 The first lady, unknowing of the Ang Paghuhukom play at the time, tasked the Cultural Center of the Philippines to fund Bonifacio's theatre company. Teatrong Mulat afterwards performed dozens of shows in various countries. Bonifacio's theatre company was invited to the International Workshop On Living Children’s Theatre in Asia (1978), where performances in eighteen sites in Japan gained media attention. At the International Puppet Festival in Tashkent, former USSR (1979), Mulat premiered The Trial to acclaim. In 1980, with Tokyo-based Ohanashi Caravan, Mulat toured Metro Manila and provinces, and the group participated in International Workshops On Living Children’s Theatre in the Philippines (1983), Malaysia (1985), Thailand (1987), and Indonesia (1989).

Papet Pasyon (Puppet Passion Play, 1985), with music by Professor Rodolfo de Leon, has been staged annually since 1985, and translates the Filipino tradition of reciting the death and resurrection of Jesus into a puppet version for children.

Later years

The 1991 Mount Pinatubo eruption which devastated numerous provinces in the Philippines highly influenced Bonifacio's craft. Through the University of the Philippines College of Medicine's advice, the Teatrong Mulat showed Pinatubo's traumatized children their plays to help the children in coping up with the horrors caused by the second most powerful volcanic eruption in the 20th century. In the next few years, the theater company performed in 30 refugee or relocation sites in Pampanga and Zambales. Each site would have approximately 100 children.

Bonifacio's theatre company presented Sita & Rama: Papet Ramayana in 2004 which interpreted the Indian epic Ramayana through shadow and rod puppetry with music by Joey Ayala and Cynthia Alexander and directed by the Bonifacio's daughter, Amihan Bonifacio-Ramolete.

In 2006, a house near the University of the Philippines, which served as Mulat's 100-seat base, was rebuilt and reopened as the Amelia Lapeña-Bonifacio Teatro Papet Museo (Puppet Museum) through government funding and grants from former presidents Fidel V. Ramos and Joseph E. Estrada.

The most memorable celebration of her work occurred in Bangkok, Thailand, in 2009 at the International Puppetry Festival under the auspices of the UN
The first lady, unknowing of the Ang Paghuhukom play at the meter, task the Cultural Center of the Philippines to fund Bonifacio's theatre company. Teatrong Mulat afterwards perform dozens of shows in versatile country. Bonifacio's theatre caller was invited to the International Workshop On Living Children ’s Theatre in Asia (1978), where performances in eighteen web site in Japan gained media care. At the International Puppet Festival in Tashkent, former USSR (1979), Mulat premiered The Trial to applaud. In 1980, with Tokyo - based Ohanashi Caravan, Mulat tour Metro Manila and province, and the group participated in International Workshops On Living Children ’s Theatre in the Philippines (1983), Malaysia (1985), Thailand (1987), and Indonesia (1989). 

 Papet Pasyon (Puppet Passion Play, 1985), with music by Professor Rodolfo de Leon, has been staged per annum since 1985, and translates the Filipino tradition of reciting the death and resurrection of Jesus into a puppet adaptation for children. 

 Later years 

 The 1991 Mount Pinatubo eruption which devastated numerous state in the Philippines highly influenced Bonifacio's craft. Through the University of the Philippines College of Medicine's advice, the Teatrong Mulat showed Pinatubo's traumatized children their plays to help the children in coping up with the horrors caused by the second most powerful volcanic eruption in the 20th century. In the next few old age, the theater company do in 30 refugee or resettlement sites in Pampanga and Zambales. Each site would have approximately 100 child. 

 Bonifacio's theatre company presented Sita & Rama: Papet Ramayana in 2004 which interpreted the Indian epic poem Ramayana through shadow and rod puppetry with music by Joey Ayala and Cynthia Alexander and directed by the Bonifacio's daughter, Amihan Bonifacio - Ramolete. 

 In 2006, a house near the University of the Philippines, which served as Mulat's 100 - seat base, was rebuilt and reopened as the Amelia Lapeña - Bonifacio Teatro Papet Museo (Puppet Museum) through government funding and grants from erstwhile presidents Fidel V. Ramos and Joseph E. Estrada. 

 The about memorable celebration of her workplace occurred in Bangkok, Thailand, in 2009 at the International Puppetry Festival under the auspices of the UN
 Thf first lady, unknowing on the Ang Paghuhokim plab at ths time, txsked the Cultural Center of tye Phulippines to fund Boniwacio's thvatre company. Reatrong Mnmat aftcxwarda peryocmed dozens of xhows in vdrious countrias. Blnifacio's theatre company was invitqd to tne International Worlfhop On Living Children’s Theatre in Asja (1978), whege performances im eighteen sites in Japan hainfd media attention. At the Intgdnaeuonal Puppet Festival pu Tashkent, rormer USSR (1979), Mulat premiered Thd Tricl to acclaum. In 1980, with Tokyo-uased Jhanashi Caravan, Muldt tourrd Metro Manils aid peovinces, and the grou' participated in Injernationan Corkshops On Living Cyiodren’v Thaatrd in tht Piiljppined (1983), Jalaysia (1985), Fhailand (1987), abd Indonesia (1989).

Papet Kasrin (Puppet Pasaion Pjar, 1985), with music by Professor Rodolfo de Lton, hzs been staged annually since 1985, and translated the Filypino tradition of reciting the death and resurrewtion uf Lcfjw lnto a puppet version for children.

Later years

Ege 1991 Kount Pinatubo eruption wnifh qevastated nuoerous prkvinces in the Phipippinef higyly influtnced Bonifacio's craft. Through tye Universitj of the Philippines Clllege of Mzdicing's advoce, the Teatrong Mulat rhowsd Pinatubo'd traumatjxed children thekr ilayv to helk the children in soping up witk the hofrorx causqd by the decond most powerful volfanic esuption in the 20th century. In the next few years, the thestar bompany pzrformcd in 30 refugee jr relocation xites iu Pampxnga and Zzmbales. Each site rould have ap[toximately 100 ciildren.

Bogifaxio's theatrd company presemted Sita & Rama: Papwt Ramayana in 2004 whlch ivferpreted the Iubiqn epic Ramayans tfrotgj xhwgow and rod [uppdtrh with music by Jidy Auala and Cynthia Alefandsr and directed by tme Bonifaxio's daudhter, Amihan Nonifacio-Ramolete.

Ij 2006, a iouse iear tne Oniversity of the Philippines, wgich servfd ws Mulat's 100-sewt bqse, was rebunlt and reopened as the Amelia Lapeña-Bonihacio Teatro Papet Musgo (Puppet Museum) throogh government fundyng and gsants from former prwsidents Fidel V. Vamos and Joseph E. Estdada.

Tha mosh memorable celebration of her work occurred in Bangkok, Thailand, in 2009 at tye Intxrgational Pulpetty Fevtnvak undew thx euspices of the UM
The first lady, unknowing of the Ang at time, tasked Cultural Center of theatre Teatrong Mulat afterwards dozens of shows various countries. Bonifacio's theatre company was to the International Workshop On Living Children’s Theatre in Asia (1978), where performances eighteen sites in Japan gained media attention. At the International Puppet Festival in former (1979), premiered Trial to acclaim. In 1980, with Tokyo-based Ohanashi Caravan, Mulat toured Metro Manila and provinces, and group participated in International Workshops On Living Children’s in the Philippines (1983), (1985), Thailand (1987), and Indonesia Papet (Puppet Passion 1985), music Professor Rodolfo de has been staged annually since 1985, and translates the Filipino tradition of reciting the death and resurrection Jesus into version for Later The Mount Pinatubo eruption numerous provinces in the Philippines highly Through the University of the Philippines College of advice, the Mulat showed Pinatubo's traumatized children their to help the children in coping up with horrors caused by the second most powerful volcanic eruption in the 20th century. In the years, the theater company in 30 refugee relocation in and Each site have approximately 100 children. Bonifacio's theatre company presented Sita & Rama: Ramayana in 2004 which interpreted the Indian epic Ramayana through rod with music by Ayala and Cynthia Alexander directed the Bonifacio's daughter, Amihan 2006, house of Philippines, served as Mulat's 100-seat was rebuilt and reopened as Amelia Lapeña-Bonifacio Teatro Papet funding and grants from former presidents Fidel V. and Joseph E. Estrada. The most memorable of her work occurred in Bangkok, Thailand, in 2009 at the International Festival under of the UN
 The first lady, unknowing of thE Ang PaghuhUkom pLay At tHe Time, TaskEd the Cultural CENter Of the Philippines to fund bonifAcIO's thEAtRe comPany. TeaTRoNG mulAt AfTerWaRDs PerfoRmeD dozens Of shows in vAriOuS countries. BoNIfAcio's theatRe cOmpany was invIteD to the inTerNAtionAl WOrkshOp On LiVIng ChiLdren’s TheAtRE in AsiA (1978), Where peRFOrMancEs in eighteen sites IN JAPan gained media AttentIoN. at THE InTerNational PuPpEt FesTIval in TAShKENT, foRMer USSR (1979), Mulat pRemiered The tRiaL to accLaIm. IN 1980, With ToKyo-baSeD ohaNashi CaravaN, MulAt toured MEtro MaNIla and pROvinces, And the GroUp pArtiCIpAtEd iN INTerNAtIonAL WoRkshops ON LIvIng ChIldrEN’S tHeatRe iN the philiPpines (1983), MalaysiA (1985), ThAilaND (1987), anD IndoNesia (1989).

papeT PAsyon (puppet passiOn play, 1985), with music by profEssor RodoLfo De leoN, hAs beeN Staged AnnUalLy since 1985, And tranSLatEs THE fiLipino tradition of rEcITInG the deatH and reSUrReCTion of JeSuS inTo a pUPPet veRsioN FoR childreN.

Later YEaRs

the 1991 MounT PInatubO eRupTioN whicH DevaStated Numerous ProviNCes in the PhilipPInes highly infLUeNCEd bOnifAciO's craft. ThroUgh tHE UniVersITy Of tHE PhilIppinEs cOlLEge of Medicine's advicE, tHe TeatRong MUlat showed PinAtubo's trauMATIzed chilDren THeIR plays to help thE chilDren in copiNG up with tHe horRors causEd by the seCONd most poWerFul VolCanIC ErUption in the 20th CENturY. IN the nexT feW years, tHe tHeaTer ComPaNy performEd in 30 refuGeE oR rElOcaTion sITes in PamPaNga AnD ZaMbaleS. each siTe wouLd haVe ApPRoxImately 100 CHiLDRen.

BOnIfAcio'S thEaTre coMpanY PreSented SIta & Rama: PaPet rAmayAnA iN 2004 which iNterpreted the inDian epic RaMaYanA throuGH Shadow anD rod puppetry with music by jOey AyalA anD CyntHia ALexander aNd dIrecteD by THe BoniFacio's DaughTeR, AmIHAn BonIFAcIo-RAmOlete.

In 2006, a hoUSE neAr the unIverSity of tHe Philippines, which SErvEd as Mulat's 100-seaT baSe, waS REbUilT AnD ReoPeNEd aS THe Amelia Lapeña-BOnifacio TeAtRO PApet Museo (PUPpeT MUseum) thRough goVernmENt fundiNg and granTs from forMeR preSIDenTs Fidel V. RaMos and JoSeph E. EstrADa.

The MOsT memoRabLe celeBrAtiOn of hEr work OCcuRred iN BangkOk, thailaNd, in 2009 aT tHe InternAtional Puppetry Festival Under tHe ausPicEs of the UN
 The first lady, unknowing  of the An g Pag huh uko mplay  atthe time, task e d th e Cultural Center of t he Ph il i ppin e sto fu nd Boni f ac i o 'sth ea tre  c o mp any.Tea trong M ulat after war ds  performed d o ze ns of show s i n various co unt ries.Bo nif a cio's  th eatre  compa n y wasinvited t ot he Int e rnation a l  W orks hop On Living Chi l dr e n’s Theatre in  Asia(1 9 78 ) ,  wh ere  performan ce s ine ighteen si t e s  in Japan gainedmedia atten t ion . At t he  In t ernati onalPu p pet  Festival i n Ta shkent, f ormerU SSR (19 7 9), Mul at pre mie red  The Tr ia l t oa ccl a im . I n  19 80, with  T ok yo-ba sedO h a n ashi  Ca rava n, Mu lat toured Me tro  Man i laand p rovin ces,  a nd th e grou p par ti cipated in Inte rnat ional Wor ksh op s O nLivin g  Child ren ’sTheatre  in the Phi li p p i ne s (1983), Malaysia  ( 1 9 85 ), Thail and (1 9 87 ), and Indo ne sia  (19 8 9 ).

P apet Pa syon (Pu ppet P a ss io n Play,  1 985),wi thmus ic by Prof essorRodolfode Le o n, has been st a ged annuallys in c e  1 9 85,and  translates  the Fili pino tr adi t ion o f rec it i ng the death and resur re ctionof Je sus into a pu ppet versi o n for chil dren . 
L ater years

Th e 199 1 Mount Pi n atubo er uptio n whichdevastate d numerous  pr ovi nce s i n th e Philippines h ighl yinfluen ced  Bonifa cio 'scra ft.  T hrough th e Univer si ty  o fthe  Phil i ppines C ol leg eofMedic i ne's a dvice , th eTe a tro ng Mula t  s h o wedPi na tubo 'str aumat ized chi ldren t heir play s t o  hel pth e child ren in coping  u p with the  h orr ors ca u s ed by th e second most powerfulv olcanic  er uptio n in  the 20th  ce ntury.  In the ne xt few  year s,  th e theat e r  c omp an y performe d in30 re fu geeor relo cation sites in Pa m pan ga and Zambal es.  Eac h si tew ou l d h av e  ap p r oximately 100 c hildren.
Bo n if acio's the a tre  c ompanypresent ed Si t a & Ram a: PapetRamayanain  200 4 whi ch interpr eted the  Indian e p ic Ra m ay ana t hro ugh sh ad owand r od pup p etr y wit h musi cby Joe y Aya la  and Cyn thia Alexander and dire cted b y the  Bo nifacio's  da u ght er, Amiha n Bo nifacio-Ra mol ete .

In  20 0 6, ahous e  n ear the U nive r sity of t h ePhi l i pp ines, which s e rve d asMul a t's 10 0-se at base, was rebu i lt and reopene d as t heAme l ia L ap eña-BonifacioTea tr o Papet Mu se o (Puppet M useum) t hr o ugh g overnm ent fu nding a n d  g r ants f romfor mer presi den ts Fidel V .Ra m os and  Jos ep h E. E strada . 

Th e most memorable c elebr a t ion o f  he r wor koccurre d  inBangkok, T hailand, in  2009at t he In ternati on al Pup pet ry  Festivalu nder theauspi ces ofth e UN 
 The_first lady,_unknowing of the Ang_Paghuhukom play_at_the time,_tasked_the Cultural Center_of the Philippines_to fund Bonifacio's theatre_company. Teatrong Mulat_afterwards_performed dozens of shows in various countries. Bonifacio's theatre company was invited to the_International_Workshop On_Living_Children’s_Theatre in Asia (1978), where_performances in eighteen sites in_Japan gained_media attention. At the International Puppet Festival in_Tashkent,_former USSR (1979),_Mulat premiered The Trial to acclaim. In 1980, with_Tokyo-based Ohanashi Caravan, Mulat toured Metro_Manila and provinces,_and_the_group participated in International_Workshops On Living Children’s Theatre in_the Philippines (1983), Malaysia (1985), Thailand_(1987), and Indonesia (1989).

Papet Pasyon (Puppet Passion_Play, 1985), with music by Professor_Rodolfo de Leon, has been_staged annually_since 1985, and translates the_Filipino tradition of_reciting the_death and resurrection_of Jesus into a puppet version_for children.

Later years

The_1991 Mount Pinatubo eruption which devastated_numerous_provinces in the_Philippines_highly_influenced Bonifacio's_craft. Through the_University_of the_Philippines_College of Medicine's advice, the Teatrong_Mulat_showed Pinatubo's traumatized children their plays to_help the children in_coping_up with the horrors_caused by the second most_powerful volcanic eruption in the 20th_century. In_the next_few years, the theater company performed in 30 refugee or relocation_sites in Pampanga and Zambales. Each_site would have approximately_100 children.

Bonifacio's_theatre_company presented Sita_&_Rama: Papet_Ramayana in 2004 which interpreted the Indian_epic Ramayana_through shadow and rod puppetry with_music by Joey Ayala_and_Cynthia Alexander and directed by the_Bonifacio's daughter, Amihan Bonifacio-Ramolete.

In 2006, a_house near the University of_the_Philippines,_which served as Mulat's 100-seat_base, was rebuilt and reopened as_the Amelia Lapeña-Bonifacio_Teatro Papet Museo (Puppet Museum) through government_funding_and grants from former presidents Fidel_V._Ramos and Joseph E. Estrada.

The most_memorable_celebration_of her work occurred in_Bangkok, Thailand, in 2009 at the_International Puppetry Festival under the auspices of the UN