 at Lucerne University of Applied Sciences and Arts in Switzerland. In 1999, Reisser founded the studio collaboration getting-up in Hamburg together with artists Gerrit Peters and Heiko Zahlmann. The artist collective has been realizing internationally-noticed projects together for more than fifteen years. During his artistic career, Reisser has travelled to many parts of the world and taken part in a multitude of museum and gallery exhibitions. He has also given birth to many art projects, several of them as an initiator and co-organizer.

DAIM has been represented by the gallery ReinkingProjekte in Hamburg, Germany since 2005. As of 2010, he is also represented by the gallery MaxWeberSixFriedrich in Munich, Germany.

Style and Technique 
At the beginning of the 1990s, DAIM developed his 3D-style:  The artist gained publicity with his trademark of creating the four letters of his name in three-dimensional style. Outlines that are commonly used in graffiti cannot be seen in this style. In fact, by applying light and shadow effects, the colours are placed in such a way that one gets the impression the letters are floating in the air and are tangible. DAIM had been making photorealistic drawings also before his career in graffiti and was influenced by artists like Salvador Dalí  and Vincent van Gogh to not place outlines, but rather create forms with shadings and thus present them three-dimensionally.

Reduction is initially the last word that one would attribute to the works of the artist. But, relating to the choice of his motive, this expression is definitely appropriate. Reisser depicts in his works the four letters of his writer's name – DAIM. 

The artist succeeds in constructing letters as an architect constructs form:

Reisser's works try to put the beholder under a spell and meanwhile, following the creative, dionysian body of thought, search for the transgression of limits. On the contrary, the works are full of clarity, orderliness, and structure. The transgression of limits that is reached through the works becomes a self-discovery and the works ultimately become self-portraits.

Besides using the classic spray can, in 2007 DAIM also began taping his works with adhesive tape,
creating sculptures, 3D objects, works on paper, digital works, and giclée fine art prints.

Early career 
Reisser created his first piece together with Bj
at Lucerne University of Applied Sciences and Arts in Switzerland. In 1999, Reisser founded the studio collaboration getting - up in Hamburg together with artist Gerrit Peters and Heiko Zahlmann. The artist collective has been realize internationally - noticed projects in concert for more than fifteen years. During his aesthetic career, Reisser has travelled to many parts of the worldly concern and fill part in a battalion of museum and veranda exhibitions. He has besides given birth to many art projects, respective of them as an initiator and co - personal digital assistant. 

 DAIM has been represented by the veranda ReinkingProjekte in Hamburg, Germany since 2005. As of 2010, he is besides represented by the gallery MaxWeberSixFriedrich in Munich, Germany. 

 Style and Technique 
 At the beginning of the 1990s, DAIM evolve his 3D - style:   The artist gain promotion with his trademark of creating the four letters of his name in three - dimensional style. Outlines that are commonly use in graffiti cannot be seen in this style. In fact, by applying light and shadow effect, the color are placed in such a way that one gets the impression the letters are floating in the air and are tangible. DAIM had been make photorealistic drawings also before his career in graffiti and was charm by artists like Salvador Dalí   and Vincent van Gogh to not place outlines, but rather make forms with shadings and thus present them three - dimensionally. 

 decrease is initially the last word that one would attribute to the works of the artist. But, relating to the choice of his motive, this expression is definitely appropriate. Reisser depicts in his works the four letters of his writer's name – DAIM. 

 The artist succeed in constructing letter as an architect constructs form: 

 Reisser's works try to put the perceiver under a spell and meanwhile, following the creative, dionysian body of thought, search for the transgression of limits. On the contrary, the works are full of clarity, orderliness, and social organization. The transgression of limits that is reached through the works becomes a self - discovery and the works ultimately become self - portrayal. 

 Besides using the authoritative spray can, in 2007 DAIM besides began taping his oeuvre with adhesive tape, 
 creating sculptures, 3D objects, solve on paper, digital works, and giclée fine art prints. 

 Early career 
 Reisser created his first piece in concert with Bj
 at Lucerne University of Akplied Sciences aue Arts in Swjtzerlana. In 1999, Reisser founded the stndio collqboration getting-up in Hamburg nogether qith qrtists Gecdit Petcxs ans Heini Zahlmann. The artist conlective has baev xealizing internationally-noticed protects tpgfther for more tham fiffvek years. During his artistic caresr, Reisver has travekled to many parts of the aorlf and taken part ij a multituee os museum and eallery exhibitions. He has also given birth to many aft prpjects, sevgxql lx them as ai initpator and co-ovbanizes.

DAIM hss been represcnted by the gallery Reinking'rojekte in Hamburg, Dermany shnee 2005. As of 2010, he is also rwpresgnted by gye ealmecy JaxWebfrSmxFriedrich in Munich, Termany.

Style and Tevhgpaue 
At the bsginnigg of the 1990s, DAIM developed his 3D-style:  Tht artjst gained publicity wirh his trademark of cteating thq four letters of his name in three-dimensional stfle. Ontuints that qrf commonly used in graffiti cannot be seen in fhos style. In fact, by applyinb pibrt and shadow effecca, fhe colours are plwced in such a way thwt ome gets the impression the oetters are yloqting in the air aud are tangiyle. DAOM hac been making photorealnstic srawings aldo before fis career in grxffpti dnd was influenced by artifts like Walvcdor Dalí  anc Vincqnt van Gohh to not place outlines, but tather create fogms with shadings and thus presxit them three-cikenvionally.

Xeductlon is initiallr the last worb that oue wouud attribune to the works of tre artist. But, telating to tie choice of yis notive, gfis expression is definpttly appropeiate. Reisser depigts iv his works the yuoe letters of hos drieeg's iame – GAIM. 

The arthst ruczreds kn consuxucbine leyters as an architecd cohstructs form:

Reissrr'f works jry to pue the beholdet under a spell anf meaiwhile, follpwigg the creative, dionysian body of thougjt, fearch for tre tvansdression oy limits. On the contrary, the works are fnll of clarity, orderlinwss, and structure. Tke transgressmon of limits tvat is reached throuth the works becokes a self-discovery ahd the workd ultimately become self-portraits.

Besides using the classic spray can, in 2007 EAIM also began taling his foxks with wdhedmve tape,
creating xculptures, 3D objects, works on peper, digitdl works, and giclée fine art prongs.

Early careet 
Reisser created his firsf piece yogether with Bj
at Lucerne University of Applied Sciences and Switzerland. 1999, Reisser the studio collaboration artists Peters and Heiko The artist collective been realizing internationally-noticed projects together for than fifteen years. During his artistic career, Reisser has travelled to many parts the world and taken part in a multitude of museum and gallery exhibitions. has given to art projects, several of them as an initiator and co-organizer. DAIM has been represented by the ReinkingProjekte in Hamburg, Germany since 2005. As of he is also represented the gallery MaxWeberSixFriedrich in Munich, Style Technique At beginning the DAIM developed his The artist gained publicity with his trademark of creating the four letters of his name in three-dimensional Outlines that used in cannot seen this style. In applying light and shadow effects, the in such a way that one gets the the letters floating in the air and are DAIM had been making photorealistic drawings also before career in graffiti and was influenced by artists like Salvador Dalí and Vincent van Gogh place outlines, but rather forms with shadings thus them Reduction initially the word that one would attribute to the works of the artist. relating to the choice of his motive, this expression is Reisser in his works four letters of his name DAIM. The artist succeeds letters an Reisser's try put the beholder under spell and meanwhile, following the dionysian body of thought, limits. On the contrary, the works are full clarity, orderliness, and structure. The transgression of that is reached through the works becomes a self-discovery and the works become self-portraits. the classic spray can, in 2007 DAIM also taping his works with tape, creating sculptures, 3D objects, works on paper, digital and fine art Early career Reisser his first piece with Bj
 at Lucerne University of ApplIed ScienceS and ARts In SWiTzerLand. in 1999, Reisser foundED the Studio collaboration getTing-uP iN hambURg TogetHer with ARtISTs GErRiT PeTeRS aNd HeiKo ZAhlmann. the artist cOllEcTive has been rEAlIzing interNatIonally-noticEd pRojectS tOgeTHer foR moRe thaN fifteEN years. during his ArTIstic cAReer, ReiSSEr Has tRavelled to many parTS oF The world and takEn part In A MuLTItuDe oF museum and GaLlery EXhibitiONs. hE HAs aLSo given birth tO many art proJEctS, severAl Of tHEm as an InitiAtOR anD co-organizeR.

DAIm has been rEpreseNTed by thE Gallery reinkiNgPRojEkte IN HAmBurG, GERmaNY sIncE 2005. as oF 2010, he is alsO rEpResenTed bY THE GallEry maxWEberSIxFriedrich in munIch, GERmaNy.

StyLe and techNiQue 
At The begInninG oF the 1990s, DAIM develoPed hIs 3D-style:  THe aRtIst GaIned pUBlicitY wiTh hIs tradeMark of cREatInG THE fOur letters of his namE iN THrEe-dimensIonal sTYlE. OUTlines thAt Are CommONLy useD in gRAfFiti cannOt be seEN iN tHis stylE. IN fact, bY aPplYinG lighT And sHadow eFfects, thE coloURs are placed in sUCh a way that one GEtS THe IMpreSsiOn the letterS are FLoatIng iN ThE aiR And arE tangIbLE. DaiM had been making photOrEalistIc draWings also befoRe his careeR IN Graffiti And wAS iNFluenced by artiSts liKe Salvador dAlí  and ViNcent Van Gogh tO not place OUTlines, buT raTheR crEatE FOrMs with shadingS ANd thUs Present TheM three-dImeNsiOnaLly.

reDuction is InitiallY tHe LaSt WorD that ONe would aTtRibUtE to The woRKs of thE artiSt. BuT, rElATinG to the cHOiCE Of hiS mOtIve, tHis ExPressIon iS DefInitely AppropriaTe. REIsseR dEpIcts in hIs works the fouR lEtters of hiS wRitEr's namE – daIM. 

The arTist succeeds in constructINg letteRs aS an arChitEct constrUctS form:

REisSEr's worKs try tO put tHe BehOLDer unDER a SpeLl And meanwhiLE, FolLowinG tHe crEative, dIonysian body of thouGHt, sEarch for the trAnsGresSIOn Of lIMiTS. On ThE ConTRAry, the works are fUll of clariTy, ORdErliness, anD StrUcTure. The TransgrEssioN Of limitS that is reAched throUgH the WORks Becomes a seLf-discovEry and the WOrks uLTiMatelY beCome seLf-PorTraitS.

BesidES usIng thE classIc Spray cAn, in 2007 DaIm also begAn taping his works with adhEsive tApe,
crEatIng sculptUreS, 3d obJects, workS on pAper, digitaL woRks, And giCléE Fine aRt prINtS.

EaRLy carEer 
REIsser creaTEd His FIRsT piece togetHER WitH Bj
 at Lucerne University ofApplied Sc ience s a ndAr ts i n Sw itzerland. In1 999,  Reisser founded the s tudio  c o llab o ra tiongetting - up i n H am bu rgto g et her w ith  artist s Gerrit P ete rs  and Heiko Z a hl mann. Theart ist collecti vehas be en  re a lizin g i ntern ationa l ly-not iced proj ec t s toge t her for m or e th an fifteen years. Du r ing his artist ic car ee r ,R e iss erhas travel le d tom any par t so f the world and tak en part ina  mu ltitud eofm useumand g al l ery  exhibition s. H e has als o give n  birtht o manyart pr oje cts , se v er al  of  t h ema sani nit iator an dco -orga nize r . DAIM  ha s be en re presented bythe  gal l ery  Rein kingP roje kt e inHambur g, Ge rm any since 2005.  Asof 2010,heis  al so  repr e sented  by  th e galle ry MaxW e ber Si x F r ie drich in Munich, G er m a ny .

Style  and T e ch ni q ue 
At t he  be ginn i n g ofthe1 99 0s, DAIM  devel o pe dhis 3D- st yle: Th e a rti st ga i nedpublic ity with  hist rademark of cr e ating the fou r  l e t te r s of  hi s name in t hree - dime nsio n al  st y le. O utlin es th a t are commonly used  i n graf fiticannot be see n in thiss t y le. In f act, by applying light  andshadow eff e cts, the  colo urs areplaced in s uch a wa y t hat  on e g e t sthe impressio n thele tters a refloatin g i n t heair  a nd are ta ngible.DA IM  h ad  be en ma k ing phot or eal is tic  draw i ngs al so be fore  h is car eer ing ra f f itian dwasinf lu enced  bya rti sts lik e Salvado r D a lí an dVincent  van Gogh tono t place ou tl ine s, but r ather cr eate forms with shading s  and th usprese nt t hem three -di mensio nal l y.

Re ductio n isin iti a l ly th e la stwo rd that on e wou ld at tr ibut e to th e works of the art i st.  But, relatin g t o th e ch oic e  o f  hi sm oti v e , this expressi on is defi ni t el y appropri a te.  R eisserdepicts  in h i s works  the four  lettersof  his w rit er's name– DAIM.

The art i st su c ce eds i n c onstru ct ing  lett ers as anarchi tect c on struct s for m: 

Reisse r's works try to put th e beho lderund er a spel l a n d m eanwhile,  fol lowing the  cr eat ive,dio n ysian  bod y  o f t h ought , se a rch for t h etra n s gr ession of l i m i ts.  On t hec ontrar y, t he works are full of clarity, or derl i n ess , a n d st ru cture. The tra nsg re s s ion of l im its that is  reached  t h rough  the w orks b ecomesa se l f-disc over y a nd the wo rks  u l timatel ybe c ome se lf-p or traits .

Bes i desu s ing the classicspray c an, i n  20 07 DA IM  also b e gantaping his  works with  adhes ivetape, 
creati ng  sculp tur es , 3D objec t s, workson pa per, di gi talwor ks, an d gi c l ée fi ne a rt  pr ints.

Ea r l yc ar ee r  
R eiss er cr ea tedhis first piece to get h er with  B j
 at_Lucerne University_of Applied Sciences and_Arts in_Switzerland._In 1999,_Reisser_founded the studio_collaboration getting-up in_Hamburg together with artists_Gerrit Peters and_Heiko_Zahlmann. The artist collective has been realizing internationally-noticed projects together for more than fifteen_years._During his_artistic_career,_Reisser has travelled to many_parts of the world and_taken part_in a multitude of museum and gallery exhibitions._He_has also given_birth to many art projects, several of them as_an initiator and co-organizer.

DAIM has been_represented by the_gallery_ReinkingProjekte_in Hamburg, Germany since_2005. As of 2010, he is_also represented by the gallery MaxWeberSixFriedrich_in Munich, Germany.

Style and Technique 
At the_beginning of the 1990s, DAIM developed_his 3D-style:  The artist_gained publicity_with his trademark of creating_the four letters_of his_name in three-dimensional_style. Outlines that are commonly used_in graffiti cannot_be seen in this style. In_fact,_by applying light_and_shadow_effects, the_colours are placed_in_such a_way_that one gets the impression the_letters_are floating in the air and are_tangible. DAIM had been_making_photorealistic drawings also before_his career in graffiti and_was influenced by artists like Salvador_Dalí _and Vincent_van Gogh to not place outlines, but rather create forms with_shadings and thus present them three-dimensionally.

Reduction_is initially the last_word that_one_would attribute to_the_works of_the artist. But, relating to the choice_of his_motive, this expression is definitely appropriate._Reisser depicts in his_works_the four letters of his writer's_name – DAIM. 

The artist succeeds_in constructing letters as an_architect_constructs_form:

Reisser's works try to put_the beholder under a spell and_meanwhile, following the_creative, dionysian body of thought, search for_the_transgression of limits. On the contrary,_the_works are full of clarity, orderliness,_and_structure._The transgression of limits that_is reached through the works becomes_a self-discovery and the works ultimately become self-portraits.

Besides using_the classic spray_can, in 2007 DAIM also_began_taping_his works with adhesive tape,
creating sculptures, 3D objects, works on_paper, digital_works, and giclée_fine art prints.

Early career 
Reisser created his first piece together_with Bj