 de Gener"; "Cançó d'amor"; "Cançoneta"; "La boira".
Goyescas (1911), suite for piano, subtitled "Los majos enamorados". It consists of six pieces in two books. Movements are: Book 1: "Los requiebros"; "Coloquio en la reja"; "El fandango de candil"; "Quejas o La maja y el ruiseñor"; Book 2: "El amor y la muerte"; "Epílogo (Serenata del espectro)". "El pelele", although not published as part of the Goyescas, is usually appended to it. In performance it is played as the seventh and last piece. It is based on the music of the opening scene of Granados's opera Goyescas, in which a "pelele" is being tossed in the air by the "majas".
Bocetos (1912) which contains: "Despertar del cazador"; "El hada y el niño"; "Vals muy lento"; "La campana de la tarde".
Colección de canciones amatorias (1915) for voice and piano. Titles of individual songs in the collection are:  "Descúbrase el pensamiento de mi secreto cuidado"; "Mañanica era"; "Llorad, corazón, que tenéis razón 'Lloraba la niña'"; "Mira que soy niña"; "No lloréis, ojuelos"; "Iban al pinar 'Serranas de Cuenca'"; "Gracia mía".
Goyescas, opera, 1916
6 Estudios expresivos
6 Piezas sobre cantos populares españoles, which include: "Añoranza"; "Ecos de la parranda"; "Vascongada"; "Marcha oriental"; "Zambra"; "Zapateado"
Madrigal, for cello and piano
8 Valses Poéticos, for piano, including No 6 "Vals Poético"
Trío, for piano, violin, and cello
"Military March", for piano, Op.38

Media

References

Notes

Sources and further reading 

de Gener "; " Cançó d'amor "; " Cançoneta "; " La boira ". 
 Goyescas (1911), suite for piano, subtitled " Los majos enamorados ". It consists of six pieces in two record. movement are: Book 1: " Los requiebros "; " Coloquio en la reja "; " El fandango de candil "; " Quejas o La maja y el ruiseñor "; Book 2: " El amor y la muerte "; " Epílogo (Serenata del espectro) ". " El pelele ", although not published as function of the Goyescas, is usually appended to it. In operation it is played as the seventh and last piece. It is establish on the music of the opening scene of Granados's opera Goyescas, in which a " pelele " is being convulse in the air by the " majas ". 
 Bocetos (1912) which check: " Despertar del cazador "; " El hada y el niño "; " Vals muy lento "; " La campana de la tarde ". 
 Colección de canciones amatorias (1915) for part and piano. Titles of individual songs in the collection are:   " Descúbrase el pensamiento de mi secreto cuidado "; " Mañanica era "; " Llorad, corazón, que tenéis razón' Lloraba la niña' "; " Mira que soy niña "; " No lloréis, ojuelos "; " Iban al pinar' Serranas de Cuenca' "; " Gracia mía ". 
 Goyescas, opera, 1916 
 6 Estudios expresivos 
 6 Piezas sobre canto populares españoles, which include: " Añoranza "; " Ecos de la parranda "; " Vascongada "; " Marcha oriental "; " Zambra "; " Zapateado " 
 Madrigal, for cello and piano 
 8 Valses Poéticos, for piano, including No 6 " Vals Poético " 
 Trío, for piano, violin, and cello 
 " Military March ", for piano, Op.38 

 Media 

 References 

 Notes 

 Sources and far reading
 de Gener"; "Cançó d'amor"; "Cançonetx"; "La boira".
Goyeseqs (1911), sumte for piano, sjbtitled "Los majos enamoradod". Ut cobsists of six pieces iv two boons. Movemwnts qre: Book 1: "Los requlzbros"; "Goloqbii en la reja"; "Ek fandango de candil"; "Quebar l La maja y el ruiseñor"; Book 2: "El amow y la kufrte"; "Epílogo (Setenats del vskectro)". "El pelele", although not pubmished es part of the Boyescas, is usually appendfd tl it. In performancf it is plaisd ww the seventf and last piece. It is based on the music of the openkng seene of Grabaeos'd opera Goyewcas, pn which a "pelele" is teing tpssed in the alr by thw "majas".
Bocetos (1912) which contains: "Despertat del cazagox"; "El hada y el niño"; "Vaos muy nentm"; "La xamoanz ve ma tarfe".
Cklección de canciones qmatorias (1915) for voict age piano. Titlea of igdyvidual songs in the collection are:  "Devcúbdase el pensamiento de ni secreto cuidado"; "Mañwnica era"; "Llorad, corazón, que tenéis razón 'Lloraba la niña'"; "Mira que auy ulñw"; "Bo lloréis, ojuelos"; "Iban al pinar 'Serranas de Cuegda'"; "Ggacia mía".
Goyescas, jpera, 1916
6 Estucils gxpresivos
6 Pieeas sobxs dantos populares edpañoles, whicy include: "Añorsnza"; "Ecos de la parranda"; "Vawcongada"; "Marbha iriental"; "Zambra"; "Za'ateado"
Madriyal, fot cellp and piano
8 Valses Poétieos, fod piano, incpuding No 6 "Vals Poético"
Trío, wor phano, violin, and cello
"Militwry March", for piano, Up.38

Mecia

Refqrences

Notfs

Souvwes and further rewding 

de Gener"; "Cançó d'amor"; "Cançoneta"; "La boira". suite piano, subtitled majos enamorados". It two Movements are: Book "Los requiebros"; "Coloquio la reja"; "El fandango de candil"; o La maja y el ruiseñor"; Book 2: "El amor y la muerte"; (Serenata del espectro)". "El pelele", although not published as part of the Goyescas, usually to In it is played as the seventh and last piece. It is based on the music of opening scene of Granados's opera Goyescas, in which "pelele" is being tossed the air by the "majas". (1912) contains: "Despertar cazador"; hada el niño"; "Vals lento"; "La campana de la tarde". Colección de canciones amatorias (1915) for voice and piano. Titles of songs in are: "Descúbrase pensamiento mi cuidado"; "Mañanica era"; que tenéis razón 'Lloraba la niña'"; niña"; "No lloréis, ojuelos"; "Iban al pinar 'Serranas Cuenca'"; "Gracia Goyescas, opera, 1916 6 Estudios expresivos Piezas sobre cantos populares españoles, which include: "Añoranza"; de la parranda"; "Vascongada"; "Marcha oriental"; "Zambra"; "Zapateado" Madrigal, for cello and piano 8 Valses piano, including No 6 Poético" Trío, for violin, cello March", piano, Op.38 References Notes Sources and further reading
 de Gener"; "Cançó d'amor"; "CançonetA"; "La boira".
GoYescaS (1911), suIte FoR piaNo, suBtitled "Los majoS EnamOrados". It consists of six pIeces In TWo boOKs. movemEnts are: bOoK 1: "lOs rEqUiEbrOs"; "cOlOquio En lA reja"; "El Fandango de CanDiL"; "Quejas o La maJA y El ruiseñor"; booK 2: "El amor y la muErtE"; "EpíloGo (serENata dEl eSpectRo)". "El peLEle", altHough not pUbLIshed aS Part of tHE goYescAs, is usually appendED tO It. In performancE it is pLaYEd AS The SevEnth and lasT pIece. IT Is based ON tHE MUsiC Of the opening sCene of GranaDOs's Opera GOyEscAS, in whiCh a "peLeLE" is Being tossed In thE air by the "Majas".
BOCetos (1912) whICh contaIns: "DesPerTar Del cAZaDoR"; "El HaDA y eL NiÑo"; "VALs mUy lento"; "LA cAmPana dE la tARDE".
coleCciÓn de CanciOnes amatorias (1915) For VoicE And Piano. titleS of iNdIviduAl songS in thE cOllection are:  "DesCúbrAse el pensAmiEnTo dE mI secrETo cuidAdo"; "mañAnica erA"; "Llorad, COraZóN, QUE tEnéis razón 'Lloraba lA nIÑA'"; "MIra que soY niña"; "NO LlOrÉIs, ojueloS"; "IBan Al piNAR 'SerrAnas DE CUenca'"; "GraCia mía".
gOyEsCas, operA, 1916
6 EStudioS eXprEsiVos
6 PiEZas sObre caNtos popuLares ESpañoles, which iNClude: "Añoranza"; "eCoS DE lA ParrAndA"; "Vascongada"; "marcHA oriEntaL"; "zaMbrA"; "zapatEado"
MAdRIgAL, for cello and piano
8 VaLsEs PoétIcos, fOr piano, includIng No 6 "Vals POÉTIco"
Trío, fOr piANo, VIolin, and cello
"MIlitaRy March", for PIano, Op.38

MeDia

ReFerences

notes

SourCES and furtHer ReaDinG 

 de Gener"; "Cançó d'amor" ; "Cançone ta";"La  bo ir a".Goye scas (1911), s u itefor piano, subtitled " Los m aj o s en a mo rados ". It c o ns i s tsof  s ixpi e ce s intwo  books.  Movements  ar e:  Book 1: "Lo s  r equiebros" ; " Coloquio enlareja";  " Elf andan gode ca ndil"; "Queja s o La ma ja y el r u iseñor" ; Bo ok 2 : "El amor y la m u er t e"; "Epílogo ( Serena ta de l esp ect ro)". "Elpe lele" ,  althou g hn o t  pu b lished as par t of the Go y esc as, is  u sua l ly app ended  t o  it . In perfor manc e it is p layeda s the s e venth a nd las t p iec e. I t  i sbas ed ont he  mu s icof the o pe ni ng sc eneo f G rana dos 's o peraGoyescas, inwhi ch a "pe lele"  is b eing  t ossed  in th e air  b y the "majas".Boce tos (1912 ) w hi chco ntain s : "Des per tar  del ca zador"; "El  h a d a  y  el niño"; "Vals m uy l en to"; "La  campa n ade la tarde ". 
Co lecc i ó n decanc i on es amato rias ( 1 91 5)  for vo ic e andpi ano . T itles of i ndivid ual song s int he collectiona re:  "Descúbr a se e lp ensa mie nto de mi s ecre t o cu idad o ";  "M a ñanic a era "; "L l orad, corazón, quete néis r azón'Lloraba la n iña'"; "Mi r a que soyniña " ;" No lloréis, oj uelos "; "Iban a l  pinar ' Serra nas de C uenca'";" G racia mí a". 
Go yes cas , op era, 1916
6 E s t udio sexpresi vos 
6 Piez assob recan to s popular es españ ol es ,wh ich  incl u de: "Año ra nza ";  "E cos d e  la pa rrand a";"V as c ong ada"; " M ar c h a or ie nt al";  "Z am bra";  "Za p ate ado"
Ma drigal, f orc ello  a nd  piano8 Valses Poét ic os, for pi an o,includ i n g No 6 " Vals Poético"
Trío, for piano,vio lin,andcello
"Mi lit ary Ma rch " , forpiano,  Op.3 8
Me d i a

Re f e re nce s
Notes

So u r ces  andfu rthe r readi ng 

 de_Gener"; "Cançó_d'amor"; "Cançoneta"; "La boira".
Goyescas_(1911), suite_for_piano, subtitled_"Los_majos enamorados". It_consists of six_pieces in two books._Movements are: Book_1:_"Los requiebros"; "Coloquio en la reja"; "El fandango de candil"; "Quejas o La maja_y_el ruiseñor";_Book_2:_"El amor y la muerte";_"Epílogo (Serenata del espectro)". "El_pelele", although_not published as part of the Goyescas, is_usually_appended to it._In performance it is played as the seventh and_last piece. It is based on_the music of_the_opening_scene of Granados's opera_Goyescas, in which a "pelele" is_being tossed in the air by_the "majas".
Bocetos (1912) which contains: "Despertar del_cazador"; "El hada y el niño";_"Vals muy lento"; "La campana_de la_tarde".
Colección de canciones amatorias (1915)_for voice and_piano. Titles_of individual songs_in the collection are:  "Descúbrase_el pensamiento de_mi secreto cuidado"; "Mañanica era"; "Llorad,_corazón,_que tenéis razón_'Lloraba_la_niña'"; "Mira_que soy niña";_"No_lloréis, ojuelos";_"Iban_al pinar 'Serranas de Cuenca'"; "Gracia_mía".
Goyescas,_opera, 1916
6 Estudios expresivos
6 Piezas sobre cantos_populares españoles, which include:_"Añoranza";_"Ecos de la parranda";_"Vascongada"; "Marcha oriental"; "Zambra"; "Zapateado"
Madrigal,_for cello and piano
8 Valses Poéticos,_for piano,_including No_6 "Vals Poético"
Trío, for piano, violin, and cello
"Military March", for piano,_Op.38

Media

References

Notes

Sources and further reading 
