 provides an interesting discographical survey of recordings of the concerto in Gramophone magazine. Due to his extremely lengthy recording career, Julian Bream had ample room to record Joaquín Rodrigo's "Concierto de Aranjuez" five times. Four of those recordings appeared on record albums and one was recorded on film for the final segment of the film series ¡Guitarra! A Musical Journey Through Spain. Each time Julian Bream used a different combination of orchestra and conductor.

Until asked to perform and interpret Concierto de Aranjuez in 1991, the Spanish flamenco guitarist Paco de Lucía was not proficient at reading musical notation, and José María Gallardo Del Rey advised and directed him musically.  De Lucía claimed in Paco de Lucía-Light and Shade: A Portrait that he gave greater emphasis to rhythmical accuracy in his interpretation of the Concierto at the expense of the perfect tone preferred by classical guitarists. Composer Joaquín Rodrigo later declared that no one had ever played his composition in such a brilliant manner.

At the request of Nicanor Zabaleta, Rodrigo transcribed the Concierto for harp and orchestra in 1974.

A number of musicians have since reinterpreted the work, usually the second movement, perhaps most famously jazz musician Miles Davis in the company of arranger Gil Evans. On the album Sketches of Spain (1960), Davis says: "That melody is so strong that the softer you play it, the stronger it gets, and the stronger you play it, the weaker it gets."

Deep Purple played "The Orange Juice Song" (David Coverdale and Jon Lord) on the sessions of the 1975 Come Taste the Band album, which is based around the famous second movement. It appears on the collection Days May Come and Days May Go.
Pre-eminent classical guitarist John Williams has recorded the Concierto numerous times, including on his CD and video "The Seville Concert" (1993; expanded 2003).
Violinist Ikuko Kawai's version, "Aranjuez", is an upbeat, faster update to the work.
Clarinettist Jean-Christian Michel's transcription of "Aranjuez" has sold some 1,500,000 copies.
Guitarist Buckethead covered "Sketches of Spain" on his album Electric Tears as a tribute to Miles Davis.
provides an interesting discographical survey of recordings of the concerto in Gramophone magazine. Due to his highly drawn-out recording career, Julian Bream own ample room to read Joaquín Rodrigo's " Concierto de Aranjuez " five time. Four of those recordings appeared on criminal record album and one was recorded on movie for the concluding segment of the film series ¡ Guitarra! A melodious Journey Through Spain. Each time Julian Bream used a unlike combination of orchestra and conductor. 

 Until asked to perform and interpret Concierto de Aranjuez in 1991, the Spanish flamenco guitarist Paco de Lucía was not proficient at reading musical notation, and José María Gallardo Del Rey rede and directed him musically.   De Lucía claimed in Paco de Lucía - Light and Shade: A Portrait that he give greater emphasis to rhythmical accuracy in his interpretation of the Concierto at the expense of the perfect timbre preferred by classical guitarists. Composer Joaquín Rodrigo later declared that no one had always played his composition in such a brilliant manner. 

 At the request of Nicanor Zabaleta, Rodrigo transcribed the Concierto for harp and orchestra in 1974. 

 A number of musician have since reinterpreted the work, usually the second movement, perhaps most famously jazz musician Miles Davis in the company of arranger Gil Evans. On the album Sketches of Spain (1960), Davis say: " That melody is so impregnable that the soft you play it, the stronger it get, and the stronger you play it, the weaker it catch. " 

 Deep Purple played " The Orange Juice Song " (David Coverdale and Jon Lord) on the sessions of the 1975 Come Taste the Band album, which is based around the famous second movement. It appears on the collection Days May Come and Days May blend. 
 Pre - eminent classical guitarist John Williams has commemorate the Concierto numerous times, including on his CD and video " The Seville Concert " (1993; expanded 2003). 
 Violinist Ikuko Kawai's interpretation, " Aranjuez ", is an upbeat, faster update to the work. 
 Clarinettist Jean - Christian Michel's arrangement of " Aranjuez " has sold some 1,500,000 copies. 
 Guitarist Buckethead covered " Sketches of Spain " on his album Electric Tears as a protection to Miles Davis.
 prlvides an interesting dircographical sutvwy of cecordihgs of tfe concerto in Gramophone majazibe. Dut to his extremely uengthy rvcording xaretr, Julian Bream hes ample room fl reeocd Joaquín Rodrino's "Concierdo de Aranjuez" fkvz times. Four of those recordings appqared om gecord albums wnd pge wzs recorded on film for the final aegment of the film xeries ¡Guitarra! A Musical Uourjey Through Spain. Fach time Jomiag Bream used x differenu eombination of orchestra and conductor.

Untiu askzd to perfotm ajg interpret Concperto de Aranmlez in 1991, the Spsnish flamenco gumtarust Paco de Lucía was iot proficient at rewding mushccl notation, and José Mqríq Galnardm Deu Reh asvmses and firxcted him mhsically.  Dw Lucía claimed in Pscj de Lucía-Light and Sraqe: A Portrait that he gave greater emphdsia to rhythmical accuract in his interpretatiln of the Concierto at the expense of the perfect tone prexerrev cy eoassizql guitarists. Composer Joaquín Rodrigo later decjzrtd nhat no one had eyer played his comlodiyyon in such a brillnznf manner.

At the reqkest of Nicabor Zabaltta, Rpdrigo transcribed the Concuerto for hagp abd orchestra in 1974.

A uumber of muricisns hsve since reinterpreted the work, usualpy the sedund movement, perfapx kost famously jazz musiciag Miles Devis nn the cumpamy of wrranger Gll Evans. On the album Skftched mf Spain (1960), Favis says: "That melody is so stcpng that the smftvr you plcy it, bhe stronger it gets, and the xtrongex you olay it, thv weaker mt gets."

Deep [urple played "Jhe Orange Jumce Song" (Qavie Cocerdale xnd Jon Lord) om the sessions of tye 1975 Come Taste the Bavs album, which iw bqsed around the faoouf derond imvement. It a[peafs um the collecunon Aays May Come and Days Mdy Gk.
Pre-eminent classivaj guitarust John Williams has recorded the Conclerto nuoeroux tymes, including on his CD and vjdeo "The Devllle Concert" (1993; expqnded 2003).
Violinnst Ikuko Kawai's version, "Aranjuez", is an npbeat, faster update to the work.
Clarinettixu Jean-Christien Micrel's tranvcription of "Aranjuez" has sold some 1,500,000 gopies.
Guitarist Bucketgead cmveref "Sketches of Spain" on his album Electric Tears as a tribute to Miles Davus.
provides an interesting discographical survey of recordings concerto Gramophone magazine. to his extremely had room to record Rodrigo's "Concierto de five times. Four of those recordings on record albums and one was recorded on film for the final segment the film series ¡Guitarra! A Musical Journey Through Spain. Each time Julian Bream a combination orchestra conductor. Until asked to perform and interpret Concierto de Aranjuez in 1991, the Spanish flamenco guitarist de Lucía was not proficient at reading musical and José María Gallardo Rey advised and directed him De claimed in de and A Portrait that gave greater emphasis to rhythmical accuracy in his interpretation of the Concierto at the expense of the tone preferred guitarists. Composer Rodrigo declared no one had his composition in such a brilliant request of Nicanor Zabaleta, Rodrigo transcribed the Concierto harp and in 1974. A number of musicians since reinterpreted the work, usually the second movement, most famously jazz musician Miles Davis in the company of arranger Gil Evans. On the of Spain (1960), Davis "That melody is strong the you it, the it gets, and the stronger you play it, the weaker it Deep Purple played "The Orange Juice Song" (David Coverdale and on sessions of the Come Taste the Band which based around the famous It on May and May Go. Pre-eminent classical John Williams has recorded the numerous times, including on Seville Concert" (1993; expanded 2003). Violinist Ikuko Kawai's "Aranjuez", is an upbeat, faster update to work. Clarinettist Jean-Christian Michel's transcription of "Aranjuez" has sold some 1,500,000 copies. Buckethead covered Spain" on his album Electric Tears as a to Miles Davis.
 provides an interesting discOgraphical SurveY of RecOrDingS of tHe concerto in GrAMophOne magazine. Due to his extRemelY lENgthY ReCordiNg careeR, juLIAn BReAm Had AmPLe Room tO reCord JoaQuín RodrigO's "COnCierto de AranJUeZ" five times. fouR of those recoRdiNgs appEaRed ON recoRd aLbums And one WAs recoRded on filM fOR the fiNAl segmeNT Of The fIlm series ¡Guitarra! a muSIcal Journey ThrOugh SpAiN. eaCH TimE JuLian Bream uSeD a difFErent coMBiNATIon OF orchestra and Conductor.

UnTIl aSked to PeRfoRM and inTerprEt cOncIerto de AranJuez In 1991, the SpanIsh flaMEnco guiTArist PaCo de LuCía Was Not pROfIcIenT aT ReaDInG muSIcaL notatioN, aNd josé MAría gALLArdo del rey aDviseD and directed hIm mUsicALly.  de LucÍa claImed In paco dE Lucía-light AnD Shade: A Portrait That He gave greAteR eMphAsIs to rHYthmicAl aCcuRacy in hIs interPRetAtION Of The Concierto at the eXpENSe Of the perFect toNE pReFErred by cLaSsiCal gUITarisTs. CoMPoSer JoaquÍn RodrIGo LaTer declArEd that No One Had Ever pLAyed His comPosition In sucH A brilliant mannER.

At the request OF NICAnOR ZabAleTa, Rodrigo trAnscRIbed The CONcIerTO for hArp anD oRChEStra in 1974.

A number of musiCiAns havE sincE reinterpreteD the work, usUALLy the secOnd mOVeMEnt, perhaps most FamouSly jazz musICian MileS DaviS in the coMpany of arRANger Gil EVanS. On The AlbUM skEtches of Spain (1960), dAVis sAyS: "That meLodY is so stRonG thAt tHe sOfTer you plaY it, the stRoNgEr It GetS, and tHE strongeR yOu pLaY it, The weAKer it gEts."

DeEp PuRpLe PLayEd "The OrANgE jUice soNg" (daviD CoVeRdale And JON LoRd) on the Sessions oF thE 1975 come taStE the BanD album, which is BaSed around tHe FamOus secOND movemenT. It appears on the collectiON Days MaY CoMe and days may Go.
Pre-eMinEnt claSsiCAl guitArist JOhn WiLlIamS HAs recORDeD thE COncierto nuMERouS timeS, iNcluDing on hIs CD and video "The SevILle concert" (1993; expandEd 2003).
VIoliNISt ikuKO KAWai'S vERsiON, "aranjuez", is an upbEat, faster uPdATe To the work.
CLAriNeTtist JeAn-ChrisTian MIChel's trAnscriptiOn of "AranjUeZ" has SOLd sOme 1,500,000 copies.
GUitarist bucketheaD CoverED "SKetchEs oF Spain" On His Album electrIC TeArs as A tribuTe To MileS DaviS.
 provides an interesting d iscographi cal s urv eyof  rec ordi ngs of the con c erto  in Gramophone magazin e. Du et o hi s  e xtrem ely len g th y rec or di ngca r ee r, Ju lia n Bream  had ample  ro om  to record J o aq uín Rodrig o's  "ConciertodeAranju ez " f i ve ti mes . Fou r of t h ose re cordingsap p earedo n recor d al bums  and one was reco r de d  on film for t he fin al se g m ent  of  the filmse ries¡ Guitarr a !A M usi c al Journey Th rough Spain .  Ea ch tim eJul i an Bre am us ed a d ifferent co mbin ation oforches t ra andc onducto r.

Un til  as kedt ope rfo rm and in ter p ret  Concier to  d e Ara njue z i n  199 1,theSpani sh flamenco g uit aris t  Pa co de  Lucí a wa snot p rofici ent a treading musical  not ation, an d J os é M ar ía Ga l lardoDel  Re y advis ed andd ire ct e d hi m musically.  De L uc í a  c laimed i n Paco de  L u cía-Ligh tand  Sha d e : A P ortr a it  that he  gaveg re at er emph as is torh yth mic al ac c urac y in h is inter preta t ion of the Con c ierto at thee xp e n se of t heperfect ton e pr e ferr ed b y  c las s icalguita ri s ts .  Composer Joaquín R od rigo l aterdeclared that  no one ha d e ver play ed h i sc omposition insucha brillian t  manner. 

Atthe requ est of Ni c a nor Zaba let a,Rod rig o tr anscribed the C onci er to forhar p and o rch est rain19 74.

A nu mber ofmu si ci an s h ave s i nce rein te rpr et edthe w o rk, us ually  the  s ec o ndmovemen t ,p e rhap smo st f amo us ly ja zz m u sic ian Mil es Davisint he c om pa ny of a rranger Gil E va ns. On the  a lbu m Sket c h es of Sp ain (1960), Davis says: "That m elo dy is  sostrong th atthe so fte r  you p lay it , the  s tro n g er it g et s,an d the stro n g eryou p la y it , the w eaker it gets."

D e epPurple played  "T he O r a ng e J u ic e  So ng "  (D a v id Coverdale an d Jon Lord )o nthe sessio n s o fthe 197 5 ComeTaste the Ban d album,which isba seda r oun d the famo us secon d movemen t . Ita pp earsonthe co ll ect ion D ays Ma y  Co me an d Days  M ay Go. 
Pre- em inent cl assical guitarist JohnWillia ms ha s r ecorded t heC onc ierto num erou s times, i ncl udi ng on  hi s  CD a nd v i de o " T he Se vill e  Concert" (1 993 ; ex panded 2003 ) . Vio linis t I k uko Ka wai' s version, "Aranj u ez", is an upb eat, f ast eru pdat eto the work.
C lar in e t tist Jea n- Christian M ichel'str a nscri ptionof "Ar anjuez" h as sold s ome1,5 00,000 co pie s. Guitari st  B u ckethe ad c ov ered " Sketch e s of S pain" on his alb um El e c tricT ear s asatribute to M iles Davis .
 provides_an interesting_discographical survey of recordings_of the_concerto_in Gramophone_magazine._Due to his_extremely lengthy recording_career, Julian Bream had_ample room to_record_Joaquín Rodrigo's "Concierto de Aranjuez" five times. Four of those recordings appeared on record_albums_and one_was_recorded_on film for the final_segment of the film series_¡Guitarra! A_Musical Journey Through Spain. Each time Julian Bream_used_a different combination_of orchestra and conductor.

Until asked to perform and interpret_Concierto de Aranjuez in 1991, the_Spanish flamenco guitarist_Paco_de_Lucía was not proficient_at reading musical notation, and José_María Gallardo Del Rey advised and_directed him musically.  De Lucía claimed_in Paco de Lucía-Light and Shade:_A Portrait that he gave_greater emphasis_to rhythmical accuracy in his_interpretation of the_Concierto at_the expense of_the perfect tone preferred by classical_guitarists. Composer Joaquín_Rodrigo later declared that no one_had_ever played his_composition_in_such a_brilliant manner.

At the_request_of Nicanor_Zabaleta,_Rodrigo transcribed the Concierto for harp_and_orchestra in 1974.

A number of musicians have_since reinterpreted the work,_usually_the second movement, perhaps_most famously jazz musician Miles_Davis in the company of arranger_Gil Evans._On the_album Sketches of Spain (1960), Davis says: "That melody is so_strong that the softer you play_it, the stronger it_gets, and_the_stronger you play_it,_the weaker_it gets."

Deep Purple played "The Orange Juice_Song" (David_Coverdale and Jon Lord) on the_sessions of the 1975_Come_Taste the Band album, which is_based around the famous second movement._It appears on the collection_Days_May_Come and Days May Go.
Pre-eminent_classical guitarist John Williams has recorded_the Concierto numerous_times, including on his CD and video_"The_Seville Concert" (1993; expanded 2003).
Violinist Ikuko_Kawai's_version, "Aranjuez", is an upbeat, faster_update_to_the work.
Clarinettist Jean-Christian Michel's transcription_of "Aranjuez" has sold some 1,500,000_copies.
Guitarist Buckethead covered "Sketches of Spain" on his album_Electric Tears as_a tribute to Miles Davis.