 Gauthier continued to present music that was thought poorly of by conservative audiences . On some occasions , such as her performances of Gershwin in New York in 1923 and 1925 , as well as in London in 1925 , this was quite successful . A critic in Vienna welcomed her musical selection as a reprieve from the usual fare of classical performances - Schubert , Brahms , Wolf , Richard Strauss - while praising her skill with more classical choices . Other performances suffered – she was booed while performing works by Heitor Villa @-@ Lobos at the Festival of the International Society of Contemporary Music in Venice . She became a celebrity , and continued giving performances across the United States , Europe , and her native Canada . On the sixtieth anniversary of Canadian Confederation in 1927 , she gave a performance in Ottawa which was the first transcontinental radio broadcast in Canada . Although she toured Canada from time to time , and attended performances of Canadian music in New York , she held a negative opinion of Canada 's treatment of native musicians , saying " Canadians . . . would rather listen to foreigners than their own people . " 
