label
int64 0
1
| sentence
stringlengths 3
255
|
---|---|
0 |
Moves in such odd plot directions and descends into such message-mongering moralism that its good qualities are obscured.
|
1 |
For those who like quirky, slightly strange French films, this is a must!
|
0 |
Too often, Son of the Bride becomes an exercise in trying to predict when a preordained "big moment" will occur and not "if."
|
1 |
The mood, look and tone of the film fit the incredible storyline to a T.
|
0 |
A muddled limp biscuit of a movie, a vampire soap opera that doesn't make much sense even on its own terms.
|
1 |
A certain sexiness underlines even the dullest tangents.
|
0 |
Why "they" were here and what "they" wanted and quite honestly, I didn't care.
|
0 |
Shallow.
|
1 |
A work of extraordinary journalism, but it is also a work of deft and subtle poetry.
|
1 |
But Toback's deranged immediacy makes it seem fresh again.
|
1 |
All three women deliver remarkable performances.
|
1 |
Koury frighteningly and honestly exposes one teenager's uncomfortable class resentment and, in turn, his self-inflicted retaliation.
|
0 |
Off the Hook is overlong and not well-acted, but credit writer-producer-director Adam Watstein with finishing it at all.
|
1 |
There is a subversive element to this Disney cartoon, providing unexpected fizzability.
|
1 |
In an era where big stars and high production values are standard procedure, Narc strikes a defiantly retro chord, and outpaces its contemporaries with daring and verve.
|
0 |
"Freaky Friday," it's not.
|
0 |
an essentially awkward version of the lightweight female empowerment picture we've been watching for decades
|
1 |
Bolstered by an astonishing voice cast (excepting Love Hewitt), an interesting racial tension, and a storyline that I haven't encountered since at least Pete's Dragon.
|
1 |
While the now 72-year-old Robert Evans been slowed down by a stroke, he has at least one more story to tell: his own.
|
0 |
This is one baaaaaaaaad movie.
|
1 |
Maggie Smith as the Ya-Ya member with the O2-tank will absolutely crack you up with her crass, then gasp for gas, verbal deportment.
|
1 |
Brims with passion: for words, for its eccentric, accident-prone characters, and for the crazy things that keep people going in this crazy life.
|
0 |
Borrows from other movies like it in the most ordinary and obvious fashion.
|
0 |
Appropriately cynical social commentary aside, #9 never quite ignites.
|
0 |
The story alone could force you to scratch a hole in your head.
|
0 |
This u-boat doesn't have a captain.
|
1 |
Spectacular in every sense of the word, even if you don' t know an Orc from a Uruk-Hai.
|
1 |
A different and emotionally reserved type of survival story -- a film less about refracting all of World War II through the specific conditions of one man, and more about that man lost in its midst.
|
1 |
You will likely prefer to keep on watching.
|
1 |
A film that's flawed and brilliant in equal measure.
|
0 |
It's leaden and predictable, and laughs are lacking.
|
0 |
The Importance of Being Earnest movie seems to be missing a great deal of the acerbic repartee of the play."
|
1 |
It's a lovely, eerie film that casts an odd, rapt spell.
|
1 |
One fantastic (and educational) documentary.
|
1 |
The word that comes to mind, while watching Eric Rohmer's tribute to a courageous Scottish lady, is painterly.
|
1 |
A funny and touching film that is gorgeously acted by a British cast to rival Gosford Park's.
|
1 |
He allows his cast members to make creative contributions to the story and dialogue.
|
0 |
An incoherent jumble of a film that's rarely as entertaining as it could have been.
|
1 |
Cho continues her exploration of the outer limits of raunch with considerable brio.
|
0 |
Instead of panoramic sweep, Kapur gives us episodic choppiness, undermining the story's emotional thrust.
|
1 |
I love the robust middle of this picture.
|
0 |
For those of us who respond more strongly to storytelling than computer-generated effects, the new Star Wars installment hasn't escaped the rut dug by the last one.
|
1 |
It's a diverting enough hour-and-a-half for the family audience.
|
1 |
Intriguing and downright intoxicating.
|
1 |
A sharp satire of desperation and cinematic deception.
|
1 |
I still like Moonlight Mile, better judgment be damned.
|
1 |
A showcase for both the scenic splendor of the mountains and for legendary actor Michel Serrault, the film is less successful on other levels.
|
1 |
With an expressive face reminiscent of Gong Li and a vivid personality like Zhang Ziyi's, Dong stakes out the emotional heart of Happy.
|
0 |
Steve Oedekerk is, alas, no Woody Allen.
|
1 |
George Lucas returns as a visionary with a tale full of nuance and character dimension.
|
0 |
Putting the primitive murderer inside a high-tech space station unleashes a Pandora's Box of special effects that run the gamut from cheesy to cheesier to cheesiest.
|
0 |
With the cheesiest monsters this side of a horror spoof, which They isn't, it is more likely to induce sleep than fright.
|
0 |
Though Tom Shadyac's film kicks off spookily enough, around the halfway mark it takes an abrupt turn into glucose sentimentality and laughable contrivance.
|
1 |
"Auto Focus" works as an unusual biopic and document of male swingers in the Playboy era
|
0 |
With jump cuts, fast editing and lots of pyrotechnics, Yu clearly hopes to camouflage how bad his movie is.
|
0 |
One of the most depressing movie-going experiences I can think of is to sit through about 90 minutes of a so-called 'comedy' and not laugh once.
|
1 |
Except it's much, much better.
|
1 |
Good fun, good action, good acting, good dialogue, good pace, good cinematography.
|
1 |
It's a sharp movie about otherwise dull subjects.
|
0 |
is that it's a crime movie made by someone who obviously knows nothing about crime.
|
1 |
Jason Patric and Ray Liotta make for one splendidly cast pair.
|
1 |
Its compelling mix of trial movie, escape movie and unexpected fable ensures the film never feels draggy.
|
1 |
insightfully written, delicately performed
|
0 |
Shyamalan should stop trying to please his mom.
|
0 |
Kung Pow is Oedekerk's realization of his childhood dream to be in a martial-arts flick, and proves that sometimes the dreams of youth should remain just that.
|
0 |
Wimps out by going for that PG-13 rating, so the more graphic violence is mostly off-screen and the sexuality is muted.
|
0 |
The directing and story are disjointed, flaws that have to be laid squarely on Taylor's doorstep.
|
1 |
The movie's thesis -- elegant technology for the masses -- is surprisingly refreshing.
|
1 |
It's no lie -- Big Fat Liar is a real charmer.
|
1 |
A gorgeously strange movie, Heaven is deeply concerned with morality, but it refuses to spell things out for viewers.
|
0 |
You'll cry for your money back.
|
0 |
The package in which this fascinating -- and timely -- content comes wrapped is disappointingly generic.
|
1 |
A subtle, humorous, illuminating study of politics, power and social mobility.
|
1 |
I loved the look of this film.
|
0 |
This little film is so slovenly done, so primitive in technique, that it can't really be called animation.
|
0 |
Another boorish movie from the I-heard-a-joke- at-a-frat-party school of screenwriting.
|
1 |
It has its faults, but it is a kind, unapologetic, sweetheart of a movie, and Mandy Moore leaves a positive impression.
|
0 |
A baffling mixed platter of gritty realism and magic realism with a hard-to-swallow premise.
|
0 |
The code talkers deserved better than a hollow tribute.
|
1 |
For proof of that on the cinematic front, look no further than this 20th anniversary edition of the film that Spielberg calls, retrospectively, his most personal work yet.
|
1 |
A slam-bang extravaganza that is all about a wild-and-woolly, wall-to-wall good time.
|
0 |
What you expect is just what you get...assuming the bar of expectations hasn't been raised above sixth-grade height.
|
1 |
The campy results make Mel Brooks' Borscht Belt schtick look sophisticated.
|
0 |
An entertainment so in love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots.
|
0 |
Two badly interlocked stories drowned by all too clever complexity.
|
0 |
Aloof and lacks any real raw emotion, which is fatal for a film that relies on personal relationships.
|
1 |
While Parker and co-writer Catherine di Napoli are faithful to Melville's plotline, they and a fully engaged supporting cast ... have made the old boy's characters more quick-witted than any English Lit major would have thought possible.
|
1 |
The AAA of action, XXX is a blast of adrenalin, rated EEE for excitement.
|
0 |
It's all surface psychodramatics.
|
1 |
Comedian, like its subjects, delivers the goods and audiences will have a fun, no-frills ride.
|
1 |
It was only a matter of time before some savvy producer saw the potential success inherent in the mixture of Bullock Bubble and Hugh Goo.
|
0 |
It's virtually impossible to like any of these despicable characters.
|
1 |
It's a sweet, laugh-a-minute crowd pleaser that lifts your spirits as well as the corners of your mouth.
|
1 |
Scott delivers a terrific performance in this fascinating portrait of a modern Lothario.
|
0 |
Replacing John Carpenter's stylish tracking shots is degraded, handheld Blair Witch video-cam footage.
|
1 |
The film delivers what it promises: A look at the "wild ride" that ensues when brash young men set out to conquer the online world with laptops, cell phones and sketchy business plans.
|
1 |
It thankfully goes easy on the reel/real world dichotomy that (Jaglom) pursued with such enervating determination in Venice/Venice.
|
0 |
A fake street drama that keeps telling you things instead of showing them.
|
0 |
Like Showgirls and Glitter, the most entertaining moments here are unintentional.
|
0 |
The story is predictable, the jokes are typical Sandler fare, and the romance with Ryder is puzzling.
|
Subsets and Splits
No community queries yet
The top public SQL queries from the community will appear here once available.