesuperhero.com/kindergarten-the-musical-coming-september-3-to-disney-junior/
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en
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Kindergarten: The Musical Coming September 3 To Disney Junior
|
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[
"SweetShop209"
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2024-08-06T15:00:46+00:00
|
Among what I call The Junior Three (composed of Nick Jr., Disney Jr., and PBS Kids), I'd say that Disney Junior is most consistent with the kinds of great shows they put out. Many of the best shows have a certain element that can appeal to everyone, whether it's the more complex storytelling of some
|
Anime Superhero News
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https://animesuperhero.com/kindergarten-the-musical-coming-september-3-to-disney-junior/
|
Among what I call The Junior Three (composed of Nick Jr., Disney Jr., and PBS Kids), I’d say that Disney Junior is most consistent with the kinds of great shows they put out. Many of the best shows have a certain element that can appeal to everyone, whether it’s the more complex storytelling of something like Sofia the First, or something that’s just meant to be more simple, wholesome fun, like Alice’s Wonderland Bakery. The upcoming series Kindergarten: The Musical definitely seems like another winner for the network. Let me tell you what it’s about.
Kindergarten: The Musical is an upcoming Disney Junior show slated for release on September 3, 2024.It’s definitely fitting for a show centered around school to come out just as kids start school. The series is created by songwriters Michelle Lewis and Charlton Pettus (the former of whom is known for working on shows like Doc McStuffins, The Loud House, Harvey Girls Forever, and Muppet Babies 2018), and produced by Oddbot Animation. They serve as executive producers alongside Kay Hanley, Don Petty, Mr. Tom Warburton (who’s also supervising director), and Laurie Israel (who’s also story editor).
The show focuses on a 5 year old girl named Berti, who attends her first day of kindergarten at Porter Elementary. She befriends two kids named Rose and Radish. She and the rest of her class go through the typical kinds of problems that many kids go through when starting school, such as working with your friends, acting as a team, and listening to your teacher, Ms. Moreno in this case. These seen like standard premises, but the twist here is that each episode is a musical due to there being multiple songs per episode. Not only that, we sometimes see a shift from CGI to 2D animation during certain songs. These little touches definitely help make the show stand out quite a bit.
The voice cast includes Andrea Rosa Guzman as Berti, Zander Chin as Radish, Leah Newman as Rose, Shyam Balasubramanian as Tej, Tandi Fomukong as Abigail, Kailen Jude as Kenji, Randy Perrine as Jamil, Alice Halsey as Kat and Ellie, Gina Torres as Ms. Moreno, Aloe Blacc and Ana Isabelle as Berti’s parents, Leona Lewis as Hedgehog Holmes, and Vincent Rodriguez III as Radish’s dad. Below is the theme song and trailer.
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1
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https://www.intofilm.org/films/19203
|
en
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Maya the Bee: The Honey Games
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Film Item
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en
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/img/f/favicon.ico
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Synopsis
When Maya, a young bee, gets over excited and accidentally embarrasses the Empress of the hive of Buzztropolis, she must unite a team of misfit bugs to take part in the forthcoming Honey Games. The challenge is the biggest Maya has ever faced because if she loses, her beloved hive on Poppy Meadow will be depleted of all its honey supplies. Bringing together a group of loyal, loveable, but rather clumsy bugs to help her, the group realise what it really takes to become a champion. Over the course of their journey, they learn to listen to friends and foes alike, understanding that to achieve victory, they may just need to bee themselves.
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9033
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2
| 36 |
https://www.rottentomatoes.com/m/maya_the_bee_movie
|
en
|
Maya the Bee Movie
|
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[] |
[] |
[
""
] | null |
[] |
2015-05-01T00:00:00
|
Maya grows up in a hive with strict rules, and has several conflicts with the Queen's royal adviser. When she learns the bees are about to fight with hornets, she sets out to prevent a nasty battle.
|
en
|
https://www.rottentomatoes.com/assets/pizza-pie/images/favicon.ico
|
Rotten Tomatoes
|
https://www.rottentomatoes.com/m/maya_the_bee_movie
|
Let's keep in touch!
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|
||||
9033
|
dbpedia
|
1
| 63 |
https://www.microsoft.com/en-us/p/maya-the-bee-2-the-honey-games/8d6kgwxp5nh6
|
en
|
Buy Maya The Bee 2: The Honey Games
|
https://musicimage.xboxlive.com/catalog/video.movie.8D6KGWXP5NH6/image?locale=en-us&mode=scale&purposes=BoxArt&w=120&h=120&q=60
|
https://musicimage.xboxlive.com/catalog/video.movie.8D6KGWXP5NH6/image?locale=en-us&mode=scale&purposes=BoxArt&w=120&h=120&q=60
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] |
[] |
[] |
[
""
] | null |
[] | null |
Maya, The Little Bee With A Big Heart, Is Back For Another Wild Adventure!
|
en
|
//www.microsoft.com/favicon.ico?v2
|
Microsoft Store
|
https://www.microsoft.com/en-us/p/maya-the-bee-2-the-honey-games/8d6kgwxp5nh6
|
After a slow harvest season, the very survival of the hive is threatened. Maya, and her sidekick, Willi, go to Buzztropolis, where the Empress invites them to participate in the Honey Games. But if they lose, the hive will have to give the Empress all of their summer honey! Needless to say, Maya and Willi’s teammates are neither enthusiastic nor athletic, but Maya remains positive and exclaims that “every bug has a talent!” Can Maya and Team Poppy win and secure her hive’s future? Only if Maya is able to gain new friends and learn about teamwork, accountability, and overcoming preconceived notions!
|
||
9033
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dbpedia
|
2
| 61 |
https://www.roku.com/whats-on/movies/maya-the-bee-the-honey-games%3Fid%3D281941c378f5535cb90beb8489d93d4e
|
en
|
Roku
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
Roku provides the simplest way to stream entertainment to your TV. On your terms. With thousands of available channels to choose from.
|
de
|
Roku
|
https://www.roku.com/de-de/whats-on/movies/maya-the-bee-the-honey-games%3Fid%3D281941c378f5535cb90beb8489d93d4e
| ||||||
9033
|
dbpedia
|
3
| 56 |
https://archive.org/details/blues-clues-s-03-e-59-blues-big-musical-movie
|
en
|
Johnson, Nickelodeon, Nick Jr., and Viacom. : Free Download, Borrow, and Streaming : Internet Archive
|
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[] |
[] |
[
""
] | null |
[] | null |
Blue is a puppy who puts her paw prints on three clues. Steve or Joe has to deduce the clues (with the help of off-screen children) to figure out...
|
en
|
Internet Archive
|
https://archive.org/details/blues-clues-s-03-e-59-blues-big-musical-movie
|
Search the history of over 866 billion web pages on the Internet.
Search the Wayback Machine
Search icon An illustration of a magnifying glass.
Save Page Now
Capture a web page as it appears now for use as a trusted citation in the future.
Please enter a valid web address
|
|||||
9033
|
dbpedia
|
0
| 54 |
https://www.facebook.com/ShoutKids/videos/maya-the-bee-movie-2-the-honey-games-teaser-1/1270530156416542/
|
en
|
Maya the Bee is coming back to the big screen! Check out www.mayathebeemovie.net for more news on the little bee with a big heart.
|
[] |
[] |
[] |
[
""
] | null |
[] | null |
Maya the Bee is coming back to the big screen! Check out www.mayathebeemovie.net for more news on the little bee with a big heart.
|
de
|
https://static.xx.fbcdn.net/rsrc.php/yT/r/aGT3gskzWBf.ico
|
https://www.facebook.com/ShoutKids/videos/maya-the-bee-movie-2-the-honey-games-teaser-1/1270530156416542/
| ||||||
9033
|
dbpedia
|
0
| 42 |
https://tv.youtube.com/browse/maya-the-bee-UCB06PQrJenYBLxOXXSI6l9g
|
en
|
Watch Maya the Bee online
|
https://lh3.googleusercontent.com/TnIP6JHcoWcBhaX7Fu-RqovVkJgPagTWZD_b6WscKu-9AYX4bRh4QllfhjRKmLj9DAJrjfSbLxU=w640-h360-p-rw-ns-nd
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[] |
[] |
[
""
] | null |
[] | null |
Start a Free Trial to watch Maya the Bee on YouTube TV (and cancel anytime). Stream live TV from ABC, CBS, FOX, NBC, ESPN & popular cable networks. Cloud DVR with no storage limits. 6 accounts per household included.
|
en
|
YouTube TV
|
https://tv.youtube.com/browse/maya-the-bee-UCB06PQrJenYBLxOXXSI6l9g
| ||||
9033
|
dbpedia
|
3
| 17 |
https://www.nickelodeonparents.com/nick-jr-shows-2020/
|
en
|
Nick.de: Offizielle deutsche Nickelodeon Startseite
|
https://images.paramount.tech/uri/mgid:arc:imageassetref:shared.nick.us:bb6a3a26-1aee-4519-b794-c997a6e836fc?format=jpg&width=1200&height=630&crop=true
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https://images.paramount.tech/uri/mgid:arc:imageassetref:shared.nick.us:bb6a3a26-1aee-4519-b794-c997a6e836fc?format=jpg&width=1200&height=630&crop=true
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Auf der offiziellen deutschen Nickelodeon-Webseite kannst du deine liebsten Kinderserien und TV Programme schauen.
|
de
|
/favicon.ico
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Nickelodeon
|
https://www.nick.de
|
©2024 Viacom International Inc. All Rights Reserved. Nickelodeon and all related titles and logos are trademarks of Viacom International Inc.
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https://countycat.mcfls.org/Record/.b40462481
|
en
|
Maya the bee 2. The honey games
|
https://countycat.mcfls.org/bookcover.php?id=ils:.b40462481&size=medium&upc=826663187205
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https://countycat.mcfls.org/bookcover.php?id=ils:.b40462481&size=medium&upc=826663187205
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When a tribute announcement demanding half the hive's honey threatens the very survival of the hive, Maya and her sidekick Willy defy the queen's orders and go to Buzztropolis to confront the Empress. The Empress invites them to participate in the Honey Games; however, she explains that if they win, all is forgiven, but if they lose, she will take all of the summer honey.
|
en
|
/files/original/faviconcropped-mcfls5757-e1542293491254-2-32x32.png
|
CountyCat
|
https://countycat.mcfls.org/Record/.b40462481
|
APA Citation, 7th Edition (style guide)
Cleary, N., Gillies, C. J., Clarke, J., Degas, R., & Anthony, B. J. (2018). Maya the bee 2 . Shout! Factory.
Chicago / Turabian - Author Date Citation, 17th Edition (style guide)
Noel, Cleary et al.. 2018. Maya the Bee 2. Shout! Factory.
Chicago / Turabian - Humanities (Notes and Bibliography) Citation, 17th Edition (style guide)
Noel, Cleary et al.. Maya the Bee 2 Shout! Factory, 2018.
MLA Citation, 9th Edition (style guide)
Cleary, Noel,, et al. Maya the Bee 2 Shout! Factory, 2018.
|
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| 40 |
https://www.nickatnite.com/tv-schedule
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en
|
Nick.de: Offizielle deutsche Nickelodeon Startseite
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[] |
[] |
[
""
] | null |
[] | null |
Auf der offiziellen deutschen Nickelodeon-Webseite kannst du deine liebsten Kinderserien und TV Programme schauen.
|
de
|
/favicon.ico
|
Nickelodeon
|
https://www.nick.de
|
©2024 Viacom International Inc. All Rights Reserved. Nickelodeon and all related titles and logos are trademarks of Viacom International Inc.
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||
9033
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1
| 52 |
https://rachelsreviews.net/2018/05/03/maya-the-bee-the-honey-games-review/
|
en
|
Maya the Bee: The Honey Games Review
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[
"Rachel's Reviews"
] |
2018-05-03T00:00:00
|
Back in 2015 I was one of the few people to praise Maya the Bee. It is an adaptation of the 80s animated TV show, and I thought they did a good job making a sweet, adorable film for little children. Now 3 years later we have a sequel, Maya the Bee: The Honey Games,…
|
en
|
Rachel's Reviews
|
https://rachelsreviews.net/2018/05/03/maya-the-bee-the-honey-games-review/
|
Back in 2015 I was one of the few people to praise Maya the Bee. It is an adaptation of the 80s animated TV show, and I thought they did a good job making a sweet, adorable film for little children. Now 3 years later we have a sequel, Maya the Bee: The Honey Games, and I once again found it charming and adorable.
In this adventure cute little Maya gets in over her head when she challenges a neighboring bully queen to a series of games called the Honey Games (the hint at Hunger Games is merely coincidental). Maya must then gather a group of lazy bugs together, motivate them to practice and deal with a mean girl bee named Violet. If they lose than Maya’s hive will have to give up all their Winter pollen which would be disastrous.
If you are looking for something new and exciting this is not your movie. It is completely predictable in every way. It is honestly about the same story as Aardman’s recent film Early Man. The difference is my expectations are higher for an Aardman film and the character designs here are much cuter than the weird pig noses in Early Man. Maybe it’s just me but I really find the character designs in this series to be super cute and well done.
It’s also a series which should appeal equally to little girls and boys and that is always nice for parents. Maya’s best friend Willi is a sweet character who learns to deal with his jealousy and be a loyal friend. They are very cute together.
The cast of professional voice actors does a nice job and they even have a decent score with some nice violin playing from the grosshopper character Flip. It makes Maya the Bee: The Honey Games a pleasant-enough watch for parents watching with their kids.
|
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1
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https://www.commonsensemedia.org/tv-reviews/maya-the-bee
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en
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Maya the Bee TV Review
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[] |
[] |
[
""
] | null |
[
"Joyce Slaton"
] |
2015-10-18T00:00:00
|
Gentle animated show has lessons about nature, friendship. Read Common Sense Media's Maya the Bee review, age rating, and parents guide.
|
en
|
/themes/custom/common_sense/images/favicons/favicon-16x16.png
|
Common Sense Media
|
https://www.commonsensemedia.org/tv-reviews/maya-the-bee
|
This sweet show works nature knowledge and moral lessons into charming and simple scenarios that toddlers and preschoolers will enjoy and learn from. Maya is good, fair, kind, loving, and willing to help everyone. When a problem threatens the hive or any one of Maya's friends, she's ready to work hard to make things right. But sometimes she needs a couple of chances to do just that. When her snail friend Shelby develops a crack on his shell, Maya at first tries to tie his shell together, which winds up making the crack even bigger. But Maya remembers that bees visit flowers for three reasons: nectar, pollen, and propolis, a sticky, resinous natural substance that bees often use on their hives. The propolis turns out to be just the thing to repair Shelby's cracked shell; problems like this are solved and everything wrapped up in each 15-minute installment of Maya the Bee. Preschoolers and toddlers will find the show enthralling; parents will find it non-annoying.
|
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9033
|
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| 50 |
https://www.yahoo.com/entertainment/maya-bee-golden-orb-streaming-084953923.html
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en
|
Maya the Bee: The Golden Orb Streaming: Watch & Stream Online via Peacock
|
https://media.zenfs.com/en/comingsoon_net_477/ddd2a2f7c7c300fdc4b71eb2c301ab64
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https://media.zenfs.com/en/comingsoon_net_477/ddd2a2f7c7c300fdc4b71eb2c301ab64
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[] |
[
""
] | null |
[
"Ritika Singh"
] |
2024-04-26T08:49:53+00:00
|
Maya the Bee: The Golden Orb is an animated comedy showcasing the fascinating journey of a cheerful Bee Maya and her friend Willi. It is based on the 1975 anime Maya the Honey Bee and the book, The Adventures of Maya the Bee. It hit the screens on January 7, 2021. Here’s how you can […] The post Maya the Bee: The Golden Orb Streaming: Watch & Stream Online via Peacock appeared first on ComingSoon.net - Movie Trailers, TV & Streaming News, and More.
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https://s.yimg.com/rz/l/favicon.ico
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Yahoo Entertainment
|
https://www.yahoo.com/entertainment/maya-bee-golden-orb-streaming-084953923.html
|
Maya the Bee: The Golden Orb is an animated comedy showcasing the fascinating journey of a cheerful Bee Maya and her friend Willi. It is based on the 1975 anime Maya the Honey Bee and the book, The Adventures of Maya the Bee. It hit the screens on January 7, 2021.
Here’s how you can watch and stream the film via streaming services such as Peacock.
Is Maya the Bee: The Golden Orb available to watch via streaming?
Yes, Maya the Bee: The Golden Orb is available to watch via streaming on Peacock.
The film begins with Maya waking up Willy and her hive to celebrate the beauty of spring. Later, the duo are upset as they have to part ways due to their distratous partnership. They receive a chance to prove themselves which comes in the form of helping a green ant.
It features voiceovers from Benson Jack Anthony as Willy, Frances Berry as Rumba, Christian Charisiou as Bumblus, and many others.
Watch Maya the Bee: The Golden Orb streaming via Peacock
Maya the Bee: The Golden Orb is available to watch on Peacock.
Peacock is a streaming service offering a diverse range of content, including TV shows, movies, news, sports, and original programming.
You can watch via Peacock by following these steps:
Go to PeacockTV.com
Click ‘Get Started’
Choose your payment plan
$5.99 per month or $59.99 per year (premium)
$11.99 per month or $119.99 per year (premium plus
Create your account
Enter your payment details
Peacock’s Premium account provides access to over 80,000+ hours of TV, movies, and sports, including current NBC and Bravo Shows, along with 50 always-on channels. Premium Plus is the same plan but with no ads (save for limited exclusions), along with allowing users to download select titles and watch them offline and providing access to your local NBC channel live 24/7.
Maya the Bee: The Golden Orb’s synopsis is as follows:
”When Maya, a headstrong little bee, and her best friend Willi, rescue an ant princess they find themselves in the middle of an epic bug battle that will take them to strange new worlds and test their friendship to its limits.”
NOTE: The streaming services listed above are subject to change. The information provided was correct at the time of writing.
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Tennis is one of those sports I have zero interest in … unless it appears in a movie. Like golf,… Movies Jeff Ames 12 hours ago
|
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2
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https://www.wikidata.org/wiki/Q16521698
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en
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Maya the Bee
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https://www.wikidata.org/static/favicon/wikidata.ico
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https://www.wikidata.org/static/favicon/wikidata.ico
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2012 animated television series
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https://www.wikidata.org/wiki/Q16521698
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5 September 2012
|
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9033
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https://commons.wikimedia.org/wiki/Category:Maya_the_Bee
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Category:Maya the Bee
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en
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Subcategories
This category has the following 3 subcategories, out of 3 total.
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9033
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dbpedia
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3
| 71 |
https://www.sunshineandhurricanes.com/preschooler-pre-teen-tv-shows-bridge-gap/
|
en
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Kids TV Shows That Will Keep Them From Growing Up Too Fast (Kindergarten to Preteen)
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[] |
[
""
] | null |
[
"Kira Lewis",
"www.facebook.com"
] |
2019-01-11T15:17:23+00:00
|
"Good Enough" Kids Shows to Fill the Gap Between Preschoolers and Pre-Teens when TV programming seems to jump directly from Dora right into Dating.
|
en
|
Sunshine and Hurricanes
|
https://www.sunshineandhurricanes.com/preschooler-pre-teen-tv-shows-bridge-gap/
|
Life was so easy when my kids were little and perfectly content to watch the safe and often sweet Kids TV Shows found on Disney Jr and Nick Jr.
They adventured with Dora and Diego, Sung along with Mickey Mouse Playhouse and Danced with those groovy kids on The Fresh Beat Band.
But all too quickly they began to want to watch more “grown-up” TV shows and I panicked.
There’s already so much mommy guilt about screen time. And it’s all only made worse with worries about what they are watching.
Especially in these years between pre-school and teendom, it’s like we become stranded in a kids show wasteland.
Why does if feel like we have to go directly from Sweet Sophia and the Darling Puppy Dog pals to all this Dating and Drama. It’s like the TV networks just sort of skip over everything in between.
The topics became so grown-up so fast. Plus, is it just me or are a lot of the kids on these “tween” kids shows kind of obnoxious? Then there is also the thing where all the parents are either absent or idiots. (Let’s just leave Max and Ruby out of this so things don’t get confusing).
There Had To Be Better Kids TV Shows Choices
Considering the wealth of entertainment options that ipads and streaming have given us, I knew there had to be something halfway decent out there for kids between pre-school and pre-teen.
So, I started looking for appropriate kids shows that our in-between kiddos would find engaging, while not pushing them into territory that they aren’t ready for and that we parents CERTAINLY aren’t ready for.
It was pleasantly surprising to discover that there was a pretty large selection out there. Some of these you might even remember from your own childhood.
Now, not all of these are A + programming and a few even have some limited violence. However, most are intelligently written, have moral lessons in them and when there is minimal violence it’s in the context of fantasy and make believe.
Many of these shows are available for free via Amazon Prime. I can’t tell you how much we’ve found the investment more than worth the yearly membership fee for our family.
For those shows on network/cable television, if you have cable most can be found On Demand for free provided they are a part of your subscription package.
If you don’t have cable (like us) here are other ways to access these programs:
Netflix or Hulu
A TV Network’s Website
You can purchase them on DVD
Rent them from your local library
YouTube
We all know TV isn’t perfect, but for most of us it is a part of life and we can at least feel like we’re being active in providing good enough choices on this front. Here is the list of shows by network or other available distribution.
TV Shows For Kids – Pre-School to Preteen
(Shows Even The Whole Family Will Enjoy WatchingTogether)
1. Inspector Gadget
(Netflix and YouTube)
2. Avatar: The Last Airbender and The Legend of Korra
(Nickelodeon and Amazon Prime)
3. Teenage Mutant Ninja Turtles
(Nickelodeon)
4. The Animaniacs
(Amazon Prime)
5. Pokemon
(Amazon Prime and Cartoon Network)
7. Star Wars – The Clone Wars and/or the Yoda Chronicles
(Cartoon Network)
8. Ninjago
(Cartoon Network)
9. Phineas and Ferb
(Disney XD and Netflix)
10. Slugterra
(Amazon Prime, Netflix and Disney XD)
11. Win, Lose or Draw and Family Game Night
(Disney Channel)
12. Scooby Doo (Cartoon Network)
13. The Penguins of Madagascar
( Nickelodeon)
14. Gilligan’s Island
(TV Land)
15. Mr. Peabody & Sherman
(Amazon Prime)
16. The Brady Bunch
(CBS.com)
17. Full House
(Nick and TBS)
18. Tom & Jerry
(The Cartoon Network)
19. Dreamworks Dragons
(The Cartoon Network)
20. Little House on the Prairie
(Check Your Local Library for the DVD)
21. Wild Kratts
(Amazon Prime, PBS Kids and pbskids.org)
22. FETCH! With Ruff Ruffman
(Amazon Prime and pbskids.org)
23. TrollHunters
(Netflix or Rent/Buy on Amazon)
Kids TV Shows On Amazon Prime
I’m actually making the shows on Amazon their own category because I LOVE them that much. These are shows not only your kids will love, but TV shows the whole family can watch together an enjoy.
It’s just another reason I LOVE Amazon Prime. The shows are unique, innovative and have characters that are quirky, smart and just more like real kids.
I’m including the shows that are geared towards a slightly older (non-preschool) audience, but they have shows for that age group as well. I really encourage you to give them a try.
23. ANNEDROIDS
(Amazon Prime – Amazon Original Series)
24. Just Add Magic
(Amazon Prime – Amazon Original Series)
25. Gortimer Gibbons Life On Normal Street
(Amazon Prime – Amazon Original Series)
Looking for EVEN MORE to help with your Tweens?
Follow Sunshine and Hurricanes ‘s board Tween Activities on Pinterest.
If you liked this post, you may also like:
10 Best Family Game Night Ideas
The Surprising Thing To Say To Keep Your Big Kid From Growing Up Too Fast
Best Board Games for Tweens
Tech Gifts For Kids and Teens You’ll Feel Good About Giving
|
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9033
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3
| 4 |
https://www.imdb.com/list/ls092562062/
|
en
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Nick Jr Shows
|
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] |
[] |
[] |
[
""
] | null |
[] | null |
This is a list of Nick Jr Shows from the 1980s, 1990s, 2000s and 2010s
|
en
|
IMDb
|
https://www.imdb.com/list/ls092562062/
| ||||||
9033
|
dbpedia
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1
| 68 |
https://www.youtube.com/playlist%3Flist%3DPLdmIo8qj0SbOLVm6WraxLZBjGfRb0vw-6
|
en
|
Bevor Sie zu YouTube weitergehen
|
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[] |
[] |
[
""
] | null |
[] | null |
de
|
//www.google.com/favicon.ico
|
https://consent.youtube.com/m
| |||||||
9033
|
dbpedia
|
1
| 91 |
https://archive.org/details/MayaTheBeeEpisodeOneJapanese
|
en
|
Maya is Born in Japanese : Free Download, Borrow, and Streaming : Internet Archive
|
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[] |
[] |
[
""
] | null |
[] | null |
(Reupload due to an issue.) This is a mirror of one of my YouTube uploads, which can be found here: https://www.youtube.com/watch?v=J8SJnVJrcB0
|
en
|
Internet Archive
|
https://archive.org/details/MayaTheBeeEpisodeOneJapanese
|
Search the history of over 866 billion web pages on the Internet.
Search the Wayback Machine
Search icon An illustration of a magnifying glass.
Save Page Now
Capture a web page as it appears now for use as a trusted citation in the future.
Please enter a valid web address
|
|||||
9033
|
dbpedia
|
3
| 88 |
https://www.nickjr.com/shows/team-umizoomi
|
en
|
Nick.de: Offizielle deutsche Nickelodeon Startseite
|
https://images.paramount.tech/uri/mgid:arc:imageassetref:shared.nick.us:bb6a3a26-1aee-4519-b794-c997a6e836fc?format=jpg&width=1200&height=630&crop=true
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|
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[] |
[] |
[
""
] | null |
[] | null |
Auf der offiziellen deutschen Nickelodeon-Webseite kannst du deine liebsten Kinderserien und TV Programme schauen.
|
de
|
/favicon.ico
|
Nickelodeon
|
https://www.nick.de
|
©2024 Viacom International Inc. All Rights Reserved. Nickelodeon and all related titles and logos are trademarks of Viacom International Inc.
|
||
9033
|
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|
0
| 65 |
https://inews.co.uk/culture/television/history-naughty-things-childrens-kids-tv-93453
|
en
|
A brief history of naughty things appearing in kids’ TV
|
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[
"https://www.youtube.com/embed/caIS7eYfpMA",
"https://www.youtube.com/embed/KfbuUycffhQ"
] |
[] |
[
""
] | null |
[
"Joel Draba-Mann"
] |
2017-09-27T15:07:35+00:00
|
A Netflix children's TV show has caused controversy recently due to the appearance of a rude image. But this is nothing new.
|
en
|
inews.co.uk
|
https://inews.co.uk/culture/television/history-naughty-things-childrens-kids-tv-93453
|
There has been quite a furore surrounding cutesy Netflix children’s cartoon Maya the Bee.
The premise seems innocent enough. Sweet insect Maya leaves her hive to discover the world around her, educating kids on the beauty of nature along the way.
Recently however, Maya has been more naturist than naturalist.
A drawing of a penis was spotted in the background of a recent episode, leading to a wave of controversy.
Reportedly the work of a rogue artist, the incident – in an episode fittingly titled ‘King Willi’ – caused a number of outraged parents to condemn the show.
Yet the appearance of sexual innuendos and rude images in kids TV shows is nothing new.
In fact, it has been happening for as long as cartoons have been broadcast.
‘It starts with some sweets…’
Broadcast in Britain in the 1960s and 70s, clay-mation classic The Magic Roundabout featured more drug references than an episode of Breaking Bad.
The series, which originally ran on the BBC for 12 years, had copious underlying references to illicit substance use.
Excitable Dougal, a shaggy dog with boundless energy and an addiction to sugar cubes, famously claimed: “It starts with some sweets…and then you’re on two bags a day.”
His best friend Dylan, a rabbit who plays guitar and sleeps a lot, was assumed by many adults to be smoking pot off-camera.
Meanwhile, loveable cow Ermintrude was often seen chewing on a flower with a striking resemblance to an opiate poppy.
The five-minute storylines were ‘trippy’ to say the least.
In one iconic episode, Dougal attends a party he has no memory of, and proceeds to converse with a banana and a pear.
Seventies show Captain Pugwash supposedly employed dirty puns for character names: such as Seaman Stains and Master Bates. However, this is wholly an urban myth. Creator John Ryan successfully sued for damages after a newspaper printed the names as fact.
Cartoon Network and Nickelodeon led the way
For the connoisseur of inappropriate moments in kids’ shows, Cartoon Network’s output in the 1990s represents a veritable golden age of content.
An episode of Cow and Chicken famously caused controversy when a bunch of butch female motorcyclists turned up and began literally munching on a carpet.
Over on Nickelodeon, cult animation Ren & Stimpy was the subject of a number of bans and re-edits.
Chastised for being overly violent and boasting a number of references to alcoholism, it was controversial from the outset. One scene would be worthy of a place in horror franchise Saw.
Innuendo reached new heights when Stimpy was locked in a closet with Ren’s cousin, Sven.
“Hey this is private,” he says. Before shouting “I’m a sword swallower” from behind closed doors.
Taking it too far?
Rocko’s Modern Life, meanwhile, was a wallaby-starring cartoon rife with moments that were eventually pulled from broadcast.
In one episode, Rocko rents a room at the No Tell Motel, an inn with suspect sounds coming from behind each door.
In another, a jobless Rocko finds work as a phone sex operator.
For the most part, ‘inappropriate’ content in kids’ TV has typically taken the form of deliberate in-jokes from the writers and creatives.
However, as with Maya the Bee, occasionally somebody will sneak something into the background that was clearly not planned.
The offending episode has now been removed by Netflix. Creators Studio 100 have claimed the mishap “obviously results from a very bad joke from one of the 150 artists working on the production”.
With so many animators working on children’s shows at any one time, perhaps it’s surprising that these incidents don’t occur more often.
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https://www.licensingitalia.it/en/maya-the-bee-making-big-buzz-in-poland/
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en
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Maya the Bee making Big Buzz in Poland
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2018-03-14T15:41:17+00:00
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Studio 100 Media has reached an extensive broadcasting deal with Poland’s number one kids channel TVP ABC, containing more than 230 half hours of program.
|
en
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Licensing Italia
|
https://www.licensingitalia.it/en/maya-the-bee-making-big-buzz-in-poland/
|
Animation & Characters
Ahead of MipTV, Studio 100 Media closes a package deal with TVP ABC in Poland on the TV series MAYA THE BEE and various other programs
Theatrical movie MAYA THE BEE – THE HONEY GAMES with excellent box office in Poland
New theme park MAJALAND Kownaty to open in May 2018
Studio 100 Media has reached an extensive broadcasting deal with Poland’s number one kids channel TVP ABC, containing more than 230 half hours of program. The deal includes seasons one and two of the CGI TV shows “Maya the Bee” (130 x 12’) and “Heidi” (65 x 22’) as well as the much anticipated new TV show “Arthur and the Minimoys” (26 x 24’) from visionary French creator Luc Besson. This CGI series is based on his internationally successful “Arthur” movie trilogy and is co-produced by Europacorp Television, Studio 100 Animation, Lagardère Group and Disney Channel Germany. It will be available in summer 2018.
“Maya the Bee” is a very popular brand in Poland, proven by currently more than 400,000 theatrical admissions for “Maya the Bee – The Honey Games”. The movie was released in early February 2018 and reached third position in the movie charts on its launch weekend in Poland. Total admissions have even passed the result of the first feature film “Maya the Bee Movie” which was released in Poland four years ago and drew about 373,000 visitors into movie theaters. The release of the second movie was supported by various marketing activities initiated by Polish distributor Monolith Films and Studio 100 Media, including a successful tie-in promotion with Indykpol on Jedyneczki sausage products, branded with “Maya the Bee”, that were distributed in more than 5,500 shops in Poland. The new licensing agent Planeta Junior will extend the licensing program for “Maya the Bee” and is already in negotiations with several distribution partners for the new toy line by Giochi Preziosi. Already on board as publishing partner is MSZ – Media Service Zawada Publishing for books and magazines.
The potential of “Maya the Bee” and the Studio 100 key brands has led the Studio 100 Group and the Dutch investor Momentum Capital to build the “Majaland” theme park in Kownaty in Western Poland. Reachable in only 90 minutes by car from German capital Berlin, “Majaland” will be the first theme park of this kind in Poland. It features an indoor theme park with a big outdoor section and is planned to open for public on 26th May 2018. The park will be the home to key characters like Maya, Vic the Viking, Heidi and Mia from “Mia and me”. In total, 25 attractions will appeal to kids aged 2-10 years as well as older kids and parents. During its first year the park will be operating every day, even on all public holidays. “Majaland” Poland will be the first theme park that the Plopsa Group, a subsidiary of Studio 100, will be opening outside of Belgium, The Netherlands and Germany, where it operates five theme parks, one water park and one theatre.
“Majaland Kownaty combines the magic of the well-known characters from Studio 100 with the adventure of more than 20 attractions for young and those young of heart. We are looking forward to welcome the first visitors in this brand new, one of a kind theme park!” – Steve Van den Kerkhof, CEO Plopsa Group.
“Maya the Bee continues to strengthen its appeal in many countries and especially in Poland we are very happy with the brand’s development. The deal with TVP ABC will extend the awareness that the performance of the second feature provided. And ‘Majaland’ will not only attract fans and families from Poland, but from Germany as well – adding more long term benefit to the brand.” adds Ulli Stoef, CEO of Studio 100 Media and m4e.
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https://en.wikipedia.org/wiki/Maya_the_Bee
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Maya the Bee
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2004-03-07T04:23:20+00:00
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https://en.wikipedia.org/wiki/Maya_the_Bee
|
1912 novel by Waldemar Bonsels
This article is about the novel and character. For the Japanese anime series, see Maya the Honey Bee. For the German CGI series, see Maya the Bee (TV series). For the first CGI film, see Maya the Bee (film).
"Die Biene Maja" redirects here. For the song, see Die Biene Maja (song).
Maya the BeeCreated byWaldemar BonselsOriginal workBooksPrint publicationsBook(s)The Adventures of Maya the BeeFilms and televisionFilm(s)Television seriesGamesVideo game(s)
Maya the Bee & Her Friends (1999)
Maya the Bee – Garden Adventures (2000)[1]
Maya the Bee and Friends (2006)[2]
Maya the Bee: The Great Adventure (2002)[3]
Maya the Bee: Sweet Gold (2005)[4]
The Bee Game (2007)[5][6][7]
Maya (2013)
Maya the Bee: The Nutty Race (2019)
Maya the Bee (German: Die Biene Maja) is the main character in The Adventures of Maya the Bee, a German book written by Waldemar Bonsels and published in 1912. The book has been published in many other languages and adapted into different media. The first American edition was published in 1922 by Thomas Seltzer and illustrated by Homer Boss. The latter's wife Adele Szold-Seltzer (1876-1940), the daughter of Benjamin Szold and younger sister of Henrietta Szold, was the translator.[8]
The stories revolve around a little bee named Maya and her friends among bees, other insects and other creatures. The book depicts Maya's development from an adventurous youngster to a responsible adult member of bee society.
Plot
[edit]
Bonsels' original book contains fewer than 200 pages. The storyline is centered on the relation of Maya and her many adventures.
Maya is a bee born in a bee hive during internal unrest: the hive is dividing itself into two new colonies. Maya is raised by her teacher, Miss Cassandra. Despite Miss Cassandra's warnings, Maya wants to explore the wide world and commits the unforgivable crime of leaving the hive. During her adventures, Maya, now in exile, befriends other insects and braves dangers with them. In the climax of the book, Maya is taken prisoner by hornets, the bees' sworn enemies.
Prisoner of the hornets, Maya learns of a hornet plan to attack her native hive. Maya is faced with the decision to either return to hive and suffer her due punishment, saving the hive, or leaving the plan unannounced, saving herself but destroying the hive. After severe pondering, she makes the decision to return. In the hive, she announces the coming attack and is unexpectedly pardoned. The forewarned bees triumph over the hornet attack force. Maya, now a heroine of the hive, becomes a teacher like Miss Cassandra and shares her experiences and wisdom with the future generation.
Analysis of the book
[edit]
Sulevi Riukulehto suggested that the book may have carried a political message. This view depicts the beehive as a well-organised militarist society and Maya as an ideal citizen. Elements of nationalism also appear when Maya gets angry at a grasshopper for failing to distinguish between bees and wasps (whom she calls "a useless gang of bandits" [Räubergeschlecht] that have no "home or faith" [Heimat und Glauben]) and at a insulting fly, whom Maya threatens to teach "respect for bees" and with her stinger. Riukulehto interprets this to mean that respect is based on the threat of violence. Collectivism versus individualism is also a theme. Maya's independence and departure from the beehive is seen as reproachable, but it is atoned by her warning of the hornets' attack. This show of loyalty restores her position in the society. In the hornet attack part of the story, the bees' will to defend the hive and the heroic deaths of bee officers are glorified, often in overtly militarist tones.[9]
After World War II, adaptations toned down the militarist element considerably, reduced the hornets' role. The 1975 anime added the character of Willy, a lazy and quite un-warlike drone bee. In the cartoon series, the briskly marching, but ridiculously incompetent ant armies provide a parody of militarism.
Main characters
[edit]
Maya – Bee. The series main protagonist. She loves freedom and living in the meadow by herself, unlike other bees who live in the hive. She is good, fair, happy and willing to help everybody.
Miss Cassandra – Bee, Teacher at the Bee-School.
The following characters only appear in the animated series and films:
Willy – Bee. Lazy, clumsy, and cowardly, sometimes a showoff, but generally good-natured – not featured in the original Bonsels story, but a major character in all adaptations other than the 1926 film. His relationship to Maya is depicted inconsistently: in most adaptations, he's her best friend, who is secretly in love with her, prone to jealousy when Maya's attentions turn to others. Often reluctantly dragged into adventures by Maya.
Flip (or Philip) – Grasshopper. A wise friend of Maya and Willy. Introduced first in the animated series. Whether he is meant to be identical with the unnamed grasshopper of the book is unclear.
Alexander (or Aleksander) – Mouse. Intellectual, whose level of respect among the other creatures, and close friendship with Maya, often sends Willy into jealous rages. Appears only in the second season of the older animated series (1978).
Films, anime and television
[edit]
Crew Television series Feature films Maya the Honey Bee Maya the Bee Maya the Bee Movie Maya the Bee:
The Honey Games Maya the Bee: The Golden Orb 1975–1980 2012–2017 2014 2018 2021 Director(s) Seiji Endô and Hiroshi Saitô Daniel Duda and Jérôme Muschadet Alexs Stadermann Noel Cleary and Sergio Delfino Noel Cleary Producer(s) — Barbara Stephen and Thorsten Wegener Tracy Lennon, Brian Rosen and Thorsten Wegener Tracy Lenon and Benjamin Ey Executive Producer(s) — Katell France Jim Ballantine and Patrick Elemendorff Barbara Stephen and Hans-Ulrich Stoef Martin Krieger, Barbara Stephen and Thorsten Wegener Writer(s) Various Fin Edquist and Marcus Sauermann Story by:
Noel Cleary, Fin Edquist and Alexs Stadermann Adrian Bickenbach and Fin Edquist Composer Karel Svoboda Fabrice Aboulker Ute Engelhardt Editor Marty Murphy Johanna Goldschmidt Adam Rainford Production company Nippon Animation Studio 100 Animation
ZDF
TF1
Studio 100 Animation
Studio B Productions
Screen Australia
Studio 100 Animation U.S. Distribution Nickelodeon Sprout Shout! Factory Released April 1, 1975 ( ) – September 13, 1980 (1980-09-13) September 5, 2012 ( ) – August 23, 2017 (2017-08-23) March 8, 2015 ( ) May 1, 2018 ( ) January 7, 2021 ( )
1926 film
[edit]
German director Wolfram Junghans made a 1926 silent version ("starring" real insects). The film was lost for a decade until the only original copy of the film was found in Finland.[10] The material was restored in 2005 with a new musical score and released on DVD in 2012, in collaboration with the KAVI and the Bundesarchiv-Filmarchiv, and the film was screened in both Hamburg and Helsinki.[11][10]
1975 anime
[edit]
Perhaps the most popular and widely known adaptation of the story is the Japanese anime Maya the Honey Bee (みつばちマーヤの冒険, Mitsubachi Māya no Bōken, "The Adventures of Maya the Honeybee"). Originally aired on Japanese TV in 1975, the anime has been dubbed into 42 languages[12][unreliable source?] and screened on television in various territories. The Japanese TV series was preceded by Tokyo Kodomo Club's musical play based on the short story, presented as Mitsubachi Māya ("Maya the Honeybee"), distributed on an LP album.
The original theme was composed by Karel Svoboda and sung by Karel Gott in the German, Czech and Slovak versions; Zbigniew Wodecki in the Polish version.[13][14]
2012 TV series
[edit]
In 2012 Studio 100 Animation produced a 78-episode, 13-minute TV series.[15] The series was rendered in CGI animation.[16] A second 52 episode season aired in 2017.
Film series
[edit]
A 2014 film adaptation based upon the 2012 series was released.[17] In 2018, a sequel to the 2014 film, titled Maya the Bee: The Honey Games, released on March 1, 2018, in Germany and May 1, 2018, in United States.
In 2021, third film, titled Maya the Bee: The Golden Orb was released on January 7, 2021, in Australia. It was delayed from its original 2020 release date due to the COVID-19 pandemic.
Stage performances
[edit]
Opera
[edit]
Maya the Bee also served as the basis for a children's opera written by the Croatian composer Bruno Bjelinski in 1963. In 2008 it was staged in Villach, Austria, as part of their Carinthian Summer Music Festival.[18] This performance was distinguished by having the "bees" played by children and not professional opera singers as it is usually the case.[19]
Puppet musical
[edit]
Singer-songwriter Nancy Harrow created a jazz-musical version of the story, called The Adventures of Maya the Bee, that featured puppets by Zofia Czechlewska. Harrow's adaptation was produced in New York City by The Culture Project in 2000,[20] and was revived in 2012.[21]
Musical
[edit]
On October 10, 2016, Belgian company Studio 100 (the current owners of the series) created a Flemish stage musical called "Maya en de Pollenbollen" based on the 2012 series that has the people dressed in costumes for the characters from the show. The show contains songs made by Studio 100 with a few news songs created exclusively for the show. The musical centers around Maya alongside Flip and Beatrice celebrating Willy's birthday. The musical later returned in the Spring of 2017.
Since 2016, live actors from the original stage show make numerous appearances at numerous stage shows and special events held by Studio 100. Notably Studio 100's annual "De Grote Sinterklaasshow" held from late November till early December featuring Sinterklaas and Zwarte Pieten watching various Studio 100 Characters such as Kabouter Plop, and Piet Piraat (including Maya and friends) perform musical numbers on stage. The same actress that portrayed Maya in the musical is also the official Flemish voice of the character and reprised her role for Studio 100's "De Liedjestuin" where Maya is singing various Dutch children's songs and nursery rhymes. In The French and Walloon version "Le Jardin des Refrains", Maya is played by a different actress.
Amusement parks
[edit]
After Studio 100's acquisition of the franchise, Plopsa began expanding the franchise to its own theme parks. Plopsaland De Panne opened an indoor children's area called "Mayaland" on July 3, 2011, before the CGI incarnation's begun airing on numerous television stations across Europe. Maya alongside Flip, and Willy would also appear at other Plopsa owned parks such as Plopsa Coo and Plopsa Indoor Hasselt. In Poland, Plopsa opened an indoor theme park called "Majaland Kownaty" which opened to the public on September 28, 2018, which is mostly themed to Maya the Bee but features other Studio 100's IPs (such as Bumba and Piet Piraat).
A year after Mayaland opened in Plopsaland, Holiday Park, Germany, opened a similar Maya the Bee children's area called "Majaland" which opened March 31, 2012.
Video games
[edit]
Video game background
[edit]
The origins of the Maya the Bee video games originated from a South Park video game for the Game Boy Color developed by Crawfish Interactive in development in 1998.[22] But was eventually cancelled due to South Park creators Matt Stone and Trey Parker stating that the game would not be fitting on the Game Boy Color as that console was marketed towards children. A year later in 1999, the unreleased game's engine and assets were reused for two additional Game Boy Color titles from Crawfish and Acclaim - Maya the Bee & Her Friends, based on the Maya the Bee franchise which was released in Europe, and The New Adventures of Mary-Kate and Ashley, based on Mary-Kate and Ashley Olsen and was released in North America,[23] being the first of the various video games based on the duo.
Games released
[edit]
Maya the Bee & Her Friends (Game Boy Color – 1999)
Developed by Crawfish, published by Acclaim.
Maya the Bee: Garden Adventures (Game Boy Color – 2000)[24]
Developed by Neon Studios and Kiloo, published by Acclaim and Plan-B Media.
Maya the Bee: What a Thunderstorm (PC – 2001)
Developed by Junior Interactive, published by Tivola.
Maya the Bee: The Great Adventure (Game Boy Advance – 2002)[25]
Developed by Shin'en Multimedia, published by Acclaim.
Maya the Bee: A Wonderful Surprise! (PC – 2004)
Developed by The Web Production, published by Tivola.
Maya the Bee: Sweet Gold (Game Boy Advance – 2005)[26]
Developed by Shin'en Multimedia, published by Midway.
Maya the Bee and Friends (mobile – 2006)[27]
Developed by Kiloo and co-published by Plan-B Media.
The Bee Game (Game Boy Advance,[28] Nintendo DS[29] – 2007)[30]
The Bee Game is an adventure video game released for Nintendo DS and Game Boy Advance, developed by German studio Independent Arts Software. The game lets players experience the adventures of Maya the Bee and her friend Willie as they search for their friends, lost from a strong storm that has blown through Corn Poppy Meadow.[31]
Maya (Nintendo DS – 2013)
Developed by Studio 100 and Engine Software, published by Bandai Namco Games Europe.
Maya the Bee: The Nutty Race (iOS and Android – 2019)
Mobile racing game. Developed by Midnight Pigeon in cooperation with Studio 100.
Merchandising
[edit]
Many companies contributed worldwide to the success of the character by producing and selling merchandising. Most of them were drawn between 1976 and 1986 by the French licensed characters specialist André Roche.[32] His works have included motifs for textiles, porcelain, books, comics and games, including a campaign for Kinder Surprise Eggs.
References
[edit]
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https://www.nickandmore.com/kids-tv-history/list-of-every-series-aired-on-nickelodeon/
|
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|
List of every TV series aired on Nickelodeon
|
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Nickandmore! presents the first comprehensive list of every TV series aired on Nickelodeon from 1979 through today.
|
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|
https://www.nickandmore.com/favicon.ico
|
Nickandmore!
|
https://www.nickandmore.com/kids-tv-history/list-of-every-series-aired-on-nickelodeon/
|
Nickandmore! presents the first comprehensive list of every TV series aired on Nickelodeon from 1979 through today. This list is for the main Nickelodeon cable television channel in the United States and includes programs aired during the Nick Jr. and Nick at Nite programming blocks.
Dates correspond to the “TV day”, which starts and ends at 6:00am Eastern Time. In general, First Aired is representative of when a TV show first began to air on the channel. However, there are times where this may vary, such as a pilot airing before an official premiere. Last Aired is the most recent date a program aired on the network. The length of time between the first and last airings is not necessarily representative of a program’s total time on the network. Various shows have gone months or years between different airings. See the Notes section for additional airing information.
Published: June 14, 2019
Updated: August 14, 2024 (661 titles listed)
|
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| 53 |
https://www.vulture.com/2017/09/netflix-pulls-maya-the-bee-episode-for-penis-drawing.html
|
en
|
Netflix Pulls Children’s-Show Episode for Inappropriate Drawing (It Was a Penis)
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[
""
] | null |
[
"Gabriella Paiella",
"Courtesy of Netflix"
] |
2017-09-21T12:26:59.033000-04:00
|
Netflix pulled an episode of “Maya the Bee,” an animated children’s show, after a mother found a drawing of a penis in the background.
|
en
|
Vulture
|
https://www.thecut.com/2017/09/netflix-pulls-maya-the-bee-episode-for-penis-drawing.html
|
Maya the Bee is an animated children’s show about a talking bee named Maya and her adventures with various other anthropomorphic insects, mostly bees. It’s also, according to some very concerned parents, a filthy, filthy peddler of smut. Although the series has been out since 2012, Variety reports that one mother named Chey Robinson spotted something recently in season one, episode 35. And that something is a very faint line drawing of a penis on a log … in the background … for about half a second.
She posted video of the moment to Facebook, writing, “I know I’m not going crazy and I know that something like this shouldn’t be in a kids’ show whatsoever. I’m extremely disgusted by it, there should be no reason my kids have to see something like this.” (The post is no longer publicly available, but the A.V. Club does have a link to the video.) Her complaint went viral, and Netflix has since pulled the episode.
|
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9033
|
dbpedia
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1
| 48 |
https://www.tierramaya.fr/en/products/miel-des-abeilles-de-la-jungle-maya
|
en
|
HONEY FROM THE BEES OF THE MAYAN JUNGLE
|
http://www.tierramaya.fr/cdn/shop/products/PHOTOTIERRAMAYA.jpg?v=1668446246
|
http://www.tierramaya.fr/cdn/shop/products/PHOTOTIERRAMAYA.jpg?v=1668446246
|
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[] |
[] |
[
""
] | null |
[] | null |
Mayan Jungle Bee Honey is the result of an ancestral and artisanal harvesting process. The hives are hollow tree trunks, in which we can harvest without smoking the bees. The honey is then centrifuged cold and filtered until it is pure. Our honey is extracted by our Apis bees according to the season, tropical flowers s
|
en
|
//www.tierramaya.fr/cdn/shop/files/3.png?crop=center&height=32&v=1674754606&width=32
|
Tierra Maya
|
https://www.tierramaya.fr/en/products/miel-des-abeilles-de-la-jungle-maya
|
Mayan Jungle Bee Honey is the result of an ancestral and artisanal harvesting process. The hives are hollow tree trunks, in which we can harvest without smoking the bees. The honey is then centrifuged cold and filtered until it is pure.
Our honey is extracted by our Apis bees according to the season, tropical flowers such as Xtabentun, Dzidzilch and many others but its dominant comes from the Chacà tree, the sacred tree of the Mayas. These endemic trees of the Yucatan gives it a woody, flowery aroma with a strong and persistent intensity. Maya Jungle Honey is a rare and high quality honey.
Honey from Mayan Jungle Bees can crystallize; this is a phenomenon that proves that this honey is 100% natural, and that it has not been heated. If you want to give it back its liquid texture, just put it in a ray of sunlight.
|
||
9033
|
dbpedia
|
3
| 51 |
https://www.facebook.com/photo.php%3Ffbid%3D10159896630642847%26id%3D182860052846%26set%3Da.357958922846%26locale%3Dsr_RS
|
en
|
Facebook
|
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https://static.xx.fbcdn.net/rsrc.php/yb/r/hLRJ1GG_y0J.ico
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[] |
[] |
[
""
] | null |
[] | null |
Sieh dir auf Facebook Beiträge, Fotos und vieles mehr an.
|
de
|
https://static.xx.fbcdn.net/rsrc.php/yb/r/hLRJ1GG_y0J.ico
|
https://www.facebook.com/login/
| ||||
9033
|
dbpedia
|
0
| 90 |
https://www.berlitz.com/blog/cute-funny-nicknames-spanish
|
en
|
222 nicknames in Spanish that you can use with your loved ones
|
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[
""
] | null |
[
"Marco Monroy"
] |
2023-01-25T00:00:00+00:00
|
Want to find cute & funny nicknames in Spanish for all the special people & pets in your life? Hereâs a giant creative list to get you started.
|
en
|
/favicon-32x32.png?v=32787f3e93fa4493cd296c28e4bda513
|
Berlitz
|
https://www.berlitz.com/blog/cute-funny-nicknames-spanish
|
Integrate yourself into Hispanic culture with these 222+ nicknames in Spanish.
From the top of Catalonia to the southern tip of Chile, youâll find that Spanish speakers everywhere love to use nicknames to refer to their friends and family. As anyone whoâs spent any time in a Hispanic country can attest, most Spanish speakers are extremely warm and friendly. And part of what makes the community so approachable is its embrace of colorful, creative, and unique nicknames.
Are you just starting your Spanish language journey? Download our complimentary Spanish language essentials eBook here.
Below are just a few reasons why you should learn a few nicknames in Spanish.
1. To make deeper connections
Using thoughtful nicknames with your friends can help you cultivate deep and meaningful relationships. Just make sure to use a nickname that actually fits your friend â otherwise, it might come across as insincere! You know your friends best, which is why weâve compiled a list of over 222 unique nicknames in Spanish.
2. To keep up with your friends
Just as your friends will come up with creative nicknames for you, they will do the same for the rest of your friends. That means there will be potentially dozens of nicknames to keep track of if you want to stay on top of what your friends are calling each other!
3. To survive daily life
You may be expecting nicknames from your friends, but did you know that casual acquaintances and even strangers could call you by a nickname? Indeed, itâs not uncommon at all for strangers to use a nickname to call on you in casual interactions.
For example, if you have blonde hair and order tacos from a taco stand, you can expect the taquero (the taco person) to call you güero or güera (which means blonde). Likewise, if you have curly hair, they might call you chino or china as short for pelo chino (curly hair).
4. To have fun
Using nicknames for your friends and family can be a great way to make your everyday interactions a little more fun. Though this is true for every language, it is especially so for Spanish, as there are some funny Spanish nicknames out there!
Ready to get started? Weâll cover over 222 unique nicknames in Spanish, from the funniest to the most romantic ones! From now on, youâll know exactly what to call every important person in your life.
Nicknames in Spanish
The Spanish word for a nickname is apodo (ah-poe-doe) and its plural is apodos (ah-poe-dohs).
Gender-neutral
Weâll start with gender-neutral nicknames you can use for your loved ones. You may have learned some of these before if youâve studied terms of endearment in Spanish. The ones below are great gender-neutral options that you can use with your partner, family members, close friends, and sometimes even strangers! Donât be surprised if an older woman calls you corazón out of the blue, sheâs probably not trying to flirt with you!
Nicknames for a boyfriend, cute guy, or husband
If you have a special guy in your life and youâre tired of saying âI love youâ to him over and over, you can try using any of these loving and romantic nicknames. While none of them are overwhelmingly cheesy, you should probably exercise some caution when in formal situations. Avoid using them unless youâre speaking to your man â or trying to find one!
Nicknames for a girlfriend or wife
Expressing your love and appreciation for your girlfriend or wife on a daily basis can be as easy as using a thoughtful and romantic nickname. If you want to find the right Spanish nickname for your queen or princess, check out these romantic options below!
Nicknames for your family
Spanish families are famously large, but theyâre also extremely close. If you have any Spanish-speaking family, you probably already know how common nicknames are among relatives â both immediate and distant. Check out these useful ones for your family members in Spanish, from gender-neutral grandpa and grandma nicknames, to your nieces and nephews.
Cool Spanish nicknames for guys
Having a few badass nicknames for guys in Spanish can come in very handy when youâre trying to catch the attention of that cute guy you pass by all the time in school or trying to start a conversation with the cutie sitting next to you at the bar. Beyond doling out some handy compliments in Spanish, you could try your luck with one of these steezy nicknames any guy would appreciate.
Download our free Spanish essentials eBook
Funny Spanish nicknames
If youâre already at an intermediate Spanish level and can readily consume Spanish media, you probably already know how funny Spanish speakers can be. If you take pride in your sense of humor, donât pass up the opportunity to use some of these hilarious Spanish nicknames!
Cute nicknames in Spanish
There are hundreds of different terms of endearment that you can use to refer to just about anyone in your life. If you want to find the perfect cute nickname in Spanish for all the special people â and pets â in your life, hereâs a great list to get you started.
Nicknames by region
With 21 countries that speak Spanish, itâs no surprise that each one has its own unique vocabulary for nicknames. Whether you have friends from all over or you want to travel far and wide, here are some regional Spanish nickname variations you can use.
Spain
As the country of origin of the Spanish language, perhaps youâd think that Spanish from Spain is the standard dialect. However, thatâs not really the case, since an overwhelming majority of Spanish speakers live in Latin America. In fact, as the only country in Europe that speaks Spanish, Spain has developed a unique set of slang and nicknames.
Mexico
As the country with the most Spanish speakers in the world, itâs no surprise that Mexico has many unique nicknames. If you plan to spend time in historic Mexico City or along the Riviera Maya, donât forget to learn a few of these common nicknames!
Argentina
Argentina has some famously unique nicknames that you wonât hear anywhere outside this country. Fun fact, did you know that the winning team of the 2022 World Cup has its own nickname? See below to find out what it is!
Colombia
Even if Colombia isnât the most-populated Spanish-speaking country, it is an incredibly diverse one. Youâll find that regional accents and slang vary tremendously from departamento to departamento (their equivalent of states), which makes their regional linguistics extremely rich. Here are some of the most common nicknames in Colombia.
Peru
Whether youâre headed to the seaside metropolis of Lima or the picturesque town of Cusco, youâll need to have a few of these Peruvian nicknames under your belt.
Guatemala
As all coffee lovers already know, the Central American country of Guatemala has a lot to offer. From its warm people to its impressive geographic landforms, Guatemala is truly a unique country â and its local nicknames are no exception!
Dominican Republic
If youâve met someone from the Dominican Republic, you know how easily they can fill the room with positive energy. Part of that is their lively slang, which includes many funny and creative nicknames.
Nicknames by given name
Nicknames by given name are incredibly popular in Spanish-speaking countries. Most of your friends will probably never call you by your real name unless itâs extremely unique. Hereâs a non-exhaustive list of some of the most common Spanish nicknames.
Nicknames of cities and places
The Big Apple, The Emerald City, and The Big Easy. All of these are common English nicknames for major cities in the United States that non-natives might not understand. Spanish has similar nicknames that would probably confuse you unless youâve spent some time in the city â or read our handy guide to Spanish city nicknames!
Keep up the great work, mis amores!
Learning a few Spanish nicknames will make you sound like a true native, and with our helpful list of over 222 nicknames in Spanish, you have no excuses not to!
|
||||
9033
|
dbpedia
|
3
| 8 |
https://www.tvinsider.com/network/nick-jr/schedule/
|
en
|
TV Schedule & Listings Guide
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[] | null |
A live TV schedule for Nick Jr., with local listings of all upcoming programming.
|
en
|
https://www.tvinsider.com/wp-content/themes/tv/images/favicon.ico
|
TV Insider
|
https://www.tvinsider.com/network/nick-jr/schedule/
|
12:00 AM
Stream
Bubble Guppies
Series • 2011
Ducks in a Row
Season 1 • Episode 5
Nonnie must figure out how to lead the marching band when a duck gets in its way.
12:28 AM
Stream
Bubble Guppies
Series • 2022
Bubble Medics to the Rescue!
Season 6 • Episode 15
Paramedics Zooli and Gil get a call for help from Nonny, so they fly to him in their ambulance.
12:56 AM
Stream
Bubble Guppies
Series • 2023
A Slow Day in Zippy City!
Season 6 • Episode 25
Tiny the Slug and the Opposites Crew slow down Zippy City; Zooli and Goby have to stop them.
1:24 AM
Stream
Bubble Guppies
Series • 2011
Call a Clambulance
Season 1 • Episode 1
Oona's friend must visit a doctor when he breaks a bone in his tail.
1:51 AM
Stream
Team Umizoomi
Series • 2012
Presto's Magic House
Season 3 • Episode 7
The team must search through Presto's wacky house to rescue him from a magic bubble.
2:15 AM
Stream
Team Umizoomi
Series • 2010
The Butterfly Dance Show
Season 1 • Episode 14
The team must help Sophia complete her butterfly costume before the Butterfly Dance Show.
2:39 AM
Stream
Team Umizoomi
Series • 2011
The Legend of the Blue Mermaid
Season 2 • Episode 14
The team follows a trail of blue scales to rescue a mermaid from Squiddy the Squid.
3:04 AM
Stream
Peppa Pig
Series • 2021
Super Potato Movie; TV Land; Bird Spotting; The Petting Farm; Goldie the Fish
Peppa and her friends visit the cinema; Peppa finds out how TV is made.
3:28 AM
Stream
Peppa Pig
Series • 2018
Sailing Boat; Molly Mole; Soft Play; The Market; Bedtime Story
Peppa and George go sailing with Grandpa Pig, but he keeps getting the boat stuck in the mud.
3:52 AM
Stream
Peppa Pig
Series • 2021
Motorbiking; Sea Treasure; Monkey Has a Cough; Police Car; Fire Station Practice
Season 7 •
Granny and Grandpa take Peppa and George camping; Peppa finds a message in a bottle.
4:17 AM
Stream
PAW Patrol
Series • 2021
Pups Save a Chicken Tulip; Pups Stop an Xtreme Shark
Season 8 • Episode 13
Mayor Humdinger helps Mayor Goodway look for a rare tulip; the pups must save Daring Danny X.
4:41 AM
Stream
PAW Patrol
Series • 2021
Pups vs. a Neon Humdinger; Pups Save a Royal Painting
Season 8 • Episode 8
When Mayor Humdinger's giant neon sign gets loose, the PAW Patrol stop it from rolling through town.
5:05 AM
Stream
PAW Patrol
Series • 2024
Pups Take in a Runaway Kitty; Pups Save the Cheese Goat
Season 10 • Episode 24
Rocky Kitty tries to join the PAW Patrol; a hungry eagle targets the Good Neighbor Robots.
5:30 AM
Stream
PAW Patrol
Series • 2020
Pups Save a Rocket Roller Skater; Pups Save Ryder's Surprise
Season 7 • Episode 13
Ms. Marjorie and Danny speed out of control; Ryder's present ends up in the jungle.
6:00 AM
Stream
PAW Patrol
Series • 2020
Pups Save a Lost Gold Miner; Pups Save Uncle Otis From His Cabin
Season 7 • Episode 12
Uncle Otis takes a trip to goldmine; Uncle Otis gets trapped in his cabin with Mr. Wingnut.
6:30 AM
Stream
PAW Patrol
Series • 2020
Ultimate Rescue: Pups Save the Pupmobiles
Season 7 • Episode 11
When Sid Swashbuckle and Arrby swipe the Paw Patrol's award, Ryder and the pups go to recover it.
7:00 AM
Stream
Bubble Guppies
Series • 2011
Super Shrimptennial Celebration!
Season 1 • Episode 16
The Bubble Guppies go sightseeing in the big city.
7:30 AM
Stream
Bubble Guppies
Series • 2011
Happy Clam Day!
Season 1 • Episode 17
The Bubble Guppies have to learn about the mail so they can send invitations to a party for Clam.
8:00 AM
Stream
Bubble Guppies
Series • 2020
Dragons N' Roses!
Season 5 • Episode 10
Zooli befriends Petunia and shows her friends how lovable Petunia really is.
8:30 AM
Stream
Bubble Guppies
Series • 2020
Too Bright for Movie Night!
Season 5 • Episode 13
The Sun People agree to turn off their giant night light so the Moon People can enjoy movie night.
9:00 AM
Stream
Bubble Guppies
Series • 2016
Sheep Doggy!
Season 4 • Episode 9
When Farmer Joe's baby lamb wanders off the farm during a storm, Bubble Puppy becomes a sheepdog.
9:30 AM
Stream
Bubble Guppies
Series • 2021
Bigfoot Crossing!
Season 5 • Episode 20
Rangers Goby and Gil's job is to make sure pedestrians reach the lake safely.
10:00 AM
Stream
Bubble Guppies
Series • 2020
Snow Squad to the Rescue!
Season 5 • Episode 12
Gil is convinced a yeti is to blame when sleeping bags go missing.
10:30 AM
Stream
Bubble Guppies
Series • 2014
Come to Your Senses!
Season 3 • Episode 14
When Nonny breaks his glasses, he must use his other senses to reach the glasses store.
11:00 AM
Stream
Team Umizoomi
Series • 2011
Crazy Skates
Season 2 • Episode 9
Bot rolls all over Umi City when he puts on a pair of crazy skates.
11:30 AM
Stream
Team Umizoomi
Series • 2011
Ellee the Elephant
Season 2 • Episode 12
The team must guide Ellee the elephant through Umi City so she can make her debut at the circus.
12:00 PM
Stream
Peppa Pig
Series • 2021
Health Check; Potty Training; Jelly; The Tractor; The Petting Farm
Season 7 •
Peppa goes to the doctor; Daddy Pig shows Peppa how to make jelly; Peppa visits the petting farm.
12:30 PM
Stream
Peppa Pig
Series • 2011
Polly's Boat Trip; Grandpa at the Playground; The Fire Engine; Funfair; Delphine Donkey
Peppa and George go on a boat trip; Grandpa Pig takes Peppa and George to the playground.
1:00 PM
Stream
Peppa Pig
Series • 2013
Pedro the Cowboy; Peppa & George's Garden; The Flying Vet; International Day; Potato City
Pedro Pony pretends to be a cowboy; Grandpa Pig gives the children seeds for their garden.
1:30 PM
Stream
Peppa Pig
Series • 2022
Roller Disco; Weather Station; Talking; Grandpa's Rock Garden; Winter Games
Season 7 •
Madame Gazelle has organized a roller disco; Grandpa Pig makes a rock garden; Peppa goes skiing.
2:00 PM
Stream
PAW Patrol
Series • 2020
Pups Save the Skydivers; Pups Save the Cupcakes
Season 7 • Episode 9
Mayor Goodway and farmer Al go skydiving; Alex and the Mini Patrol get locked inside the flounder.
2:30 PM
Stream
PAW Patrol
Series • 2020
Pups Save a Big Bad Bird Crew; Pups Save a Soapbox Derby
Season 7 • Episode 7
It's up to the PAW Patrol to rescue Myrna the Mynah bird's wayward flock.
3:00 PM
Stream
PAW Patrol
Series • 2020
Dino Rescue: Pups Save a Sore Dino; Dino Rescue: Pups Save the Triceratops Tag-Alongs
Season 7 • Episode 15
In the Dino Wilds, a sightseeing expedition quickly turns into a wild Dino ride.
3:30 PM
Stream
PAW Patrol
Series • 2020
Dino Rescue: Pups Save a Hum-Dino
Season 7 • Episode 10
Mayor Humdinger and his Kitties go to Dino Wilds for Dino acting lessons.
4:00 PM
Stream
Rubble & Crew
Series • 2023
The Crew Builds an Observatory; The Crew Builds a Zipline
Season 1 • Episode 16
The pups build an observatory to help their friend; the pups get stuck on a nature trail.
4:30 PM
Stream
Rubble & Crew
Series • 2023
The Crew Fixes the Talent Show Stage; The Crew Builds Instruments
Season 1 • Episode 22
The pups use Motor's talent to save the town talent show; Rubble and Crew try to fix instruments.
5:00 PM
Stream
PAW Patrol
Series • 2020
Dino Rescue: Pups Save a Pterodactyl; Dino Rescue: Pups and the Big Rumble
Season 7 • Episode 8
Maverick the daredevil pterodactyl takes a tumble; a volcano threatens the Dino Wilds.
5:30 PM
Stream
PAW Patrol
Series • 2020
Mighty Pups, Charged Up: Pups Stop a Big Bad Bot; Mighty Pups, Charged Up: Mighty Pups Versus the Dome
Season 6 • Episode 23
Harold Humdinger's giant robot takes Adventure Bay's buildings; Copycat traps the entire town.
6:00 PM
Stream
PAW Patrol
Series • 2020
Dino Rescue: Pups and the Lost Dino Eggs
Season 7 • Episode 6
A world of dinosaurs is discovered; Mayor Humdinger wants to take dino eggs back to Foggy Bottom.
6:30 PM
Stream
PAW Patrol
Series • 2020
Pups Save a Waiter-Bot; Pups Stop a Pie-Clone
Season 7 • Episode 5
Mr. Porter's new high-tech waiter robot helps around the café, but it can't stop cleaning.
7:00 PM
Stream
PAW Patrol
Series • 2020
Mighty Pups Charged Up: Pups vs. Three Super Baddies
Season 7 • Episode 2
Superbaddies Harold, Ladybird and the Copycat team up and take the Mighty Pups' mighty meteor.
7:30 PM
Stream
PAW Patrol
Series • 2020
Pups Save an Antarctic Martian; Pups Save the Maze Explorers
Season 7 • Episode 3
Travelling Travis lands in Antarctica; Mr. Porter and Alex go on a sightseeing hike.
8:00 PM
Stream
Rubble & Crew
Series • 2023
The Crew Builds a Pig Barn; The Crew Builds a Giant Runway
Season 1 • Episode 10
Rubble and crew build a barn for her pig; the Builder Cove's airport needs a bigger runway.
8:30 PM
Stream
Rubble & Crew
Series • 2023
The Crew Builds a Drive-In Movie Theater; The Crew Finds a Rainbow Treasure
Season 1 • Episode 9
The pups build a movie theater to watch a new movie; Grandpa tells the pups about buried treasure.
9:00 PM
Stream
PAW Patrol
Series • 2020
Pups Save Election Day; Pups Save the Bubble Monkeys
Season 7 • Episode 4
Mayor Humdinger runs for mayor of Adventure Bay; the pups visit Tracker and Carlos in the jungle.
9:30 PM
Stream
PAW Patrol
Series • 2020
Mighty Pups Charged Up: Pups Stop a Humdinger Horde; Mighty Pups Charged Up: Pups Save a Mighty Lighthouse
Season 7 • Episode 1
Harold makes a cloning machine; Harold turns Cap'n Turbot's lighthouse into a rocket.
10:00 PM
Stream
PAW Patrol
Series • 2020
Pups Save a Tour Bus; Pups Save Midnight at the Museum
Season 6 • Episode 25
Mayor Humdinger's tour bus goes out of control; Alex and the mini-patrol go missing.
10:30 PM
Stream
PAW Patrol
Series • 2021
Ultimate Rescue: Pups Save the Opening Ceremonies; Ultimate Rescue: Pups Save the Adventure Bay Games
Season 6 • Episode 26
Marshall leads the pups when an underground fire threatens the Opening Ceremonies.
11:00 PM
Stream
PAW Patrol
Series • 2020
Pups Rescue a Rescuer; Pups Save the Phantom of Frog Pond
Season 6 • Episode 24
Mayor Goodway tries to help the PAW Patrol rescue Danny; a spooky sound scares away frogs.
|
||||
9033
|
dbpedia
|
1
| 64 |
https://somethingyousaid.com/2018/06/15/maya-the-bee-the-honey-games-at-sff/
|
en
|
» Maya the Bee: The Honey Games at SFF Something You Said
|
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[
""
] | null |
[] |
2018-06-15T00:00:00
|
Maya the Bee: The Honey Games is an animated movie that holds true to the simplistic story of an overly enthusiastic bee.
|
en
|
Something You Said
|
https://somethingyousaid.com/2018/06/15/maya-the-bee-the-honey-games-at-sff/
|
Maya the Bee: The Honey Games at SFF
Bless this film. Directed by Noel Cleary and Sergio Delfino, Maya the Bee: The Honey Games is an animated kid’s movie that holds true to the sweet, simplistic story of an overly enthusiastic bee called Maya trying to prove herself by competing in The Honey Games: the bee version of the Olympic games.
Sitting in cinema with a crowd half my age I was swept away by the film’s bright colours, easy to follow plot, and stereotypical characters. There’s always something magical about animation and fortunately the suspension of disbelief remained despite the times I found Maya’s character to be slightly irritating due to her chirpiness (there’s always that overly-eager friend who is too enthusiastic when you’re tired and irritable).
We have our protagonist Maya (Coco Jack Gillies), her best friend Willi (Benson Jack Anthony), the Queen Bee (Justine Clarke), the villain of the film a rival bee from the big city Violet (Linda Ngo) and an assortment of other characters. The film has themes about friendship, teamwork, honesty, and believing in oneself, all topics important to teach our young audiences.
After a quick search online, I found that Maya the Bee is a franchise that started 1912 by a German writer named Waldemar Bonsels. A hundred years later and Maya the Bee is still a buzz. With the franchise spawning films, TV series, musicals, video games, and an opera the Maya the Bee franchise has sure been busy.
Despite its predictable storyline Maya the Bee: The Honey Games is a good choice to bring kids to these upcoming school holidays.
The film plays again at Sydney Film Festival on Sunday the 17th of June and will be released in Australia 26 July. Find out more here: https://www.sff.org.au/program/browse/maya-the-bee-the-honey-games
…
Words and pictures by Addy Fong.
|
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9033
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dbpedia
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0
| 86 |
https://en.myshows.me/search/all/ch-US-nick-jr./
|
en
|
Best TV Shows on Nick Jr. to Watch
|
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List of TV Shows on Nick Jr. of all countries and genres based on Myshows.me user ratings. ⭐ 38 of series in the database. ✔️Release dates, episode discussions, user reviews.✔️Top Rated Nick Jr. TV Shows to Watch.
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ru
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/favicon.ico
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myshows.me
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https://en.myshows.me/search/all/ch-US-nick-jr./
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Dora and Friends: Into the City!
Adventure, Comedy, Children
2014, US
The World of David the Gnome
Children Cartoons
1988, Spain
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https://oldskool.cartoondatabank.com/M/mayathebee1990.htm
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en
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Maya the Bee @ The Cartoon Scrapbook
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"Who's a friendly, little bee playing oh-so happily.
Buzzing here and buzzing there.. Busy buzzing everywhere.
Maya loves and Maya cares, Maya gives and Maya shares.
Maya likes to play around, but she'll never let you down.
Maya.. Maya the Bee. Maya... Maya the Bee
See her flying through the air, buzzing here and buzzing there.
Saying catch me if you dare, busy buzzing everywhere.
Maya.. Maya the Bee. Maya.. Maya the Bee.."
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https://www.nbc.com/nbc-insider/agt-season-19-top-44-acts-list
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en
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The Top 44 AGT Acts Competing in Season 19's Live Shows (FULL LIST)
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[
"Tyler McCarthy"
] |
2024-08-06T17:01:56+00:00
|
AGT Season 19 Quarterfinalists going to the Live Rounds revealed!
|
en
|
/sites/nbcblog/themes/custom/nbcblog/images/icons/apple-touch/apple-touch-icon.png
|
NBC Insider Official Site
|
https://www.nbc.com/nbc-insider/agt-season-19-top-44-acts-list
|
NBC Insider Exclusive
Create a free profile to get unlimited access to exclusive show news, updates, and more!
Sign Up For Free to View
The Top 44 AGT Acts Competing in Season 19's Live Shows (FULL LIST)
Here's every Act performing live in the quarterfinals for America's Got Talent 2024
By Tyler McCarthy Aug 6, 2024, 1:01 PM ET
At long last, after weeks of anticipation and a dynamite Olympic games, America’s Got Talent Season 19 is ready to enter its next phase of competition with 44 Acts moving on from the eye-popping Audition rounds to the high-stakes Live Round.
How to Watch
Watch America’s Got Talent Tuesdays at 8/7c on NBC and next day on Peacock.
On Tuesday, Aug. 13, the first of 44 Acts who impressed the Judges in the first round of Season 19 will return to up the ante even more and compete for a major cash prize and some of the ultimate bragging rights in show business: and AGT win. But who specifically will be competing?
If you missed any of the auditions or simply want to know which of the many Acts that moved forward will be taking the stage again, we’ve got the full list of performers below. From professional artists to aspiring performers balancing day jobs like being a janitor, a dentist or a prison nurse, these people from all walks of life will have one thing in common, an equal shot at greatness on the AGT stage.
Each week we’ll see 11 Acts take the stage live, and for the first time in the show’s history, compete for a Live Golden Buzzer that could send them directly to the Finals. America’s Vote will determine three more Acts from that week that will advance to the Semifinals.
As you get your voting fingers ready, here’s who you can expect to see in the Quarterfinals of AGT Season 19:
AIRFOOTWORKS
Photo: Trae Patton/NBC
Act: Acrobatic
Alex Sampson
Photo: Greg Gayne/NBC
Act: Singer
Arshiya
Photo: Trae Patton/NBC
Act: Contortion
Ashes & Arrows
Photo: Trae Patton/NBC
Act: Band
Ashlee Montague
Photo: Trae Patton/NBC
Act: Extreme Ballet
Attraction Juniors
Photo: Trae Patton/NBC
Act: Shadow Performance
Bboy Samuka
Photo: Trae Patton/NBC
Act: Dance
Biko's Manna
Photo: Trae Patton/NBC
Act: Singing
Brent Street
Photo: Trae Patton/NBC
Act: Dance Group
Brooke Bailey
Photo: Trae Patton/NBC
Act: Singer
Dee Dee Simon
Photo: Greg Gayne/NBC
Act: Singer
Erica Rhodes
Photo: Trae Patton/NBC
Act: Comedian
Flewnt & Inkabee
Photo: Trae Patton/NBC
Act: Rap Duo
Hakuna Matata Acrobats
Photo: Trae Patton/NBC
Act: Acrobatic
Hyper Kids Africa
Photo: Trae Patton/NBC
Act: Dance Group
Illya and Anastasia
Photo: Trae Patton/NBC
Act: Acrobatic
Jelly Boy the Clown
Photo: Trae Patton/NBC
Act: Sideshow
Jonathan Burns
Photo: Greg Gayne/NBC
Act: Magician
Journeyy
Photo: Trae Patton/NBC
Act: Singer
Kelsey Jane
Photo: Trae Patton/NBC
Act: Aerial
L6
Photo: Trae Patton/NBC
Act: Singing Group
Learnmore Jonasi
Photo: Trae Patton/NBC
Act: Comedian
LEGION
Photo: Trae Patton/NBC
Act: Dance
Liv Warfield
Photo: Trae Patton/NBC
Act: Singer
Los Osos High School
Photo: Trae Patton/NBC
Act: Dance Group
Maya Neelakantan
Photo: Trae Patton/NBC
Act: Musician
Menudo
Photo: Trae Patton/NBC
Act: Singing Group
Nini
Photo: Trae Patton/NBC
Act: Musician
Oscar Stembridge
Photo: Trae Patton/NBC
Act: Singer
Phillip Lewis
Photo: Trae Patton/NBC
Act: Baton
Pranysqa Mishra
Photo: Trae Patton/NBC
Act: Singer
Reid Wilson
Photo: Greg Gayne/NBC
Act: Singer
Richard Goodall
Photo: Trae Patton/NBC
Act: Singer
Rhythm & Roni
Act: Dog Performing
Sabrina
Photo: Greg Gayne/NBC
Act: Dance Group
Sam Huang
Photo: Trae Patton/NBC
Act: Magician
Schumacher
Photo: Trae Patton/NBC
Act: Variety
Sebastian & Sonia
Photo: Trae Patton/NBC
Act: Aerial
Sky Elements
Photo: Trae Patton/NBC
Act: Drone Show
Solange Kardinaly
Photo: Trae Patton/NBC
Act: Quick Change
Stephanie Rainey
Photo: Trae Patton/NBC
Act: Singer
The Reklaws
Photo: Trae Patton/NBC
Act: Band
TONIKAKU
Photo: Trae Patton/NBC
Act: Variety
Young-Min
Photo: Trae Patton/NBC
Act: Magician
Catch up on past episodes of America's Got Talent on Peacock.
Sponsored Stories
Recommended by Zergnet
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| 68 |
https://kids.kiddle.co/Nick_Jr.
|
en
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Nick Jr. facts for kids
|
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Learn Nick Jr. facts for kids
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https://kids.kiddle.co/Nick_Jr.
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This page is about the American morning block on Nickelodeon. For the 24/7 channel, see Nick Jr. Channel.
Quick facts for kids
Nick Jr.
Logo used since July 5, 2023
Network Nickelodeon Launched January 4, 1988; 36 years ago ( ) Country of origin United States Owner Paramount Media Networks (Paramount Global) Headquarters New York City Formerly known as
Nick Junior (1988)
Nick Jr.'s Play Date (2007–2009)
Nickelodeon's Play Date/Nick's Play Date (2009–2012)
Nick: The Smart Place to Play (2012–2014)
Original language(s)
English
Spanish (via SAP audio track)
Nick Jr. (sometimes disambiguated as Nick Jr. on Nickelodeon or Nick Jr. on Nick) is an American morning programming block that airs on Nickelodeon every weekday. It was launched on January 4, 1988. Nick Jr. features a lineup of shows aimed at children aged 2 through 6.
In 2009, Nickelodeon launched a separate channel named after the Nick Jr. block as a replacement for the original Noggin cable channel. The channel is known on air as the "Nick Jr. Channel" to differentiate the two services.
History
Early years (1988–1993)
Since its launch on April 1, 1979, and throughout the 1980s, Nickelodeon aired programs for preschoolers (most prominently Pinwheel and Today's Special) on weekdays (from 8:00 am – 2:00 pm) and weekend mornings. After Nickelodeon's preschool block premiered a slew of new shows in 1987, it began using the Nick Junior branding on January 4, 1988 ( ), coinciding with the premiere of the Spanish program The World of David the Gnome. A new rebrand for the block that abbreviated its name to Nick Jr. was gradually unveiled September 5, 1988. Nick Jr.'s new logo was orange for 'Nick' and blue for 'Jr.', and it varied in the shape or species (e.g.: two gears, trains, robots, planets, insects, comets, or elephants). Like with Nickelodeon, Nick Jr.'s network IDs featured the block's logo in different shapes and styles. At launch, the block aired from 8:30 am – 2:30 pm. On weekends, preschool programs went unbranded and aired at earlier hours of the day.
Until June 29, 1990, Pinwheel was featured, originally for three hours (two in the morning and one at noon), then for one hour starting in spring 1989. When Nick Jr.'s original series Eureeka's Castle premiered in September, Pinwheel was split into two separate half hours in the morning and afternoon, where it remained until June 29, 1990, after which the block was truncated to start at 9:30 am - 2:30 pm on June 15, 1992, another solidified timing at 9:30 am - 2:00 pm on July 6, 1992 and last solidified timing at 9:00 am - 2:00 pm on October 5, 1992. Much of Nick Jr.'s other programs at the time were of Japanese or foreign origin (including Fred Penner's Place, Sharon, Lois & Bram's Elephant Show, Adventures of the Little Koala, Noozles, Maya the Bee, and The Littl' Bits).
Grow, Learn, and Play (1993–1994)
On April 5, 1993 ( ), Nick Jr. premiered a new series, Cappelli & Company, and received a new rebrand which prominently featured a new Nick Jr. logo consisting of an orange parent and a blue child, and the slogan Grow, Learn, and Play. Several Nick Jr. promos and bumpers featured kids playing near the Nick Jr. logo and a theme song with the slogan sung to the melody of London Bridge, and a few featured Cappelli & Company mascot Frank Cappelli. Nick Jr. also started using a female announcer (who was replaced by a different one in 1994, 1998 and 2003) in its promos and bumpers. Nick Jr. began to invest more into producing original interstitial series (including 1994's Muppet Time, forty two-minute shorts from The Jim Henson Company) in order to stay within a self-imposed limit of five minutes of commercials per hour.
On April 4, 1994, the "Jim Henson's Muppet Hour" sub-block was created by pairing Muppet Babies reruns with the new acquisition The Muppet Show. Due to Nick Jr.'s declining ratings as well as competition from PBS' PTV and TLC's Ready Set Learn, Nickelodeon spent $30 million revamping the Nick Jr. block over the next three years. On June 13, older-skewing Nickelodeon series Rugrats, The Alvin Show, Dennis the Menace, and Lassie joined Nick Jr.'s lineup, as the block's branding was temporarily de-emphasized in favor of regular Nickelodeon branding until September 2.
Just for Me/Play to Learn (1994–2003)
On September 5, 1994 ( ), Nick Jr. rebranded and introduced Face, an animated mascot that introduced shows and interstitials and led into commercial breaks. In the context of his segments, Face was capable of materializing objects such as an astronaut, a robot, a clown, a window, a traffic light, stars, and even wood. He was also capable of creating a number of foley sound effects and voices including an iconic signature three-note trumpet noise usually following the name "Nick Jr." at the end of almost every bumper. Also, he changed colors, moods, and feelings. Face was voiced by Chris Phillips, who also narrated several Nickelodeon and Nick Jr. promos. The original Face promos were produced by Nick Digital (from 1994 to 1996 and from 2000 to 2003; the later promos featured a redesigned Face) and DMA Animation (from 1996 to 2000). On October 21, Nick Jr. did away with The Elephant Show, as their investment in the show's US run was not being met, and three days later premiered two new original series, Gullah Gullah Island and Allegra's Window, resulting in 50% rating gains for the block.
In 1995, Nick Jr. acquired broadcast rights to The Busy World of Richard Scarry from sister network Showtime, and later premiered Rupert on September 11, and Little Bear on November 6 (both were produced by the Canadian animation studio Nelvana).
On September 8, 1996 ( ), the first episode of Blue's Clues premiered in primetime on Nick at Nite, then aired on Nick Jr. the next day. Nick Jr. also premiered four new interstitial series and received a new rebrand produced by Pittard Sullivan. Blue's Clues quickly deposed Gullah Gullah Island as Nick Jr.'s most popular series. Rugrats was pushed out of Nick Jr.'s lineup after May 2, 1997, to make room for second showings of Little Bear and Blue's Clues. The Wubbulous World of Dr. Seuss replaced Papa Beaver's Storytime on October 7, 1997, after a series of occasional airings on the block from October 21, 1996, to February 1997. On March 16, 1998, the "nickjr.com" website was launched. Later that year, Nick Jr. rebranded again and introduced the "Just for Me" slogan. A sign-on and sign-off bumper featuring the "Just for Me" slogan was used on Nick Jr. video releases from 2000–04.
In the first quarter of 1999, Nick Jr. premiered three new series based on books, Franklin on January 11, and Kipper and Maisy in February, which helped increase the block's ratings. Later in 1999, Little Bill premiered on November 28; the series' first episodes premiered on Nickelodeon Sunday nights before airing on Nick Jr. the next day. Nick Jr. briefly aired reruns of Shining Time Station beginning June 5, 2000 (Maggie and the Ferocious Beast premiered on the same day) to promote the film Thomas and the Magic Railroad, before replacing it with Dora the Explorer on August 14, which became one of Nick Jr.'s most successful series.
The US dub of Bob the Builder premiered on Nickelodeon on January 13, 2001, before airing on Nick Jr. two days later. Oswald premiered on August 20. On September 24, 2001 ( ), Nick Jr. received a new rebrand produced by AdamsMorioka (who had previously rebranded Nickelodeon and Nick at Nite) and Editional Effects, intended to have a greater appeal towards parents. In the spring of 2002, Nick Jr. altered the format of its commercial breaks, resulting in the removal of older network IDs dating back to 1994. Beginning on January 10, 2003, Dora the Explorer and Blue's Clues were placed in Nick Jr.'s "Play Along Time" sub-block. On April 7, the day that sister network Noggin rebranded and introduced Moose and Zee, Nick Jr. aired some of Noggin's new original series (Oobi, Tweenies, and Miffy and Friends) as a cross-promotion. Nick Jr. continued to air Tweenies from July to September 25.
On August 29, 2003, the original Face interstitials ended their almost 9-year run.
Play Along (2003–2004)
On September 1, 2003 ( ), Nick Jr. received a rebrand that introduced more than a dozen new logos; British program Rubbadubbers premiered the next day. A new interstitial series called Nick Jr. Play Along was introduced, hosted by two live-action hosts: Robin (played by actress Hillary Hawkins) and Zack (played by actor Travis Guba). Along with Robin and Zack were two sock puppets called the Feetbeats. Face was given a brand new look which added eyebrows and a chin and straightened his eyes by inverting their colors from white dots on black eyes to actual-looking eyes, and was voiced by Nick on CBS announcer Babi Floyd. The new Face promos were produced by Vee-Pee Cartoons.
Nick Jr. removed the Play Along interstitials aside from a re-edited block opening in February 2004.
On October 8, 2004, the new Face interstitials ended their 1-year run.
Love to Play! (2004–2007)
On October 11, 2004 ( ), Nick Jr. received another rebrand containing interstitials co-produced with Little Airplane Productions featuring the block's new mascot Piper O'Possum (voiced by Ali Brustofski and created by Josh Selig), and the new slogan "Love to Play!". Nick Jr.'s female announcer was replaced with Kobie Powell and Chris Phillips. Nick Jr. used its new on-screen bug to promote its website until March 3, 2006 ( ). LazyTown, Miss Spider's Sunny Patch Friends, Blue's Room, and The Backyardigans (the latter of which premiering alongside the rebrand) premiered on Nick Jr. in 2004. Between 2004 and 2007, Nick Jr. reduced its reliance on interstitial series and increased the amount of commercials it aired.
Dora the Explorer spin-off Go, Diego, Go! premiered in 2005, whilst Wonder Pets! and Wow! Wow! Wubbzy! debuted the following year.
On November 10, 2006, the SpongeBob SquarePants "Best Day Ever" marathon on Nickelodeon pre-empted the Nick Jr. block.
On August 20, 2007 ( ), Yo Gabba Gabba! debuted, and was the only Nick Jr. series to premiere that year (Ni Hao, Kai-Lan was set to premiere in late-2007, but was later delayed to premiere on February 7, 2008 ( )).
On September 7, 2007, the Piper O'Possum interstitials ended their 3-year run.
On September 10, 2007 ( ), Nick Jr. received yet another rebrand named Nick Jr. Play Date. A new slogan, Play with Us!, was also included. Nick Jr.'s bumpers encouraged preschoolers to play along and featured the Nick Jr. logo in the form of two stop-motion stuffed animals. From September 10, 2007 to February 2008, Nick Jr. Play Date retained the Nick Jr. on-screen bugs from 2006, only with the Play Date branding in place. Starting in February 2008, the on-screen bugs were changed to match the branding. This marked the first time that Nick Jr. had no mascot since 1994. Starting on February 25, 2008 ( ), Nick Jr. began its broadcast at 8:30 am.
After January 30, 2009, the block stopped using the Nick Jr. brand name for the time being (in order to avoid confusion with the then-upcoming channel of the same name). As a result, the Nick Jr. Play Date bumpers ended their 1.5-year run.
Nickelodeon rebranding (2009–2014)
On February 2, 2009 ( ), the Nick Jr. block rebranded as Nickelodeon's Play Date. NickJr.com continued to use the Nick Jr. brand name to categorize all of Nickelodeon's preschool programming. The block's new branding was designed by Melinda Beck, and many bumpers featured drawings, finger puppets or cupcakes. The bumpers' music was a choir of kids vocalizing, and Nicolette Pierini was the announcer of each bumper. With this new branding, the Nick Jr. graphic bugs were replaced with the bug used for regular Nickelodeon programming. Despite now being known as Nickelodeon's Play Date, some bumpers still contained the Nick Jr. stop motion animal bumpers from the previous branding. From February 2 to early June of that same year, Nickelodeon’s Play Date retained the Nick Jr. split-screen credits from 2007, only with the Nickelodeon splat logo in place. Starting in June of that year, the split-screen credits were changed to match the branding. On September 28 of that year, the Nick Jr. channel was launched, replacing Noggin. That same day, the block became simply known as Nick's Play Date. Starting in the summer of 2010, Nick's Play Date began its broadcast at 7:00 am.
In 2011, Nick's Play Date received a new rebrand featuring characters from the block's shows. That same year, Nick’s Play Date stopped using the branding’s split-screen credits, and started using Nickelodeon’s split-screen credits design. The following year, the Play Date branding was replaced with a modified version of the Nick Jr. channel's new branding known as Nick: The Smart Place to Play. Despite Nickelodeon displaying its shows' credits during the last 30 seconds before it since 2012, the branding retained the split-screen credits for Nick Jr. shows airing on the block until May 2, 2014 ( ).
Return of Nick Jr. branding (2014–2023)
On May 5, 2014 ( ), Nick: The Smart Place to Play rebranded back to Nick Jr. and began calling itself "Nick Jr. on Nickelodeon" or "Nick Jr. on Nick" while still using a Nickelodeon screen bug. When aired on the Nick Jr. channel, commercials for programs broadcast on Nickelodeon's Nick Jr. block usually end with "Over on Nick" or "Over on Nickelodeon" to differentiate the titles. On the same day, the Nick Jr. block also began to use Nickelodeon's on-screen credits to include more commercials (now 12 minutes per hour). On June 10, 2015 ( ), the Nick Jr. website was fully redesigned to match up with the Nick Jr. app.
On May 21, 2018 ( ), the Nick Jr. block rebranded with new bumpers and curriculum boards. Starting in the fall of 2020, Nick Jr. began its broadcast at 7:00 am once again for the first time since 2010. As of fall 2022, the Nick Jr. block has been extended to sign off at 3:00 pm, but by January 2, 2023, it reverted to having a 2 p.m. sign off time.
Return of Nickelodeon branding (2023–present)
On July 5, 2023 ( ), the Nick Jr. block was rebranded to include the refreshed splat logo and used the Nickelodeon name in the refreshed bumpers, as well as refreshed curriculum boards, while the Nick Jr. channel eventually adopted the full rebrand on September 4.
Programming
Other Nick Jr. blocks for broadcast networks
From 2000 to 2002 and from 2004 to 2006, Nick Jr. programs and interstitial segments appeared as a Saturday morning block on CBS entitled Nick Jr. on CBS. From 2002 to 2004, it was part of the general Nick on CBS block, which also included programming from the main Nickelodeon channel. It ended after Viacom and CBS Corporation were separated at the start at 2006 (but re-merged in later years) and was replaced by the KOL Secret Slumber Party block on September 16, 2006.
Spanish-language US network Telemundo has aired Blue's Clues (Spanish Pistas De Blue) (from 1998 to 2000, as part of the Nickelodeon en Telemundo block) and Dora the Explorer (Spanish Dora la Exploradora) (from 2005 to 2006, as part of the Telemundo Kids block) in Spanish. On April 5, 2008, competing Spanish network Univision added Spanish-dubbed versions of Dora the Explorer and its spin-off Go, Diego, Go! to their Saturday morning Planeta U line-up. A Spanish-dubbed version of The Backyardigans was later added to the lineup on January 8, 2011.
For a brief time in summer 2010, Tr3s, a sister network to Nickelodeon, aired a daily block of Spanish-dubbed Nick Jr. programs under the name Tr3s Jr. to meet E/I requirements for its broadcast affiliates. Shows like Pistas de Blue (the Spanish version of Blue's Clues) and Wonder Pets! were featured in the block.
Face's reappearances
The 1990s Face made an appearance during the 2012 New Year edition of The '90s Are All That, TeenNick's former 1990s-oriented late-night block.
In October 2015 for the Halloween/Nick or Treat season, the "Face the Monster" bumper would play on the block as a transition of introducing episodes of Aaahh!!! Real Monsters. The same bumper would be used on the block as an April Fools' Day prank on April 1, 2017.
Face also appeared in an Easter promo for The Splat, The '90s Are All That's successor, in 2016, encouraging viewers to look for the Easter bunny in 1990s Nickelodeon shows.
A re-designed Face voiced by Cedric Williams hosted the Nick Jr. show Face's Music Party, which premiered on June 3, 2022. Face's original voice actor Chris Phillips continued to narrate promos for Nick Jr. until 2023.
See also
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Nick.de: Offizielle deutsche Nickelodeon Startseite
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https://images.paramount.tech/uri/mgid:arc:imageassetref:shared.nick.us:bb6a3a26-1aee-4519-b794-c997a6e836fc?format=jpg&width=1200&height=630&crop=true
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https://images.paramount.tech/uri/mgid:arc:imageassetref:shared.nick.us:bb6a3a26-1aee-4519-b794-c997a6e836fc?format=jpg&width=1200&height=630&crop=true
|
[
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"https://assets.nick.com/uri/mgid:arc:imageassetref:nick.de:798586f4-7da7-40b2-9852-bb9d9d6deac6?quality=0.7&gen=ntrn",
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"https://assets.nick.com/uri/mgid:arc:imageassetref:nick.de:eaaf9e18-e9c7-4c98-a943-529c644d11dd?quality=0.7&gen=ntrn",
"https://assets.nick.com/uri/mgid:arc:imageassetref:nick.de:7a7e8026-e431-40d4-9478-623aa6f9640f?quality=0.7&gen=ntrn"
] |
[] |
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[
""
] | null |
[] | null |
Auf der offiziellen deutschen Nickelodeon-Webseite kannst du deine liebsten Kinderserien und TV Programme schauen.
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de
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/favicon.ico
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Nickelodeon
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https://www.nick.de
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©2024 Viacom International Inc. All Rights Reserved. Nickelodeon and all related titles and logos are trademarks of Viacom International Inc.
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https://www.youtube.com/playlist%3Flist%3DPL3qHjxSSl7AF6w3q-52pw0sL6Y1_KgXmP
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en
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Bevor Sie zu YouTube weitergehen
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//www.google.com/favicon.ico
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https://consent.youtube.com/m
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https://www.story.com/story/adventure/the-adventures-of-maya-the-bee
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The Adventures of Maya the Bee
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Maya, a bee known for her adventures, must solve the mystery of the missing hive. With her clever plan, she outsmarts a bear and becomes a hero among the bees.
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/images/icons/apple-touch-icon.png
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Story.com
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https://www.story.com/story/adventure/the-adventures-of-maya-the-bee
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http://afilmadaybysonia.blogspot.com/2018/03/maya-bee-movie-2014.html
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A Film A Day: Maya the Bee Movie (2014)
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[] |
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[
""
] | null |
[
"Sonia Cerca"
] | null |
http://afilmadaybysonia.blogspot.com/favicon.ico
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http://afilmadaybysonia.blogspot.com/2018/03/maya-bee-movie-2014.html
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https://www.usatoday.com/story/entertainment/tv/2024/03/25/quiet-on-set-documentary-price-of-kids-tv/73092766007/
|
en
|
Why 'Quiet on Set' documentary on Nickelodeon scandal exposes the high price of kids TV
|
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[
"USA TODAY",
"Kelly Lawler"
] |
2024-03-25T00:00:00
|
Former child actors allege criminal behavior on the sets of Nickelodeon shows in Max's \
|
en
|
USA TODAY
|
https://www.usatoday.com/story/entertainment/tv/2024/03/25/quiet-on-set-documentary-price-of-kids-tv/73092766007/
|
There are some things worth sacrificing for art and entertainment. The well-being of children is definitely not one of them.
But increasingly, we are discovering that in the high-stress, high-profit and highly unregulated world of TV and filmmaking, children aren't well.
In the new Investigation Discovery documentary series "Quiet on Set: The Dark Side of Kids' TV" (streaming on Discovery+ and Max), former child actors allege a variety of abuses and toxic behavior on the sets of classic Nickelodeon children's TV shows, from "All That" and "The Amanda Show" to "Drake & Josh" and "Victorious." From claims of racism and bullying workplaces to truly horrifying accounts of alleged sexual assault, the documentary suggests there was darkness behind all of Nick's bright green slime.
The series has caused a social media uproar and heated responses from celebrities and former child stars. It follows the 2020 HBO documentary "Showbiz Kids," which, while lacking the more serious allegations, chronicled the harsh downsides of child stardom. The more child stars grow up, the more we learn the cost of making TV and movies featuring kids. And the price is far too high: so high that it makes me question the worth of live-action kids' TV as a genre.
"Quiet on Set" focuses on TV shows made for kids featuring kids, in the heyday of Nickelodeon in the 1990s and early 2000s. Many are from producer Dan Schneider, who would eventually be ousted by the network in 2018 after allegations of inappropriate behavior surfaced. (Schneider denies many of the allegations in the documentary in statements to the filmmakers and USA TODAY.)
Drake Bell, who rose to fame on "The Amanda Show" and "Drake & Josh," reveals he was the victim in a criminal case, for which Nickelodeon dialogue coach Brian Peck pleaded no contest to lewd acts with a child. Actors Bryan Hearne and Giovonnie Samuels alleged experiencing racism both subtle and glaring. Two former female "Amanda Show" writers accused Schneider of sexism and sexual harassment. The filmmakers and talking heads accuse Schneider of sexualizing the children's shows, repeatedly showing clips that include sexual innuendo or appear to mimic sexual acts, featuring future stars like Ariana Grande and Jamie Lynn Spears.
The documentary is well done, and as someone who grew up during this era, I can attest to the cultural dominance of Nickelodeon. It roils my stomach to think about the hours of enjoyment in front of my boxy old TV that came at the expense of the health and happiness of the kids that I so desperately wanted to emulate. Many of the actors who spoke in the series describe how their treatment and experiences led to mental health and substance abuse problems later in life. They felt alone and unprotected. It took more than two decades for people to start listening.
"All That" was a great show. So was "Amanda" and "Drake & Josh." Green slime aside, Nickelodeon content allowed kids to be messy, complex humans. The humor wasn't prim and proper. You felt like you were part of a special club when you tuned in. So it's hard to suggest that these shows shouldn't have existed at all. But the current safeguards for child safety and well-being in the studio environment are clearly insufficient. There's too much money to be made. There are long hours, and lots of adults running around with access to vulnerable children. Sure, there are good people involved in making kids' TV, but the productions also attract bad actors.
This isn't unique to children's programming, considering young performers show up in stories aimed at all ages. But certainly the highest concentration of minors is in the youth market. Kids want to see their lives mirrored onscreen the same way adults do.
At the end of "Quiet," many of the actors urge more regulation, tougher laws and other safeguards to keep future young actors safe. Bell struggles with whether kids should be allowed to act, clinging to the special experiences and good memories he has from his childhood, even as he relives his trauma. Many of the participants, however, say they would never let their own children near a Hollywood set. I can't help but empathize.
What does 'Quiet on Set' allege? These former child stars have spoken up
Will the documentary change anything? It's hard to be optimistic. For one, children's TV, even past its peak, is a big business, and we are hard-pressed to interrupt corporate profits for anything in this country, even for kids. And as a society we keep inventing new ways to exploit minors for the profits of adults. Even as "Quiet" has encouraged a conversation about child actors, who at least have some legal protection, there is a wild west of child influencers on TikTok and Instagram. On social media, the "set" is the children's own homes and the "producers" are their parents, who are under no legal obligation to share the profits with their famous kids, or to protect their privacy or mental health. (According to The New York Times, it's not even kids tuning in to those Instagram reels).
Talented youths have been trotted around for entertainment of the masses for centuries, from Mozart to Vaudeville. Kids on stage gives way to kids in Hollywood gives way to kids on social media, which will ultimately give way to whatever comes next. Maybe one day we'll prioritize safety first.
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https://books.google.com/books/about/Nick_Jr_Shows.html%3Fid%3DMUeocQAACAAJ
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en
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Google Books
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[] |
[] |
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[
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https://books.google.com/
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Search the world's most comprehensive index of full-text books.
My library
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https://www.yidio.com/show/maya-the-bee
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en
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Watch Maya The Bee
|
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1975-04-01T00:00:00
|
Watch Maya The Bee Full Episodes Online. Instantly find any Maya The Bee full episode available from all 3 seasons with videos, reviews, news and more!
|
en
|
//cfm.yidio.com/favicon-16.png
|
Yidio
|
https://www.yidio.com/show/maya-the-bee
|
Maya The Bee is a classic animated TV show that originally aired from 1975 to 1980. It follows the adventures of a young honeybee named Maya as she explores the world around her and learns about life and friendship. Maya is a curious and adventurous bee who is always eager to learn more about the world. She lives in a hive with her friends, including her best friend Willy, a clumsy and lovable drone bee. Together, Maya and Willy embark on all sorts of adventures, from exploring the forest and meadow to visiting a neighboring beehive.
Throughout the show, Maya and her friends encounter all sorts of challenges and learn important lessons about loyalty, forgiveness, and perseverance. Whether they are trying to rescue a lost bee or competing in a honey-making contest, Maya and her friends always work together to overcome any obstacles in their path.
One of the standout features of Maya The Bee is its beautiful animation. The show features vibrant, colorful visuals that bring the natural world to life, from the shimmering wings of the bees to the delicate petals of the flowers. The animation style is charming and whimsical, with lots of fun details that appeal to kids and adults alike.
Another strength of the show is its cast of voice actors. Maya is voiced by Rebecca Shoichet, who brings a bright and bubbly energy to the role. Andrea Libman plays Willy, infusing the character with just the right amount of goofiness and heart. Ellen Kennedy voices the stern and no-nonsense Queen, who provides a good contrast to Maya's free spirit. Kira Tozer rounds out the cast as the perpetually worried Miss Cassandra.
While Maya The Bee is certainly a children's show, it offers plenty of entertainment for adults as well. The show's gentle humor and heartwarming themes make it a great option for families to watch together. At its core, Maya The Bee is a show about the power of friendship and the beauty of the natural world. It encourages kids to be curious, to explore, and to appreciate the wonders of the world around them.
Overall, Maya The Bee is a timeless classic that has captured the hearts of generations of viewers. With its lovable characters, beautiful animation, and positive messages, it is a must-watch for anyone looking for a fun and uplifting show to enjoy with the whole family.
Maya The Bee is a series that is currently running and has 3 seasons (201 episodes). The series first aired on April 1, 1975.
|
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https://www.amazon.com/Adventures-Maya-Bee-Bonsels-Waldemar/dp/B002EF082E
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en
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Amazon.com
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9033
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https://en.wikipedia.org/wiki/Maya_the_Bee_(TV_series)
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en
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Maya the Bee (TV series)
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2008-08-31T21:01:51+00:00
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en
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/static/apple-touch/wikipedia.png
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https://en.wikipedia.org/wiki/Maya_the_Bee_(TV_series)
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Animated television series
For the 1975 TV series inspired by the same work, see Maya the Honey Bee.
Maya the BeeGenreBased onMaya the Bee
by Waldemar BonselsWritten byVariousDirected by
Daniel Duda
Jêrome Mouscadet
Voices ofTheme music composerFabrice AboulkerOpening theme"Here Comes Maya the Bee"ComposerFabrice AboulkerCountry of originOriginal languagesGerman
FrenchNo. of seasons2No. of episodes130 (list of episodes)ProductionExecutive producerKatell FranceRunning time13 minutesProduction companyStudio 100 AnimationOriginal releaseNetwork
ZDF (Germany)
TF1 (France)
Release1 February 2012 ( ) –
23 August 2017 (2017-08-23)RelatedMaya the Honey Bee
Maya the Bee is an animated children's television series produced by Studio 100 Animation in association with ZDF for Germany and TF1 for France.[1] It is based on the character Maya the Bee introduced in 1912. This is the second animated adaptation focused on the character, after the anime Maya the Honey Bee that aired in the 1970s.
Voice cast
[edit]
Note: season one only
Andrea Libman as Maya
Rebecca Shoichet as Willy, Princess Natalie and Zoot
Philip Hayes as Flip
Kira Tozer as Miss Cassandra, Barry and Max
Ellen Kennedy as Miss Bosby, The Queen, Thekla and Hannah
Brian Drummond as Judge Beeswax, Kurt, Deez, Zip "Zig" and Edgar
Samuel Vincent as Zap, Shelby, Paul, Stinger and Doz
Diana Kaarina as Lara and Beatrice
Tabitha St. Germain as Ben, Zoe and Lisby
Series overview
[edit]
Season Segments Episodes Premiere date Finale date 1 78 39 February 1, 2012 ( ) October 24, 2012 (2012-10-24) 2 52 26 March 11, 2017 ( ) August 23, 2017 (2017-08-23)
Episodes
[edit]
Season 1 (2012)
[edit]
No.
overallNo. in
seasonTitleDirected byWritten byOriginal air date1 21"The Birth of Maya / Take Off"Daniel DudaValérie Baranski, Delphine Maury and Christel GonnardFebruary 1, 2012 ( ) 3 42"Judge Beeswax / Willy's Bottle"Daniel DudaMichael Stokes and Joël CouttausseFebruary 8, 2012 ( ) 5 63"The Queen's Messenger / Beware of the Bear"Daniel DudaSteven Sullivan, Ursula Ziegler and Nicolas GalletFebruary 15, 2012 ( ) 7 84"Maya to the Rescue! / Shadow Play"Daniel DudaValerie Baranski and Louise MoonFebruary 22, 2012 ( ) 9 105"The Stranger / Misleading Appearances"Daniel DudaJohn Van Bruggen and Delphine MauryFebruary 29, 2012 ( ) 11 126"Sleeping Beauty / No Sleeping for Maya"Daniel DudaPhillipe Clerc and Nicolas ChretienMarch 7, 2012 ( ) 13 147"Philibert / Dancing with Bees"Daniel DudaPascal StervinouMarch 14, 2012 ( ) 15 168"King Willy / Night Blooms"Daniel DudaLouise Moon and Cathy MossMarch 21, 2012 ( ) 17 189"Powder Power / Royal Outing"Daniel DudaSylvie Riviere, Nicolas Chretien and Joël CouttausseMarch 28, 2012 ( ) 19 2010"Keep Ball Rolling / Wild Bunch"Daniel DudaMirielle Pertusot and Christophe PoujolApril 4, 2012 ( ) 21 2211"Bee Clean / Crack"Daniel DudaPhillipe Clerc, Nicolas Chretien and Sylvie BarroApril 11, 2012 ( ) 23 2412"Mrs. Hermit Beetle's Journey / Flying Licence"Daniel DudaDoldine Grimaldi and Jean De LoriolApril 18, 2012 ( ) 25 2613"No Friend for Dino / Mother Courage"Daniel DudaCendrine Maubourguet and Pierre MigeotApril 25, 2012 ( ) 27 2814"Cake for the Queen / Ring-a Ring-a Caterpillar"Daniel DudaJean De Loriol and Sylvie RiviereMay 2, 2012 ( ) 29 3015"Hoverfly Spy / Shelby's Dream"Daniel DudaPhillipe Clerc, Nicolas Chretien and Christel GonnardMay 9, 2012 ( ) 31 3216"The Great Pollen Robbery / Maya's Garden"Daniel DudaLaure-Elisabeth Bourdaud & Johanna Goldschmidt, Henri Dubois & Christel GonnardMay 16, 2012 ( ) 33 3417"Max Has A Crush / Thekla is in a State"Daniel DudaPhillipe Clerc and Nicolas Chretien, Eric Rondeaux and Catherine Le RouxMay 23, 2012 ( ) 35 3618"Hive Jive / Sleepless Max"Daniel DudaJean De Loriol and Klaus DöringMay 30, 2012 ( ) 37 3819"What a Nice Wasp / Willy Moves Out"Daniel DudaEric Rondeaux, Catherine Le Roux and Delphine DubosJune 6, 2012 ( ) 39 4020"Weather on Demand / Follow the Egg"Daniel DudaNicolas Chretien, Sylvie Riviere and Phillipe ClercJune 13, 2012 ( ) 41 4221"In Search of the Lost Dung / Queen of the Solar Eclipse"Daniel DudaPhillipe Clerc, Nicolas Chretien and Adrian BickenbachJune 20, 2012 ( ) 43 4422"Henry's Cabin / The Haunted Hive"Daniel DudaChristophe Poujol and Sandrine JolyJune 27, 2012 ( ) 45 4623"Bee Day / Wings of a Champion"Daniel DudaHeike Sperling and Jean De LoriolJuly 4, 2012 ( ) 47 4824"The Queen's Scepter / Night of the Giants"Daniel DudaColine Abert, Catherine Guillot-Bonte & Christophe PoujolJuly 11, 2012 ( ) 49 5025"Edgar the Fearless / Molly the Miner"Daniel DudaLaure-Elisabeth Bourdaud and Johanna GoldschmidtJuly 18, 2012 ( ) 51 5226"Barry's Glasses / Bless You Miss Cassandra"Daniel DudaPhillipe Clerc & Nicolas Chretien, Laure-Elisabeth Bourdaud & Johanna GoldschmidtJuly 25, 2012 ( ) 53 5427"Alarm / Maya Commander in Chief"Daniel DudaHeike Sperling and Anastasia HeinzlAugust 1, 2012 ( ) 55 5628"Forbidden Fruit / Thank You Wasps"Daniel DudaDelphine DubosAugust 8, 2012 ( ) 57 5829"Sulky Willy / Queen of the Day"Daniel DudaPhillipe Clerc, Nicolas Chretien and Sylvie RiviereAugust 15, 2012 ( ) 59 6030"Harmony in the Meadow / Willy Loses His Memory"Daniel DudaChristophe Poujol and Delphine DubosAugust 22, 2012 ( ) 61 6231"Rainbow Pollen / Greedy Frogs"Daniel DudaDodine Grimaldi, Sandrine Joly and Nicolas ChretienAugust 29, 2012 ( ) 63 6432"Dragonfly Express / On with the Show"Daniel DudaColine Abert & Catherine Guillot-Bonte, Sylvie Riviere and Nicolas ChretienSeptember 5, 2012 ( ) 65 6633"Night Flight / The Outsider"Daniel DudaTony Scott and Pascal Mirleau, and Adrian BickenbachSeptember 12, 2012 ( ) 67 6834"A New Shelby / Willy Guards the Hive"Daniel DudaSébastien Viaud, Muriel Achery & Chris Arsonneaud-SacheSeptember 19, 2012 ( ) 69 7035"A Flower to Share / Did I Say That?"Daniel DudaPhillipe Clerc, Nicolas Chretien and Camille HebertSeptember 26, 2012 ( ) 71 7236"A Friend for the Oak / The Runaway Bee"Daniel DudaAnna ChristienOctober 3, 2012 ( ) 73 7437"The Big Bad Earwig / Doc Slick"Daniel DudaChristophe Poujol, Pierre Spitzer-Couesnon & Édouard PetitOctober 10, 2012 ( ) 75 7638"The Gift from Above / Once Upon a Slime"Daniel DudaAriane Capet, Pierre Spitzer-Couesnon & Édouard PetitOctober 17, 2012 ( ) 77 7839"The Big Eat / A Surprise for Maya"Daniel DudaHeike Sperling, Pierre Spitzer-Couesnon & Édouard PetitOctober 24, 2012 ( )
Season 2 (2017)
[edit]
Controversy
[edit]
In September 2017, parents spotted a drawing of a penis in the series' 35th episode. After the clip went viral on Facebook, Netflix temporarily removed the episode from the website. The episode subsequently returned with the offensive drawing edited out.[2] The production company apologized to many fans and stated it was, "A very bad joke".[3]
Games
[edit]
Fly With Maya aka Maya the Bee Flying Challenge[4]
Paint With Maya aka Maya Nature Paint[5]
References
[edit]
|
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https://nickanimation.com/programs/artists-program/
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en
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Nickelodeon Animation
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<p><span data-contrast="none">We can’t create the most awesome kids’ content in the world without the most awesome artists in the world.</span><span data-ccp-props="{"134233117":true,"134233118":true}"> </span></p>
<p><span data-contrast="none">The Nickelodeon Artist Program is a 6-month, </span>full-time<span data-contrast="none"> paid talent development program for aspiring </span>pre-production artists.<span data-contrast="none"> We seek out talented designers, painters, story artists, and CG</span> generalists<span data-contrast="none"> with diverse voices from underrepresented communities, with the goal of mentoring, developing, and staffing the next generation of inclusive storytellers and content creators.</span><span data-ccp-props="{"134233117":true,"134233118":true}"> </span></p>
<p>The Nick Artist Program is designed to kick-start the journey of career-ready artists! If you’re ready for the SLIME of your life, come join us at the Nick Animation Studio. <span data-ccp-props="{"134233117":true,"134233118":true}"> </span></p>
<p><span data-contrast="auto">Please note: All dates are subject to change.</span><span data-ccp-props="{"134233117":true,"134233118":true}"> </span></p>
|
en
|
/favicon/nick-animation-favicon-57x57.png
|
https://nickanimation.com/programs/artists-program/
|
We can’t create the most awesome kids’ content in the world without the most awesome artists in the world.
The Nickelodeon Artist Program is a 6-month, full-time paid talent development program for aspiring pre-production artists. We seek out talented designers, painters, story artists, and CG generalists with diverse voices from underrepresented communities, with the goal of mentoring, developing, and staffing the next generation of inclusive storytellers and content creators.
The Nick Artist Program is designed to kick-start the journey of career-ready artists! If you’re ready for the SLIME of your life, come join us at the Nick Animation Studio.
Please note: All dates are subject to change.
|
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9033
|
dbpedia
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3
| 31 |
https://www.britannica.com/topic/Nickelodeon-American-television-channel
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en
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Nickelodeon | History, TV Shows, Movies, & Cartoons
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2010-09-20T00:00:00+00:00
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Nickelodeon is an American-based cable television channel, focused on children’s programming. It is among the top-rated networks in the history of cable television.
|
en
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/favicon.png
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Encyclopedia Britannica
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https://www.britannica.com/topic/Nickelodeon-American-television-channel
|
Nickelodeon, American-based cable television channel, focused on children’s programming. It is among the top-rated networks in the history of cable television.
The channel launched as Pinwheel on December 1, 1977, originally airing educational fare from around the world for 12 hours a day, without commercials. Rebranded as Nickelodeon in 1979, the channel expanded its lineup of original programming, which eventually included the sketch-comedy show You Can’t Do That on Television. The Canadian-produced series, which had first aired on a local station in Ottawa, is notable for originating the channel’s iconic and frequent use of green slime in its early years.
Though that show became a modest success in the early 1980s, Nickelodeon as a whole suffered from dismal ratings and was largely unprofitable, which prompted the network to reinvent itself once more. In 1983 it began airing commercials, and the following year it embarked on a campaign to shed its image as a family-friendly educational network and promote itself instead as an entertainment channel devoted to the actual interests of children. Within months, Nickelodeon had gained its footing and, with the popularity of cheerfully unsophisticated programs such as the kids’ game show Double Dare, it soon became the top-rated American children’s television station. At the same time, it introduced a block of evening programming called Nick at Nite, which aired reruns of classic TV shows favoured by older viewers. By the early 1990s, the network boasted a production facility at the Universal Studios Florida theme park as well as its own magazine.
In 1991 Nickelodeon began to air original cartoons, namely, Doug (1991–94), The Ren & Stimpy Show (1991–96), and Rugrats (1991–2004). By the mid-1990s the network had become the number one cable channel as measured by total daily viewers, and later programs, such as the animated SpongeBob SquarePants (1999– ) and the live-action sitcom iCarly (2007–12), frequently ranked among the highest-rated cable programs in the United States. Nickelodeon’s offerings aimed at preschoolers, a key element of its success, included Blue’s Clues (1996–2006), Dora the Explorer (2000–14, 2019), and Go, Diego, Go! (2005–11).
Several networks have been spun off from Nickelodeon, including TV Land (launched 1996), which, like Nick at Nite, aired old broadcast-network programs; Nickelodeon Games and Sports for Kids (1999–2007; revived as Nick Games in 2019); Noggin (1999), for younger viewers; Nicktoons (2002), which showed current and older animated series; and the N (2002), for adolescent viewers. In 2009 Noggin and the N were renamed Nick Jr. and TeenNick, respectively, after long-running programming blocks on the parent network. Nickelodeon has also lent its name and concept to numerous international versions.
|
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| 64 |
https://www.youtube.com/playlist%3Flist%3DPLdmIo8qj0SbOLVm6WraxLZBjGfRb0vw-6
|
en
|
Bevor Sie zu YouTube weitergehen
|
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[
""
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[] | null |
de
|
//www.google.com/favicon.ico
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https://consent.youtube.com/m
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9033
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| 92 |
https://www.irishnews.com/arts/2021/05/13/news/also-released-wholesome-animated-escapade-maya-the-bee-the-golden-orb-2317034/
|
en
|
Also released: Wholesome animated escapade Maya The Bee: The Golden Orb
|
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[
"maya-the-bee",
"maya-the-bee-the-golden-orb",
"film",
"kids",
"animation",
"movie",
"family",
"movies"
] | null |
[
"irishnews.com"
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2021-05-13T00:00:00
|
MAYA THE BEE: THE GOLDEN ORB (PG, 88 mins) Animation/Adventure/Musical.
|
en
|
/pf/resources/images/favicon.ico?d=50
|
The Irish News
|
https://www.irishnews.com/arts/2021/05/13/news/also-released-wholesome-animated-escapade-maya-the-bee-the-golden-orb-2317034/
|
MAYA THE BEE: THE GOLDEN ORB (PG, 88 mins) Animation/Adventure/Musical. Featuring the voices of Coco Jack Gillies, Benson Jack Anthony, Frances Berry, Callan Colley, Noel Cleary, David Collins, Shane Dundas, Justine Clarke, Tom Cossetini, Evie Gillies, Christian Charisiou. Director: Noel Cleary.
Released: May 17
BASED on buzzy characters from the German children's book by Waldemar Bonsels, Maya The Bee first took flight in computer-animated form as a TV series followed by a 2014 feature film for pre-schoolers.
Overarching life lessons about courage, tenacity and friendship are enforced in a jaunty third big screen instalment directed by Noel Cleary, which invites cutesy insects to burst into lyrically simplistic songs to convey their emotions.
"This here mountain's no place for ants/Against us beetles, they got no chance," croons one war-mongering bug (Christian Charisiou), who overcomes his prejudices and appreciates the power of interspecies co-operation by the time the end credits rock and roll.
Screenwriter Fin Edquist harvests sticky sentimentality when the going gets tough but lashings of emotional syrup don't prevent the solid action sequences from taking flight, including a frantic chase on a fallen leaf down eddying water.
The quality of the animation has improved since the first film but water effects aren't convincing during the river sequence and feathery plumage of a flock of hungry birds noticeably lacks realistic movement in the air.
Coco Jack Gillies continues to radiate sweetness as the voice of the humming heroine, who never thinks twice about flapping her wings to do the right thing.
Maya (Gillies) and best friend Willi (Benson Jack Anthony) cause a commotion by accidentally unleashing a slithering stampede of glow worms during preparations for the Spring Festival.
"No more of your adventures!" despairs the Queen (Justine Clarke), who orders Maya and Willi to collect buttercup sap to repair damage to the hive. When the youngsters are out of earshot, the frustrated monarch confides to her advisers that she may have to separate best friends Maya and Willi.
"It would take something very special to change my mind," coos the Queen, which a despondent Maya overhears.
During the sap-gathering sortie, Maya and Willi encounter a green ant named Chomp (Tom Cossetini), who is being chased by beetles Rumba (Frances Berry), Boof (Callan Colley) and Henchie (Cleary).
The bees take possession of the Regal Orb of Greenleaf from Chomp and pledge to carry the glittering trinket to the ant colony on Bonsai Peak via the bustling bazaar at Loggy Hollow. En route, the orb cracks and reveals a cherubic ant princess, who Willi affectionately christens Smoosh (Evie Gillies).
Maya The Bee: The Golden Orb is a wholesome escapade, pollinated by sweet vocal performances and heartfelt storytelling aimed squarely at young audiences. Comic relief courtesy of blundering red ant soldiers Arnie (David Collins) and Barney (Shane Dundas) is pitched accordingly.
When one insect nervously comments that the navy life isn't for him because he has "no sea legs", his literal sidekick is confused because he can clearly see his buddy's trembling pins.
It's a hard knock bug's life.
Rating: 2/5
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https://www.microsoft.com/en-gb/p/maya-the-bee-the-honey-games/8d6kgwxn24lh
|
en
|
Buy Maya the Bee: The Honey Games
|
https://musicimage.xboxlive.com/catalog/video.movie.8D6KGWXN24LH/image?locale=en-gb&mode=scale&purposes=BoxArt&w=120&h=120&q=60
|
https://musicimage.xboxlive.com/catalog/video.movie.8D6KGWXN24LH/image?locale=en-gb&mode=scale&purposes=BoxArt&w=120&h=120&q=60
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Maya is a determined little bee, but sometimes her determination can get her into sticky situations. When Maya accidentally embarrasses the Empress of Buzztropolis, she is forced to venture beyond her colony and team up with a group of mis-fit bugs in a bid to win The Honey Games and save her life.
|
en
|
//www.microsoft.com/favicon.ico?v2
|
Microsoft Store
|
https://www.microsoft.com/en-gb/p/maya-the-bee-the-honey-games/8d6kgwxn24lh
|
Maya is a determined little bee, but sometimes her determination can get her into sticky situations. When Maya accidentally embarrasses the Empress of Buzztropolis, she is forced to venture beyond her colony and team up with a group of mis-fit bugs in a bid to win The Honey Games and save her life.
|
||
9033
|
dbpedia
|
3
| 70 |
https://www.pluggedin.com/tv-reviews/yogabbagabba/
|
en
|
Yo Gabba Gabba!
|
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[] |
2020-02-24T22:58:24+00:00
|
DJ Lance Rock and his friendly Gabbaland monsters put a neon, techno-fueled, 21st-century spin on traditional preschool programming. Cue the happy, hip songs ... and guest appearances from Snoop Dogg.
|
en
|
Plugged In
|
https://www.pluggedin.com/tv-reviews/yogabbagabba/
|
TV Series Review
As the parent of two toddlers, I’d already been exposed, shall we say, to the world of Yo Gabba Gabba before writing this review. (It’s probably why I got the assignment.) But I was never quite sure what to make of its host—with his brilliant orange jumpsuit and furry hat—or its dancing, singing, smiling creatures.
After sitting down to study it, two things have risen to the surface for me: Yo Gabba Gabba offers a colorful, innocent and engaging 21st-century take on preschool programming. And in an effort to appeal to parents as well, it incorporates music in a way that Gen Xers raised on MTV will find very familiar.
Interestingly, the show’s premise isn’t that far removed from Mister Rogers’ Neighborhood, a TV tradition that started in the 1960s. Each episode begins with DJ Lance Rock bebopping across a white background carrying a neon boombox. When he opens it up, we meet the show’s five other stars: “friendly monsters” Muno (who looks like a one-eyed hot dog with arms and legs), Brobee (a smiling, green-striped creature who wouldn’t be out of place in Where the Wild Things Are), and the effervescent, pink and blue females Foofa and Toodee. Oh, and the magic robot Plex, too.
Each show focuses on a theme, such as flying, the circus, babies or boats. The five Gabbaland monsters learn about each of these things, often in the form of songs and little adventures. In an episode about bugs, for example, Plex shrinks everyone down to insect size, and the characters explore an underground world, investigating the creatures that live there.
Lessons are concrete and designed for a very young audience, probably between the ages of 2 and 4. In the “Baby” episode, for instance, Plex tries to explain to Foofa and Toodee why their enthusiasm for his baby niece is scaring her: “Because babies are so little, we have to be careful how loud we get and how close we get to them.”
That basic narrative structure is intercut with all sorts of other short features, including cartoons, a sketch artist and clips of children dancing.
Speaking of dancing, much of the show—perhaps 60%—is set to music (often featuring up-to-the-minute techno beats). And that’s precisely why I’m writing a review of a show targeting toddlers for a publication that usually targets teen and tween entertainment. Well-known, mainstream musicians regularly appear on Yo Gabba Gabba, including the likes of Weezer, The Flaming Lips, MGMT and The Roots.
They sing simple songs related to the episode’s theme and dress up in outlandish, Gabba-appropriate costumes. But their inclusion, as well as guest appearances from celebrities such as Jack Black and Elijah Wood, are attempts to engage parents as well as kids. Gabba co-creator Christian Jacobs told Entertainment Weekly that he and his partner, Scott Schultz—both of whom had just become parents—didn’t think much of the kids’ programming they encountered before launching the show in 2007.
“We were like, ‘Wow, we can do something way better than this.’ We noticed that everything was very lukewarm, safe. The kids enjoyed it, but there wasn’t a lot for us as dads to get excited about. It seemed like we needed to make something for our generation to relate to.”
And that raises a big question for me: Does a show aimed at toddlers need to appeal to their parents too? Especially when that means introducing tiny tots to Sarah Silverman and Snoop Dogg? Even though that age bracket doesn’t know Snoop from Snoopy (and when he was on he didn’t let any profanities fly), his mere presence leaves me feeling queasy.
I also wonder how Gabba’s self-contained music videos might be preconditioning young minds to crave that medium. “Listening and dancing to music is awesome!” DJ Lance Rock says each time one finishes. Maybe so. But do toddlers really need Weezer and The Ting Tings to be their musical mentors? Does MTV need training wheels?
|
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https://www.instagram.com/maistorybooklibrary/p/CwIaKm5r5Y4/
|
en
|
Instagram
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[
""
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en
| null |
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