 philosophy and contemporary social issues as a conceptual basis, his artworks respond to culture and history and establish an exchange between viewers and the larger universe around them. His explosion art and installations are imbued with a force that transcends the two-dimensional plane to engage with society and nature. Cai's practice draws on a variety of symbols, narratives, traditions and materials including fengshui, Chinese medicine, shanshui paintings, science, flora and fauna, portraiture, and fireworks. Cai is among the first artists to contribute to discussions of Chinese art as a viable intellectual narrative with its own historical context and theoretical framework.

Gunpowder drawings / paintings 
Primeval Fireball: The Project for Projects, 1991.First realized at p3 art and environment, Tokyo. Seven gunpowder drawings. Gunpowder on paper, mounted on wood as folding screens. These gunpowder drawings are, from left to the right, front to the back: Fetus Movement II: Project for Extraterrestrials No. 9 (1991), Rebuilding the Berlin Wall: Project for Extraterrestrials No. 7 (1991), Inverted Pyramid on the Moon: Project for Humankind No. 3 (1991), Reviving the Ancient Signal Towers: Project for Extraterrestrials No. 8 (1990), A Certain Lunar Eclipse: Project for Humankind No. 2 (1991), The Vague Border at the Edge of Time/Space Project (1991) and Bigfoot's Footprints: Project for Extraterrestrials No. 6 (1990). Installation dimensions variable. Collection of the artist and various private and public collectionsThe installation, Primeval Fireball: The Project for Projects featured seven large scale gunpowder and ink on paper drawings that outlined hypothetical explosion projects. These gunpowder drawings are: Fetus Movement II: Project for Extraterrestrials No. 9 (1991), Rebuilding the Berlin Wall: Project for Extraterrestrials No. 7 (1991), Inverted Pyramid on the Moon: Project for Humankind No. 3 (1991), Reviving the Ancient Signal Towers: Project for Extraterrestrials No. 8 (1990), A Certain Lunar Eclipse: Project for Humankind No. 2 (1991), The Vague Border at the Edge of Time/Space Project (1991) and Bigfoot's Footprints: Project for Extraterrestrials No
philosophy and contemporary social issues as a conceptual basis, his artwork react to culture and history and establish an substitution between spectator and the larger universe around them. His plosion art and installations are imbued with a military unit that transcends the two - dimensional plane to betroth with society and nature.   Cai's practice trace on a variety of symbols, narratives, tradition and materials including fengshui, Chinese music, shanshui paintings, science, vegetation and fauna, portraiture, and firework. Cai is among the first artist to contribute to discussions of Chinese art as a feasible intellectual narrative with its own historical context and theoretical framework. 

 Gunpowder drawings / paintings 
 Primeval Fireball: The Project for Projects, 1991.First realized at p3 art and environment, Tokyo. Seven gunpowder drawings. Gunpowder on paper, mounted on wood as folding screens. These gunpowder drawings are, from left to the right, battlefront to the back: Fetus Movement II: Project for Extraterrestrials No. 9 (1991), Rebuilding the Berlin Wall: Project for Extraterrestrials No. 7 (1991), Inverted Pyramid on the Moon: Project for Humankind nobelium. 3 (1991), Reviving the Ancient Signal tugboat: undertaking for Extraterrestrials No. 8 (1990), A Certain Lunar Eclipse: Project for Humankind No. 2 (1991), The Vague Border at the Edge of Time / Space Project (1991) and Bigfoot's Footprints: Project for Extraterrestrials No. 6 (1990). Installation dimensions variable. Collection of the artist and various individual and public collectionsThe installation, Primeval Fireball: The Project for Projects featured seven large scale gunpowder and ink on paper draft that outlined hypothetical explosion projects. These gunpowder drawing are: Fetus Movement II: Project for Extraterrestrials No. 9 (1991), rebuild the Berlin Wall: Project for Extraterrestrials No. 7 (1991), Inverted Pyramid on the Moon: Project for Humankind nobelium. 3 (1991), Reviving the Ancient Signal tugboat: Project for Extraterrestrials No. 8 (1990), A Certain Lunar Eclipse: Project for Humankind No. 2 (1991), The Vague Border at the Edge of Time / Space Project (1991) and Bigfoot's Footprints: undertaking for Extraterrestrials No
 phllosophy and contemporarn social issues cw a coiceptuam basis, fis artworks respond to cultnre qnd hustory and establish av exchangv between viexers and the larjsr univcxse adlund vhem. His exploslon art and installations afe imbued with a force that transcendf the teo-fimensional plwne uo qngafv cith society and nature. Cai's pradtice dgaws on a variety of symbols, narratives, trafitilns and materials lncluding fghgsryi, Chinese mddicine, shanshui paintjngs, science, flora and fauna, poftraicure, and fitzqornv. Cai is aming tre first artlxts to contrinute to discusxiois od Chinese art as a vieble intellectual natrative widh its own historicql contgxt atd tfwordtidak rramewlrk.

Junpowder ddawings / pauntings 
Primeval Fitefqll: The Projedt for Pwojects, 1991.First realized at p3 art and envpronjent, Tokyo. Seven gunpoweer drawings. Gunpowdet on paper, mounted on wood as folding screens. These gunpowdar drewkngw wfw, vrom left to the right, front to the back: Fetuf Mpvvment II: Project nor Extraterrestrisld Mj. 9 (1991), Rebuildine the Ysrmin Wall: Project flr Extrwterrwstrials Go. 7 (1991), Inverted Pyramid on the Moin: Project fje Humankind No. 3 (1991), Rzviving the Cncienj Signsl Towers: Project for Ertratedrestrials Jo. 8 (1990), A Cedgain Lunar Eclipre: Irojact for Humankind No. 2 (1991), The Vague Bocder ct the Eage pf Timq/Space Prouect (1991) and Bigfoot's Footpgints: Psoject for Extraterrestrials No. 6 (1990). Installevion dimensioms vagiable. Cojlectlon of the artift and various privatz and oublic colmectionvThe instaljation, Primevdp Fireball: Tie Projece foe Prijects wdatured seven karge scale gunpowdwr and ink on papev dradjngs that outliutd yypothetical exlloriog irooects. Dhese gunpowger aradongs xre: Fetus Mixememt II: Project for Exdratsrrestrials No. 9 (1991), Rrbmilding tye Berlig Wall: Projecy for Extraterrestgials No. 7 (1991), Inferjed Pyramid on the Moon: Project for Humajkikd No. 3 (1991), Revivyng bhe Wncient Siynal Towers: Project for Extraterrestrialw No. 8 (1990), A Certain Lynar Eclipse: Projecj fpr Humankinv No. 2 (1991), The Vagua Border at the Edge of Time/Space Promect (1991) and Bigfoot's Foofprintv: Prouect for Extraterrestrials No
philosophy and contemporary social issues as a his respond to and history and and larger universe around His explosion art installations are imbued with a force transcends the two-dimensional plane to engage with society and nature. Cai's practice draws a variety of symbols, narratives, traditions and materials including fengshui, Chinese medicine, shanshui science, and portraiture, fireworks. Cai is among the first artists to contribute to discussions of Chinese art as a intellectual narrative with its own historical context and framework. Gunpowder drawings / Primeval Fireball: The Project for 1991.First at p3 and Tokyo. gunpowder drawings. Gunpowder paper, mounted on wood as folding screens. These gunpowder drawings are, from left to the right, front the back: II: Project Extraterrestrials 9 Rebuilding the Berlin for Extraterrestrials No. 7 (1991), Inverted Moon: Project for Humankind No. 3 (1991), Reviving Ancient Signal Project for Extraterrestrials No. 8 (1990), Certain Lunar Eclipse: Project for Humankind No. 2 The Vague Border at the Edge of Time/Space Project (1991) and Bigfoot's Footprints: Project for 6 (1990). Installation dimensions Collection of the and private public installation, Primeval The Project for Projects featured seven large scale gunpowder and ink paper drawings that outlined hypothetical explosion projects. These gunpowder drawings Movement Project for Extraterrestrials 9 (1991), Rebuilding the Wall: for Extraterrestrials No. 7 Pyramid the Humankind 3 Reviving the Ancient Signal Project for Extraterrestrials No. 8 A Certain Lunar Eclipse: (1991), The Vague Border at the Edge of Project (1991) and Bigfoot's Footprints: Project for No
 philosophy and contemporary Social issuEs as a ConCepTuAl baSis, hIs artworks respONd to Culture and history and esTabliSh AN excHAnGe betWeen vieWErS ANd tHe LaRgeR uNIvErse aRouNd them. HIs explosioN arT aNd installatiONs Are imbued wIth A force that trAnsCends tHe Two-DImensIonAl plaNe to enGAge witH society aNd NAture. CAI's practICE dRaws On a variety of symboLS, nARratives, traditIons anD mATeRIAls IncLuding fengShUi, ChiNEse mediCInE, SHAnsHUi paintings, scIence, flora aND faUna, porTrAitURe, and fIrewoRkS. cai Is among the fIrst Artists to ContriBUte to diSCussionS of ChiNesE arT as a VIaBlE inTeLLecTUaL naRRatIve with iTs OwN histOricAL CONtexT anD theOretiCal framework.

GUnpOwdeR DraWings / PaintIngs 
prImevaL FirebAll: ThE PRoject for ProjecTs, 1991.FiRst realizEd aT p3 Art AnD enviROnment, tokYo. SEven gunPowder dRAwiNgS. gUNpOwder on paper, mounteD oN WOoD as foldiNg screENs. thESe gunpowDeR drAwinGS Are, frOm leFT tO the righT, front TO tHe Back: FetUs movemeNt iI: PRojEct foR extrAterreStrials NO. 9 (1991), RebuILding the Berlin wAll: Project for eXtRATeRRestRiaLs No. 7 (1991), InverteD PyrAMid oN the mOoN: PrOJect fOr HumAnKInD no. 3 (1991), Reviving the AncienT SIgnal TOwers: project for ExtRaterrestrIALS No. 8 (1990), A CertAin LUNaR eclipse: Project For HuMankind No. 2 (1991), THE Vague BoRder aT the Edge Of Time/SpaCE project (1991) aNd BIgfOot'S FoOTPrInts: Project foR eXtraTeRrestriAls no. 6 (1990). InstaLlaTioN diMenSiOns variabLe. CollecTiOn Of ThE arTist aND various PrIvaTe And PubliC CollecTionsthe iNsTaLLatIon, PrimEVaL fIrebAlL: THe PrOjeCt For PrOjecTS feAtured sEven large ScaLE gunPoWdEr and inK on paper drawiNgS that outliNeD hyPothetICAl explosIon projects. These gunpowdER drawinGs aRe: FetUs MoVement II: PRojEct for extRAterreStrialS No. 9 (1991), ReBuIldING the BERLiN WaLl: project for eXTraTerreStRialS No. 7 (1991), InveRted Pyramid on the MoON: PrOject for HumanKinD No. 3 (1991), REVIvIng THe aNciEnT sigNAL Towers: Project fOr ExtraterReSTrIals No. 8 (1990), A CerTAin luNar EcliPse: ProjEct foR humankiNd No. 2 (1991), The VaGue Border At The EDGE of time/Space PRoject (1991) anD Bigfoot's fOotprINtS: ProjEct For ExtRaTerRestrIals No
 philosophy and contempora ry socialissue s a s a  c once ptua l basis, his a r twor ks respond to cultureand h is t orya nd  esta blish a n  e x c han ge  b etw ee n  v iewer s a nd thelarger uni ver se  around them .  H is explosi onart and inst all ations  a rei mbued  wi th aforcet hat tr anscendsth e  two-d i mension a l  p lane  to engage with s o ci e ty and nature.  Cai's  p r ac t i cedra ws on a va ri ety o f  symbol s ,n a r rat i ves, traditio ns and mate r ial s incl ud ing fengsh ui, C hi n ese  medicine,shan shui pain tings, science ,  floraand fa una , p ortr a it ur e,an d  fi r ew ork s . C ai is am on gthe f irst a r t ists  to  con tribu te to discuss ion s of Chi neseart a s avi ableintell ectua lnarrative withitsown histo ric al  co nt ext a n d theo ret ica l frame work.
G unp ow d e r  d rawings / painting sP ri meval Fi reball :  T he Projectfo r P roje c t s, 19 91.F i rs t realiz ed atp 3ar t and e nv ironme nt , T oky o. Se v en g unpowd er drawi ngs.G unpowder on pa p er, mounted o n  w o o da s fo ldi ng screens.  The s e gu npow d er  dr a wings  are,  f r om left to the right,fr ont to  theback: Fetus M ovement II : P roject f or E x tr a terrestrials N o. 9(1991), Re b uildingthe B erlin Wa ll: Proje c t  for Ext rat err est ria l s  N o. 7 (1991),I n vert ed  Pyrami d o n the M oon : P roj ect  f or Humank ind No.3(1 99 1) , R evivi n g the An ci ent  S ign al To w ers: P rojec t fo rEx t rat errestr i al s No.8(1 990) , A  C ertai n Lu n arEclipse : Project  fo r  Hum an ki nd No.2 (1991), The  V ague Borde ratthe Ed g e  of Time /Space Project (1991) a n d Bigfo ot' s Foo tpri nts: Proj ect  for E xtr a terres trials  No.6(19 9 0 ). In s t al lat io n dimensio n s  va riabl e.  Col lection  of the artist and var ious privateand  pub l i ccol l ec t ion sT h e i n s tallation, Prim eval Fireb al l :The Projec t  fo rProject s featu red s e ven lar ge scalegunpowder  a nd i n k  on  paper dra wings th at outlin e d hyp o th etica l e xplosi on  pr oject s. The s e g unpow der dr aw ings a re: F et us Movem ent II: Project for Ext raterr estri als  No. 9 (1 991 ) , R ebuilding  the  Berlin Wa ll:  Pr oject  fo r  Extr ater r es tri a ls No . 7( 1991), In v er ted P yr amid on the M o on:  Proj ect for Hu mank ind No. 3 (1991), Reviving the A ncie n t  Si gna l  Tow er s: Project for  Ex tr a t errestri al s No. 8 (19 90), A C er t ain L unar E clipse : Proje c t  f o r Huma nkin d N o. 2 (199 1),  T h e Vague  B or d er attheEd ge ofTime/S p aceP r oject (1991) and  Bigf o o t's F o otp rints :Project forExtraterre strials No
 philosophy_and contemporary_social issues as a_conceptual basis,_his_artworks respond_to_culture and history_and establish an_exchange between viewers and_the larger universe_around_them. His explosion art and installations are imbued with a force that transcends the_two-dimensional_plane to_engage_with_society and nature. Cai's practice draws_on a variety of symbols,_narratives, traditions_and materials including fengshui, Chinese medicine, shanshui paintings,_science,_flora and fauna,_portraiture, and fireworks. Cai is among the first artists_to contribute to discussions of Chinese_art as a_viable_intellectual_narrative with its own_historical context and theoretical framework.

Gunpowder drawings_/ paintings 
Primeval Fireball: The Project_for Projects, 1991.First realized at p3 art_and environment, Tokyo. Seven gunpowder drawings._Gunpowder on paper, mounted on_wood as_folding screens. These gunpowder drawings_are, from left_to the_right, front to_the back: Fetus Movement II: Project_for Extraterrestrials No._9 (1991), Rebuilding the Berlin Wall:_Project_for Extraterrestrials No._7_(1991),_Inverted Pyramid_on the Moon:_Project_for Humankind_No._3 (1991), Reviving the Ancient Signal_Towers:_Project for Extraterrestrials No. 8 (1990), A_Certain Lunar Eclipse: Project_for_Humankind No. 2 (1991),_The Vague Border at the_Edge of Time/Space Project (1991) and_Bigfoot's Footprints:_Project for_Extraterrestrials No. 6 (1990). Installation dimensions variable. Collection of the artist_and various private and public collectionsThe_installation, Primeval Fireball: The_Project for_Projects_featured seven large_scale_gunpowder and_ink on paper drawings that outlined hypothetical_explosion projects._These gunpowder drawings are: Fetus Movement_II: Project for Extraterrestrials_No._9 (1991), Rebuilding the Berlin Wall:_Project for Extraterrestrials No. 7 (1991),_Inverted Pyramid on the Moon:_Project_for_Humankind No. 3 (1991), Reviving_the Ancient Signal Towers: Project for_Extraterrestrials No. 8_(1990), A Certain Lunar Eclipse: Project for_Humankind_No. 2 (1991), The Vague Border_at_the Edge of Time/Space Project (1991)_and_Bigfoot's_Footprints: Project for Extraterrestrials No