Criticism by novelist Buchheim
What year did Lothar-Gunter Buchheim review "Das Boot"?
Das Boot
Even though impressed by the technological accuracy of the film's set-design and port construction buildings, novelist Lothar-Günter Buchheim expressed great disappointment with Petersen's adaptation in a film review published in 1981, especially with Petersen's aesthetic vision for the film and the way the plot and the effects are, according to him, overdone and clichéd by the adaptation. He also criticised the hysterical overacting of the cast, which he called highly unrealistic, while acknowledging the cast's acting talent in general. Buchheim, after several attempts for an American adaptation had failed, had provided a script detailing his own narrative, cinematographical and photographical ideas as soon as Petersen was chosen as new director. It would have amounted in full to a complete six-hour epic; however, Petersen turned him down because at the time the producers were aiming for a 90-minute feature for international release. However, today's Director's Cut of "Das Boot" amounts to over 200 minutes, and the complete TV version of the film is 282 minutes long. Buchheim, himself a U-boat correspondent, attacked specifically what he called Petersen's sacrificing of both realism and suspense in dialogue, narration, and photography for the sake of cheap dramatic thrills and action effects (for example, in reality one single exploding bolt of the boat's pressure hull would have been enough for the whole crew to worry about the U-boat being crushed by water pressure, while Petersen has several bolts loosening in various scenes). Buchheim also criticized depictions of the crew's loud behaviour during patrols as unrealistic and celebrations after achieving a torpedo hit or surviving a bombing as unprofessional. Furthermore, an officer—even an outsider like Lt. Werner—would have commanded special respect and that throwing an oil-drenched towel into his face would not have been tolerated. Uttering concerns about the end result, Buchheim felt that unlike his clearly anti-war novel the adaptation was "another re-glorification and re-mystification" of the German World War II U-boat war, German heroism and nationalism. He called the film a cross between a "cheap, shallow American action flick" and a "contemporary German propaganda newsreel from World War II".