Critical reaction
What year was the film Rio Bravo made?
The Avengers (2012 film)
Critical reaction. Todd McCarthy of "The Hollywood Reporter" gave a positive review of the film, remarking, "It's clamorous, the save-the-world story is one everyone's seen time and again, and the characters have been around for more than half a century in 500 comic book issues. But Whedon and his cohorts have managed to stir all the personalities and ingredients together so that the resulting dish, however familiar, is irresistibly tasty again." To "Rolling Stone" journalist Peter Travers, the film epitomized an exceptional blockbuster. "It's also the blockbuster," Travers said, "I saw in my head when I imagined a movie that brought together the idols of the Marvel world in one shiny, stupendously exciting package. It's "Transformers" with a brain, a heart and a working sense of humor." Justin Chang of "Variety" wrote, "Like a superior, state-of-the-art model built from reconstituted parts, Joss Whedon's buoyant, witty and robustly entertaining superhero smash-up is escapism of a sophisticated order, boasting a tonal assurance and rich reserves of humor that offset the potentially lumbering and unavoidably formulaic aspects of this 143-minute team-origin story." Kenneth Turan of the "Los Angeles Times" complimented the film's frenetic pace, while Roger Ebert of the "Chicago Sun-Times" commented that it "provides its fans with exactly what they desire. Whether it is exactly what they deserve is arguable". Conversely, A. O. Scott of "The New York Times" believed that "while "The Avengers" is hardly worth raging about, its failures are significant and dispiriting. The light, amusing bits cannot overcome the grinding, hectic emptiness, the bloated cynicism that is less a shortcoming of this particular film than a feature of the genre. "The performances of several cast members was a frequent topic in the critiques. In particular, Mark Ruffalo's portrayal of Dr. Bruce Banner/the Hulk was well-received by commentators. Joe Neumaier opined that his performance was superior to the rest of the cast; "Ruffalo is the revelation, turning Banner into a wry reservoir of calm ready to become a volcano." Similarly, "The New Yorker" Anthony Lane proclaimed Ruffalo's acting to be one of the film's highlights—alongside Downey. "The Village Voice" Karina Longworth concluded: "Ruffalo successfully refreshes the Hulk myth, playing Banner as an adorably bashful nerd-genius who, in contrast to the preening hunks on the team, knows better than to draw attention to himself." Travers asserted that the actor resonated a "scruffy warmth and humor" vibe, while Turan felt that he surpassed predecessors Edward Norton and Eric Bana in playing the character. Owen Gleiberman of "Entertainment Weekly" wrote that "the smartest thing the filmmakers did was to get Mark Ruffalo to play Bruce Banner as a man so sensitive that he's at war, every moment, with himself. (The film finally solves the Hulk problem: He's a lot more fun in small doses. )"Referring to Downey, Joe Morgenstein of "The Wall Street Journal"—despite complimenting Downey's performance—favored his work in "Iron Man" over his acting in "The Avengers": "His Iron Man is certainly a team player, but Mr. Downey comes to the party with two insuperable superpowers: a character of established sophistication—the industrialist/inventor Tony Stark, a sharp-tongued man of the world—and his own quicksilver presence that finds its finest expression in self-irony." Neumaier praised Evans, stating that he accurately conveyed his character's internal conflicts. Commentators appreciated the character development and dialogue. Associated Press reviewer Christy Lemire wrote that the script "sparkles as brightly as the special effects; these people may be wearing ridiculous costumes but they're well fleshed-out underneath." Scott suggested that certain parts of the film permeated a charm that he felt was similar to the western film "Rio Bravo" (1959). Longworth felt that while Whedon's script demonstrated the backstory of the characters, the film does not explore it "in a substantive way".