Inscriptions, plaques, and dedications
When did they change where the plaque was mounted?
Statue of Liberty
Daphne du Maurier John Jacobs (activist) Sacramento Freelancers Drum and Bugle Corps Anna Sofie Jakobsen North American railroad signals
Daphne_du_Maurier-Cultural_references John_Jacobs_(activist)-Life_on_the_run_and_death Sacramento_Freelancers_Drum_and_Bugle_Corps-Uniforms Anna_Sofie_Jakobsen-Memory North_American_railroad_signals-Mounting
 English Heritage created controversy in June 2008 when they rejected an application to commemorate her home in Hampstead with a Blue Plaque. In 2011 a plaque was mounted on Cannon Cottage in Well Street, Hampstead, put up by the Heath and Hampstead Society. Daphne du Maurier was one of five "Women of Achievement" selected for a set of British stamps issued in August 1996. In 2013, Daphne du Maurier’s grandson, Ned Browning, released a collection of men's and women's watches based on characters from the novel "Rebecca", under the brand name "du Maurier Watches".  
John Jacobs spent the last 27 years of his life on the run. Although he had argued for rising violence in the aftermath of the townhouse explosion, Jacobs secretly felt intense guilt for having caused (as he saw it) the deaths of Robbins, Gold and Oughton. He also felt he was made the scapegoat for the townhouse explosion. "I know that for myself, part of what I wanted the political movement was friends, family and community," he wrote. "Somehow I thought that among people who were working together for social change, the values of the better society they were fighting for would be manifest in better social relations among themselves... He later wrote that he had "lost, killed, alienated or driven away" all his friends, and that—fugitive or not—his life was "sad and lonely". Jacobs wandered in northern California and Mexico for several years under several aliases, taking drugs and drinking heavily. He was almost captured once in California, but escaped by climbing out a window and escaping across a roof. Jacobs traveled to Canada, where his older brother was attending Simon Fraser University. The two did not meet often, in part because they looked alike but also because the FBI and Royal Canadian Mounted Police were still watching Robert in the hopes JJ would visit him. Jacobs first settled on Vancouver Island, British Columbia, and worked at planting trees—donating most of his money to the building of a Buddhist temple on nearby Saltspring Island. Jacobs soon moved to the mainland and settled in the city of Vancouver, where he took the name "Wayne Curry." He met his first life partner there, and he and the woman had two children by 1977. The relationship ended in the early 1980s, and Jacobs lived alone for several years. He continued to harbor a bitter hatred of police, and began taking cocaine. In 1986, Jacobs met and began living with Marion MacPherson. Jacobs worked at various blue-collar jobs, including stonecutter and construction worker, and made extra money selling marijuana. The couple became common law husband and wife, and raised four children (some from MacPherson's prior marriage). Jacobs took courses in Third World politics and history at several local colleges and universities, receiving grades of A's and B's. He spent much of his free time gardening or reading, and although acquaintances unwittingly urged him to become involved in political activity he refused. He spent much of his time in his basement, reading newspapers and clipping articles (especially those which told of his former Weatherman comrades resurfacing and reintegrating back into society). In 1996, Jacobs was diagnosed with melanoma. The cancer soon spread to his brain, lungs, and lymph nodes, and his skin became painfully sensitive to the slightest touch. The U.S. Department of Justice dropped its federal warrant against Jacobs in October 1979. John Jacobs died on October 20, 1997, of complications related to melanoma. He fell ill on October 19, and police and medical personnel were called to his home by his wife. When police officers inadvertently touched his sensitive skin (despite his wife's caution not to), he became violent and beat several officers before being subdued. Jacobs died the next day. Jacobs was cremated. Some of his ashes were spread in his backyard, some in English Bay, and some in Oregon (near a place he had visited while on the run). Some of his ashes were also taken to Cuba and spread near the mausoleum of Che Guevara. A photo of Jacobs from the late 1960s is attached to a plaque next to the site. An extensive statement, documenting Jacobs' life, is written on the plaque. It ends with the statement: "He wanted to live like Che. Let him rest with Che."
The uniforms worn by the Freelancers from 1980–1984 and 1987–1992 were red "cadet" jackets. Although they wore black pants for most of this period, they did wear white trousers in some later seasons. spats, gauntlets, and traditional shako hats were also key elements of the corps' visual identity. One of the more distinctive features of the uniform was the white, triangular fold on the front of the jacket which was criss-crossed with a black strap and a chrome buckle in the middle of the chest. Upon aging out, the members were presented with their buckle (mounted on a plaque) as a symbol of their time with the corps. Guard members received buckles as well, although they did not wear them as part of their uniforms (post 1980). Other uniforms worn were the original "cadet style" uniform, worn until 1979 which consisted of a grey jacket (closed) with black and red piping on the front with 3 vertical rows of buttons down the front, black trousers and shoes, a black shako with red plumage. In 1979, the corps wore red jumpsuits to coincide with their "The Wiz" production, and 1985 where the red cadet jackets were replaced with a black turtleneck and a "chestboard" that utilized multicolored triangular panels which could be (and were) changed throughout the show. 
In the Autumn of 2010, a plaque was unveiled on the wall of Jakobsen's house in Kristiansand where both she and Sophie Reuter worked before they left for China. 
Signals are most commonly mounted on trackside masts about to high to put them in the eyeline of the engineer. Signals can also be mounted on signal bridges or cantilever masts spanning multiple tracks. Signal bridges and masts typically provide at least of clearance over the top of the rail. Bracket masts are arranged with multiple signals are mounted on the same masts governing two adjacent tracks. Bracket masts tend to be the tallest type of signal to allow the train crew to see the signal over a train on the intervening track. Signals in electrified territory may be mounted on the catenary structure, and signals on bi-directional lines may be mounted back-to-back on the same mounting device. Through the 1970s signals were commonly mounted to the right of the track they governed. This mounting was designed to allow the engineer to view the signal when driving a steam or diesel locomotive with a long nose that restricted the view to the left. Where bi-directional running was implemented, signals needed to be mounted above the track or on bracket masts to allow this right hand placement. As locomotive design changed to allow good visibility on both sides of the track railroads shifted to bi-directional mast type signals, using signal bridges only in special situations involving multiple tracks or restricted views. Dwarf signals are typically mounted on the ground in areas of low speed movements or restricted clearances. Dwarf signals may be sometimes mounted higher up on a small mast or other structure for improved visibility. These can be known as "high dwarfs" or "stick signals," but a tall mounting does not change the lower speed applications of the dwarf signal. 