<human>: Radiohead recorded their debut release, the Drill EP, with Chris Hufford and Bryce Edge at Courtyard Studios. Released in May 1992, its chart performance was poor. The band enlisted Paul Kolderie and Sean Slade, who had worked with US indie bands Pixies and Dinosaur Jr., to produce their debut album, recorded quickly in an Oxford studio in 1992. With the release of the "Creep" single later that year, Radiohead began to receive attention in the British music press, not all of it favourable; NME described them as "a lily-livered excuse for a rock band", and "Creep" was blacklisted by BBC Radio 1 because it was deemed "too depressing".  Radiohead released their debut album, Pablo Honey, in February 1993. It stalled at number 22 in the UK charts, as "Creep" and its follow-up singles "Anyone Can Play Guitar" and "Stop Whispering" failed to become hits. "Pop Is Dead", a non-album single, also sold poorly. Some critics compared the band's early style to the wave of grunge music popular in the early 1990s, dubbing them "Nirvana-lite", and Pablo Honey failed to make a critical or a commercial impact upon its initial release. Despite shared influences with popular guitar acts, and some notice for Yorke's falsetto, Radiohead toured only British universities and clubs.  In early 1993, Radiohead began to attract listeners elsewhere. "Creep" had been played frequently on Israeli radio by influential DJ Yoav Kutner, and in March, after the song became a hit in that country, Radiohead were invited to Tel Aviv for their first live gig overseas. Around the same time, the San Francisco alternative radio station KITS added "Creep" to its playlist. Soon other radio stations along the west coast of the United States followed suit. By the time Radiohead began their first North American tour in June 1993, the music video for "Creep" was in heavy rotation on MTV. The song rose to number two on the US modern rock chart, entered the lower reaches of the top 40 pop chart, and hit number seven in the UK Singles Chart when EMI rereleased it in the UK in September.  Unexpected attention for the single in the US prompted EMI to improvise new promotional plans, and the band shuttled back and forth between continents, playing more than 150 concerts in 1993. Radiohead nearly broke up due to the pressure of sudden success as the Pablo Honey supporting tour extended into its second year. The band members described the tour as difficult to adjust to, saying that towards its end they were "still playing the same songs that [they had] recorded two years previously ... like being held in a time warp", when they were eager to work on new songs. CANNOTANSWER

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<bot>: The band members described the tour as difficult to adjust to, saying that towards its end they were "still playing the same songs