query: Macro photography of the human eye
positive_passages.docid: 25899
positive_passages.text: How did Suren Manvelyan create the macro pictures of eyes?
negative_passages.docid: 24432
negative_passages.text: Create magnified call-out loupe effect on image
negative_passages.docid: 93638
negative_passages.text: How can I get the most possible depth of field out of close-up/macro shots?
negative_passages.docid: 38712
negative_passages.text: Diffraction by a lens
negative_passages.docid: 44637
negative_passages.text: What are the constructional differences between a macro and a regular lens?
negative_passages.docid: 6871
negative_passages.text: Is it possible to blur an image in such way that a person with sight problems could see it sharp?
negative_passages.docid: 113839
negative_passages.text: How can I visualize or simulate the effect of different focal lengths?
negative_passages.docid: 101342
negative_passages.text: Deep confusion with conventions and signs in geometric optics
negative_passages.docid: 73821
negative_passages.text: Understanding the coordinate system for ImageTake
negative_passages.docid: 32959
negative_passages.text: How can I get more of this macro photo in focus?
negative_passages.docid: 102852
negative_passages.text: Image palette reduction
negative_passages.docid: 102041
negative_passages.text: Pinpoint the area light to object
negative_passages.docid: 148161
negative_passages.text: Sharpness and bokeh comparison of Nikon 50mm f/1.2, f/1.4G and f/1.8G
negative_passages.docid: 10126
negative_passages.text: Perspective manipulation
negative_passages.docid: 1684
negative_passages.text: How to maximise contrast range of distant landscapes with blue haze?
negative_passages.docid: 79629
negative_passages.text: What would diffraction of a macroscopic object look like?
negative_passages.docid: 1256
negative_passages.text: Image sequence customizing