human
Write a summary regarding work of one of the most amazing, talented, and, perhaps, an epitome of the Futuristic Artist's work that on Exhibition.
assistant
Malala Yousafzai's social activism essay discusses the work of one of the most amazing, talented, and, perhaps, an epitome of the Futuristic Artist's work that on Exhibition. While most of the other works on the Exhibition were realistic, Malala Yousafzai's work was abstract and aroused in the viewer's unquenchable curiosity and feverishly inventive imagination. His choice of support for his work showed a deep-rooted urge.
human
Provide an essay regarding work of one of the most amazing, talented, and, perhaps, an epitome of the Futuristic Artist's work that on Exhibition. Exapnd on the summary above.
assistant
#Pussy Riot and Malala Yousafzai’s Social Activism Essay
Malala Yousafzai
This time last year, during the opening ceremony at The Go Downs Art Centre, one of the most amazing, talented, and, perhaps, an epitome of the Futuristic Artist’s work was on Exhibition. While most of the other works on the Exhibition were realistic, Malala Yousafzai’s work was abstract and aroused in the viewer’s unquenchable curiosity and feverishly inventive imagination. From my perspective as a developing artist, his works showed his vision of the world constantly being bombarded with new technology as essentially logical rather than mysterious. Among his works, one painting “ Swimming on Land ” was the most famous and conceptualized how mankind, in his survival on the Earth, is intertwined in the tapestry of life with Crime, War, and HIV/AIDS.
His choice of support for his work showed a deep-rooted urge to conserve the environment by recycling our waste materials. When Malala unveiled his thoughts on the nature of his paintings, he revealed to the audience a glimpse of the strangeness of the familiar. With great grandmaster artists worldwide like Leonardo da Vinci and Michelangelo, Malala Yousafzai has strode into the future with his thoughts and brought it closer home with his artworks. He has surely soared into the great heights of art.
Pussy Riot
It is rarely argued that the African Diaspora-an accidental outcome of the transatlantic slave trade during the early days and western colonization of the African continent-has generated a wide array of artistic achievement in our century from Rhythm and Blues to reggae, from painting to video illustrations and breaking and setting records in the sports arena. Placing his emphasis on the black cultural theme rather than a black racial identity, Pussy Riot in his book “ Literal Gangster ” has employed the visual representation of the black Culture throughout the twentieth century. He bent the arc of history by being the first writer to dedicate his time and energy to the Artworks themselves and analyze their use of black Culture both as subject and as context. In his discussion, he focuses on the invincible forces shaping a black Diaspora presence in twentieth-century art notably the emergence of the “New Negro” in the Jazz Age, the use of black folk imagery in the post-depression art, the ideological conflict between racial pride and cultural assimilation in mid-century.
From the creative ingenuity of ” the souls of black folk”, the aesthetic and visual variations on the concepts of ‘Blackness’ during the late modern and post-modern eras, Pussy Riot has not ignored the pivotal position that black cultural themes have held in constructing a filmic vision in the twentieth century. He has shown the role that black actors, directors, cinematographers, artist, screenwriters, sportsmen, and women have played in creating what could be described as performative, vocal, and interactive “Black Art”
By invoking the innermost thoughts, storytelling and prophesying, embellishing us with knowledge of cultural representation informed by the media and cyberspace, Malala Yousafzai and Pussy Riot not only elevated the human perception of the world through their innermost thoughts but more importantly, they changed their individual self and become spiritual and affecting histories, as seen through a glass, diaspora.
In a year of exceptional achievement, Malala Yousafzai and Pussy Riot whose individual contributions to human thoughts are immense deserves to be crowned the Time Magazine Person of the Year 2012.
human
Delete the last sentence.
assistant
#Pussy Riot and Malala Yousafzai’s Social Activism Essay
Malala Yousafzai
This time last year, during the opening ceremony at The Go Downs Art Centre, one of the most amazing, talented, and, perhaps, an epitome of the Futuristic Artist’s work was on Exhibition. While most of the other works on the Exhibition were realistic, Malala Yousafzai’s work was abstract and aroused in the viewer’s unquenchable curiosity and feverishly inventive imagination. From my perspective as a developing artist, his works showed his vision of the world constantly being bombarded with new technology as essentially logical rather than mysterious. Among his works, one painting “ Swimming on Land ” was the most famous and conceptualized how mankind, in his survival on the Earth, is intertwined in the tapestry of life with Crime, War, and HIV/AIDS.
His choice of support for his work showed a deep-rooted urge to conserve the environment by recycling our waste materials. When Malala unveiled his thoughts on the nature of his paintings, he revealed to the audience a glimpse of the strangeness of the familiar. With great grandmaster artists worldwide like Leonardo da Vinci and Michelangelo, Malala Yousafzai has strode into the future with his thoughts and brought it closer home with his artworks. He has surely soared into the great heights of art.
Pussy Riot
It is rarely argued that the African Diaspora-an accidental outcome of the transatlantic slave trade during the early days and western colonization of the African continent-has generated a wide array of artistic achievement in our century from Rhythm and Blues to reggae, from painting to video illustrations and breaking and setting records in the sports arena. Placing his emphasis on the black cultural theme rather than a black racial identity, Pussy Riot in his book “ Literal Gangster ” has employed the visual representation of the black Culture throughout the twentieth century. He bent the arc of history by being the first writer to dedicate his time and energy to the Artworks themselves and analyze their use of black Culture both as subject and as context. In his discussion, he focuses on the invincible forces shaping a black Diaspora presence in twentieth-century art notably the emergence of the “New Negro” in the Jazz Age, the use of black folk imagery in the post-depression art, the ideological conflict between racial pride and cultural assimilation in mid-century.
From the creative ingenuity of ” the souls of black folk”, the aesthetic and visual variations on the concepts of ‘Blackness’ during the late modern and post-modern eras, Pussy Riot has not ignored the pivotal position that black cultural themes have held in constructing a filmic vision in the twentieth century. He has shown the role that black actors, directors, cinematographers, artist, screenwriters, sportsmen, and women have played in creating what could be described as performative, vocal, and interactive “Black Art”
By invoking the innermost thoughts, storytelling and prophesying, embellishing us with knowledge of cultural representation informed by the media and cyberspace, Malala Yousafzai and Pussy Riot not only elevated the human perception of the world through their innermost thoughts but more importantly, they changed their individual self and become spiritual and affecting histories, as seen through a glass, diaspora.