question: What are the basics of shooting film camera?
comment: Film exposure is measured in ISO. 100 ISO: high light or long exposure. Very high resolution. Good for portraits / art photography. 200-400 ISO: Medium light or medium exposure. Good resolution. Good general purpose film. 800+ ISO: Low light or short exposure. A bit grainy. Good for sports/action. Google Sunny 16 rule. Otherwise, shooting on film is similar to digital photography (except with the anticipation that precedes development).
passages: The original lenses are listed below; however all later "Nikonos UW-Nikkor" lenses are compatible.
  
  BULLET::::- "SOM Berthiot 1:3.3 f=28"
  
  BULLET::::- "SOM Berthiot 1:3.5 f=35"
  
  BULLET::::- "Angénieux 1:2.8 f=45mm"
   Section::::Reception.
   BULLET::::- 4 - Using the 35mm film format
  
  BULLET::::- 5 - And employing a focal-plane shutter
   A variety of light sources can be used, ranging from simple flashlights to dedicated devices like the Hosemaster, which uses a fiber optic light pen. Other sources of light including candles, matches, fireworks, lighter flints, steel wool, glowsticks, and poi are also popular.
  
  A tripod is usually necessary due to the long exposure times involved. Alternatively, the camera may be placed on or braced against a table or other solid support. A shutter release cable or self-timer is generally employed in order to minimize camera shake. Color gels can also be used to color the light sources.
   In amateur processing, the film is removed from the camera and wound onto a reel in complete darkness (usually inside a darkroom with the safelight turned off or a lightproof bag with arm holes). The reel holds the film in a spiral shape, with space between each successive loop so the chemicals may flow freely across the film's surfaces. The reel is placed in a specially designed light-proof tank (called daylight processing tank or a light-trap tank) where it is retained until final washing is complete.
   After the exposure, the pixel is read out and the following stages measure the signals S1 and S2. As the length of the light pulse is defined, the distance can be calculated with the formula:
  
  In the example, the signals have the following values: S1 = 0.66 and S2 = 0.33. The distance is therefore:
   Lenses used in portrait photography are classically fast, medium telephoto lenses, though any lens may be used, depending on artistic purposes. See Canon EF Portrait Lenses for Canon lenses in this style; other manufacturers feature similar ranges. The first dedicated portrait lens was the Petzval lens developed in 1840 by Joseph Petzval. It had a relatively narrow field of view of 30 degrees, a focal length of 150mm, and a fast f-number in the f/3.3-3.7 range.
   Section::::Design.:Exposure meter.
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  Section::::Disc or plate cam.
  
  The most commonly used cam is the cam plate (also known as "disc cam" or "radial cam")
   BULLET::::- The early 1939 cameras have no strap lugs, and large knobs with a frame counter on top of the wind-on knob. Soon the frame counter was placed under wind-on knob. The name on the front plate was at first in a Gothic style, while all later cameras have the characteristic slanted script name plate.
   BULLET::::- A shutter release cable or self timer is almost always used to prevent camera shake when the shutter is released.
  
  BULLET::::- Manual focus, since autofocus systems usually operate poorly in low light conditions. Newer digital cameras incorporate a Live View mode which often allows very accurate manual focusing.
  
  BULLET::::- A stopwatch or remote timer, to time very long exposures where the camera's bulb setting is used.
  
  BULLET::::- A camera lens with a wide aperture, preferably one with aspherical elements that can minimize coma
  
  Section::::Technique and equipment.:Long exposures and multiple flashes.
   Telephoto lenses are sometimes broken into the further sub-types of short telephoto (85mm to 135mm in 35mm film format), medium telephoto: (135mm to 300mm in 35mm film format) and super telephoto (over 300mm in 35mm film format) .
  
  Section::::Construction.
   Before processing, the film must be removed from the camera and from its cassette, spool or holder in a light-proof room or container.
  
  Section::::Processing apparatus.:Small scale processing.
   BULLET::::- Louise Keaton as the woman in the swimming pool
  
  BULLET::::- Charles Lindbergh as himself (archive footage)
  
  BULLET::::- Bert Moorhouse as Randall
  
  Section::::Production.
   BULLET::::- A variety of zoom lenses for the tripod-mounted "hard" cameras, typically at least 50× to 100× magnification, and a maximum focal length of at least 600mm. The extreme amount of magnification is necessary because the cameras can be located quite a distance from the action.
   BULLET::::- 1926 – Kodak introduces its 35 mm Motion Picture Duplicating Film for duplicate negatives. Previously, motion picture studios used a second camera alongside the primary camera to create a duplicate negative.
  
  BULLET::::- 1932 – "Flowers and Trees", the first full-color cartoon, is made in Technicolor by Disney.
  
  BULLET::::- 1932 – Kodak introduces the first 8 mm amateur motion picture film, cameras, and projectors.
  
  BULLET::::- 1934 – The 135 film cartridge is introduced, making 35 mm easy to use for still photography.
  
  BULLET::::- 1935– "Becky Sharp", the first feature film made in the full-color "three-strip" version of Technicolor, is released.
   Factory-made kits for certain Mitchell and Mitchell-derived cameras are occasionally available on auction sites. In the specific case of a Mitchell, the kit includes a replacement aperture plate and cam for the film movement, a replacement gear for the camera body, and, for a reflex camera, a replacement focusing screen. As all Mitchell cameras incorporate the provision for a "hard mask" within the movement itself, it is often possible to keep the 4-perf aperture plate, and insert a 2-perf mask in the mask slot, as an economy measure.
   BULLET::::2. Light painting the subject in a totally dark room with a camera on a tripod, open the camera up and paint light onto the subject with a light source generally a small penlight.
  
  BULLET::::3. Long exposure with a camera fixed on a tripod. Open the camera up and paint light into the camera - draw light into the camera - use a strobe to freeze the subject, or illuminate the scene with different light sources.
   This type of camera was first developed in the era of the daguerreotype (1840s-1850s) and still in use today, though with many refinements. It comprises a flexible bellows that forms a light-tight seal between two adjustable "standards", one of which holds a lens, and the other a viewfinder or a photographic film holder. There are three general types, the monorail camera, the field camera, and press or technical cameras.
   Nelson and Wiley decided to make a film before they had a subject in mind. Nelson had the idea while looking at the sink in her house and thinking about the contrast between how she actually spent her time and how images in media suggested people spend their time. Neither had worked with a camera before, so Nelson's husband Robert spent half an hour showing them how to operate one.
   Photo instrumentation
  
  Photo instrumentation refers to recording information of a diagnostic nature via a photographic process. The information recorded is usually used to determine the motion of a particular object through the camera's field of view. The camera is typically a high-speed still camera, or motion picture and video cameras, or other specialized devices.
  
  Section::::Applications.
   Section::::Design and production.
   The still image camera is the main instrument in the art of photography and captured images may be reproduced later as a part of the process of photography, digital imaging, photographic printing. The similar artistic fields in the moving image camera domain are film, videography, and cinematography.
   Advanced models use automatic focus and have variable apertures. They all have light meters. They use electric motors to advance and rewind the film. They are much more versatile than the low-end models. They are also likely to have zoom lenses, more advanced auto-focus systems, exposure systems with manual controls, larger apertures and sharper lenses. They may have special lamps or pre-flash systems designed to reduce red eye in flash pictures of people.
   Section::::Camera types.
  
  The earliest models used traditional film and a one-shot trigger function. These cameras contained film that needed to be collected and developed like any other standard camera. Today, more advanced cameras utilize digital photography, sending photos directly to a computer. Even though this method is uncommon it is highly useful and could be the future of this research method. Some cameras are even programmed to take multiple pictures after a triggering event.
  