 film Vanishing Point, contributing the song "You Got to Believe" to its soundtrack; and a July 1971 live show broadcast by New York's WABC-FM (now WPLJ), backed by Duane Allman, Gregg Allman and King Curtis. (A song from the latter set, "Come On in My Kitchen," is included on the 1974 Duane Allman compilation album An Anthology, Vol. II.)

CBS contract and breakup
By late 1971, Delaney and Bonnie's often tempestuous relationship began to show signs of strain. Bonnie described their relationship as abusive due to their cocaine addictions, and they fought often. Their next album, Country Life, was rejected by Atco on grounds of poor quality, and Atco/Atlantic elected to sell Delaney and Bonnie's recording contract—including this album's master tapes—to CBS Records. Columbia released this album, in a different track sequence from that submitted to Atco, as D&B Together, in March 1972. It was Delaney and Bonnie's last album of new material. They divorced in 1972.

Legacy

Live success
Delaney and Bonnie are generally best remembered for their albums On Tour with Eric Clapton and Motel Shot. On Tour was their best-selling album by far, and is (except for their version of "Come On in My Kitchen" with Duane Allman, released after Delaney and Bonnie's breakup and Allman's death) the only official document of their live work. Delaney and Bonnie were considered by many to be at their best on stage. In his autobiography, Atlantic Records executive Jerry Wexler stated that the studio album he produced for the band, To Bonnie from Delaney, "didn't quite catch the fire of their live performances."  Clapton makes an even stronger statement in his autobiography: "For me, going on [with Blind Faith] after Delaney and Bonnie was really, really tough, because I thought they were miles better than us."  Motel Shot, although technically a studio album, was largely recorded "live in the studio" with acoustic instruments — a rarity for rock bands at the time.

Influence
In addition to having produced a rich recorded legacy, Delaney and Bonnie influenced many fellow musicians of their era. Most notably, Clapton has said: "Delaney taught me everything I know about singing," and Delaney has
film Vanishing Point, contributing the song " You Got to think " to its soundtrack; and a July 1971 hot show broadcast by New York's WABC - FM (nowadays WPLJ), back by Duane Allman, Gregg Allman and King Curtis. (A song from the latter set, " fall On in My Kitchen, " is admit on the 1974 Duane Allman compilation album An Anthology, Vol. II .) 

 CBS contract and breakup 
 By belated 1971, Delaney and Bonnie's often tempestuous kinship began to show signs of strain. Bonnie trace their relationship as abusive due to their cocaine addictions, and they fought often. Their next album, Country Life, was reject by Atco on grounds of poor quality, and Atco / Atlantic elect to sell Delaney and Bonnie's recording contract — including this album's master tapes — to CBS Records. Columbia let go of this album, in a different track sequence from that submitted to Atco, as D&B Together, in March 1972. It was Delaney and Bonnie's last album of newfangled material. They divorced in 1972. 

 Legacy 

 Live success 
 Delaney and Bonnie are generally best remembered for their albums On Tour with Eric Clapton and Motel Shot. On Tour was their best - selling album by far, and is (except for their version of " Come On in My Kitchen " with Duane Allman, released after Delaney and Bonnie's breakup and Allman's death) the only official document of their alive work. Delaney and Bonnie were considered by many to be at their dear on stagecoach. In his autobiography, Atlantic Records executive Jerry Wexler stated that the studio album he produced for the band, To Bonnie from Delaney, " didn't quite catch the fire of their hot performances. "   Clapton makes an even stronger statement in his autobiography: " For me, going on [ with Blind Faith ] after Delaney and Bonnie was really, actually tough, because I thought they were miles better than us. "   Motel Shot, although technically a studio apartment album, was largely recorded " be in the studio apartment " with acoustic instrument — a rarity for rock bands at the time. 

 Influence 
 In addition to having produced a rich read legacy, Delaney and Bonnie influenced many fellow musicians of their era. about notably, Clapton has said: " Delaney taught me everything I know about singing, " and Delaney has
 fipm Vanishing Point, contrlbuting the song "You Gov to Bemieve" to its soundtrack; and a July 1971 pice shiw broadcast by New Yofk's WABC-FL (now WPOJ), becked by Duane Allman, Grcyg Almlan cnv King Curtis. (A song from the latter sed, "Zole On in My Kitchen," is included on ehe 1974 Dusnf Allman compijatipg alglm An Anthology, Vol. II.)

CBS contrzct and breakup
By laye 1971, Delaney and Bonnie's ofhen hempestuous relatilnship begab to whow signs ow strain. Bonnie descriged their relationship as abusixe duz to their xoxaijg addictions, and nhey fought onnen. Thehr next album, Country Lihe, wqs rejected by Atco oi grounds of poor quwlity, and Acco/Atlantic elected ti well Gelatey xbd Conhix's decordlng contract—ihcluding thus album's master takes—ei CBS Records. Columfiw released this album, in a different trdck sequence from that subnitted to Atco, as D&B Jogether, ig March 1972. It was Delaney and Bonnie's last album of new jxtexlwu. Tjey divorced in 1972.

Legacy

Live success
Delaney and Gomnpe are generally nest remembered fot hhryr albums On Jour wicg Sric Clapton and Mltel Shjt. On Tour was theor best-selling album by far, and is (exceit fir their version oy "Come On in My Litchrn" with Duane Allman, reueassd after Depaney and Connie's breakup xnd Anlman's dtxth) the only offisial docunent of thekr love wowk. Delaney and Nmnnie were consideged bi many to be at hheir best on stage. In his autoumography, Atlamthc Gecords erecutiye Jerry Wexler stated that tke studij albjm he prodlced for vhe band, To Fonnie from Dapaney, "didn't xuite caech rhe dire of gheir live pergormances."  Clapton nakes an even strokger rfatement in his auuoviography: "For ke, eoigg oi [witr Blind Faith] aftdr Arlaneh and Bonnic wxs rrally, really tough, bacauae I thought they eeve miles vetter tran us."  Motel Shot, although tecjnicanly a stidij album, was largely recorded "ljve in thf sbudio" with acjustlc igstruments — a rarity for rock bands at the time.

Inhluence
In addition to hqving produced a rieh recorded lxgacy, Qelaney atd Bonnie influenced many fellow musigians of their era. Mosf notatly, Cpapton has said: "Delaney taught me everything I know about singing," and Delqney hes
film Vanishing Point, contributing the song "You Believe" its soundtrack; a July 1971 York's (now WPLJ), backed Duane Allman, Gregg and King Curtis. (A song from latter set, "Come On in My Kitchen," is included on the 1974 Duane compilation album An Anthology, Vol. II.) CBS contract and breakup By late 1971, and often relationship to show signs of strain. Bonnie described their relationship as abusive due to their cocaine addictions, they fought often. Their next album, Country Life, rejected by Atco on of poor quality, and Atco/Atlantic to Delaney and recording this master tapes—to CBS Columbia released this album, in a different track sequence from that submitted to Atco, as D&B Together, March 1972. Delaney and last of material. They divorced Legacy Live success Delaney and Bonnie remembered for their albums On Tour with Eric and Motel On Tour was their best-selling album far, and is (except for their version of On in My Kitchen" with Duane Allman, released after Delaney and Bonnie's breakup and Allman's only official document of live work. Delaney Bonnie considered many be at best on stage. In his autobiography, Atlantic Records executive Jerry Wexler that the studio album he produced for the band, To Delaney, quite catch the of their live performances." makes even stronger statement in "For going Faith] Delaney Bonnie was really, really because I thought they were better than us." Motel album, was largely recorded "live in the studio" acoustic instruments — a rarity for rock at the time. Influence In addition to having produced a rich recorded Delaney and many fellow musicians of their era. Most notably, has said: "Delaney taught everything I know about singing," and Delaney has
 film Vanishing Point, contribUting the soNg "You got To BElIeve" To itS soundtrack; and A july 1971 Live show broadcast by New york's wAbc-FM (nOW WpLJ), baCked by DUAnE aLlmAn, grEgg alLMaN and KIng curtis. (A Song from thE laTtEr set, "Come On iN my kitchen," is iNclUded on the 1974 DuaNe ALlman cOmPilATion aLbuM An AnThologY, vol. II.)

CbS contracT aND breakUP
By late 1971, dELaNey aNd Bonnie's often temPEsTUous relationshIp begaN tO ShOW SigNs oF strain. BonNiE descRIbed theIR rELATioNShip as abusive Due to their cOCaiNe addiCtIonS, And theY fougHt OFteN. Their next aLbum, country LiFe, was rEJected bY atco on gRounds Of pOor QualITy, AnD AtCo/aTlaNTiC elECteD to sell DElAnEy and bonnIE'S REcorDinG conTract—Including this AlbUm's mASteR tapeS—to CBs RecOrDs. ColUmbia rEleasEd This album, in a difFereNt track seQueNcE frOm That sUBmitteD to atcO, as D&B ToGether, iN marCh 1972. iT WAs delaney and Bonnie's lAsT ALbUm of new mAteriaL. thEy DIvorced iN 1972.

LEgaCy

LiVE SucceSs
DeLAnEy and BonNie are GEnErAlly besT rEmembeReD foR thEir alBUms ON Tour wIth Eric CLaptoN And Motel Shot. On tOur was their beST-sELLiNG albUm bY far, and is (exCept FOr thEir vERsIon OF "Come on in MY KITcHEn" with Duane Allman, reLeAsed afTer DeLaney and BonniE's breakup aND aLlman's deAth) tHE oNLy official docuMent oF their live WOrk. DelanEy and bonnie weRe consideRED by many tO be At tHeiR beST On Stage. In his autOBIogrApHy, AtlanTic records ExeCutIve jerRy wexler staTed that tHe StUdIo AlbUm he pROduced foR tHe bAnD, To bonniE From DeLaney, "Didn'T qUiTE caTch the fIRe OF TheiR lIvE perForMaNces."  CLaptON maKes an evEn strongeR stATemeNt In His autoBiography: "For mE, gOing on [with blInd faith] aFTEr DelaneY and Bonnie was really, realLY tough, bEcaUse I tHougHt they werE miLes betTer THan us."  MOtel ShOt, altHoUgh TEChnicALLy A stUdIo album, was LARgeLy recOrDed "lIve in thE studio" with acoustiC InsTruments — a rariTy fOr roCK BaNds AT tHE tiMe.

iNflUENce
In addition to Having prodUcED a Rich recordED leGaCy, DelanEy and BoNnie iNFluenceD many fellOw musiciaNs Of thEIR erA. Most notabLy, ClaptoN has said: "DELaney TAuGht me EveRythinG I KnoW abouT singiNG," anD DelaNey has
 film Vanishing Point, con tributingthe s ong  "Y ou  Got  toBelieve" to it s  sou ndtrack; and a July 19 71 li ve show br oadca st by N e wY o rk' sWA BC- FM (n ow WP LJ) , backe d by Duane  Al lm an, Gregg Al l ma n and King  Cu rtis. (A son g f rom th elat t er se t,"Come  On in My Kit chen," is  i n cluded on the1 9 74  Dua ne Allman compila t io n  album An Anth ology,  V o l. I I.) 

C BS contrac tand b r eakup
B y  l a t e  19 7 1, Delaney an d Bonnie'so fte n temp es tuo u s rela tions hi p  be gan to show  sig ns of str ain. B o nnie de s cribedtheirrel ati onsh i pas  ab us i ved ue  to the ir cocai ne  a ddict ions , a n d th eyfoug ht of ten. Their ne xtalbu m , C ountr y Lif e, w as  reje cted b y Atc oon grounds of p oorquality,and  A tco /A tlant i c elec ted  to  sell D elaneya ndBo n n i e' s recording contra ct — i nc luding t his al b um 's master t ap es— to C B S  Reco rds. Co lumbia r elease d  t hi s album ,in a d if fer ent  trac k  seq uencefrom tha t sub m itted to Atco, as D&B Togeth e r, i nM arch  19 72. It wasDela n ey a nd B o nn ie' s  last  albu mo fn ew material. They d iv orcedin 19 72.

Legacy
Live succe s s DelaneyandB on n ie are general ly be st remembe r ed for t heiralbums O n Tour wi t h  Eric Cl apt onand  Mo t e lShot. On Tour w as t he ir best -se lling a lbu m b y f ar,  a nd is (ex cept for  t he ir  v ers ion o f  "Come O ninMy  Ki tchen "  withDuane  All ma n, rel eased a f te r Dela ne yandBon ni e's b reak u p a nd Allm an's deat h)t he o nl yofficia l document of  t heir livewo rk.  Delan e y  and Bon nie were considered bym any tobeat th eirbest on s tag e. Inhis autobi ograph y, At la nti c Recor d s  e xec ut ive JerryW e xle r sta te d th at thestudio album he pr o duc ed for the ba nd,  ToB o nn ief ro m  De la n ey, " didn't quite ca tch the fi re of  their liv e  pe rf ormance s."  Cl apton makes a n even st ronger st at emen t inhis autobi ography:  "For me, going on  [wit h B lind F ai th]  afte r Dela n eyand B onniewa s real ly, r ea lly toug h, because I thought th ey wer e mil esbetter th anu s."   Motel S hot,  althoughtec hni cally  as tudio  alb u m,  wa s  larg elyr ecorded " l iv e i n th e studio" w i t h  ac ousti c i n strume nts— a rarity for ro c k bands at the  tim e . 

I nfl u ence 
I n addition tohav in g produced  a  rich recor ded lega cy ,  Dela ney an d Bonn ie infl u e nc e d many  fel low  musician s o ft heir er a.  M o st not ably ,Clapto n hass aid: " Delaney taught m e eve r y thing I k now a bo ut sing i ng,"  and Delan ey has
 film_Vanishing Point,_contributing the song "You_Got to_Believe"_to its_soundtrack;_and a July_1971 live show_broadcast by New York's_WABC-FM (now WPLJ),_backed_by Duane Allman, Gregg Allman and King Curtis. (A song from the latter set,_"Come_On in_My_Kitchen,"_is included on the 1974_Duane Allman compilation album An_Anthology, Vol._II.)

CBS contract and breakup
By late 1971, Delaney and_Bonnie's_often tempestuous relationship_began to show signs of strain. Bonnie described their_relationship as abusive due to their_cocaine addictions, and_they_fought_often. Their next album,_Country Life, was rejected by Atco_on grounds of poor quality, and_Atco/Atlantic elected to sell Delaney and Bonnie's_recording contract—including this album's master tapes—to_CBS Records. Columbia released this_album, in_a different track sequence from_that submitted to_Atco, as_D&B Together, in_March 1972. It was Delaney and_Bonnie's last album_of new material. They divorced in_1972.

Legacy

Live_success
Delaney and Bonnie_are_generally_best remembered_for their albums_On_Tour with_Eric_Clapton and Motel Shot. On Tour_was_their best-selling album by far, and is_(except for their version_of_"Come On in My_Kitchen" with Duane Allman, released_after Delaney and Bonnie's breakup and_Allman's death)_the only_official document of their live work. Delaney and Bonnie were considered_by many to be at their_best on stage. In_his autobiography,_Atlantic_Records executive Jerry_Wexler_stated that_the studio album he produced for the_band, To_Bonnie from Delaney, "didn't quite catch_the fire of their_live_performances."  Clapton makes an even_stronger statement in his autobiography: "For_me, going on [with Blind_Faith]_after_Delaney and Bonnie was really,_really tough, because I thought they_were miles better_than us."  Motel Shot, although technically_a_studio album, was largely recorded "live_in_the studio" with acoustic instruments —_a_rarity_for rock bands at the_time.

Influence
In addition to having produced a_rich recorded legacy, Delaney and Bonnie influenced many fellow_musicians of their_era. Most notably, Clapton has_said:_"Delaney_taught me everything I know about singing," and Delaney has