Technical
Give the name of the producer of the film "Sound City".
Sound City (film)
Matrix mixer The Order of the Black Eagle (film) The Sound and the Fury (film) Phonofilm Barry Spikings
Matrix_mixer-Recorded_sound The_Order_of_the_Black_Eagle_(film)-Sound The_Sound_and_the_Fury_(film)-Abstract Phonofilm-Hollywood_chooses_other_sound_systems Barry_Spikings-Filmography
In the process of mixing for film or television, a matrix mixer may be used to give the film director, television director or producer a working mix of the project while the mix engineer puts it together. In the recording studio, the same method may be used to give the record producer a different blend during the mixing process. As well, the matrix mixer may have been used to route various audio input channels to specific recording channels. 
  Sound — David Henson  
The Sound and the Fury is a 1959 film directed by Martin Ritt. It is an adaptation of the novel with the same name. 
While shunning Phonofilm, Hollywood studios introduced different systems for talkies. First up was the sound-on-disc process introduced by Warner Brothers as Vitaphone -- which used a record disc synchronized with the film for sound. Warner Brothers released the feature film "Don Juan" starring John Barrymore on 6 August 1926 in Vitaphone, with music and sound effects only. On 6 October 1927, Warner Brothers released "The Jazz Singer" with Al Jolson in Vitaphone. The film is often incorrectly credited as the first talking picture. "The Jazz Singer" was the first feature film to use synchronized sound for talking sequences rather than just for music and sound effects, and thus launched the talkie era, but DeForest's sound-on-film system was in fact the basis for modern sound movies. The Fox Movietone system was first demonstrated to the public at the Sam H. Harris Theatre in New York City on January 21, 1927, with a short film of Raquel Meller preceding the feature film "What Price Glory? ", originally released in November 1926. Later in 1927, producer William Fox introduced sound-on-film with the feature film "Sunrise" by F. W. Murnau. In 1928, the sound-on-film process RCA Photophone was adopted by newly created studio RKO Radio Pictures and by Paramount Pictures. 
 1975: "Conduct Unbecoming" (producer with Michael Deeley and Andrew Donally) 1976: "The Man Who Fell to Earth" (producer with Michael Deeley) 1978: "Convoy" (executive producer) 1978: "The Deer Hunter" (producer with Michael Deeley, Michael Cimino, and John Peverall) *Academy Awards 1978: Best Picture, Supporting Actor (Christopher Walken), Director (Cimino), Film Editing, and Sound. 1990: "Texasville" (producer with Peter Bogdanovich) 1992: "Bill & Ted's Bogus Journey" (executive producer) 1991: "Picture This - The Times of Peter Bogdanovich in Archer City, Texas" (producer) 1991: "The Taking of Beverly Hills" (executive producer) 1994: "The Favor" (executive producer) 1994: "There Goes My Baby" — also known as "The Last Days of Paradise" (executive producer) 1995: "Beyond Rangoon" (producer with John Boorman and Eric Pleskow) 2013: "Lone Survivor" (producer with Peter Berg, Sarah Aubrey, Randall Emmett, Norton Herrick, Akiva Goldsman, Mark Wahlberg, Stephen Levinson, Vitaly Grigoriants)  