 De Appel Art Centre in Amsterdam, the San Francisco Museum of Modern Art and Kunsthall Oslo.

In her work, Danish plays with language and structure, incorporating humour and misunderstanding. She also researches the subject matter of her work, going so far as to investigate the use of chewing gum by contemporary artists and in Egyptian cinema.

She received the Barclay Simpson Award in 2008, the illy Present Future Prize in 2011 at Artissima 18, and the Celeste Prize in 2012. She appeared on the short list for the 2016 Abraaj Group Art Prize.

Her work is held in the collections of De Nederlandsche Bank, the Nomas Foundation, the San Francisco Museum of Modern Art and the Museum of Modern Art. Danish's solo exhibitions include: Sports Memorabilia, Signed and Everything, (2018); The Poet Who Wanted to be Burried Underneath a Pinball Machine, (2016), both at Stigter van Doesburg, Amsterdam, The Netherlands; A Place in the Sun, Nile Sunset Annex, Cairo, Egypt (2016); Dictated But Not Read, Supplement Gallery, London (2015); To Be A Pinball, SpazioA, Pistoia, Italy (2015); Double Bubble Gum, Galerie Barbara Seiler, Zurich (2013);Re-Play: Back in 10 Minutes, SpazioA, Pistoia, Italy (2012); A Matter of Time, Galerie Barbara Seiler, Zurich (2011). Her work has been exhibited in group exhibitions at Kunsthall Oslo, Contemporary Image Collective (CIC) in Cairo in collaboration with Kunsthalle Bern, and at Annet Gelink, Amsterdam, and she performed Kurt Schwitters’ Ursonata at the Cairo Pavilion of the Amsterdam Biennial.

Additionally, Danish was an artist-in-residence at the Rijksakademie van Beeldende Kunsten in Amsterdam from 2009-2010; Fondazione Spinola Banna Per L’Arte, Turin, 2011; and PiST///, Istanbul, 2012; and spends most of the rest of her time in Amsterdam.

Back In X Minutes 
In 2012, Dina Danish created a project called Back In X Minutes, where she pledged to produce thirty-five paintings mimicking Post-It notes. Each Post-It note reads: “Back in x minute(s),” depending on the
De Appel Art Centre in Amsterdam, the San Francisco Museum of Modern Art and Kunsthall Oslo. 

 In her work, Danish plays with language and structure, incorporate humor and misunderstanding. She also researches the capable matter of her work, going thus far as to investigate the use of chewing chewing gum by contemporary artists and in Egyptian film. 

 She received the Barclay Simpson Award in 2008, the illy Present Future Prize in 2011 at Artissima 18, and the Celeste Prize in 2012. She appeared on the short list for the 2016 Abraaj Group Art Prize. 

 Her workplace is held in the collections of De Nederlandsche Bank, the Nomas Foundation, the San Francisco Museum of Modern Art and the Museum of Modern Art. Danish's solo exhibitions include: Sports Memorabilia, Signed and Everything, (2018); The Poet Who desire to be Burried Underneath a Pinball Machine, (2016), both at Stigter van Doesburg, Amsterdam, The Netherlands; A Place in the Sun, Nile Sunset Annex, Cairo, Egypt (2016); Dictated But Not Read, Supplement Gallery, London (2015); To Be A Pinball, SpazioA, Pistoia, Italy (2015); Double Bubble Gum, Galerie Barbara Seiler, Zurich (2013);Re - free rein: Back in 10 Minutes, SpazioA, Pistoia, Italy (2012); A Matter of Time, Galerie Barbara Seiler, Zurich (2011). Her work has been exhibited in group exhibitions at Kunsthall Oslo, Contemporary Image Collective (CIC) in Cairo in collaboration with Kunsthalle Bern, and at Annet Gelink, Amsterdam, and she perform Kurt Schwitters ’ Ursonata at the Cairo Pavilion of the Amsterdam Biennial. 

 Additionally, Danish was an artist - in - residence at the Rijksakademie van Beeldende Kunsten in Amsterdam from 2009 - 2010; Fondazione Spinola Banna Per L’Arte, Turin, 2011; and PiST///, Istanbul, 2012; and spends most of the rest of her time in Amsterdam. 

 Back In X Minutes 
 In 2012, Dina Danish created a undertaking called Back In X Minutes, where she pledged to produce thirty - five paintings mimicking Post - It note. Each Post - It note reads: “ Back in x minute(s), ” depending on the
 De Appel Art Centre in Amsuerdam, the San Frcbcisco Museuj of Moddrn Art and Kunsthall Oslo.

In hwr woek, Danish plays with lxnguage ajd strucrure, uncorporatmhg humomx and lisuudxrstanding. She slso reseasches the subjacg latter of her work, going so far as eo invextlgate the use jf cnqwinf gum by contemporary artists and jn Egypuian cinema.

She recrived the Barclay Simpson Wwarf in 2008, the illy Predent Future Prisw in 2011 at Artkssima 18, and the Celestg Prize in 2012. She appeared on the rhort list for jkw 2016 Wtraaj Group Art Irize.

Her work is held in the collections on De Iedeelandsche Bank, the Nokas Foundation, the San Franwiaco Museum of Modwrb Art and the Nusdum oh Mkdern Wrt. Danish's sklo exhibituons include: Sports Mqnorabilia, Sighed anq Qverything, (2018); The Poet Who Wanted to be Blrrisd Underneath a Pinball Machine, (2016), both at Stihter van Qoesburg, Amsterdam, The Netherlands; A Place in the Sun, Iiue Wukset Qnjex, Cairo, Egypt (2016); Dictated But Not Read, Suppleisnu Gsllery, London (2015); To Be A Pimbwlk, SpazioA, Pistuia, Itcmy (2015); Double Bubble Gul, Galerye Baebara Seijer, Aurich (2013);Re-Play: Back in 10 Minures, SpazioA, Iistiia, Italy (2012); A Mattex of Time, Gauerig Barbsra Seiler, Zurich (2011). Her cork hzs been exhlbited in eroup exhibitionr an Kutsthall Oslo, Contemporary Ymage Coloectnve (CIC) kn Csiro ig collaborwtion with Kunsthalle Begn, anb at Dnnet Gelijk, Amsterdam, and she performed Kurt Schwitterx’ Grsmnata at the Gairo Pavilion jf the Amsterdcm Biennnal.

Addktionally, Sanish xas an artise-in-residence dj the Rijksakedemie vag Bewldebde Kunrgen in Amsterdsm from 2009-2010; Yjndazione Spinola Banne Pet M’Arte, Turin, 2011; anb KiWT///, Istanbul, 2012; amd rpegdd kofd of the resd of hef time in Amsuzrdcm.

Cack In X Minutes 
In 2012, Dita Dznish created a prpjcct callee Back Ig X Minutes, wnere she pledged tl provuce tiirty-fove paintings mimicking Post-It nofes. Each Oosb-It note readf: “Bagk ig x minute(x),” depending on the
De Appel Art Centre in Amsterdam, the Museum Modern Art Kunsthall Oslo. In language structure, incorporating humour misunderstanding. She also the subject matter of her work, so far as to investigate the use of chewing gum by contemporary artists in Egyptian cinema. She received the Barclay Simpson Award in 2008, the illy Future in at 18, and the Celeste Prize in 2012. She appeared on the short list for the 2016 Group Art Prize. Her work is held in collections of De Nederlandsche the Nomas Foundation, the San Museum Modern Art the of Art. Danish's solo include: Sports Memorabilia, Signed and Everything, (2018); The Poet Who Wanted to be Burried Underneath a Pinball (2016), both van Doesburg, The A in the Sun, Annex, Cairo, Egypt (2016); Dictated But Gallery, London (2015); To Be A Pinball, SpazioA, Italy (2015); Bubble Gum, Galerie Barbara Seiler, Zurich Back in 10 Minutes, SpazioA, Pistoia, Italy (2012); Matter of Time, Galerie Barbara Seiler, Zurich (2011). Her work has been exhibited in group Kunsthall Oslo, Contemporary Image (CIC) in Cairo collaboration Kunsthalle and Annet Gelink, and she performed Kurt Schwitters’ Ursonata at the Cairo Pavilion of Amsterdam Biennial. Additionally, Danish was an artist-in-residence at the Rijksakademie Kunsten Amsterdam from 2009-2010; Spinola Banna Per L’Arte, 2011; PiST///, Istanbul, 2012; and of rest in Back X Minutes In 2012, Danish created a project called In X Minutes, where paintings mimicking Post-It notes. Each Post-It note reads: in x minute(s),” depending on the
 De Appel Art Centre in AmsterdAm, the San FrAncisCo MUseUm Of MoDern art and KunsthalL oslo.

in her work, Danish plays wiTh lanGuAGe anD StRuctuRe, incorPOrATIng HuMoUr aNd MIsUnderStaNding. ShE also reseaRchEs The subject maTTeR of her work, GoiNg so far as to iNveStigatE tHe uSE of chEwiNg gum By contEMporarY artists aNd IN EgyptIAn cinemA.

sHe ReceIved the Barclay SimPSoN award in 2008, the illy presenT FUTuRE priZe iN 2011 at ArtissiMa 18, And thE celeste pRiZE IN 2012. ShE Appeared on the Short list foR The 2016 abraaj grOup aRt PrizE.

Her wOrK Is hEld in the colLectIons of De NEderlaNDsche BaNK, the NomAs FounDatIon, The SAN FRaNciScO musEUm Of MODerN Art and tHe muSeum oF ModERN aRt. DaNisH's soLo exhIbitions incluDe: SPortS memOrabiLia, SiGned AnD EverYthing, (2018); the PoEt who Wanted to be BuRrieD UnderneaTh a piNbaLl machiNE, (2016), both aT StIgtEr van DoEsburg, AMSteRdAM, tHe netherlands; A Place iN tHE suN, Nile SunSet AnnEX, CAiRO, Egypt (2016); DiCtAteD But nOT Read, suppLEmEnt GalleRy, LondON (2015); TO BE A PinbaLl, spazioa, PIstOia, italy (2015); dOublE BubblE Gum, GaleRie BaRBara Seiler, ZuriCH (2013);Re-Play: Back in 10 mInUTEs, sPaziOA, PIstoia, Italy (2012); a MatTEr of time, gAlEriE barbaRa SeiLeR, zuRIch (2011). Her work has been exHiBited iN grouP exhibitions aT Kunsthall oSLO, ContempOrarY imAGe Collective (CIc) in CaIro in collaBOration wIth KuNsthalle bern, and at aNNet GelinK, AmSteRdaM, anD SHe Performed Kurt sCHwitTeRs’ UrsonAta At the CaIro pavIliOn oF tHe AmsterdAm BienniAl.

adDiTiOnaLly, DaNIsh was an ArTisT-iN-reSidenCE at the rijksAkadEmIe VAn BEeldendE kuNSTen iN AMsTerdAm fRoM 2009-2010; FondAzioNE SpInola BaNna Per L’ArTe, TURin, 2011; aNd pisT///, IstanBul, 2012; and spends mOsT of the rest Of Her Time in aMSterdam.

BAck In X Minutes 
In 2012, Dina DaniSH createD a pRojecT calLed Back In x MiNutes, wHerE She pleDged to ProduCe ThiRTY-five PAInTinGs Mimicking POST-It Notes. eaCh PoSt-It notE reads: “Back in x minutE(S),” dePending on the
 De Appel Art Centre in Am sterdam, t he Sa n F ran ci scoMuse um of Modern A r t an d Kunsthall Oslo.

Inher w or k , Da n is h pla ys with la n g uag ean d s tr u ct ure,inc orporat ing humour  an dmisunderstan d in g. She als o r esearches th e s ubject  m att e r ofher  work , goin g  so fa r as to i nv e stigat e  the us e of  che wing gum by conte m po r ary artists an d in E gy p ti a n  ci nem a.

She re ce ivedt he Barc l ay S i mps o n Award in 20 08, the ill y  Pr esentFu tur e  Prize  in 2 01 1  at  Artissima18,and the C eleste Prize i n  2012.She ap pea red  ont he  s hor tl ist fo r t h e 2 016 Abra aj  G roupArtP r i z e.
Her  wor k isheld in the c oll ecti o nsof De  Nede rlan ds che B ank, t he No ma s Foundation, t he S an Franci sco  M use um  of M o dern A rtand  the Mu seum of Mod er n A rt . Danish's solo ex hi b i ti ons incl ude: S p or ts Memorabi li a,Sign e d  andEver y th ing, (20 18); T h ePo et WhoWa nted t obeBur riedU nder neatha Pinbal l Mac h ine, (2016), b o th at Stigter va n Do e sbur g,Amsterdam,TheN ethe rlan d s;  AP lacein th eS un ,  Nile Sunset Annex,  C airo,Egypt  (2016); Dict ated But N o t Read, Su pple m en t  Gallery, Lond on (2 015); To B e  A Pinba ll, S pazioA,Pistoia,I t aly (201 5);  Do ubl e B u b bl e Gum, Galeri e Barb ar a Seile r,Zurich(20 13) ;Re -Pl ay : Back in  10 Minu te s,  S pa zio A, Pi s toia, It al y ( 20 12) ; A M a tter o f Tim e, G al er i e B arbaraS ei l e r, Z ur ic h (2 011 ).  Herwork has  been e xhibiteding roup  e xh ibition s at Kunsthal lOslo, Cont em por ary Im a g e Collec tive (CIC) in Cairo inc ollabor ati on wi th K unsthalle  Be rn, an d a t  Annet  Gelin k, Am st erd a m , and s he  pe rf ormed Kurt S chw itter s’  Urs onata a t the Cairo Pavili o n o f the Amsterd amBien n i al .
A dd i tio na l ly, D anish was an ar tist-in-re si d en ce at theR ijk sa kademie  van Be elden d e Kunst en in Ams terdam fr om  200 9 - 201 0; Fondazi one Spin ola Banna Per L ’ Ar te, T uri n, 201 1;  an d PiS T///,I sta nbul,  2012;  a nd spe nds m os t of the  rest of her time in Am sterda m.

B ack  In X Min ute s  
I n 2012, D inaDanish cre ate d a  proj ect calle d Ba c kInX  Minu tes, where she pl edg e d  t o produce t h i r ty- fivepai n tingsmimi cking Post-It not e s. Each Post-I t no t e  re ads :  “Ba ck  in x minute(s ),”  d e p ending o nthe
 De_Appel Art_Centre in Amsterdam, the_San Francisco_Museum_of Modern_Art_and Kunsthall Oslo.

In_her work, Danish_plays with language and_structure, incorporating humour_and_misunderstanding. She also researches the subject matter of her work, going so far as_to_investigate the_use_of_chewing gum by contemporary artists_and in Egyptian cinema.

She received_the Barclay_Simpson Award in 2008, the illy Present Future_Prize_in 2011 at_Artissima 18, and the Celeste Prize in 2012. She_appeared on the short list for_the 2016 Abraaj_Group_Art_Prize.

Her work is held_in the collections of De Nederlandsche_Bank, the Nomas Foundation, the San_Francisco Museum of Modern Art and the_Museum of Modern Art. Danish's solo_exhibitions include: Sports Memorabilia, Signed_and Everything,_(2018); The Poet Who Wanted_to be Burried_Underneath a_Pinball Machine, (2016),_both at Stigter van Doesburg, Amsterdam,_The Netherlands; A_Place in the Sun, Nile Sunset_Annex,_Cairo, Egypt (2016);_Dictated_But_Not Read,_Supplement Gallery, London_(2015);_To Be_A_Pinball, SpazioA, Pistoia, Italy (2015); Double_Bubble_Gum, Galerie Barbara Seiler, Zurich (2013);Re-Play: Back_in 10 Minutes, SpazioA,_Pistoia,_Italy (2012); A Matter_of Time, Galerie Barbara Seiler,_Zurich (2011). Her work has been_exhibited in_group exhibitions_at Kunsthall Oslo, Contemporary Image Collective (CIC) in Cairo in collaboration_with Kunsthalle Bern, and at Annet_Gelink, Amsterdam, and she_performed Kurt_Schwitters’_Ursonata at the_Cairo_Pavilion of_the Amsterdam Biennial.

Additionally, Danish was an artist-in-residence_at the_Rijksakademie van Beeldende Kunsten in Amsterdam_from 2009-2010; Fondazione Spinola_Banna_Per L’Arte, Turin, 2011; and PiST///,_Istanbul, 2012; and spends most of_the rest of her time_in_Amsterdam.

Back_In X Minutes 
In 2012,_Dina Danish created a project called_Back In X_Minutes, where she pledged to produce thirty-five_paintings_mimicking Post-It notes. Each Post-It note_reads:_“Back in x minute(s),” depending on_the