Music
What movie was the music of Llewyn Davis thought to have descended from?
Inside Llewyn Davis
Dave Van Ronk's music served as a starting point for the Coens as they wrote the script, and many of the songs first designated for the film were those he had recorded. Van Ronk co-author Elijah Wald said that the character of Llewyn Davis "is not at all Dave, but the music is.” (The cover of Davis's solo album, "Inside Llewyn Davis", resembles that of "Inside Dave Van Ronk". Both feature the artist in a doorway, wearing a tweed jacket and smoking a cigarette.) Other songs emerged in conversations between the Coens and T-Bone Burnett, who produced the music in association with Marcus Mumford. Burnett previously worked with the Coens on the music and soundtrack for "The Big Lebowski" and "O Brother, Where Art Thou? ", the latter of which sold about 8 million copies in the United States. The Coens viewed the music in the "Llewyn Davis" as a direct descendant of the music in "O Brother. "The humorous novelty song "Please Mr. Kennedy", a plea from a reluctant astronaut, appears to be a fourth generation derivative of the 1960 song "Mr. Custer", also known as "Please Mr. Custer", about the Battle of the Little Bighorn, sung by Larry Verne and written by Al DeLory, Fred Darian, and Joseph Van Winkle. A Tamla-Motown single followed in 1961: "Please Mr. Kennedy (I Don't Want to Go)", a plea from a reluctant Vietnam War draftee, sung by Mickey Woods and credited to Berry Gordy, Loucye Wakefield and Ronald Wakefield. In 1962 using a similar theme, The Goldcoast Singers recorded "Please Mr. Kennedy" on its "Here They Are "album, with writing credits to Ed Rush and George Cromarty. The Llewyn Davis version credits Rush, Cromarty, Burnett, Timberlake, and the Coens. Isaac, Timberlake, Mulligan, Driver and others performed the music live. The exception was "The Auld Triangle", which was lip-synced, with Timberlake singing bass. (Timberlake's vocal range was on display in the film. Critic Janet Maslin, listening to a soundtrack recording, confused Timberlake's voice with Mulligan's, which she thought resembled that of Mary Travers.)