Painting and photography
What was the Danish Golden Age's art inspired by?
Denmark
Danish art Under Age's Song 1825 in Denmark Constantin Hansen Nicolai Abildgaard
Danish_art-Abstract Under_Age's_Song-Abstract 1825_in_Denmark-Undated Constantin_Hansen-Abstract Nicolai_Abildgaard-Works
Danish art goes back thousands of years with significant artifacts from the 2nd millennium BC, such as the Trundholm sun chariot. Art from modern Denmark forms part of the art of the Nordic Bronze Age, and then Norse and Viking art. Danish medieval painting is almost entirely known from church frescos such as those from the 16th-century artist known as the Elmelunde Master. Thereafter for an extended period art in Denmark was either imported from Germany and the Netherlands or Danish artists studied abroad and produced work that was seldom inspired by Denmark itself. From the late 18th century on, the situation changed radically and beginning with the Danish Golden Age, a distinct tradition of Danish art has continued to flourish until today. 
"Under Age's Song" is the second maxi single by Japanese group Dragon Ash, released in 1998. 
  The Copenhagen Art Society is founded by a circle of the most influential figures of the Danish art world during the Danish Golden Age.  
Carl Christian Constantin Hansen (Constantin Hansen) (3 November 1804 – 29 March 1880) was one of the painters associated with the Golden Age of Danish Painting. He was deeply interested in literature and mythology, and inspired by art historian Niels Lauritz Høyen, he tried to recreate a national historical painting based on Norse mythology. He painted also many altarpieces and portraits, including the historical The Constitutional Assembly ("Den grundlovgivende Rigsforsamling") between 1861-1865. 
Though Nicolai Abildgaard won immense fame in his own generation and helped lead the way to the period of art known as the Golden Age of Danish Painting, his works are scarcely known outside of Denmark. He was a cold theorist, inspired not by nature but by art. His style was classical, though with a romantic trend. He had a keen sense of color. As a technical painter, he attained remarkable success, his tone being very harmonious and even, but the effect to a viewer's eye is rarely interesting. A portrait of him painted by Jens Juel was made into a medallion by his friend Johan Tobias Sergel. August Vilhelm Saabye sculpted a statue of him in 1868, based on contemporary portraits. 